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Lot 557
A German Third Reich Field Service Army tunic to a Leutnant in the 4 th Infantry Regiment constructed of field grey wool with dark green collar, with a six-button single-breasted front closure and four pleated pockets each with single button, with medal ribbon for Iron Cross white infantry shoulder boards and right side embroidered army breast eagle, interior fully lined in grey rayon
Lot 181
Medals: A group of six to 3-3207 PTE A. LOWE, YORK & LANC R including World War One trio, with 1914/15 Star, and General Service medal with North West Persia bar; George VI General Service medal, with Malaya Bar to T/19194719 D.B. LOWE, RASC; Elizabeth II medal with Northern Ireland bar to 24589079 PTE J.J. BEARD, DERRY; National Service Medal; some related ephemera in an attaché case.
Lot 546
* GORDON HOPE WYLLIE DA RSW (SCOTTISH 1930 - 2005), RED FARM AT DAWN mixed media, signed and dated '90 30cm x 80cm Mounted, framed and under glass. Labels verso: The Macaulay Gallery, Stenton, Dunbar, East Lothian; together with artist label. Note: Gordon Wyllie was born in Greenock and in 1949 was accepted to study at the Glasgow School of Art. Under the tutelage of such luminaries as Edward Odling and Mary and Willie Armour, Gordon distinguished himself, graduating in 1953 after an eminent final year. He was awarded the post-diploma, or Masters course, won the Scottish Academy Award and also the Newbery Medal, the school's most prestigious prize. This was all the more remarkable considering that Gordon had, in his diploma year, returned home to care for his father, whose seriously deteriorating health ended in death two months before the degree show, and Gordon himself had suffered a bout of pneumonia. With a scholarship award, he studied that summer at Hospitalfield, Arbroath, as a post-graduate under Ian Fleming. Fleming inspired Gordon and encouraged him in abstraction, with which he occupied himself for the next few years. Meanwhile, he trained at Jordanhill College of Education in Glasgow to become a teacher, in the vanguard of the resurgence of art teaching in Scottish schools by the new art masters, undoubtedly because they painted actively while teaching full-time. Passionate about art education, he was instrumental in influencing many students to pursue a career in the creative industry. A former pupil aptly described his classroom as a "guided exploration rather than a formal lesson". His love of the Scottish countryside is mirrored in his work and undoubtedly stemmed from the bank of images he built when, as a youngster, he traveled with his parents around the country. Argyll and the Western Isles were his favourite destinations, where he was fascinated by the crofts and farms sprouting from the land. Small houses typified his landscapes and still-lifes included abstracted landscapes; flowers, particularly poppies, fruit and fish feature in his later output. In 1996, he was awarded the Alexander Graham Munro prize at the RSW exhibition in Edinburgh. His work featured regularly in one-man and combined shows and at his last one-man show in London in 2003, demand for his paintings remained high, as it has done ever since.
Lot 104
A BRONZE CORONATION MEDAL OF GEORGE V AND QUEEN MARY, dated 1911, 5cm diameter, in original Royal Mint case, together with a limited mintage (no.70) of a BEETHOVEN MEDALLION, marked "Fine Silver" 5.7cm diameter in un-associated box, also a BRONZE MED ALLION marking the opening of Symphony Hall, Birmingham 1991 and the CBSO in original box 5cm diam. and a COPPER "PATINA" CROWN COIN of William IV, 3.8cm diameter, dated 1835
Lot 402
A charming collection of WWI First World War medals and sweetheart jewellery all pertaining to a 64812 SPR S E Weaver of The Royal Engineers. Comprising of his 1914-1915 Star, mother of pearl and aluminium sweetheart brooch with portrait to front, double sided brass rope twist portrait pendant and a silver (unmarked) and blue guilloche enamel music pendant fob medal. Good collection.
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