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Lot 616
Title: LŽopold Steiner (1853-1899): Cat toy, patinated bronze & Jean Jules Cambos (1828-1917): 'David', patinated bronze Description: Dimensions: H 44,5 cm (cat toy) H 34 cm (David) The work of Cambos marked 'Bronze garanti au titre - Paris' and marked with a monogram (probably E.P.) under a kind of bell, referring to the bronze foundry. The same monogram can be found on the bottom.
Lot 329
A fine 19th Century French ormolu Mantle Clock, by Réne Frites, Paris, the relief cast with central rosette and enamel Roman numerals, the movement with outside count wheel striking on a steel bell, the ornate rococo case with floral finial centred with two frolicking boys and flanked with elaborate leaf and floral scrolls on a conforming base, 16" (41cms) h. (1)
Lot 2021
Mixed Lot: comprising two various cylindrical napkin rings, together with a small rectangular powder compact with hinged cover on a chain and ring suspension, white metal mounted evening purse stamped 800 with hinged clasp and black silk fitted body and a single bell (a/f), weighable silver approx 68gms, various dates and makers (5)
Lot 1880
First quarter of 19th century silver cased open face verge watch, John Bell - Norwich, 881, the gilt movement with engraved cock and mono-metallic balance (hairspring a/f) to a verge escapement and with fitted dust cover to a Roman enamel dial (heavily damaged) in a hinged and polished case, London 1819, maker's mark JH, width 56mm
Lot 936
A mid 18th Century black japanned longcase clock by William Harris of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, the spandrels cast with putti holding aloft a crown, to the eight day two train movement striking on a bell, contained in black japanned case decorated in gilt with chinoiseries, the hood with moulded cornice and blind fret frieze and plain turned pillars, the trunk door decorated with pavilions, flowering trees and birds and with brass framed circular lenticule, on moulded plinth base, 83ins high Note: Several William Harris' recorded working in London; William (St Michaels Lane, London, 1720-1731), William (son of Francis William, London, apprenticed 1721, Clockmakers Company 1776), William (Aaron - son of William, London, apprenticed 1735, Clockmakers Company 1743-1773), or William Harris, London, apprenticed 1756
Lot 376
An early 18th Century gilt metal pair cased quarter repeating verge pocket watch by John Gordon of London, No. 174, the white enamel dial with Roman and Arabic numerals and finely pierced gilt hands, to the verge movement with finely pierced and engraved cock with diamond endstone, pierced and engraved plate with silvered regulation dial with turned and knopped pillars, contained in gilt metal inner case, the sides pierced and engraved with a mask, birds and mythical beasts and with inner bell, in plain outer case, 49mm diameter (gross weigh 123 grammes) Note: John Gordon recorded working as a watch and clock maker Ludgate Street, London, apprenticed 1689, member of The Clockmakers Company 1698-1723
Lot 934
An early 19th Century oak longcase clock by Hardeman & Son of Bridge (Canterbury, Kent), the 12ins arched brass dial with Roman numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with gold flowers, to the eight day two train movement striking on a bell, contained in oak case, probably by Goulden of Canterbury, the hood with shaped "dolphin tail" cresting and gilt finials, with turned and fluted pillars to hood, arched trunk door, on bracket feet, 86ins high (including finials) Note: Samuel Hardeman recorded working Bridge 1794-1839, and his son William Henry Hardeman recorded working 1848-1874
Lot 915
A late 19th Century mahogany and brass mounted mantel clock retailed by A. & H. Rowley of London, the shaped gilt brass dial with silvered chapter ring with Roman and Arabic numerals, matted dial centre and with Strike/Silent dial to arch, to the eight day two train movement striking on a gong, contained in mahogany case of "18th Century" design with inverted bell top and turned finials, fluted and part brass stopped canted corners to front, on brass bracket feet, 14.75ins high
Lot 588
Victorian mahogany longcase clock, arched painted dial distinctly signed * of Leeds, with subsidiary seconds and date dials, painted abbey ruins to the lunette, the spandrels with shells, eight-day two-chain movement striking on a bell, the case with swan-neck pediment, trunk cross banded and with a short door, bracket feet, height 240cm.
Lot 623
Thomas Bennet, London George III mahogany longcase clock, arched brass dial signed Thomas Bennet, London, subsidiary second dial and date aperture, cast Rococo spandrels, eight-day two-chain movement striking on a bell, the case with broken arched hood centred by a leaf motif, arched long door with moulded outline, quarter column quadrants, ogee bracket feet, height 220cm.
Lot 111
Jn Farmer, Oxford Street George III mahogany lancet bracket clock, white enamel dial, double fusee movement striking on a bell, the back plate engraved Jn Farmer, Oxford Street, the case lancet shaped with brass grilles and loose ring foliate handles, 46cm.Footnote: John Farmer, London 1817-24.
