*France (?), Mar de Prya…., struck silver medal dated 1485, bust left wearing cap and with date before; mar de prya ar cap cit pa gv eqs pro hisp re gra crea around, rev., prie achant doyseavlx, coat of arms, 42mm, 36.73g, very fine, toned For a cast copy in bronze of this apparently unrecorded medal see the iNumis mail bid sale 15, 25 March 2011, lot 2861. Both the identity of the sitter and the coat of arms appear to be unrecorded and it is likely to be a fantasy piece of uncertain date but, from a stylistic and fabric point of view, made earlier than the 19th or 18th centuries.
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*France, René de Birague, Chancellor of France, uniface bronze medal attributed to Germain Pillon, bearded bust right, aged 70, wearing ruff and cloak with fur-collar, 164mm (cf. Jones 121; Currency of Fame 144), later cast, extremely fine, patinated and lacquered, with integral suspension loop [illustrated two-thirds actual size]
*France, Henry IV (1589-1610), bronze medal, bust three-quarters right wearing hat with broad rim, rev., collar of St. Michael enclosing shields of France and Navarre-Béarn, 63mm including frame (Arm. II, 279, 6; Maz. II, 373; Currency of Fame 155), very fine old cast in integral frame with suspension loop
*France, Francesco de Medici (1594-1614), uniface lead medal, 1613, by Guillaume Dupré, cuirassed bust right in high collar; signed and dated on truncation, g dp 1613, 101.8mm including mount (Mazerolle 673; Jones 43; Smolderen 24), set within lead frame with suspension loop, an extremely fine contemporary cast, the reverse with intaglio image Ex Stack collection, Morton & Eden, 9 December 2009, lot 290 and Sir Timothy Clifford collection, Spink/Christie’s, 21 May 1996, lot 438.
France, Louis XIV, capture of Nice, 1691, copper medal, by J. Mauger, 41 mm (Divo 236), good very fine; Napoleon III’s visit to Queen Victoria, 1855, white metal medal, by Allen & Moore, 38 mm (BHM 2563), extremely fine; miscellaneous medals in silver (3) and base metal (8) including St. Helena (award) medal (1857), generally very fine, some better, one in brooch mount (13)
France, Louis Philippe, Royal Visit to the Paris Mint, 1833, silvered bronze medal by J.J. Barre, 75mm (BDM I, 129), a later restrike; Execution of Marie Antoinette, 1793, bronze medal by Küchler, 48mm; clichés (2) for the Arrival of the King in Paris, 1789, 86mm and portrait of Napoleon by Andrieu, 140mm; with late restrike bronze Napoleonic medals (2); Vatican, Pius IX, bronze-gilt medal, issued at Easter 1860, 58mm (Lincoln 2288), this in original red morocco case of issue; very fine to extremely fine (7)
France, Louis Philippe, Dedication of the July Column, 1840, bronze medal by Caunois, 75mm (Collignon 1181); J.M. d’Argaud, uniface bronze medal by A. Preault, 1842, 50mm; Italy, Andrea Appiani, bronze medal by Manfredini, 1826, 42mm (Rizzini 155); Antonio Canova, bronze medal by Putinati, 33mm; Great Britain, Joshua Reynolds, Art Union bronze medal by Stothard, 1845, 56mm (BHM 2207), mainly very fine to extremely fine (5)
*Germany, oval Vanitas medal, cast in silver, c. 1630, by Christian Maler, female bust right wearing coronet and pearl necklace with pendant resting between exposed breasts, rev., a skeleton watching an hour glass, 36 x 31mm (BDM III, 542 and VIII, 18), with loop for suspension, grey toned, very fine and rare The Latin inscription continues from the obverse to the reverse and translates as: you shall see later on the back who I am …….. this am I now; once I was the fairest of all. Forrer in BDM wrongly identified the sitter as Elizabeth of Bohemia (the Winter Queen) and then re-attributed it, in the supplementary volume of BDM, to Anna Katherina Munk, a daughter of Christian IV of Denmark but without explanatory evidence.
