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Lot 698
A group of collectors' items, comprising royal commemorative medallions, a North East Yorkshire Educational fund medallion, a Huddersfield Technical and Mechanical Institution 'Fine Art and Industrial Exhibition' medal, a Charles Horner No. 5 silver thimble, one other silver thimble, and a Victorian bookmark
Lot 506
Three medallions including: Nelson 1758-1805 medal copper 38mm diameter struck from Lord Nelson's flagship 'Foudroyant', Pinches London medal for international exhibition (west front display) May 1st 1862, white metal in red leather presentation case plus Empire Day 1938 commemorative Pinches London - Condition: VF
Lot 521
A miscellaneous lot of medals/medallions including: St Mary's Women Guild founded 1924, 49 off, Home of Charity, Gloucester Dec 18 1864, National Physical Recreation Society, Robert May's Grammar School, Odiham, Hampshire, good conduct medal from the Catholic school committee, Royal School of Music medallion - Condition: VF
Lot 552
A box of British pre-decimal and decimal coinage farthings through to halfcrowns, approx 2.00 kilo's plus decimal £2 1986 Thistle and Bill of Rights 1989, commemoratives (24) eg Churchill and Jubilee crowns, some in case presentations, Royal mint issue: folder: Elizabeth II 70th birthday with certificate, golden jubilee medal for Southdown junior school cased, replica coins from House of Orange and Stuart, (2) medallions, Victoria and George VI, miscellaneous bag of tokens etc. Condition: Poor-unc
Lot 215
Marina Adams Art on a Postcard for Hep C, 2021 Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Marina Adams is a painter based in NYC, Bridgehampton, NY and Parma Italy. She earned degrees from Tyler School of Art, Temple University, Philadelphia, PA and Columbia University, New York, NY. Upcoming solo exhibitions include Wild Is Its Own Way, Stephen Friedman Gallery, London; Deep Breathing, Von Bartha, S-Chanf, Switzerland; and Works on Paper (2016-2021), Stephen Friedman Gallery. Recent solo exhibitions include The Journal Gallery, New York, NY; FOCUS: Marina Adams, The Modern Art Museum, Fort Worth, TX; Anemones at Salon 94 Bowery, NYC, which was accompanied by her monograph; and The Secret of Greek Grammar at Larsen Warner Gallery in Stockholm, Sweden. Adams has collaborated with poets generating Actualities with Norma Cole (Litmus Press, 2015); Portrait and a Dream with a poem by Charles Bernstein; Taormina with Vincent Katz (Kayrock, 2012); The Tango with Leslie Scalapino (Granary Books, 2001); and Vue sur Mer with Christian Prigent (Gervais Jassaud, 2010). Education Tyler School of Art, Temple University, Philadelphia, PA Columbia University, New York, NY Exhibitions Marina Adams: Works on Paper (2016-2021) at Stephen Friedman Gallery, London, UK, June 4 - July 10, 2021 Marina Adams, Deep Breathing, Von Bartha, S-chanf, Switzerland, July 8 - August 28, 2021 Marina Adams, Wild Is Its Own Way, Stephen Friedman Gallery, London UK, September 17 - October 23, 2021 Current group shows are: Affinities for Abstraction: Artists on Eastern Long Island 1950 to 2020, Parrish Art Museum, Water Mill, NY, May 2 - July 18, 2021 Shapes, Alexander Berggruen, New York, NY, April 21 - May 27, 2021 She is a 2016 recipient of the John Simon Guggenheim Memorial Fellowship, and received the 2018 Award of Merit Medal for Painting from the American Academy of Arts and Letters. Gallery Representation Salon 94, New York and Stephen Friedman Gallery, London, UK.
