A MAHOGANY LONGCASE CLOCK by John Atkinson, Isle of Man, the eight day movement with anchor escapement striking on a bell, 12" square brass dial, the silvered centre chased with foliate scrolls and signature banner, Roman and Arabic numerals and calendar aperture, the case with moulded cornice on turned columns, the trunk with arched door and fluted angles, panel base and bracket feet, 80 1/2" high (Est. plus 21% premium inc. VAT)
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AN OAK LONGCASE CLOCK by John Lawrence, Lancaster, the eight day movement with anchor escapement striking on a bell, 13" square brass dial with Roman and Arabic numerals, foliate chased centre with seconds dial and calendar dial enclosing signature, the mahogany banded case with dentil moulded cornice on turned columns, arched door flanked by quarter columns, panel base and ogee bracket feet, 81 1/2" high (Est. plus 21% premium inc. VAT)
A Dutch silver bell, English Import marks for 1901, foliate embossed around a vacant cartouche and surmounted by a cast figure, 8cm high, a small circular dish inset with a Maltese two Scudi, 1796, 8.5cm diameter, a Norwegian enamelled spoon, detailed 925S, Sandefjord, a set of five demi-tasse, the cast stems with cherub capitals, a Queen Victoria 1897 Jubilee Commemorative silver spoon, 6.5ozs weight combined, also the base of a silver mounted glass stamp roller (10).
E. Carrell, Jersey; a George III mahogany crossbanded boxwood strung longcase clock, decorated with engraved ivory motifs, the arched hood with a moulded broken swan neck pediment, gilt metal mounted free standing reeded pilasters, the shaped moulded long trunk door between canted corners, the 13" painted dial with Roman numerals, subsidiary seconds and date aperture, the twin train movement striking on a bell, 235cm high, with key (2).Illustrated.
Savoine a Paris; a French mahogany boxwood strung and ebonised carriage clock, circa 1870, the rectangular case with cast gilt metal carrying handle, the enamel dial with Roman numerals, the twin train movement with outside count wheel striking on a bell, further signed on the back plate, 26cm high, with key (2).
Tomlingson, Horncastle; a George III mahogany and oak boxwood strung and banded and longcase clock, the arched hood with a moulded broken swan head pediment with brass mounts, brass mounted free standing reeded pilasters, the shaped moulded short trunk door with ivory escutcheon, the 12" painted dial with Roman numerals and subsidiary seconds, painted with a lady in a coastal landscape and cottages, the twin train movement striking on a bell, 206cm high.
William Lancaster Plymouth Dock; a George III longcase clock, the 12" brass dial with silvered chapter ring, Roman and Arabic numerals, seconds and date subsidiaries, moon phase with High Water at Ply. Mo. Dock, the twin train movement striking on a bell, the George III and later mahogany rosewood satinwood and banded case with moulded arched top, the short trunk door with a fan carved surmount, on a shaped apron stand, 211cm high. Illustrated
James Gould, London; a late 17th century gilt chinoiserie decorated black lacquered longcase clock, painted with flowers and foliage, the arched moulded hood with a blind cut-card frieze surmounted by two giltwood orbs, having cylindrical pilasters, the long trunk door with scenes of figures on horseback and in a fenced garden and two birds, a figure in a landscape below, the 12" brass dial with silvered chapter ring, strike/silent regulation, subsidiary seconds and date aperture, Roman and Arabic numerals, the twin train movement striking on a bell, 226cm high.* An old hand written label inside the trunk inscribed 'This clock belonged to the Mr Howard of Cundington The Philanthropist'Illustrated.
