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Lot 178
Alan Minter signed Lonsdale red boxing glove. Alan Sydney Minter (17 August 1951 - 9 September 2020) was a British professional boxer who competed from 1972 to 1981. He held the undisputed middleweight title in 1980, having previously held the British middleweight title from 1975 to 1976, and the European middleweight title twice between 1977 and 1979. As an amateur, Minter won a bronze medal in the light-middleweight division at the 1972 Summer Olympics. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 350
Athletics Legend Usain Bolt Hand signed 10x8 Colour Photo showing bolt proudly showing off his Gold Medal at Rio 2016 Olympics. Fantastic signature. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 282
Boxing Roy Jones Jnr signed 16x12 colour photo. Roy Levesta Jones Jr. (born January 16, 1969) is an American former professional boxer, commentator, and trainer who holds dual American and Russian citizenship. He competed in boxing from 1989 to 2018, and held multiple world championships in four weight classes, including titles at middleweight, super middleweight, light heavyweight, and heavyweight, and is the only boxer in history to start his professional career at light middleweight and go on to win a heavyweight title. As an amateur, he represented the United States at the 1988 Summer Olympics, winning a silver medal in the light middleweight division after one of the most controversial decisions in boxing history. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 440
Various jewellery silver and collectables, including opal and ruby stickpin, butterscotch amber earrings, large Maltese Cross pendant necklace, silver charm bracelet, Chinese token coins, Wedgwood Jasperware brooch, novelty carriage lantern lapel clips, Second World War Defence medal etcLot sold as seen unless specific item(s) requested
Lot 1015
Political interest - An interesting medal, decorated with the emblem of the Independent Labour Party and red enamel, with engraved date above 1914-1917; the back engraved F. W. Jowett, Chairman 1909-1910; stamped '15ct', 3.2cm long, 4.71 grams gross. Fred Jowett was a British Labour politician and a socialist reformer
Lot 205
A COLLECTION OF OBJECTS OF VERTUIncluding George III corkscrew, unmarked, with mother of pearl handle, a masonic medal, dated 1806 and with lodge No.800, engraved with fouled anchor, lamb, an arch, a cherub holding a banner, a grease cannister for fishing, Dublin 1883, two snuffboxes, articulated fish, a filigree and enamel counter box, miniature candlestick with import marks, etc, weight 12oz.For further information on this lot please visit Bonhams.com
Lot 59
Various medals, South Africa 1901 medal with South Africa 1901 and 1902 clasps, Queen Victoria South Africa medal with orange free state and cape colony clasp, a World War I 1914-1915 star, each similarly marked to R Balzer, the South African medal marked L Cpl R. Balzer CPDISTI, various cap badges and an associated generic letter regarding war pensions, in a Devon Cream Toffee tin, 10cm wide.
Lot 6
A silver tankard, engraved 'Westminster Bank Golfing Society, Summer Meeting, 1939 Medal Winner', hallmarked Sheffield 1938, approx. height 12cm. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
Lot 100
MODEST CUIXART I TÀPIES (Barcelona, 1925 - Palafrugell, Girona, 2007)."Matéric", Paris, 1957-1959.Oil and material on canvas.With certificate on the back signed by the artist specifying that this work was originally marketed by the famous René Drouin gallery, located in rue Visconti in Paris.Measurements: 73 x 60 cm; 102 x 89 cm.This work is part of the stage developed by Cuixart in the fifties, marked by a deep and rich informalism. In these years the painter worked with the power of thick materials and "grattage" (from 1957), creating dense, baroque works in which he introduced all kinds of objects. His work from this period was recognised in 1959 with the Grand Prize for Painting at the 5th São Paulo Biennial. These deep, complex works reflect a darker and more critical vision of the society of the time than what we will see in his next period, which was closer to Pop Art. In this work we can see how he uses quick-drying plastic paints, a novelty at the time which he pioneered.Cuixart initially studied medicine, but soon abandoned his studies to devote himself to painting, and entered the Academia Libre de Pintura in Barcelona. In 1948 he took part in the founding of the group Dau al Set, together with Brossa, Ponç, Tàpies and Tharrats, among others. Concerned with the plastic value of the sign, his work has from the outset a strong kinship with surrealism, as well as a great sensitivity towards the expressive