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Lot 202

A Victorian brass Porthmeor Beach hand bell, with turned wood handle, height 28cm.Provenance: Porthmeor Beach Bell belonging to John Care, better known locally as Jack Mallett. Jack and his wife Mary Ann ran Porthmeor beach from the 1930s for a number of years. The bell was used to call the bathers up to the bathing huts at the end of the day. The bell has been in the family ever since. Jack also ran Porthgwidden Beach and made all the tents himself he also played the fiddle for the dancing round the steeple at the John Knill ceremony.

Lot 204

A brass bell with metal bracket, height 15.5cm.

Lot 2056

A very large and impressive late Victorian silver cup in early 18th century style, the bell shaped bowl embossed with leaves, the twin handles acanthus capped, by the Goldsmiths and Silversmiths Co (William Gibson and John Lawrence Langman), London 1896, 25cm, 76oz. On ebonized socle with a silver tablet inscribed 'Major F. S. Garratt From His Brother Officers Of The Carabiniers (6th Dragoon Guards) May 8th 1897'. (See illustration) Condition report: There are a few dents, minor deflection to foot. Not worn thin. Inscription on plinth only.

Lot 207

A cast iron and brass railway bell, height 37cm. Condition report: No maker's name, rusty, bell pitted, strike rusty and worn thin.

Lot 112

Dermot Seymour (b.1956)Bell Hueys over Clew Bay (1984)Oil on canvas, 91 x 120cm (35¾ x 47¼'')Signed and dated (19)'84; signed and inscribed with title versoThis work was painted by Dermot Seymour while he still lived in Belfast, after a trip to Mayo, where he now lives with fellow artist Alice Maher. The artist has said he was just articulating an iconography of the world around me,an exploration of a seemingly absurd world at the time in the North, the Middle East Iran etc.”. The model for the work is his friend and fellow artist Colin McGookin who is painted twice at either side of a fencing pole inscribed'Brits Out’ wearing the ‘Red hand of Ulster’ on one side and ‘The Easter Lily ‘ on the other. Similar works to this have been shown internationally including in the exhibition “On the Balcony of a Nation” which toured to several cities in The United States in 1990 and more recently in “Art of The Troubles Exhibition” in The Ulster Museum .We thank the artist for his help cataloguing this lot.

Lot 223

AUSTEN, Jane - Sense and Sensibility - 1899, first edition, with illustrations by Chris Hammond; another by the same author, Pride and Prejudice - September, 1903, reprint with illustrations by Hugh Thomson, each cloth bound with gilt tooling tog. w. The Complete Works of William Shakespeare, with a biographical introduction by Henry Glassford Bell and MACLEOD, Norman (Ed.) - Good Words for 1864, (4)

Lot 183

Framed and mounted watercolour 'Splashing' by Richard Bell signed lower right (56cm x 46cm overall)

Lot 191

BELL CHARLES D. The Four Seasons At The Lakes. Dec. chromolitho card plates throughout, quarto, worn orig. cloth gilt, n.d.

Lot 242

A COLLECTION OF JEWELLERY, comprising a hollow curb-link bracelet, with padlock clasp stamped '15ct', a similar bracelet, with clasp stamped '9k', a fancy baton-link bracelet, a 9ct gold cross pendant on belcher-link chain, a 9ct gold bell charm, and two padlock clasps (7)

Lot 553

A GEORGE V SILVER AND IVORY TABLE BELL of plain form with turned handle, 13cm high, Chester 1913 by Haseler & Bill; a plain silver two handled porringer, 15cm wide, Chester 1913 by George Nathan & Ridley Hayes; and a Georgian silver cream jug with chased foliate decoration, makers mark rubbed (3)

Lot 361

18th century Robert Wells rumbler bell, no. 26 with ferruled top loop, 4" diameter; together with two conventional bells marked 7 and 8, each inscribed RW to the interior (3)

Lot 362

Three Continental 18th century W. Cor bells, 3" to 4" diameter respectively; together with a further bell marked 'WR' (4)

Lot 364

18th century rumbler bell by Robert Wells, marked no. 28, 4.5" diameter

Lot 365

18th century rumbler bell marked E.P., 4" diameter

Lot 581

Mary Alexandra Bell (1864-1951) - Children fishing in a sunlit landscape, signed, also inscribed on the reverse of the frame 'M.A.Bell, St. Ives Cornwall, Exhibited at Royal Academy '1896, £21', possibly the picture titled 'A Summers Day', oil on canvas, 20" x 24" *Sold together with copies of information from the Royal Academy of Arts and the Victoria and Albert Museum **The artist married the painter Charles H.Eastlake, circa 1897. Originally from Canada, she was born in Douglas, Ontario and studied in Montreal with Robert Harris as well as in New York at the Art Students League with William Chase. She was commissioned to paint a number of works for American patrons in New York. She travelled to England in 1890 and Paris in 1891, settling in St. Ives where she met and married the painter Charles Herbert Eastlake (fl. 1889-1927) where they became designers and jewellery makers, as well as continuing to paint and exhibit. She travelled extensively in Europe and Asia, returning to Canada in 1939, she was a member of the Royal Canadian Academy resigning after her marriage, she was also a member of the pastel society of London, the Women's International Art Club, and the Boston Water-Colour Society. She exhibited prolifically in both Canada, America and at the Royal Academy in London.