Lot 216
Kate McCrickard Coffee Drinker, 2021 Mixed Media on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) After completing the dual discipline Fine Art degree at Edinburgh University in 1998, my professional life remained bifurcated - split between a disciplined studio practice in painting and printmaking and writing about art making. In 2011, Tate Publishing, London, invited me to write a monograph on South African artist, William Kentridge for the Tate Modern Artists series. I was a regular contributor to the American journal, Art in Print. I have exhibited my work internationally; works are held in major museum collections including The British Museum, London, Davison Arts Centre, Wesleyan University, Connecticut, USA, Los Angeles County Museum, California, The Metropolitan Museum of Art, New York, The New York Public Library and The Royal Scottish Academy, Edinburgh. I now have more time to devote to my painting as my three children grow older. They were once the focus of the work as I looked after them at home alongside the paint, battling against Cyril Connolly's infamous quote, "There is no more somber enemy of good art than the pram in the hall." Drawing the human figure and its activities remain at the heart of the work, however, though the reach has become wider, moving out from the home, to local betting bars in the Belleville quartier of Paris where I live, swimming pools and football fields; the ménagerie at Paris' Jardin des Plantes - crowded spaces where we rubbed up against each other, at ease pre-Covid 19. Education MA Honours Degree in Fine Art (History of Art and Painting), First Class Honours, 1998, University of Edinburgh, Scotland Bradford College of Art, Foundation Course, BA Diploma, 1997 Exhibitions 2021 John Kinross 40th Anniversary Exhibition, Royal Scottish Academy, Edinburgh; London Original Print Fair, Austin Desmond Gallery, London; A Small Good Thing, online exhibition, curated by artist Sam Luke Heath; The Woolwich Print Fair. 2020 Summer Exhibition, Royal Academy, London, print room; London Art Fair, Art First Gallery, Islington Arts Centre. 2019, Points of Contact: Printmaking in Britain 1949-2019, Austin/ Desmond Gallery; London, curated by Julian Page; London Original Print Fair, Royal Academy, London; Print week New York, C.G. Boerner Gallery. 2018 Perfectly Small, The Foundry Gallery, London, Julian Page and Joanna Bryant Fine Art. 2017, The Little Cocktail Hour, group show, C.G. Boerner Gallery, New York. 2016, Creative Fury, group show curated by Julian Page and Joanna Bryant, Clerkenwell Green, London; Belleville, Art First London, Gallery 2, solo show. 2015, IPCNY, New York, True Monotypes, curated by Janice Oresman; This is my Proper Ground, David Krut Projects, New York. 2014, Open the Box, Art First, London; September 2013, Forét Intérieure, Alexandra Grant in collaboration with Héléne Cixous, Mains d'Oeuvres Art Centre, Paris. 2013 Sampler, Small Works by 30 Artists, curated by Bill Scott, The Cerulean Gallery, Philadelphia. March 2013, Kid, David Krut Projects, New York Recipient of the Royal Scottish Academy Maclaine Watters Medal for painting, 1998; Royal Scottish Academy John Kinross scholarship, 1998; The Richard Ford Award, 1998Art First, London Julian Page Fine Art, London David Krut Projects, New York/ Johannesburg. About the postcard artworks These little works derive from larger paintings and ongoing themes that preoccupy me. Now largely drawn from memory, here are characters from the local betting bars in the Belleville neighbourhood of Paris where I live, and animals drawn in the Jardin des Plantes ménagerie, transformed into characters back in the studio; the ménagerie studies playing with ideas of self-portrait as monkey going back to Chardin. I like working back and forth between paper and canvas, using the inceptive drawings as a prompt for longer painted works, and then creating further drawings after the canvases are completed as is the case with the bar drinkers here. The drawings and prints often serve as correctors to the slower medium of paint.
