We found 123896 price guide item(s) matching your search
There are 123896 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
123896 item(s)/page
An 18th century blue and white bell form mug, probably Derby, printed to one side with an Oriental lady in a garden with attendants, the other side with a lady and a parrot on a stand, height 15cm.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old-school antiques.Condition report: Lot 876Severely cracked and with old rivets, crack to handle, chip to foot.
An early 18th century brass thirty-hour wall clock movement, the 9" (23cm) square dial unsigned and with single hand and engraved bands, posted countwheel strike movement, striking on a bell, overall height 28cm.Condition report: There is no pendulum with this movement, it is not seized but will require attention.
Hope - Pencil & ink. Hope can be a haven, hiding in your heart Looking up and waiting, for the clouds to part Even when the world is driven to despair Somebody will seek, the hope that’s surely there Hope gilded gladiators as they girded up their loins Metal detectors as they search for ancient coins The jockeys and the jumpers at the start of the race Astronauts first feelings, looking down from outer space Hope was found hiding in ships holding slaves As even the fearing heard those sent to the waves And on Iwo Jima’s hill as they raised up ‘Old Glory’ The wounded and the weary, hoped to tell their story Hope is a chicken heeding a Harrier in the sky In the shepherds voice as he tells his dog ‘come-bye’ As the batsman watches his ball soar towards the boundary That the bell will ring true as it’s poured within the foundry Hope was forlorn, a wartime sky threatened rain Which would wash his blackened hair when he left the train And the search for an aviatrix lost in the Pacific That the politicians words would be much more specific Hope lived in our forbearers as the Human Race they mixed On a million documents signed, as each ‘Peace’ was fixed Found around campfires around which pipes were passed All hoping that this treaty would be the one to last Hope is in the scientist, testing each vaccine And in the teenager, waging war through a screen The carers in the hospitals, the carers in the home The workers and the troubled, all yearning to roam So let’s hope against hope that hope will win through We will sit by quiet streams, in a friendship that is true Only see each other’s beauty, as in our own ways we cope Because in this wearied worried
Adams, London, a late Regency bracket clock fitted with twin barrel brass movement, striking on a bell, the white enamel dial with Roman numerals and strike silent, the figured mahogany case with pierced meshwork sides and set on short bun feet, 44cm high, together with an accompanying mahogany wall bracket
James Evans, Royal Exchange, London, 18th century bracket or table clock, the arched brass and silver dial with Roman and Arabic numerals and subsidiary strike silent dial, surrounded by pierced metal spandrels, the brass twin fusee movement striking on a bell, the ebonised case glazed on all four sides, fitted with a carrying loop and raised on a stepped plinth base with small brass feet, 51cm high max
Faisant a Paris, a 19th century French ornate mantel clock, the case with pineapple terminal, vine leaf detail, satyr mask handles over a vase formed stem and a stepped square base, the white signed enamel 10cm dial with Roman and Arabic numerals, to a brass movement striking on a bell, 42cm high
Steiff (Germany) 000669 1920 Classic replica teddy bear, brown and black plastic eyes, pronounced snout with black stitched nose and mouth, golden mohair body fitted with a growler, trademark Steiff button to ear with yellow and red tag, 31cm high, unboxed and displayed with a modern bell shaped glass cloche with circular wooden stand (2)
GEORGE JAMISON, CHARING CROSS, LONDON; a George III and later bracket clock, the arched silvered dial set with Roman numerals, lower calendar dial and 'Slow/Fast' dial to the arch, the glazed door with pierced floral corners, brass acorn finials and brass swing handle, glazed panels to the sides and back, the back plate signed 'Geo Jamison Charing Cross London' and there is a chased border of half crescents to the back plate, the fusée movement with possibly later servicing and parts, striking on a bell, height to top of handle 51cm, with pendulum, winding key and door lock key. CONDITION REPORT There is some cracking to the veneer on the front of the door. The brass finials are in good condition. The right hand viewing window has a crack which is about 4cm long on the glass, but the crack is also to the veneer as well. The movement has been serviced and overhauled at some point as there is a label to the interior 'E. E. Allan For Repairs, High Street' Ramsgate'. There are splits in the woodwork and small, insignificant areas of missing veneer. We have briefly wound the clock and it does tick over when the pendulum is set in motion. We have not fully tested the mechanism and this clock is sold with no guarantee of working order. Nor have have we tested the striking function.
SOWERBY LANCASTER; a 19th century mahogany cased eight-day longcase clock, the dome top moon phase dial set with Arabic and Roman numerals, subsidiary seconds dial above a calendar dial, pierced hands, Classical gilt patterned corners and a painted sub dial with Naval ships in harbour and moon, sub dial with Latin 'Sic Est Vita Hominis' (So is the Life of a Man), striking on a bell, the mahogany case with long arched top door, flanked by half turned columns, the dome top hood with freestanding turned columns and swan pediment and turned wood vase finial, height 240cm. CONDITION REPORT Not tested, no guarantee of working order. Chips and losses throughout, including to the cornice, the floral roundels, the moulding on the door and further. There are replaced sections of veneer including to the ends of both sections beneath the cornice, with further throughout. Splits, lifting and loss of veneer, as well as heavy scratches, splits to the door and pronounced scratches to the plinth base. The plinth base with mould and heavy dirt. The side sections of moulding at the base somewhat loose. Dial heavily crazed, heavily stained, replacement hands, some paint loss, some bubbling. Loss to the lower left of the 45 marker. Losses to the rolling phase in numerous places, as well as this being stained with a brown colour. Loss to the text above the phase. Overall heavy general wear throughout, would benefit from attention and restoration. Cannot speak to Gillows attribution of the case.