power of colour. Towards 1955 he immersed himself in material informalism, which led him to use "grattage" in works with a certain orientalist flavour. In 1959 he won first prize at the São Paulo Biennial and exhibited at the Documenta in Kassel, and the following year he took part in an exhibition of Spanish avant-garde works at the Tate Gallery in London and the Guggenheim Museum in New York. Cuixart introduced collage into his work in 1962, which gradually led him towards pop art. Enriched by all these experiences, he returned to flat painting, achieving a very personal critical realism, which synthesises expressionism with dramatically transformed figuration, always valuing chromatic qualities. In the seventies he exhibited in numerous national and international capitals, such as Paris, Madrid, São Paulo, Amsterdam, Tokyo, Basel, Barcelona and Milan, among others. In the following decade, Cuixart gradually freed his painting from its aggressive aspects to give it a more lyrical tone. He also took part in a group exhibition at the Palais de l'UNESCO in Paris, was awarded the Cross of Saint George by the Generalitat de Catalunya and the Cross of Isabella the Catholic. In 1988 he holds an anthological exhibition in Japan, in the cities of Kobe and Tokyo. He continues to work with exuberant colours and forms, and reincorporates a more material figuration into his work. In 1998 the foundation named after him was created in Palafrugell, and the following year he was awarded the Gold Medal for Merit in Fine Arts by the Ministry of Culture. He is represented in the Museo Nacional Centro de Arte Reina Sofía, the Tate Gallery in London, the Museo Nacional de Arte de Cataluña, the Contemporary Art Museums of Madrid, Barcelona and Saint-Etienne (France), the Patio Herreriano in Valladolid, the Museo de Grabado Español Contemporáneo in Marbella, the Museo de Arte de la Universidad de São Paulo, the Museo de Arte Abstracto in Cuenca and the Museo del Ampurdán, among many others.
Lot 28
MIGUEL BERROCAL (Villanueva de Algaidas, Málaga, 1933 - Antequera, Málaga, 2006)."Suite Almogávares", 1988.Folder composed of 6 engravings, copy 30/100.Hand signed and numbered.Measurements: 56 x 76 cm.Berrocal began his training at the School of Arts and Crafts in Madrid, as a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to various architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His first works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and from 1968 he alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicétera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 3
ANTONI CLAVÉ I SANMARTÍ (Barcelona, 1913 - Saint Tropez, France, 2005)."Le guettur", 1962.Patinated bronze, copy E.A.Signed and justified on the right side.Wooden base.Bibliography: Pierre Seghers "Clavé" Ed. Polígrafa, Barcelona 1971, reprod pg 173. Lluis Permanyer, "Clavé escultor", Ed. Polígrafa, Barcelona 1989, reprod pg 76-77.Size: 15,5 x 7,5 x 8 cm. + 8 cm. base.Antoni Clavé is one of the most important figures in Spanish contemporary art. Trained at the San Jordi School of Fine Arts in Barcelona, Clavé first devoted himself to advertising graphics, illustration and decorative arts. In 1936 he took an active part in the Civil War, joining the Republican ranks, which led him to go into exile in France at the end of the war. That same year, 1939, he exhibited the drawings he had made on the battlefields. He settled in Paris, where he met Vuillard, Bonnard and Picasso. He already enjoyed great international prestige at the time when he began to be recognised in Spain, with his exhibition at the Sala Gaspar in Barcelona in 1956. At the same time he produced illustrations for the work "Gargantua and Pantagruel", which led him to become familiar with medieval iconography. It was in the 1950s that he began his intense work in the world of ballet and theatre, achieving great fame in the world of international stage design. In 1952 he made the sets for the film "Hans Christian Andersen", by Charles Vidor, and was nominated for an Oscar award. In 1954 he abandoned set design to devote himself to painting. He was awarded prizes at the Hallimark in New York in 1948, at the Venice Biennale in 1954 and at the Tokyo International Biennale in 1957. In 1984 the Spanish state recognised his artistic value with the exhibition of more than one hundred of his works in the Spanish pavilion at the Venice Biennale. That same year he was awarded the Gold Medal of the Generalitat de Catalunya. Clavé's work can be found, among many others, in the Bilbao Fine Arts Museum, the Tate Gallery, the Museum of Modern Art in Paris, the British Museum in London, the Museum of Modern Art in Tokyo and the Reina Sofía Museum in Madrid.