Lot 217
Kate McCrickard Owl, 2021 Conté Coloured Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) After completing the dual discipline Fine Art degree at Edinburgh University in 1998, my professional life remained bifurcated - split between a disciplined studio practice in painting and printmaking and writing about art making. In 2011, Tate Publishing, London, invited me to write a monograph on South African artist, William Kentridge for the Tate Modern Artists series. I was a regular contributor to the American journal, Art in Print. I have exhibited my work internationally; works are held in major museum collections including The British Museum, London, Davison Arts Centre, Wesleyan University, Connecticut, USA, Los Angeles County Museum, California, The Metropolitan Museum of Art, New York, The New York Public Library and The Royal Scottish Academy, Edinburgh. I now have more time to devote to my painting as my three children grow older. They were once the focus of the work as I looked after them at home alongside the paint, battling against Cyril Connolly's infamous quote, "There is no more somber enemy of good art than the pram in the hall." Drawing the human figure and its activities remain at the heart of the work, however, though the reach has become wider, moving out from the home, to local betting bars in the Belleville quartier of Paris where I live, swimming pools and football fields; the ménagerie at Paris' Jardin des Plantes - crowded spaces where we rubbed up against each other, at ease pre-Covid 19. Education MA Honours Degree in Fine Art (History of Art and Painting), First Class Honours, 1998, University of Edinburgh, Scotland Bradford College of Art, Foundation Course, BA Diploma, 1997 Exhibitions 2021 John Kinross 40th Anniversary Exhibition, Royal Scottish Academy, Edinburgh; London Original Print Fair, Austin Desmond Gallery, London; A Small Good Thing, online exhibition, curated by artist Sam Luke Heath; The Woolwich Print Fair. 2020 Summer Exhibition, Royal Academy, London, print room; London Art Fair, Art First Gallery, Islington Arts Centre. 2019, Points of Contact: Printmaking in Britain 1949-2019, Austin/ Desmond Gallery; London, curated by Julian Page; London Original Print Fair, Royal Academy, London; Print week New York, C.G. Boerner Gallery. 2018 Perfectly Small, The Foundry Gallery, London, Julian Page and Joanna Bryant Fine Art. 2017, The Little Cocktail Hour, group show, C.G. Boerner Gallery, New York. 2016, Creative Fury, group show curated by Julian Page and Joanna Bryant, Clerkenwell Green, London; Belleville, Art First London, Gallery 2, solo show. 2015, IPCNY, New York, True Monotypes, curated by Janice Oresman; This is my Proper Ground, David Krut Projects, New York. 2014, Open the Box, Art First, London; September 2013, Forét Intérieure, Alexandra Grant in collaboration with Héléne Cixous, Mains d'Oeuvres Art Centre, Paris. 2013 Sampler, Small Works by 30 Artists, curated by Bill Scott, The Cerulean Gallery, Philadelphia. March 2013, Kid, David Krut Projects, New York Recipient of the Royal Scottish Academy Maclaine Watters Medal for painting, 1998; Royal Scottish Academy John Kinross scholarship, 1998; The Richard Ford Award, 1998Art First, London Julian Page Fine Art, London David Krut Projects, New York/ Johannesburg. About the postcard artworks These little works derive from larger paintings and ongoing themes that preoccupy me. Now largely drawn from memory, here are characters from the local betting bars in the Belleville neighbourhood of Paris where I live, and animals drawn in the Jardin des Plantes ménagerie, transformed into characters back in the studio; the ménagerie studies playing with ideas of self-portrait as monkey going back to Chardin. I like working back and forth between paper and canvas, using the inceptive drawings as a prompt for longer painted works, and then creating further drawings after the canvases are completed as is the case with the bar drinkers here. The drawings and prints often serve as correctors to the slower medium of paint.
Lot 218
Kate McCrickard Artist at Work, 2021 Conté Coloured Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) After completing the dual discipline Fine Art degree at Edinburgh University in 1998, my professional life remained bifurcated - split between a disciplined studio practice in painting and printmaking and writing about art making. In 2011, Tate Publishing, London, invited me to write a monograph on South African artist, William Kentridge for the Tate Modern Artists series. I was a regular contributor to the American journal, Art in Print. I have exhibited my work internationally; works are held in major museum collections including The British Museum, London, Davison Arts Centre, Wesleyan University, Connecticut, USA, Los Angeles County Museum, California, The Metropolitan Museum of Art, New York, The New York Public Library and The Royal Scottish Academy, Edinburgh. I now have more time to