Germany, Prussia, Frederick III as Elector of Brandenburg, Security of the Netherlands, 1690, bronze medal by R. Faltz, bust right, rev., Athena and the Dutch lion, 42.5mm (Brockmann 334; van Loon III, 481), extremely fine; Frederick the Great, Battle of Prague, 6th May 1757, bronze medal by J.G. Holtzhey, armoured bust right, rev., Victory assaulting Austria, 48mm (Olding 604; Henck 1620), bright metal, extremely fine (2)
*Italy, Costanzo Sforza (1447-1483), Lord of Pesaro from 1473, lead medal, 1475, by Gianfrancesco Enzola, bust left, rev., bust of his father Alessandro Sforza left, 78.5mm (Hill 293; Arm. I, 45, 11; Pollard 139 = Kress 96), pierced, flan warped and weakness at Alessandro’s shoulder, fine old cast
*Italy, Sebastiano Renier (c. 1497-1544), Venetian patrician, bronze medal by Maffeo Olivieri, bust right, rev., Venetia standing on water, holding the Venetian flag, 69mm (Hill 489 var.; Arm. I, 125, 4), pierced, the fields chased and edge filed, an extremely fine but late cast The present medal is without the dotted borders as illustrated in Hill. For another example without borders see Habich (Italienischen) pl. 88, 3.
*Italy, Niccolò Orsini (1442-1510), Count of Pitigliano and Nola from 1485, bronze medal after Caradosso, bust left, rev., Orsini on horseback holding baton, accompanied by two foot soldiers, 42.5mm (Hill 667), fine contemporary cast, brown patina Hill noted only two examples of this version of the medal originally by Caradosso with the legends altered later on. Here Orsini is named as commander of the Venetian forces, a position he took up on 30th October 1495.
*Italy, Battista II di Pietro Campofregoso, Doge of Genoa (1478-1483), bronze medal by Battista Elia da Genova, bust right in cap, rev., a trochilus flying into the open jaws of a crocodile (as described in Herodotus ii, 68 where the trochilus bird is said to feed in the crocodile’s mouth without danger to itself), 43mm (Hill 728; Arm. I, 61, 1; Pollard 225 = Kress 201), light marks in fields, a fine contemporary cast with dark patina Ex Astarte XVIII, 2005, lot 213.
*Italy, Fabrizio del Carretto, Grand Master of the Knights of St. John at Rhodes (1513-1521), cast gold medal to the weight of 10 ducats by an unknown North Italian medallist, bearded bust left wearing cap; f fabricivs de carretto magnvs m r around, rev., his coat of arms; deo et beate virgini around, 39.8mm, 35.18g (Hill 730d, this piece; Furse p. 318, with mention of this piece; cf. Arm. III, 195, C, in silver = Friedlander collection, acquired 1861 = Börner 265), flan slightly buckled and edge smoothed from possibly having been mounted, a few marks on the reverse, a fine early cast, extremely rare Ex Prince Montenuovo collection, Vienna; Cav. Giancarlo Rossi collection, Dura & Sambon auction, Rome, 6 December 1880, lot 3687 (2,000 gold lira) and illustrated with line drawing (where the marks on the reverse are reproduced); Alfred Morrison collection, part 1, Christie’s, 23 July 1965, lot 96 and Christie’s, 23 November 1971, lot 89. The silver example listed by Börner in the Bode Museum, Berlin, is struck and yet the internal and external measurements of the present piece are virtually identical so that it is most likely to be a first generation cast. Hill lists four examples of this medal as follows: (a) the silver example in Berlin which is struck; (b) a gold example in Malta; (c) formerly Bardini, metal not mentioned; and (d) the present medal.
*Italy, Constantine the Great, Roman emperor (307-337), bronze medal by Cristoforo di Geremia, laureate, draped and cuirassed bust right, rev., Constantine as Pax clasping the hand of the Church as Concordia; signed on ground-line christophorvs hierimiae f, 72.6mm, 232g (Hill 755; Pollard 241 = Kress 211), somewhat rough contemporary cast on a thick heavy flan Ex Astarte VIII, 2001, lot 80.
*Italy, Giovanni Toscani (c. 1450-1478), consistorial advocate, bronze medal by Ermes Flavio de Bonis called Lysippus the Younger, bust left in cap, rev., Neptune in sea-car drawn by two capricorns, 42.5mm (Hill 811; Arm. II, 28, 13; Kress 220), a very fine contemporary cast Ex Astarte VIII, 2001, lot 52.
*Italy, Maximilian I and Maria of Burgundy, bronze medal for their marriage in 1477, attributed to Giovanni Candida, his bust right with long flowing hair, rev., her bust right with crowned monogram behind, 47.6mm (Hill 831; Arm. II, 80, 1; Pollard 259 = Kress 225), pierced, some graffiti, a very fine contemporary cast with brown patina This type of medal was the model for the design of the schauguldiner of Maximilian I issued after 1511, for which see lot 254.