Lot 80
ANTONÍ TÀPIES PUIG (Barcelona, 1923 - 2012).Untitled, 1970.Paint and pencil on cardboard.Attached certificate of authenticity issued by the Comissió Tàpies.Work registered in the Archive of the artist's complete works, no. T-9836.Signed in the lower right-hand corner.Measurements: 42 x 29.5 cm; 77 x 65 cm (frame).In this sober painting Tapies emphasises in the composition two elements which he arranges on an ochre background with a complex tonal gradation. They are an expressive red line that denotes the artist's passion and a cross, an iconographic element that Tapies made his own. A cross that is not religious, but spiritual, as the artist described in the article Cruces, equis y otras contradicciones, included in the book El arte y sus lugares (1999): "The interest in the cross is a consequence of the great variety of meanings, often partial and apparently different, that have been given to it: crosses (and also Xs), as coordinates of space, as an image of the unknown, as a symbol of mystery, as a sign of a territory, as a mark to sacralise different places, objects, people or fragments of the body, as a stimulus to inspire mystical feelings, to remember death and, specifically, the death of Christ, as an expression of a concept, paradoxical, as a mathematical sign, to erase another image, to manifest a disagreement, to deny something."Co-founder of "Dau al Set" in 1948, Tàpies began to exhibit at the Salones de Octubre in Barcelona, as well as at the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Galerías Layetanas, he travels to Paris in 1950, with a grant from the Institut Français. In 1953 he had a solo exhibition at Martha Jackson's gallery in New York. From then on, he exhibited his work, both in group and solo shows, all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the 1970s, anthologies have been devoted to him in Tokyo, New York, Rome, Amsterdam, Madrid, Venice, Milan, Vienna and Brussels. Self-taught, Tàpies created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style full of symbolism, giving great importance to the material substratum of the work. It is worth noting the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous prizes and distinctions, including the Praemium Imperiale of Japan, the National Prize for Culture, the Grand Prix for Painting in France, the Wolf Foundation for the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Prize for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Prize for the Plastic Arts (2003). Antoni Tàpies is represented in major museums all over the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.
Lot 86
ALFREDO SOSABRAVO (Sagua la Grande, Cuba, 1930)."Pajarera", April 2006.Oil and collage on canvas.Signed and dated in the lower left corner. Signed, dated and titled on the back.Enclosed certificate signed by the artist.Measurements: 76,5 x 64 cm; 95 x 82 cm (frame).His constant desire for improvement has made Alfredo Sosabravo one of the most original artists of the two-dimensional expressions of Cuban plastic art. Dedicated to painting, drawing, engraving and ceramics, Sosabravo trained at the Escuela Elemental de Artes Plásticas Aplicadas Anexa a la Academia de Artes Plásticas San Alejandro, in Havana, Cuba. He held his first major solo exhibition in 1967 with oil-collages and ceramics in Galería Habana. As a tribute to his meritorious work, he received in 1988 the "Alejo Carpentier" Medal, in 1994 the "Félix Varela" Order and in 1997 the National Prize of Plastic Arts, the highest award given in Cuba. In 2008, the National Museum of Havana included his work in the anthological exhibition Cuba: Art and History, which is presented at the Museum of Fine Arts in Montreal, Canada. The Instituto Cervantes in Vienna held an exhibition of his work, which included paintings and sculptures in glass and bronze. Throughout his career he has participated in numerous exhibitions both nationally and internationally. He is included in the exhibition of masters of the Second Salon of Contemporary Art, Havana. 1999. He presented an anthological exhibition on the occasion of the Premio Nacional de Artes Plásticas, Centro de Arte. The publishing house Letras Cubanas publishes the monographic book SOSABRAVO, Havana. 2000. Exhibited at the Galería La Acacia, in homage to his seventy years of life, 2003. Inaugurated a personal exhibition at the Castel Dellovo, Naples, Italy. 2004. Solo exhibition of his drawings and collages, La Acacia Gallery, Havana. 2005. Carried out Recent Paintings, National Museum of Fine Arts, Havana. 2006. Designed the curtain for the ballet Pictures at an Exhibition, choreographed by Alicia Alonso for the National Ballet of Cuba. 2008. In homage to his eightieth birthday, the Centro Hispanoamericano de Cultura, Havana, presented his most recent sculptures, paintings and ceramics, all made in workshops in Italy.
Lot 97
ANTONI TÀPIES PUIG (Barcelona, 1923-2012)."Portail", 1983.Etching with resins and carborundum in several inks on Arches paper, copy P.A.Watermark Arches.Signed and justified by hand.Galerie Lelong, Paris.Imp. J. Barbará.Measurements: 107 x 78 cm.Co-founder of "Dau al Set" in 1948, Tàpies begins to exhibit at the Salones de Octubre in Barcelona, as well as at the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Galerías Layetanas, he travels to Paris in 1950, with a grant from the Institut Français. In 1953 he had a solo exhibition at Martha Jackson's gallery in New York. From then on, he exhibited his work, both in group and solo shows, all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the 1970s, anthologies have been devoted to him in Tokyo, New York, Rome, Amsterdam, Madrid, Venice, Milan, Vienna and Brussels. Self-taught, Tàpies created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style full of symbolism, giving great importance to the material substratum of the work. It is worth noting the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous prizes and distinctions, including the Praemium Imperiale of Japan, the National Prize for Culture, the Grand Prix for Painting in France, the Wolf Foundation for the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Prize for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Prize for the Plastic Arts (2003). Antoni Tàpies is represented in major museums all over the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.