devote to my painting as my three children grow older. They were once the focus of the work as I looked after them at home alongside the paint, battling against Cyril Connolly's infamous quote, "There is no more somber enemy of good art than the pram in the hall." Drawing the human figure and its activities remain at the heart of the work, however, though the reach has become wider, moving out from the home, to local betting bars in the Belleville quartier of Paris where I live, swimming pools and football fields; the ménagerie at Paris' Jardin des Plantes - crowded spaces where we rubbed up against each other, at ease pre-Covid 19. Education MA Honours Degree in Fine Art (History of Art and Painting), First Class Honours, 1998, University of Edinburgh, Scotland Bradford College of Art, Foundation Course, BA Diploma, 1997 Exhibitions 2021 John Kinross 40th Anniversary Exhibition, Royal Scottish Academy, Edinburgh; London Original Print Fair, Austin Desmond Gallery, London; A Small Good Thing, online exhibition, curated by artist Sam Luke Heath; The Woolwich Print Fair. 2020 Summer Exhibition, Royal Academy, London, print room; London Art Fair, Art First Gallery, Islington Arts Centre. 2019, Points of Contact: Printmaking in Britain 1949-2019, Austin/ Desmond Gallery; London, curated by Julian Page; London Original Print Fair, Royal Academy, London; Print week New York, C.G. Boerner Gallery. 2018 Perfectly Small, The Foundry Gallery, London, Julian Page and Joanna Bryant Fine Art. 2017, The Little Cocktail Hour, group show, C.G. Boerner Gallery, New York. 2016, Creative Fury, group show curated by Julian Page and Joanna Bryant, Clerkenwell Green, London; Belleville, Art First London, Gallery 2, solo show. 2015, IPCNY, New York, True Monotypes, curated by Janice Oresman; This is my Proper Ground, David Krut Projects, New York. 2014, Open the Box, Art First, London; September 2013, Forét Intérieure, Alexandra Grant in collaboration with Héléne Cixous, Mains d'Oeuvres Art Centre, Paris. 2013 Sampler, Small Works by 30 Artists, curated by Bill Scott, The Cerulean Gallery, Philadelphia. March 2013, Kid, David Krut Projects, New York Recipient of the Royal Scottish Academy Maclaine Watters Medal for painting, 1998; Royal Scottish Academy John Kinross scholarship, 1998; The Richard Ford Award, 1998Art First, London Julian Page Fine Art, London David Krut Projects, New York/ Johannesburg. About the postcard artworks These little works derive from larger paintings and ongoing themes that preoccupy me. Now largely drawn from memory, here are characters from the local betting bars in the Belleville neighbourhood of Paris where I live, and animals drawn in the Jardin des Plantes ménagerie, transformed into characters back in the studio; the ménagerie studies playing with ideas of self-portrait as monkey going back to Chardin. I like working back and forth between paper and canvas, using the inceptive drawings as a prompt for longer painted works, and then creating further drawings after the canvases are completed as is the case with the bar drinkers here. The drawings and prints often serve as correctors to the slower medium of paint.
Lot 319
Michael Wann Mountain Trees , 2021 Charcoal on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Michael Wann is a contemporary visual artist who's work is exclusively drawing based. His work has been selected for the Royal Hibernian Academy's Annual Exhibition since 2004, where in 2006 he was awarded the AXA Insurance Drawing Prize and in 2016 the ESB Sean Keating Prize and RHA Silver Medal. In 2010 Hughie O'Donoghue selected Michael's work for the Tom Caldwell Drawing Prize and the Rowel Friers Perpetual Trophy at the Royal Ulster Academy's 129th Annual Exhibition. In 2013 he was awarded a merit prize by the trustees of the Golden Fleece, and in 2019 his work was selected for exhibition in New York by the U.S. branch of the Florence Academy. His work forms part of public and private collections in Ireland, U.K., France, Germany, Switzerland, Australia, New Zealand and the United States.
Lot 320
Michael Wann Mountain Trees II, 2021 Charcoal on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Michael Wann is a contemporary visual artist who's work is exclusively drawing based. His work has been selected for the Royal Hibernian Academy's Annual Exhibition since 2004, where in 2006 he was awarded the AXA Insurance Drawing Prize and in 2016 the ESB Sean Keating Prize and RHA Silver Medal. In 2010 Hughie O'Donoghue selected Michael's work for the Tom Caldwell Drawing Prize and the Rowel Friers Perpetual Trophy at the Royal Ulster Academy's 129th Annual Exhibition. In 2013 he was awarded a merit prize by the trustees of the Golden Fleece, and in 2019 his work was selected for exhibition in New York by the U.S. branch of the Florence Academy. His work forms part of public and private collections in Ireland, U.K., France, Germany, Switzerland, Australia, New Zealand and the United States.