Lot 151
An early 20th Century E. Dent & Co brass skeleton clock, the pierced dial with Roman numerals with a plaque bearing the name 'Dent London' attached beneath, a single fusee movement striking on a bell, standing on a wooden base with curved edges raised on four bun feet, covered with a glass dome af., together with the original instruction leaflet, height (including dome) 43.5 cm, height (excluding dome) 37 cm
Lot 932
An 18th Century oak longcase clock by William Kipling of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, the spandrels in the form of two putti holding aloft a crown, with engraved borders, to the eight day two train movement striking on a bell, contained in oak case banded in mahogany, the hood with moulded cornice and slender turned pillars, shaped trunk door inlaid with chequered stringings, on bracket feet, 78ins high Note: William Kipling recorded as a fine maker working in London 1705-1737
Lot 332
Obadiah Smith of London. An early 18th century walnut eight day longcase clock, the 12 inch arched brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, with maker's plaque inscribed 'Obadiah Smith, Ratliff highWay, London', movement with anchor escapement striking on a bell, W.1ft 9in. H.7ft 3in.
Lot 191
A Japanese Shibayama style ivory and wood okimono of a Sambaso dancer and a cherrywood and ivory okimono of a bijin, Meiji period, the dancer holding a bell in one hand and a fan in the other, with inlaid flowers to his robes, engraved two character signature to a mother-of-pearl tablet 'Masa...', the bijin with gold lacquer carne mon and flowers to he robes, H. 23cm and 22cm, slight losses
Lot 450
A set of hand-drawn John Bell "JP1 ACCESS", aerial lift, and power station park sign concept sketches from the production of Steven Spielberg's Academy Award-winning sci-fi action adventure Jurassic Park. Art director John Bell drew several different concepts for the signs that were seen around the dinosaur-filled theme park on Isla Nublar. These three hand-drawn pieces of concept art are rendered in black pen and coloured marker on three-hole-punched white paper, signed "J. BELL", and dated "5.92". All three park sign drawings feature Isla Nublar in different shades of green, two of which have blue borders and one a white border. The different icons on the signs are "JP1 ACCESS", an aerial lift, and a power station. The concept drawings exhibit minor wear, most notably several small pinholes in the top-centre of each sheet from being hung in the art department for review. Dimensions: 39.5 cm x 28 cm (151/2" x 11")£600-800 Ω *Sold without copyright; see copyright notice in the Buyer's Guide
Lot 448
A set of hand-drawn John Bell park sign concept sketches from the production of Steven Spielberg's Academy Award-winning sci-fi action adventure Jurassic Park. Art director John Bell drew several different concepts for the signs that are seen around the dinosaur-filled theme-park on Isla Nublar. These three hand-drawn pieces of concept art are rendered in black pen and coloured marker on three-hole-punched white paper, signed "J. BELL", and dated "5.92". All three park sign drawings feature Isla Nublar in different shades of green, two of which have blue borders and one a white border. The different icons on the signs are "TS-03", "JP1", and a simple drawing of a photo camera against a blue backing. The "TS-03" art piece has "0-1" and "SIGNAGE FOR €ËÅ“SENSOR POLE'" written in the top two corners of the sheet. The concept drawings show minor wear, most notably several small pinholes in the top-centre of each sheet from being hung in the art department for review. Dimensions: 39.5 cm x 28 cm (15 1/2" x 11")£600-800 Ω *Sold without copyright; see copyright notice in the Buyer's Guide
Lot 456
John Hammond's (Richard Attenborough) prototype cane from the production of Steven Spielberg's sci-fi action adventure Jurassic Park. Hammond, the mastermind behind Jurassic Park, relied on his cane, which featured an amber-encased mosquito at the knob. Such mosquitoes were used to create the dinosaurs within the park. This cane was created as a prototype for the piece used onscreen by prop builder Scot A. McKay, and includes a letter of authenticity explaining the process by which the cane was constructed, the materials used, and the information that this was the only prototype cane made, though alternate handle designs were experimented with. Also included is an original production printed copy of the cane design by illustrator John Bell and five photographs of the cane's production and alternative prototype handles, such as a curved amber handle. The cane is carved to resemble ridged bone, with an affixed rubber tip and a mosquito encased in an amber-coloured resin knob. The cane exhibits minor scuffing and a split in the rubber tip. This represents an incredibly rare genuine production example of arguably the most memorable prop from this landmark film. Dimensions: 94 cm x 7.5 cm x 7.5 cm (37" x 3" x 3")£5000-7000 Ω Δ
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123896 item(s)/page