A late George III oak long case clock, the case with broken swan neck pediment above a broken arch glazed hood and shaped trunk door, raised on shaped plinth base, fitted a 13-inch broken arch topped painted dial decorated with bucolic Dutch scenes of a young boy fishing and windmills, indistinctly inscribed, the Roman chapter ring centered with second subsiduary and date dials, and set with an eight-day two train movement striking bell. H.224cm W.46cm
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Thomas Lister, Luddenden. An 18th century oak long case clock, the case with moulded pediment surmounted by globes and spread eagles above a pair of reeded columns and a shaped trunk door, flanked by quarter split pilasters above a box base and shaped plinth below, having a 12-inch square brass dial with silvered Roman and Arabic chapter ring decorated foliate scroll spandrels, the dial centered with penny moon phase and date aperture and set 30-hour two train movement, striking bell. H.228 W.54cm
An early Lowestoft blue and white bell-shaped mug, c.1765-68, painted with a three-storeyed pagoda among tall trees and large pierced rocks, beneath a berry border to the rim, the inside rim with a scrolling border, painter's numeral 3 to the inside footrim, perhaps for Richard Phillips, a 4.5cm rim crack, 12.2cm. Paper labels for the Susi and Ian Sutherland Collection, the Godden Reference Collection and the Nicholas Panes Collection.
SKIFFLE, JAZZ & GENERAL - Collection of 4 x 7" & 21 x EPs to include The Vipers Skiffle Group x 4, The Bell Boys, The Chris Barber Skiffle Group, Liz Winters & Bob Cort, Christopher Logue With The Tony Kinsey Quintet, The Jimmy Giuffre 3, Gerry Mulligan Quartet x 2, The Chico Hamilton Quintet, Miles Davis and more. Condition of the vinyl is generally VG+ to EX, the sleeves are generally VG to VG+.
Early 1900 Music Autographs. Two albums with loose pages and some removed with 70+ music autographs many have AMQS and some long handwritten notes in Italian. This could well yield many really interesting items with some research. Includes Franz von Vessey, Ossip Gabrilowisoe, Emil Heerman, Hugo Heerman, Robert Buchanan, Geo Weston, Stanley Adams, Cyril Monk, Gladstone Bell, Frank Hutchens, Gordon Spearritt, Norman Lindsay, Jascha Spiwakowski, Harry Baker, James Shelley, Elsie Noble Caldwell, George Mackaness, Martha Webster, Dudley Webster, Cecil Kelly, Phyllis Rosina Raisbeck MBE. Some loose pages overall ok condition
A selection of Chinese porcelain , Kangxi and later A selection of Chinese porcelain , Kangxi and later, comprising a pair of famille verte plates, 22.5cm diameter; a Chinese dish painted in iron red with warriors, 22cm diameter; a famille rose petal shaped dish, 22cm diameter; a Chinese famille rose teapot and cover, with replacement wicker handle, 18cm high; a Chinese bell-shaped tankard, 14cm high and a Chinese famille noire rouleau vase, fitted for electricity, the vase 28cm high
A giltwood window seat , in early 18th century Continental style, 20th century A giltwood window seat , in early 18th century Continental style, 20th century, the velvet and tapestry upholstered top above moulded scroll and cherub mask frieze above six legs with weave and bell flower decoration and x-stretchers, 44cm high, 147cm wide, 43cm deep
A Regency brass mounted mahogany bracket clock, Phillips, London A Regency brass mounted mahogany bracket clock, Phillips, London, early 19th century, the five pillar twin fusee bell striking trip-hour repeating movement with decorative border engraved shouldered backplate with holdfast for the large lenticular bob pendulum, the eight inch circular convex white painted Roman numeral dial signed PHILLIPS, LEADENHALL STREET to centre and with blued steel hands within ogee moulded convex glazed cast brass bezel, the single pad top break-arch case with hinged brass carrying handle to the brass fillet bordered curved panel surmount above full front door with brass fishscale quadrant sound frets beneath dial and brass strung front angles, the sides with conforming rectangular brass sound frets, the rear with arch glazed door, on cavetto moulded skirt base with cast brass ogee bracket feet, 39cm (15.25ins) high excluding handle.