Lot 209
A yellow metal 'Baby' bar brooch, marked 9CT; a yellow metal bow bar brooch, marked 9ct; a pair of yellow metal earrings with seed pearls, marked 9ct; a gold-plated Longines lady's watch; a 27mm wide half hinged silver bangle, Chester 1959; other items of costume jewellery; a silver napkin ring; a nickel full and half sovereign case; a WVS medal, presentation paperwork and badges; a 925 Sterling 9cm dish with Hong Kong coin to centre; silver thimble Chester 1912 in a bakelite case; in a wooden musical jewellery box, not working at present time.
Lot 218
A Jerusalem Pilgrims silver coloured medal with ribbon and bar in original box, "Signum sacri itineris hierosolymitani"; a silver two pound coin to celebrate the 70th Anniversary of The Battle of Britain - with certificate; another gold-plated One Dollar The History of Space Exploration with certificate; other Five Pound and commemorative crowns.
Lot 156
An interesting silver gilt and enamel medal, depicting the City of London arms, the centre inscribed 'Corporation City of London', and on a scroll at the base '1st Anti Aircraft Division T.A', the whole surmounted by an anti aircraft gun, on its ribbon, the pin back enamelled bar inscribed '2. Dec.1938', HM B'ham 1938. GC £50-70
Lot 83
Five: BWM, Victory, Territorial War Medal (374016 C.Q.M.Sjt T H Pyne, RA), Defence medal WWII, Territorial Force Efficiency medal, Geo V first type bust (155 B.Q.M.Sjt T.H. Pyne, RGA), VF, mounted as worn; with recipient's Soldier's Pay Book (attestation date 17.07.08), a pair of T/RGA/Sussex shoulder titles; a T/RGA single title; pair RGA titles; Sussex title; various cloth badges, chevrons, buttons etc, 3 sepia postcards showing recipient including 1 showing recipient with father W Pyne of the Coast Guard service (see following lot), ID tags and large sepia photo of recipient in uniform; and an unrelated BWM (Pte W. Wood, R. Sussex Regt) F. £175-225
Lot 88
A quantity of WWI 'Flag Day' flags and collectors' badges, including a glazed mahogany display case, 9½" x 12½", containing five "Official Collectors'" tie on card badges including "Russian Flag Day 1916", "St Patrick's Flag Day 1917" for Irish Regiments and P.O.Ws, sellers authorisation for YMCA Huts Flag Day 1916, etc; a pin board with over 50 pin on flag day flags; 4 printed paper armbands, including "Mesopotamia Day"; 6 various post cards; and a small WWII poster for "Thanksgiving Week". Average GC (a few items worn); also a small quantity of short lengths of medal ribbons, some with identified labels, and a Spink's medal catalogue for 1972. £40-50
Lot 85
Miniature medals (7): Crimea, 2 clasps Azoff, Sebastopol, swivel suspender; mounted pair QSA 3 clasps CC, OFS, Trans, and KSA both date clasps; group of four: Defence, War, GSM 1918 1 clasp Bomb & Mine Clearance 1945-8, Efficiency medal, Territorial, Geo VI issue. None named, average VF £80-120
Lot 295
CYPRUS GENERAL SERVICE MEDAL. An Elizabeth II General Service Medal with Cyprus clasp to S/23409746 Pte. J. R. Impey R.A.S.C., with ribbon bar, cap badge & veterans badge in original box. Medal mint & apparently unworn in original box. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 294
WWII MEDAL GROUP. A group of five WWII medal awarded to E. S. H. Whybrow of St. Ives, Cornwall. 1939-45 Star, Atlantic Star, Africa Star. Burma Star with Pacific clasp (unattached) & 1939-45 War Medal with ribbon bar. All mint & appear unworn. Includes original posting box & inclusion list. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 293
WWI MEDAL GROUP. A group of four WWI naval medals awarded to LIEUT. J. S. WHYBROW. R.N.R. 1914-1915 Star, British War Medal Victory Medal & Mercantile Marine War Medal. Discolouration & corrosion to non-silver medals. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 322
TOKENS. A Victorian 1862 International Exhibition of London medal (high grade), a 1796 half-penny token 'Lackington & Allen Co. Bookseller & a 1796 half-penny token 'Freedom With Innocence- Industry Supplieth Want' (London). Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
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