Lot 1239

Boxes and Objects - A set of Librasco kitchen scales with brass weights; a cast iron coffee pot; a large wall mounted bell; others, pewter tankards, copper pot, lacquered panel, etc

Lot 1268

A quantity of Royal Albert Old Country Roses, comprising dinner, tea and coffee ware, bell, pomander, etc.

Lot 1453

A pair of late 19th Century brass height adjustable two brance table candlesticks, shaped sconces, circular drip pans, tripod supports; another with bell column (3)

Lot 232

A large Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C28-1, ovoid with long cylindrical neck and everted rim, tubeline decorated with bell flowers in purple and green on a mottled green ground, printed factory mark, painted facsimile signature, 36.5cm. high Literature Tony Johnson The Morris Ware, Tiles & Art of George Cartlidge, private press, page 101 catalogue number 269 for this design in another colour-way. Provenance Millennium Collection, Sylvia Powell Decorative Arts Tony Johnson This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 216

A large Hancock & Sons Morris Ware candlestick designed by George Cartlidge, model no.C20-1, painted with bell flowers in purple and green on a mottled green ground, printed factory mark, 33cm. high Literature Tony Johnson The Morris Ware, Tiles & Art of George Cartlidge, private press, page 98 catalogue number 266 for this design illustrated. Provenance Tony Johnson This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 231

A large Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C28-27, ovoid with long cylindrical neck and everted rim, tubeline decorated with bell flowers in red, purple and green on a mottled pale blue ground, printed factory mark, painted facsimile signature, small chip to base rim, 36.5cm. high Literature Tony Johnson The Morris Ware, Tiles & Art of George Cartlidge, private press, page 101 catalogue number 269 for this actual vase illustrated. Provenance Tony Johnson This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 345

Christopher Dresser design flat iron trivet, Victorian shop door bell and a small brass oil lamp with shade

Lot 644

TWO MALING BOWLS, WEDGWOOD, BELL, CLOCK F4

Lot 240

A TRAY OF COLLECTABLES TO INCLUDE BELL WHISKEY DECANTER, PUB JUGS, ETC

Lot 397

TWO TRAYS OF SUNDRIES TO INCLUDE A HAND BELL, TIN OF BUTTONS, ETC

Lot 1816

Wooden shop till with bell by G H Gledhill and Sons, Halifax

Lot 1719

Cast brass pub time bell

Lot 178

A collection of miscellaneous metalware, including: Middle Eastern brassware; hand bells; wooden letter rack; brass bell push; and sundries in a box.

Lot 372

A double plane, by Spiers, stamped J. Bell & initials.

Lot 374

Ten Royal Doulton figurines, including: 'Adele', 'Southern Bell', 'Fair Maiden', 'Guy Fawkes', 'good King Wenceslas', 'Town Crier; etc.

Lot 384

A pair of small early 20th Century Coalport shouldered vases, decorated circular landscape panels, signed E.O. Bell, with gilded surround on green and cream background marked Toy 312 to bases. (a pair)

Lot 62

A yellow metal filigree beadwork bell pattern charm.

Lot 408

Small metal wall mounted bell

Lot 138

Brockedon, Totnes, an 18th/19th century mahogany long case clock, the painted arched dial with sun and moon phase in the arch, painted terrestrial globes, calendar aperture and second subsidiary, the eight-day movement striking on a bell, (case and movement in need of restoration), 222cm high.

Lot 140

John Eveleigh, Ridgway, an early-19th century mahogany long case clock, the swan neck pediment above spiral fluted columns and quarter columns flanking the panelled door, on boxwood strung base with splayed bracket feet, the brass dial with silvered chapter ring, engraved marine scene to the centre, calendar aperture and second subsidiary, below the painted arch with rocking ship, the 8-day movement striking on a bell, 223cm high.

Lot 144

A 19th century four-glass mantel clock, the plain lacquered brass case enclosing the two-piece dial, with pale blue and white enamelled dial, the drum movement with 'RC' trademark and mercury-filled pendulum, striking on a bell, 27cm high.

Lot 148

Thomas Oliver, Plymouth, an eight-day long case clock movement, the 12" silvered dial (now polished brass) engraved Tempus Fugit in arch, second subsidiary and calendar aperture, the bell-striking movement within painted pine case, 207cm high.

Lot 214

An antique bell metal skillet, the handle cast "Wasborough", 16cm high, 38cm long and another , the handle cast "Bayley & Street", (2).

Lot 425

A seed pearl pendant with bell shaped cap over a long drop set overall with seed pearls threaded with wire on yellow metal mount, on curb link chain, total weight 8.6g.