Lot 321
Michael Wann Hazelwood Tree, 2021 Charcoal on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Michael Wann is a contemporary visual artist who's work is exclusively drawing based. His work has been selected for the Royal Hibernian Academy's Annual Exhibition since 2004, where in 2006 he was awarded the AXA Insurance Drawing Prize and in 2016 the ESB Sean Keating Prize and RHA Silver Medal. In 2010 Hughie O'Donoghue selected Michael's work for the Tom Caldwell Drawing Prize and the Rowel Friers Perpetual Trophy at the Royal Ulster Academy's 129th Annual Exhibition. In 2013 he was awarded a merit prize by the trustees of the Golden Fleece, and in 2019 his work was selected for exhibition in New York by the U.S. branch of the Florence Academy. His work forms part of public and private collections in Ireland, U.K., France, Germany, Switzerland, Australia, New Zealand and the United States.
Lot 322
Michael Wann Laneway at dusk, 2021 Charcoal on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Michael Wann is a contemporary visual artist who's work is exclusively drawing based. His work has been selected for the Royal Hibernian Academy's Annual Exhibition since 2004, where in 2006 he was awarded the AXA Insurance Drawing Prize and in 2016 the ESB Sean Keating Prize and RHA Silver Medal. In 2010 Hughie O'Donoghue selected Michael's work for the Tom Caldwell Drawing Prize and the Rowel Friers Perpetual Trophy at the Royal Ulster Academy's 129th Annual Exhibition. In 2013 he was awarded a merit prize by the trustees of the Golden Fleece, and in 2019 his work was selected for exhibition in New York by the U.S. branch of the Florence Academy. His work forms part of public and private collections in Ireland, U.K., France, Germany, Switzerland, Australia, New Zealand and the United States.
Lot 429
Davina Jackson On Our Way Home, 2021 Ink and Goucahe on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Davina Jackson is a British , figurative artist and currently works from her studio at Kingsgate Workshops in london . She studied at Central St Martin's , The Byam Shaw and completed her post graduate masters at The Royal Academy Schools where she was awarded the Gold Medal prize for painting . She is a regular exhibitor at The Royal Academy Summer Exhibition and The Discerning Eye and has had 4 solo exhibitions in the last 5 years , one in Trieste , Italy that was curated by Edward -Lucie Smith . Her recent solo show at The Pontone Gallery in London was an exhibition of works exploring the fate of humanity through different interpretations of allegorical Greek Myths. Davina's work centres around the figure, portraying intimate moments and fragments of memory. She likes to sculpt and simplify the bodies, preferring to explore the essence of a pose or mood and her inspiration lies in storytelling , poetry and the theatre as well as her own personal experiences , especially as a mother and woman . Davina has been the recipient of numerous awards throughout her artistic career in painting and drawing . 1989-1990 Foundation in Art and Design, Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994 -1997 Masters Fine Art, The Royal Academy Schools 2020 The Sunday Times Watercolour competition The Royal Academy Summer/Winter show 2019 Solo Exhibition , Close To The Sun, The Pontone Gallery , London The Discerning Eye The Mall Galleries, London Solo show , Moor House, Moorgate,London 2018 Group Exhibition, British Painters - Imagined Worlds, Pontone Gallery, London The Discerning Eye, Drawing Bursary , The Mall Galleries British Art Fair Saatchi Gallery, showing with the Boundary Gallery 2017 Solo Exhibition - The Woland Club Art Gallery, Porto Piccollo, Italy (curated by Edward Lucie-Smith in collaboration with the Pontone Gallery) Group Exhibition - Winter Show Part 2, The Albermarle Gallery Art London - Business Design Centre 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery Group Exhibition - Highgate Contemporary Art Gallery summer show The Boundary Gallery and Fine Art Consultancy, Highgate Contemporary Art Gallery 2015 The Royal Academy Summer Exhibition , The Royal Academy of Arts 2014 Microtopia - Group Show, Kingsgate Gallery The Discerning Eye, Drawing Bursary - The Mall Galleries 2012 The Royal Academy Summer Show ,The Royal Academy of Arts 2006 Group Exhibition, The Boundary Gallery 2004 Solo Show, Ars Vivendi - Geneva, Switzerland 20th Century Perspectives - Burlington Fine Art The Hunting Prize - Royal College of Art (Also showed in 2003, 2002, and 2001) The Modern and the New - Ben Uri Gallery Representation The Albemarle Gallery and The Boundary Gallery About the Postcards I have submitted 3 works for Art on a Postcard that touch on different subject matter that I explore in my work, but all of which are essentially about the inner world.