Various items of collectible memorabilia associated with The Preston Guild to include a 1972 display plate, a 1922 milk jug, sugar bowl and teacup with the Preston Guild armorial and text above and portraits of Mr Astley-Bell J.P. and Mrs Astley-Bell J.P. to either side, within garlands and flowers, a 1952 calling card case, various items of ephemera to include a 'Ye Preston Guild 1882 Procession' commemorative booklet one penny, other leaflets and programmes with various sponsors, a souvenir programme of the Textile Trade Procession 1922, various newspaper-type cuttings in scrapbook form and also a Lloyds Weekly News 'The Deathless Story of The Titanic'.
Various novelty items to include a cast iron nutcracker in the form of a dog, the mouth operated by lifting the tail, a corkscrew hidden within a key, a Police whistle on cord, a novelty corkscrew with brass bulldog under ring handle, a Middle Eastern design brass bell with turned wooden finial and a boxed Rolls razor (6).
A group of Victorian ladies' clothing to include a mourning suit of black silk taffeta, full flowing skirt, fitted bodice top with whalebone stays and whalebone stays to the front of the jacket, with applied lace and ribbon decoration, tiny black buttons to the front, the interior lined with faded grey floral fabric, skirt and jacket both lined and interlined, a fitted black wool jacket with applied embroidered braid and ribbon decoration, bell sleeves with ribbon decoration, an ivory silk blouse with lace inserts to the top and to the centre of the blouse and lace cuffs, a black straw bonnet with ribbon and lace decoration, a sky blue and ivory bodice top with whalebone stays and applied broderie Anglaise to collar, front of blouse and sleeves and a Victorian lace velvet and bead wedding cap (7).
WILLIAM ANSLOW THORNLEY (1847-1907); oil on canvas, 'Fishing Boats Ashore', signed lower left, titled verso and dated 1880, 23 x 32cm, in gilt frame, frame size 33 x 42cm. CONDITION REPORT Provenance: From a private family collection in the North of England, with links to Belfast. There is a sticker for the Bell Gallery in Belfast verso.In good condition, with no obvious damage. Under a bright light from the back, there is a tiny pinhole towards the mirror, only visible with a very bright light from the back and looking up very close. Apart from that, it appears good.
A late 19th century Austrian, walnut wall clock, with a carved eagle pediment, turned and block pilasters and a 6.25” brass dial, with an 8-day spring-driven movement, striking on a bell, with key and pendulum, approximately 108cm high £40-60Condition report: Lacking two split balusters on pediment. Door cracked above dial. Not operational in vendor’s home.
A George III mahogany longcase clock by Henry Perry of Soho, London, the arched hood with ogee top and full columns, the trunk with arch-top door above a panelled base box raised on a plinth base, the brass dial with moulded spandrels, silvered sun boss to the arch, silvered chapter ring with black Roman numerals and Arabic minute track, silvered subsidiary seconds dial and date aperture, the eight-day movement with five knopped pillars, striking on a bell, 248cm high x 52cm wide, with pendulum and brass weights.
A George III inlaid and cross-banded oak and mahogany painted dial longcase clock, Thomas Heywood of Bangor, the hood with swan-neck pediment and three-quarter reeded columns, the trunk with shaped and cross-banded door flanked by reeded quarter columns, the panelled base box with inlaid fan spandrels and shaped plinth base, the painted dial with black Roman numerals, subsidiary seconds and date aperture, signed Thos. Heywood, Bangor, the eight-day movement with four knopped pillars, striking on a bell, with pendulum and winder, 221cm high x 50cm wide (dial and movement probably associated).
An 18th century oak longcase clock, Samuel Roberts of Llanfair Caereinion, the hood with dentil cornice above a blind fretwork frieze, the trunk with shaped and cross-banded door between fluted quarter-column pilasters, the base box with cross-banded panel front, the brass dial signed 'Sam; Roberts Llan-vair', with Roman numerals to the chapter ring and Arabic numerals to the minute track, a calendar aperture inscribed '365' below, the 30-hour movement striking on a bell, with pendulum and weight, 52cm wide x 193cm high.Footnote: Footnote: Samuel Roberts is a well documented clock maker of Llanfair Caereinion in the Montgomeryshire region, now Powys, active between 1750 and the 1780s. Records indicate that he crafted some six hundred pieces, roughly twenty per year, earning him an average of £35 per year. To serve the local community, Roberts established a 'clock club' with customers paying by installments and entering a lottery for each clock as it was completed.Condition report: Hood: several dentils missing from cornice. Losses to blind fretwork frieze moulding. Fine splits to sides. General cosmetic signs of age. Dial: Fair, with minor. Signs of age. Size 12" (300mm).Movement: possible later elements. Strike is one hour ahead of hand position. Does run for around 30 seconds so needs setting up properly and will benefit from a service to re-commission.Case: Small loss to cross banding on door. Door hinges a little loose. Dints to base box moulding. Split across base box front panel. Possibly lacking plinth foot. General cosmetic marks consistent with age and use.
Football Autographed Manchester City 12 X 8 Photo Colour, Depicting A Superb Image Showing Manchester City Players Posing For A Squad Photo In Their Red And Black Fa Cup Final Strip During A Photo-Shoot At Maine Road Prior To The Final, Signed By Oakes, Bell, Pardoe, Dowd, Lee, Summerbee, Booth And Young In Fine Blue Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
-
123896 item(s)/page