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A 19th century cast iron novelty desk bell, in the form of a standing pig, with a push button nose and tail17cm longCondition report: Looks to be complete, but is heavily worn and marked all over. The mechanism winds ok and is operated by pressing the tail or the nose, but is quite temperamental, so sometimes will not stop ringing when pressed.
A George III longcase mahogany cased longcase clock, the arched brass dial, with strike silent, subsidiary seconds dial and calendar niche, signed Jas Smith, London, having an eight day movement striking on a bell216cm highCondition report: Ticks, winds and adjusts ok. Not set up to strike. The movement looks clean and to have been restored in recent times. The case is overall ok, although there are signs of age, one column has been broken, no finials. Has weights, key and pendulum, key to the case works ok. Various knocks and marks from age/use.
SEREN BELL large pen and ink on paper - study of a cockerel in a landscape, 69 x 64cms Provenance: private collection, consigned via our Carmarthen office Presentation & Condition: no problems, framed and glazedI could not find a signature.There is a 2cm tear along the bottom edge in the middle.There are two large sections of water damage in both top corners.There is a 1cm square paper loss along the left edge.The is a section along the same edge, the left side which looks like the paper has been cut.The fame also has damage to the corners.Please note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
MURIEL DELAHAYE pastel - large underwater scene of five female figures pulling bell ropes entitled verso 'The Sound Of Bells' signed, 103.5 x 83cms Provenance: private collection Ceredigion Auctioneer's Note: the illustration showing the bell ringers of Cantre'r Gwaelod which, according to Mabinogion legend, is an ancient kingdom beneath the sea at Cardigan Bay, and where it is said one can hear bells from the far away below the sea, the famous Welsh folk song 'The Bells Of Aberdovey' supposedly refers to the story of Cantre'r Gwaelod Presentation & Condition: no apparent problems, modern frame and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
PAUL PETER PIECH limited edition (40/75) two colour screen print with image and words from the prose work 'Devotions upon Emergent Occasions' by John Donne (1572-1631) 'No man is an island, Entire of itself; Everyman is a piece of the continent, Part of the main; If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friends or thine own were; any man's death diminishes me, because I am involved in mankind; And therefore never send to know for whom the bell tolls; it tolls for thee', signed in pencil and dated 1972, 46 x 21cms Provenance: private collection Ceredigion Presentation & Condition: no apparent problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
A selection of ornamental and decorative ceramics: to include Crown Staffordshire Fine Bone China, a Royal Crown Derby two-handled trinket dish in the 'Royal Antoinette' pattern, a Davenport urn with hinged lid and two handles modelled as open-winged angel-style figures (18.5cm high, approx. 11cm at the widest point), a Royal Crown Derby goblet in the 'Olde Avesbury' pattern, a Dresden-style table bell with hand decoration of floral sprays and gilt highlights (large hairline), five cups and saucers, three mugs etc.Condition Report: The Davenport urn is a modern reproduction from the early 21st century, all appears to be in good condition. It is noted that there some 'original' glue noticeable where the hinged lid has been glued onto the main body and where the body meets the circular socle at the base. This appears as a manufacturing rather than restoration issue.
A mixed lot to include: Miranda 10 x 50 wide angle field glasses with a coated optics; another set by Leitz (Wetzlar) 7 x 420; a cased Japanese camera lens by Soligor; a Bell & Howell 8mm cine camera in original leather case and an artisan's pocket tool setCondition Report: The larger pair of field glasses by Miranda are 122 metres at 1000 metres, the small pair of field glasses are numbered 715459 - other magnification description is not easy to decipher.
AN INLAID WOOD NETSUKE OF KIYOHIME, ATTRIBUTED TO MINKO Attributed to Tanaka Juntoko Minko (1735-1816), unsignedJapan, Tsu, first half of 19th century, Edo period (1615-1868)Depicting the wrathful Kiyohime with finely carved long hair, as a serpentine monster pursuing the priest Anchin in her rage and wrapping her scaly body around the Dojo-ji temple bell. Her face and hands are inlaid in ivory, the pupils are inlaid in dark horn at the corners. The handle of the bell, made from a different type of wood, is surmounted by two dragon heads and a tama. Himotoshi underneath Kiyohime and underneath the bell, the latter ringed in bone. Additionally, there is a peg for cord attachment on the inside of the removable handle.LENGTH 5.5 cmCondition: Excellent condition with minuscule surface wear.Provenance: British private collection.Auction comparison:A related netsuke by Minko was sold at Zacke, Fine Netsuke, Sagemono & Okimono, 24 November 2018, Vienna, lot 70 (sold for 8,670 EUR).
AN OLD WOOD NETSUKE OF KIYOHIME UnsignedJapan, 18th century, Edo period (1615-1868)An old, worn wood netsuke depicting the wrathful female demon Kiyohime holding a strand of her hair in one hand and a mallet in the other, her dragon-like body tightly wrapped around the bell of Dojo-ji. Her eyes are inlaid in horn. The wood bearing a very appealing chocolate-brown patina. Note the finely detailed carving to the bell. Himotoshi through the bell.HEIGHT 5.5 cmCondition: Good, age-related condition. Old restoration to the jaw. Tiny chip to the hem of the robe. The himotoshi worn from use.Provenance: German private collection.In the legend of Kiyohime, the priest Anchin fell in love with the once beautiful Kiyohime, but refrained from his passions, escaping from her which made Kiyohime transform into a dragon-like monster due to her rage. In her rage she belched a fire so great it not only melted the temple bell but also killed Anchin.