Lot 245

Assorted to include: Pinwinnie Royal, 12 Year Old, 43%, one bottle (in velvet bag); Chivas Regal, 12 Year Old, one bottle; Dimple Haig, 70° Proof, two bottles; Lamb’s Navy Rum, one 750ml porcelain flagon (to celebrate the marriage of Prince Andrew to Sarah Ferguson in 1986); Bell’s, Christmas 1989, one porcelain bell decanter (boxed); Johnnie Walker Black Label, 12 Year Old, one bottle (Centenary Edition 2009, boxed), five bottles, one flagon and one porcelain bell decanter in total

Lot 620

Bolviller, ParisA French brass cased carriage clock, white enamelled dial with Roman and Arabic numerals, signed Bolviller a Paris, platform escapement, backplates signed and numbered 138LM, striking on a bell, case with quandrant outline, 15cm.

Lot 621

Stevenard, BoulogneA French gilt metal carriage clock, white enamelled dial with Roman numerals, signed STEVENARD HORLOGER MECANICIEN A BOULOGNE, platform escapement, striking on a bell, case with engraved decoration, 15cm.

Lot 629

A Continental porcelain cased mantel clock, probably Dresden, late 19th century, the case modelled with figures, and encrusted with flowers, gilt metal dial with an ivorine chapter ring, French type cylinder movement, striking on a bell, 46cm.

Lot 632

A Louis XV style ormolu mantel clock, scrolled foliate case, white enamel dial signed STILL FILS, French cylinder movement by AD Mougin, no. 433, striking on a bell, 31cm.

Lot 633

A Louis XV style gilt metal elephant clock, drum-shaped case resting on a ceremonial elephant, with a seated figure over, scrolled rococo base, dial with enamelled numerals, French cylinder movement signed E.P. No.2800, striking on a bell, 56cm overall.

Lot 640

A Charles II style ebony and ebonised bracket clock, gilt metal 'casing' and 'basket' top, with seraphim swags and foliage, probably late 17th century, dial and movement early 20th century, later 15cm square brass dial, with silver chapter ring and cast seraphim spandrels, key-wind movement, striking on a bell, 36cm.

Lot 642

Thomas Rea, WaltonAn oak longcase clock, square brass dial, signed THOs REA Walton, with a rococo engraved cartouche, cast scroll and urn spandrels, single hand, thirty hour movement, striking on a bell, the case with plain moulded hood, long door, 198cm.

Lot 643

Baddley, TongAn oak and mahogany long case clock, the hood with turned finials, carved scrolls, and open fretwork, turned columns, the long door flanked by fluted quarter columns, raised on ogee bracket feet, arched brass dial with moon phase, cast spandrels, silver chapter ring, with Roman numerals, subsidiary second dial and date aperture, signed Baddley, Tong, eight-day movement striking on a bell, height approx. 255cm.

Lot 644

W. Kipling, StaffordAn oak longcase clock, circular brass dial with Arabic and Roman numerals, subsidiary second dial, signed W Kipling, Stafford, eight-day two-chain movement, striking on a bell, the case with a broken-swan neck pediment, long door with inlaid banding, plinth base, 214cm.

Lot 646

Feren, DundeeA Scottish mahogany longcase clock, arched painted dial with subsidiary second dial and date dial, signed Feren, Dundee, painted with cottages, buildings and ruins, to the lunette and spandrels, eight-day two chain movement, striking on a bell, case with broken swan neck pediment, short door, bracket feet, height 204cm.

Lot 647

William Newman, LondonA mahogany longcase clock, arched top with a fretted frieze, turned and fluted columns, arched brass dial with moon phase, cast spandrels, subsidiary second dial and date aperture, signed WILLm NEWMAN, LONDON, eight-day movement striking on a bell, overall width 236cm.

Lot 587

A wine glass of greyish metal, mid 18th century style, thistle bowl, wheel engraved with vine branch and a bird, double series opaque twist stem with spiral twists outside a gauze, slightly domed foot, 15.5cm; and another wine glass of later date, bell-shaped bowl,double series opaque twist stem, with spiral threads outside a gauze, domed foot, 15.5cm (2).

Lot 218

A late 19th century Chinese silver goblet, by Wang Hing, the inverted bell shaped cup engraved with birds in flowering prunus trees, the stem cast as three bamboo canes to a raised circular base with root decoration, the skirt foot with Chinese marks, and Wang Hing maker's mark, 19cm, 11oz

Lot 288

Nine pieces of Victorian and later cranberry glass, including table bell, wavy-rim jug, two enamel decorated vases and other items

Lot 289

A possibly Whitefriars oversize ruby glass goblet, having inverted bell bowl, barley twist stem and conical foot, 32cm

Lot 304

An 18th style century double open cotton twist stemmed wine glass, with bubble inclusion bell bowl, over a flat spreading foot

Lot 306

An 18th century probably Scottish bell bowled wine glass, with wrythen stem over a folded domed foot, together with one similar (AF), and a pan topped gauze twist stemmed glass (AF) (3)

Lot 310

An 18th century ribbon twist stemmed bell bowl wine glass, with slight dome foot, (AF), 17.5cm, together with a similar plain stemmed wine with folded foot (2) (both with chips)

Lot 412

An Arts and Crafts style adjustable gilt brass desk lamp, with leaf decoration, fitted a bell shaped vaseline glass shade, 38cm high

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