Lot 430
Davina Jackson Resting Figure, 2021 Pigment, Ink and Gouache on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Davina Jackson is a British , figurative artist and currently works from her studio at Kingsgate Workshops in london . She studied at Central St Martin's , The Byam Shaw and completed her post graduate masters at The Royal Academy Schools where she was awarded the Gold Medal prize for painting . She is a regular exhibitor at The Royal Academy Summer Exhibition and The Discerning Eye and has had 4 solo exhibitions in the last 5 years , one in Trieste , Italy that was curated by Edward -Lucie Smith . Her recent solo show at The Pontone Gallery in London was an exhibition of works exploring the fate of humanity through different interpretations of allegorical Greek Myths. Davina's work centres around the figure, portraying intimate moments and fragments of memory. She likes to sculpt and simplify the bodies, preferring to explore the essence of a pose or mood and her inspiration lies in storytelling , poetry and the theatre as well as her own personal experiences , especially as a mother and woman . Davina has been the recipient of numerous awards throughout her artistic career in painting and drawing . 1989-1990 Foundation in Art and Design, Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994 -1997 Masters Fine Art, The Royal Academy Schools 2020 The Sunday Times Watercolour competition The Royal Academy Summer/Winter show 2019 Solo Exhibition , Close To The Sun, The Pontone Gallery , London The Discerning Eye The Mall Galleries, London Solo show , Moor House, Moorgate,London 2018 Group Exhibition, British Painters - Imagined Worlds, Pontone Gallery, London The Discerning Eye, Drawing Bursary , The Mall Galleries British Art Fair Saatchi Gallery, showing with the Boundary Gallery 2017 Solo Exhibition - The Woland Club Art Gallery, Porto Piccollo, Italy (curated by Edward Lucie-Smith in collaboration with the Pontone Gallery) Group Exhibition - Winter Show Part 2, The Albermarle Gallery Art London - Business Design Centre 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery Group Exhibition - Highgate Contemporary Art Gallery summer show The Boundary Gallery and Fine Art Consultancy, Highgate Contemporary Art Gallery 2015 The Royal Academy Summer Exhibition , The Royal Academy of Arts 2014 Microtopia - Group Show, Kingsgate Gallery The Discerning Eye, Drawing Bursary - The Mall Galleries 2012 The Royal Academy Summer Show ,The Royal Academy of Arts 2006 Group Exhibition, The Boundary Gallery 2004 Solo Show, Ars Vivendi - Geneva, Switzerland 20th Century Perspectives - Burlington Fine Art The Hunting Prize - Royal College of Art (Also showed in 2003, 2002, and 2001) The Modern and the New - Ben Uri Gallery Representation The Albemarle Gallery and The Boundary Gallery About the Postcards I have submitted 3 works for Art on a Postcard that touch on different subject matter that I explore in my work, but all of which are essentially about the inner world.