Edmonds Paris; an ornate gilt metal mantel clock, circa 1880, the rectangular case with a domed top surmounted by a classical two handled vase, on a stepped base with canted corners, cast with acanthus, beading, bell-flowers and scrolls, the canted corners with animal masks issuing pendants of flowers and leaves, the centre with a cabochon cartouche, the case inset with porcelain plaques painted with flowers and musical trophies reserved within pale green borders and gilded, the porcelain dial centred by a classical figure roundel, the twin train movement striking on a bell, 32cm high, on a shaped giltwood stand, 25cm wide (2). Illustrated
An Empire Pendule d'Officier, unsigned, the rectangular gilt metal case with raised flowering leafy scrollwork on a textured ground within gadroon borders and surrounding the white enamel dial, Roman numerals and blued steel hands, engine turned bezel, ring suspension, the movement with outside countwheel and striking on a later bell, 15 x 11cm, in a fitted blue velvet and silk lined easel case, covered in crimson leather, applied with a gilt metal crown and 'N' and gilded with insects to the corners, 23 x 16 x 4cm, lacking strut.Illustrated
Six tape measures, comprising an ivory barrel form example the complete tape inked in nails, 3.5cm., a vegetable ivory pedestal example incorporating a double ended pin cushion, 11cm., another of pineapple form with pin cushion base, complete printed tape, a box wood bell form example with bone handle with complete printed tape, 5.7cm., a vegetable ivory crown form example, complete printed tape, 6cm. and a box wood barrel form example the bone spindle lacking Stanhope, complete tape but lacking screw cover, 3.8cm. (6)
Knitting comprising a wooden umbrella form knitting needle case, 35cm, another of cylinder form in oak, 28cm, another in split and coloured straw work, some losses, 22cm, a 'Mitrailleuse Knitting Tin Case', 23cm, four pairs of needles, five packets of needles, a stitch holder on card, The MP Handy Guide, 11.75cm, two bell shaped metal gauges, four other gauges and a Briggs Patent Teneriffe Wheel, (qty)
World War Two Tirpitz Raid collection 9 hand written and typed letters from Bomber command veterans who all took part in the sinking of the Tirpitz during World War Two includes Joe Dacey, Trevor Muhl, Bill Bell, Tom Bennett, Mac Hamilton from Dambuster Squadron historian Jim Shortland. Good condition Est.
A group of metal items, comprising a primitive brass bell with later wooden handle, 16cm high, a small 17th Century sheep bell, traces of decoration, a hinged brass box or inkwell, 4cm, a candle snuffer and two tokens 'A Bristol Farthing 1652' and another 'John Clfre Merch. In Bath - 1655'. (6)
Mauchline ware - sewing - eight pieces comprising a wool ball (Hoylake church) 8.5cm dia, a dome top reel box (Royal Parade, Southend), a cylinder sewing companion with reel and thimble (Pulpit Rocks, Landslip, Lyme) a crochet cylinder (Suspension Bridge Clifton/View From The Suspension Bridge) a pin dish (Cavendish Hotel, Grand Parade Eastbourne) a disc form pin cushion (St Nicholas Church Sevenoaks), a thimble egg (Admiralty Pier, Dover) and a bell shaped tape measure (The Holborn, Viaduct), 5.5cm high (8)
Mauchline ware - sewing - five pieces, comprising a bell form tape measure (Henley on Thames) tape very fragile, 6cm, a saucepan thimble case (Tunbridge Wells From the Front), 4.5cm, a thimble case in the form of a teapot with silver thimble (Folkestone Looking West), 5cm, a thimble cylinder with thimble (Burnham Beeches), split, 3.2cm, and a slant top thimble box with thimble (Sea View Isle of Wight), 3.5cm (5)
A Fine Model Field Cannon And Limber Circa 1830-50With bronze barrel of tapering multi-stage form with raised moulding and bell-shaped muzzle, knob-shaped cascabel linked to the elevating screw, and plain trunnions: on original iron-mounted figured field carriage with cambered wheels, munition chest mounted over each axle, and solid tapering trail with fuse-cutter on the right side, the limber en suite, with manoevring bars and a pair of associated iron-mounted munition chests mounted on a wooden back-board (damaged) (3)21 cm. barrel