*Italy, Caterina Sforza-Riario (1463-1509), bronze medal (1495), draped bust left, rev., Fortune standing on globe, holding rudder and ball, with date incised across field: mcccc – lxxxxv, 62mm (Hill 1140; Börner 422), later cast, very fine The examples of this medal in Milan and Berlin are similarly dated across the reverse field.
Italy, Cristoforo Moro, Venetian Doge, bronze medal by Antonello della Moneta, 41.55mm (Hill 411), twice pierced, obverse gilt, early cast; Michelangelo, bronze medal by Leoni, 59mm (Attwood 61), pierced, old cast; Cardinal Granvelle, bronze medal by Melone, 42mm (Attwood 985), pierced, early cast, traces of gilding; Alessandro Farnese, bronze medal by Melone, 48 mm (Attwood 992), pierced, very fine early cast (4)
*Italy, Giovanni Battista Castaldo (1493-1562), Count of Piadena and Cassona, bronze medal for victories over the Turks, bust left, rev., Castaldo receiving two citizens, a Turk in the background, 45.2mm (Attwood 105; Pollard 510 = Kress 444; Toderi & Vannel 147), plugged, light field scratches, a very fine early cast Ex Astarte VIII, 2001, lot 59.
*Italy, Jean, Marquis d’Espinay (c. 1531-1591), bronze medal by Anteo Lotello, bust left wearing ruff and cuirass, rev., a lion at the base of a tree entwined with a vine, 46.8mm (Arm. I, 274; Toderi & Vannel 177; Attwood -), a weak area on the reverse coinciding with the high point of the relief on the obverse, a very fine contemporary cast with brown patina
*Italy, Francesco Quirini, Venetian patrician, Procurator of St. Mark’s, soldier and poet, bronze medal by Cavino, draped bust right, rev., Romulus and Remus suckled by the wolf, 36.8mm (Attwood 283; Arm. I, 184, 30; Pollard 452 = Kress 396), very fine early cast, brown patina Ex Bibliothèque d’un Érudit Bibliophile – Pierre Jammes collection, Sotheby’s Paris, 12-13 October 2010, lot 245, part. The Quirini family claimed an unbroken lineage to Romulus, hence also the reverse inscription “perpetual progeny” and the choice of a medal looking like a Roman coin.
*Italy, Marcantonio Passeri (1491-1564), Professor of philosophy and medicine at Padua university, bronze medal by Cavino, bust right, rev., a figure formed of a male and female fused together, 38mm (Attwood 289; Rizzini 274), fine early cast Ex Stonyhurst College collection, Christie’s, 6 March 1990, lot 789. The reverse depicts the perfect human being, with both male and female anatomical parts, as described by Aristophanes in Plato’s Symposium.
*Italy, Pope Paul III Farnese (1534-1549), struck silver medal (1549) for the restoration of the Villa Rufina, by Alessandro Cesati, bust right in skull cap, rev., the walls and city of Frascati above which is the Villa Rufina, 34.9mm (Modesti 343 (37mm); Arm. III, 229, K; Toderi & Vannel 2068), die rust in obverse field and die break on reverse, very fine to extremely fine and rare
*Italy, Cardinal Alessandro Farnese (1520-1589), bronze medal , signed r f, 1575, bust right, rev., fecit anno sal mdlxxv, façade of the Gesù in Rome; signed on either side of the steps, r – f and with an inscription across the front reading alex car farn r e vic, 45mm (cf. Attwood 1001; Toderi & Vannel 2346; Rizzini 377; Arm. -), extremely fine and sharp contemporary cast, slight area of pitting on reverse, with fine brown patina The medal reverse shows the façade of the Gesù, the mother church of the Jesuits, which was completed by the architect Giacomo della Porta in 1575. The church itself was not finished and consecrated until 1584, financed by the Farnese. Authorities have in the past assigned the medal to Gaspare Romanelli but the style and fabric differ from his known works.
*Italy, Queen Artemisia of Caria, struck silver medal, late 16th century, veiled bust right, rev., a depiction of the Mausoleum with inscription ÁÑÔÅÌÉÓÉÁÓ above, 30.8mm, 23.16g (Attwood 1242; Greenhalgh, NC 1972, pl. 28, 1), toned, about extremely fine The reverse is copied from an anonymous drawing in the Uffizi, Florence, which is loosely based on Pliny’s description of the Mausoleum (see Greenhalgh, NC 1972, pl. 27, 2). The single example of the medal recorded by Attwood and Greenhalgh, in the British Museum, is a cast copy in bronze.