AN OLD IVORY NETSUKE OF KIYOHIME UnsignedJapan, 18th century, Edo period (1615-1868)An old, worn ivory netsuke depicting the wrathful female demon Kiyohime holding a strand of her hair in one hand and a mallet in the other, her dragon-like body tightly wrapped around the bell of Dojo-ji. Her eyes are inlaid in dark horn. The ivory bearing a beautiful, lustrous patina. Himotoshi through the bell.HEIGHT 4 cmCondition: Good, age-related condition. One old, worn-down chip to the edge of the bell. Some age cracks and surface wear.Provenance: Dutch private collection.In the legend of Kiyohime, the priest Anchin fell in love with the once beautiful Kiyohime, but refrained from his passions, escaping from her which made Kiyohime transform into a dragon-like monster due to her rage. In her rage she belched a fire so great it not only melted the temple bell but also killed Anchin.
A STAINED IVORY RYUSA MANJU NETSUKE WITH A SHISHI EMERGING FROM A MOKUGYO Unsigned, but carved in the manner of RensaiJapan, Tokyo, Asakusa, second half of 19th centuryThe front side with a shishi emerging from a mokugyo (temple bell) with a handle in the form of two confronting dragons with a tama, a long stem with lotus flower to one side, the reverse with a large lotus leaf, pierced in the center with the ringed himotoshi above an elegantly cuved nyoi scepter.DIAMETER 3.8 cmCondition: Very good condition with minor surface wear, natural age cracks.Provenance: British private collection.
TOMOCHIKA: A RARE IVORY THREE-CASE INRO IN THE FORM OF A TEMPLE BELL AND DEPICTING BENKEI, WITH IVORY NETSUKE AND OJIME The inro by a member of the Tomochika family, signed Tomochika 友親Japan, Tokyo, late 19th century, Meiji period (1868-1912)The inro impressively carved in the form of the bell of Mii-dera, with Benkei trying to carry the massive bell and a young Yoshitsune running behind him, likely they are being chased by the shrouded samurai on the other side of the inro, all surmounted by a coiled dragon writhing around a magic jewel (tama) inlaid in coral, cleverly masking the nerve plug and natural cracks. With a finely carved ivory ojime in the form of Daruma and an ivory netsuke of a resting farmer.HEIGHT 8 cm (the inro), HEIGHT 4.2 cm (the netsuke), HEIGHT 1.6 cm (the ojime)Condition: Very good condition with minor wear, few minuscule chips to edges, small natural age cracks.Provenance: British collection.According to legend, the bell of Mii-dera temple in Kyoto was stolen once by the famous warrior monk Benkei, who dragged it up to the summit of Mount Hiei. There, he tried to strike it and was angered when the bell rang, “eeno eeno”, which means “I want to go back” in the Kansai dialect. Benkei then threw the bell down to the bottom of the valley, causing it quite some damage which has remained to this day.Accurate biographical information about Benkei's career is difficult to obtain, mainly because the legends of his exploits are so deeply entrenched in Japanese Mythology. Benkei will forever be the companion of Japan's greatest folk hero, Minamoto no Yoshitsune (1159-1189) and the passing years will enhance rather than diminish his status, further clouding his role during the political intrigue between Yoshitsune and his brother, Yoritomo.
KEIGYOKU: A FINE IVORY KISERUZUTSU DEPICTING RAKANS AND DRAGON By Keigyoku, signed Keigyoku 桂玉Japan, second half of 19th centuryOf muso-zutsu type and worked in high relief and sunken relief, the details very finely engraved. Depicted are two rakan, one seated and leaning on a root wood table, a kenchi (gantha) bell placed on the surface, and holding a nyoi (ruyi) sceptre, a large vase with lotus behind him. Another rakan (probably Handaka Sonja) is standing, prayer beads hanging from his arm, and holding an alms bowl from which a dragon emerges, its body breaking through the clouds. The cord attachment in the form of a curved reishi fungus and the signature neatly incised in the back KEIGYOKU.LENGTH 22.5 cmCondition: Good condition with some age cracks. The inserted piece with a crack and some damage to the end (hidden away inside the lower part).Provenance: German private collection.
A Marx tinplate and clockwork model of a Wonder Cyclist comprising of Three wheeled trike fitted with clockwork mechanism and working ringing bell complete with little boy dressed in shorts and vest, with blonde hair, loose example, in full working order, dating to the late 1930s, rare example
Four various boxed mixed manufacturers 1/50 scale construction vehicles to include a Norscot Grove ATS 540 crane, a Norscot Bell 850D articulated truck, an NZG No. 413 Caterpillar D250E articulated truck, and a Volvo A40D articulated unit, all housed in original all card or window display boxes
A Marsh Models The Thundersport range, 1/43 scale white metal and resin factory hand built race car group to include a No. MM14K 1965 Ford Mk2 Le Mans race car, MM9 1971 Le Mans Golf 917 Siffert/BELL, together with another MM9 1971 Le Mans Golf race car, No. 18 Rodriguez/Oliver, all built to a very high standard, and housed in the original boxes
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123939 item(s)/page