Lot 431
Davina Jackson Icarus Dreams, 2021 Ink, Watercolour and Gouache on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Davina Jackson is a British , figurative artist and currently works from her studio at Kingsgate Workshops in london . She studied at Central St Martin's , The Byam Shaw and completed her post graduate masters at The Royal Academy Schools where she was awarded the Gold Medal prize for painting . She is a regular exhibitor at The Royal Academy Summer Exhibition and The Discerning Eye and has had 4 solo exhibitions in the last 5 years , one in Trieste , Italy that was curated by Edward -Lucie Smith . Her recent solo show at The Pontone Gallery in London was an exhibition of works exploring the fate of humanity through different interpretations of allegorical Greek Myths. Davina's work centres around the figure, portraying intimate moments and fragments of memory. She likes to sculpt and simplify the bodies, preferring to explore the essence of a pose or mood and her inspiration lies in storytelling , poetry and the theatre as well as her own personal experiences , especially as a mother and woman . Davina has been the recipient of numerous awards throughout her artistic career in painting and drawing . 1989-1990 Foundation in Art and Design, Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994 -1997 Masters Fine Art, The Royal Academy Schools 2020 The Sunday Times Watercolour competition The Royal Academy Summer/Winter show 2019 Solo Exhibition , Close To The Sun, The Pontone Gallery , London The Discerning Eye The Mall Galleries, London Solo show , Moor House, Moorgate,London 2018 Group Exhibition, British Painters - Imagined Worlds, Pontone Gallery, London The Discerning Eye, Drawing Bursary , The Mall Galleries British Art Fair Saatchi Gallery, showing with the Boundary Gallery 2017 Solo Exhibition - The Woland Club Art Gallery, Porto Piccollo, Italy (curated by Edward Lucie-Smith in collaboration with the Pontone Gallery) Group Exhibition - Winter Show Part 2, The Albermarle Gallery Art London - Business Design Centre 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery Group Exhibition - Highgate Contemporary Art Gallery summer show The Boundary Gallery and Fine Art Consultancy, Highgate Contemporary Art Gallery 2015 The Royal Academy Summer Exhibition , The Royal Academy of Arts 2014 Microtopia - Group Show, Kingsgate Gallery The Discerning Eye, Drawing Bursary - The Mall Galleries 2012 The Royal Academy Summer Show ,The Royal Academy of Arts 2006 Group Exhibition, The Boundary Gallery 2004 Solo Show, Ars Vivendi - Geneva, Switzerland 20th Century Perspectives - Burlington Fine Art The Hunting Prize - Royal College of Art (Also showed in 2003, 2002, and 2001) The Modern and the New - Ben Uri Gallery Representation The Albemarle Gallery and The Boundary Gallery About the Postcards I have submitted 3 works for Art on a Postcard that touch on different subject matter that I explore in my work, but all of which are essentially about the inner world.
Lot 74
Julie-Ann Simpson Flow, 2021 Gouache, Pencil and Pen on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Lot 75
Julie-Ann Simpson Release, 2021 Gouache, Oil Pastel, Pen and Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Lot 76
Julie-Ann Simpson Snag, 2021 Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Lot 46
Inscribed on original label verso, oval, miniature, watercolour on ivory.9cm x 7cm (3.5in x 2.75in)Footnote: * Sarah Biffin was born without arms or vestigial legs and was only 94 cm high. At a young age she was contracted under the service of a showman named Emmanuel Dukes, who presented her at fairs and sideshows as an attraction. Mr Dukes taught Miss Biffin how to paint, holding the paintbrush in her mouth, originally in order to increase her appeal for the public who came to watch her. However, she soon became a talented artist, and a demand grew for her work, which initially consisted of mainly landscapes and portrait miniatures. During her appearance at St. Bartholomew’s Fair in 1808, the Earl of Morton paid Miss Biffin a visit. He was so impressed with her skill at draughtsmanship that he sponsored Sarah and arranged private lessons for her by the Royal Academy painter, William Craig. Her popularity grew and she was accepted into the Royal Academy and awarded a medal by The Society of Artists in 1821. She was commissioned by the Royal Family to produce their portraits in miniature, including Queen Victoria. She was even mentioned by Charles Dickens in Nicholas Nickleby and Martin Chuzzlewit. After her patron the Earl of Morton passed away, Queen Victoria awarded her a civil pension, and she retired to Liverpool.Condition report: The miniature is in good, restored condition. There are some areas of paint loss across the miniature with some areas of overpainting on the jacket of the officer. The miniature is laid onto a backing card. The miniature is ornately framed and glazed. The frame has some knocks and losses.
Lot 1303B
WW1 And WW2 Group Of 10 Medals To Include British War Medal And Victory Medal Awarded To J.48786 W.J. SOAMES. SIG R.N. 1929-1945 Star, The Atlantic Star, The Africa Star, The Burma Star, Defence Medal, War Medal 1939-45, George V Royal Fleet Reserve Long Service And Good Conduct Medal And Elizabeth II Imperial Service Medal Named For J.48786 (CH, B, 21342) W J SOAMES L. SIG R.F.R.
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