A George III brass mounted mahogany small table timepiece with alarm A George III brass mounted mahogany small table timepiece with alarm, Robert Wood, London circa 1790, the four pillar single fusee movement with verge escapement regulated by short bob pendulum and alarm mechanism wound by a pull-cord sounding on a bell mounted above, the backplate engraved with rococo scroll cartouche surmounted by an urn within geometric border, the six inch silvered brass Roman numeral break-arch dial with alarm setting dial and pierced blued steel hands to centre and Arabic five minutes to outer track beneath arch signed Robert Wood, London, the bell-top case with hinged brass carrying handle above brass fillet inset glazed aperture and cast upper quadrant frets to the front door, arched fishscale sound frets to the sides and rectangular glazed door to the rear, on cavetto moulded shallow skirt base with brass ogee bracket feet, 42cm (16.5ins) high excluding handle.
An 18th century green chinoiserie decorated eight day longcase clock The 12 1/8th inch brass arched dial signed Wm. Ericke, London and with silvered chapter ring, subsidiary seconds dial and bell striking four pillar movement. 223 cms high. CONDITION REPORTS: Generally good, some slight losses to decoration, expected wear, possible marriage, some later elements, decoration probably later.
An 18th century red chinoiserie decorated eight day longcase clock The 11 6/8th inch brass arched dial signed John Wilkins, Islington, London and with silvered chapter ring, strike/silent, subsidiary seconds dial and bell striking four pillar movement. 297 cms high. CONDITION REPORTS: Generally in good condition, expected wear, some slight losses/old repairs, possible marriage, decoration probably later.
An early 19th century mahogany cased bracket clock by William Budgen of Croydon The signed white painted dial with Roman numerals and bell striking twin fusee movement, the brass mounted inlaid case with ball finial, lion mask ring handles and fluted quarter columns, standing on gilt ball feet. 51 cm high. CONDITION REPORTS: Generally in good condition, expected wear, some slight shrinkage cracks to case, some slight paint loss and staining to dial.
A 19th century mahogany framed eight day wall clock The 17 inch white painted dial with Roman numerals within a convex glazed door with cast brass bezel, the four pillar bell striking fusee movement attached to a false plate signed Walker & Hughes, the pine case later. CONDITION REPORTS: Generally in good condition, expected wear, some probable over painting to dial, hands possibly replaced, some surface scratching and wear to dial, various blind holes.
A 19th Century ormolu and enamel mantel clock, of architectural form, applied with three putti and enamelled with foliage and palmette, the two-train movement striking the hours and half hours on a bell, (with winder); together with a pair of gilt metal and enamel two light candelabra, each cast with a bird. (3) Height of clock 53.5cm
A 17th Century style brass lantern clock, the two train movement striking a top bell and internal bell on the hours and half hours, silvered chapter with Roman numerals, putti to the spandrels, the case with knopped pillars and sun mask mounts to the sides, the scrolling frets cast with foliage, with key and pendulum. 41cm
A mahogany eight day longcase clock, signed D Becquet, London, the four pillar rack and bell striking movement with 12" painted dial with subsidiary seconds and Roman numerals, painted with floral sprigs, the arched hood with brass-mounted stop-fluted columns, over a case with moulded break-arch door, flanked by brass-mounted stop-fluted quarter columns, the fielded panel base with shaped apron and bracket feet. (With pendulum, weights and keys) 219cm
A mahogany eight day longcase clock, signed Edwd Hopkins, Bradford, the four pillar rack and bell striking movement with 12" painted dial with subsidiary seconds and Roman numerals, rolling moon in the arch, the arched hood with tapering columns, over a case with moulded break-arch door, the fielded panel base raised on a plinth. (With pendulum, weights and keys) 216cm
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123896 item(s)/page