*Italy, Pope Gregory XIII (1572-1585), bronze foundation medal for the Jesuit College in Rome (year 10, 1582), by Bernardino Passeri, bust right in act of benediction, rev., the Pope kneels before an apparition of Christ, 58.5mm (Modesti 781; Toderi & Vannel 2355; Arm. III, 134, E), a very fine contemporary cast
*Italy, foundation medal for the church of St. Paul the Apostle in Macerata (1622), in bronze, bust of St Paul with book of gospels, rev., chalice with emblems of Christ’s Passion, inscription around taken from Galatians 6: 17 – for I bear in my body the marks of the Lord Jesus, 73mm (Vannel & Toderi 1199), contemporary cast, extremely fine with brown patina
*Italy, Pope Innocent XI Odescalchi, bronze medal by Giuseppe Vismara, bust right wearing cap and stole, rev., Fame blowing trumpet and pointing to inscription in cartouche supported by two cherubs, 67mm (Miselli 228, 242; Alteri 55; Morbio 3844), extremely fine, brown patina with the rim of bare metal Ex M. Hall collection, Baldwin’s, 29 June 2010, lot 1164.
*Italy, Cesare Pagani (1634-1707), Marquis and Senator of Milan, bronze medal by Giuseppe Vismara, bust left wearing fur-lined robe, rev., virtvs roborat, Hercules standing , holding club, looking to the right, 90mm (Morbio 4419; Rizzini 878; La raccolta Mario Scaglia [2007], 59), pierced, traces of old lacquer on reverse, very fine and in high relief Ex M. Hall collection, Baldwin’s, 28 September 2010, lot 2359 (where misattributed to Lorenzo Maria Weber).
*Italy/Great Britain, Sir Henry Newton (1651-1715), bronze medal by Massimiliano Soldani, 1709, draped bust of Newton right, rev., Pallas and Prudence embracing, 87.5mm (Vannel & Toderi 61; MI 367/209), brown patina, good very fine and rare Sir Henry Newton, as the English ambassador in Florence, commissioned Soldani on behalf of the first Duke of Marlborough to make four copies in bronze of antique marble statues in the Tribuna of the Uffizzi Gallery. Of the four, The Medici Venus and The Dancing Faun remain to this day at Blenheim Palace while The Wrestlers and The Knife-Grinder have recently been acquired for the collection of the Prince of Liechtenstein.
Italy, Giovanni Lami (1697-1770), lawyer and academic, bronze medal by Antonio Selvi, rev., Minerva writing with a quill etc., 87mm (Vannel & Toderi 208; Molinari 158), pierced, edge mark, sometime cleaned, very fine; Averaldo de’ Medici, called Bicci, bronze medal by Selvi, rev., a goose and a dog, 85mm (Vannel & Toderi 246), fine old cast (2) Second medal ex Sir Timothy Clifford collection, Spink/Christie’s, 21 May 1996, lot 323.
*Netherlands, Maximilian II as King of Hungary (1562-1564), uniface bronze medal by Jonghelinck in the style of Trezzo, conjoined busts of Maximilian II and Maria of Spain left; rex bohm across field, 40mm (Smolderen pl. 89, F9; Lanna 730; Habich [Italienischen] pl. 91, 8), some obverse graffiti, a very fine contemporary cast
*Netherlands, William II of Orange and Princess Mary of England, silver medal by Pieter van Abeele, circa 1650, bust of William three-quarters right, rev., bust of Mary left; signed p van abeele f behind bust, 64.5mm (Frederiks 1d; MI 393/17; Eimer 182), two plates joined at rim, slight edge knock and area of corrosion on obverse, good very fine and toned Princess Mary, the eldest daughter of Charles I, married William of Orange in 1641. He died in 1650, one week before the birth of their son William, later to become William III of England.
*Netherlands, Fidelity medal, in silver, mid-17th century, by Pieter van Abeele, Venus, half draped, seated right, holding flaming heart and with a pair of swans and Cupid beside her, rev., crowned figure of Juno seated in clouds with two peacocks beside her, 66.8mm (Frederiks 30; Clifford 552), two plates joined at rim, toned and extremely fine Ex M. Hall collection, Baldwin’s 67, 28 September 2010, lot 2581.
*A Large Islamic Gold Medallion, probably Persian and nineteenth-century, with similar legends on both sides, conventional Arabic religious legends at top, bottom and right, in centre: ya Muhammad Yahya bin Mansur, to left: unread legend, a few minor marks and some damage to edge, otherwise good very fine, an impressive pieceThe weight of this medal is 20.56g and diameter 58mm.
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183841 item(s)/page