A Fine East India Company Model Of A 6-Pounder Cannon And Limber Of A Pattern Used By The Madras ArtilleryDated 1831With bronze barrel of tapering multi-stage form with raised mouldings and bell-shaped muzzle, knob-shaped cascabel linked to the elevating screw, and plain trunnions: on original copper-mounted figured field carriage with cambered spoked wheels, open trail with adjustable manoeuvring bar, fuse-cutter on the right side, and fuse-box with hinged lid on the left of the carriage above the wheel, the limber en suite, and incorporating a towing-bar and munition chest, the latter containing a removable copper compartment liner engraved with East India Company mark above 'W.C.', the carriage carved with the letters 'WC' and the date below an United East India Company bale mark, the limber en suite and each with inset brass escutcheon engraved '6 pr'; together with another copper-mounted limber with munition chest, the towing bar carved with letters 'WC' and the date '1825' below a United East India Company bale mark, the side with inset brass escutcheon engraved 'Iron 12 Pr. Lim.r' (3)28 cm. barrel
A Bronze Model Naval Cannon Mid-19th CenturyOf tapering multi-stage form with raised mouldings and bell-shaped muzzle, touch-hole on raised integral block, cascabel threaded for the elevating screw, and plain trunnions: on stepped darkly figured carriage of naval type with brass trucks at the front and hinged trunnion-caps 31 cm. barrel
Various items, a German Shepherd or Wolf candy container 1920s, composition covered with light brown burlap —11in. (28cm.) long; a sugar paste Wedding cake topper in original box, the tower with artificial flowers, a bell and cherub by Ch. Goldrei, Foucard & Son, Ltd, 63-69 Llewellyn Street, London; a 1940s doll’s leatherette three piece suite; two similar armchairs; and a pair of leather shoes with pom-pom on toe
A fine quality French weight driven Skeleton Table Clock, with pinwheel escapement spring driven, striking on a bell, the white enamel dial inscribed "Lepine, a Paris," on an oak base, with inscribed brass plaque "Presented to the Right Hon. George Bell, Dublin 1909," approx. 63cms (25") overall height, together with key. (1)Please Note: This Clock is later than 19th Century.
James Eley, London, a George III mahogany long case clock, the arched moulded cornice embellished with blind fretwork, above an arched glazed door and panelled waist door flanked by brass-capped and stop-fluted pillars, raised on a plinth, the arched brass dial and silvered 12'' dial with seconds subsidiary, calendar aperture and strike/silent in the arch, powered by a four-pillar twin-train bell-striking movement with brass-covered pendulum, 237cm high.
A rare Charles II brass cased quarter striking "winged" lantern clock, the front fret engraved "Eduardus East Londini", the 6.5ins diameter silvered chapter ring with Roman and Arabic numerals and two steel hands, the centre silver alarm disc with engraved Tudor rose surrounded by brass dial engraved with tulips and leafage, to the verge movement with later anchor shaped bob pendulum oscillating between two inner plates, to the three train quarter striking movement with alarum, striking on two bells, contained in brass case with turned uprights and finials, heavy silvered metal bell, the brass framing with turned uprights, turned finials and three cast frets, the front engraved, and with later glazed winged apertures to the side doors with later pierced and engraved crestings, 15.75ins high, and with four brass cased weights for same Provenance: Sold Sotheby's, Bond Street, London - Important Clocks, Watches, Wristwatches and Barometers - Auction 13th October 1988 - Lot 191 - Noted as The property of Viscount Hereford Note: Edward East born 1602, apprentice 1618 to Richard Rogers, elected Master of the Clockmakers Company 1645 and 1652, and Watch and Clockmaker to Charles I, died 1696. This clock is thought to date to circa 1680
An 18th Century dark oak longcase clock by John Bunting of Long Buckby, the 11ins square brass dial with silvered chapter ring with Roman numerals, the centre dial engraved with bird and scroll ornament, to the thirty hour train movement striking on a bell, contained in oak case later carved and moulded pediment and reeded pillars to hood, shaped trunk door carved with leaf scroll ornament, on carved plinth base with bracket feet, 80ins high Note: John Bunting recorded working as a Clockmaker in Long Buckby circa 1700 - circa 1780
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