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Lot 660
A PAIR OF MEDALS TO CORPORAL R.P. BODDIS, ROYAL SIGNALS / ROYAL AIR FORCE comprising the General Service Medal, Eliz. II, with single clasp South Arabia (23975895 SIG. R.P. BODDIS R. SIGNALS), officially impressed, and Royal Air Force Long Service and Good Conduct Medal, Eliz. II (CPL R P BODDIS (F8099690) RAF), officially impressed, bar-mounted for wearing.
Lot 662
A GREAT WAR CASUALTY TRIO OF MEDALS TO PRIVATE F. VILLIS, COLDSTREAM GUARDS comprising the 1914-15 Star, British War Medal 1914-20 and Victory Medal (all 15148 PTE F. VILLIS. C. GDS.), officially impressed, unmounted. Note: 15148 Private Frederick Villis, No.4 Company, 3rd Battalion, Coldstream Guards, the son of Mrs K. Villis of Gatesmoor, Spaxton, Bridgwater, Somerset, died on 28th July 1917, at the age of 20. He is remembered with honour at Ypres (Menin Gate) Memorial.
Lot 602
GREAT BRITAIN - ASSORTED COINAGE comprising a George III (1760-1820) 'cartwheel' twopence, 1797; George III 'cartwheel' penny, 1797; Victoria (1837-1901) shillings, 1887 (x2) & 1891; Victoria sixpence 'withdrawn type', 1887; and Victoria silver pennies, 1845 & 1867; together with a Staffordshire Penny Token, 1811; Tunstead & Harping One Penny Token, 1812; and a souvenir medal for ascending the Eiffel Tower, (11).
Lot 67
2 South Africa general service medals to include a Queen Victoria with 5 clasps for Cape Colony , Orange Free State , Transvaal , South Africa 1901 , and South Africa 1902 , awarded to 26931 Tpr W H Broxton 88th Coy IMP Yeo , and Edward 7th with clasps for South Africa 1901 , South Africa 1902 , awarded to Gun C Rowe R . II . A , and a territorial force efficiency medal , awarded to 533 SJT Broxton Shrops Yeo , together with a mounted Ribbon strip , a South Africa war veterans association 1899-1902 badge and a Cheshire Constabulary Special Constable badge .
Lot 124
A KPM Style Porcelain Plaque, by Henry Bucker, circa 1860, painted with Madonna and Child after Carlo Maratti, printed mark16.5cm by 12cm, framedHenry Bucker was an independent decorator based in Dresden. He worked on both KPM Berlin and Dresden porcelain plaques. At the 1851 Great Exhibition he was awarded a prize medal for his "paintings on china"
Lot 44
RICARDO OPISSO I SALA (Tarragona, 1880 - Barcelona, 1966)."Three friends".Pencil on paper.Signed and titled in the lower right corner.Size: 25 x 19 cm; 48 x 40 cm (frame).Opisso was a painter, draughtsman and cartoonist. In his youth he took part in the modernist environment of Barcelona, and in fact in 1894 he began to work as an apprentice with Antoni Gaudí in the works of the Sagrada Família. Two years later, backed by the architect, he became a member of the Círculo Artístico de Sant Lluc, with whom he would later exhibit at the Sala Parés. He was linked to the group Els Quatre Gats, together with Ramon Casas, Manuel Hugué, Isidre Nonell and Pablo Picasso, among others. In 1901 he made a trip to Paris, where Picasso and Hugué were already there. He worked as an illustrator in publications such as "Cu-cut!" and "L'Esquella de la Torratxa", signing drawings aimed at political satire, in a style close to art nouveau. In 1907 he took part in the Fine Arts Exhibition in Barcelona and was awarded a third-class medal. Due to the dictatorship of Miguel Primo de Rivera, Opisso abandoned political satire and his drawings moved towards genre themes, specialising in popular scenes. His works from this period are characterised by the presentation of motley crowds of people in popular Barcelona settings. After exhibiting several times in succession at the Sala Parés, he held his first solo exhibition in 1935 at the Syra galleries in Barcelona. During the post-war period he continued to exhibit in various galleries in Barcelona, and reaped considerable success with both critics and the public. In 1953 he received recognition from his home town at the 4th Tarragona Art Fair. Most of his work is kept in the Opisso Museum in Barcelona, but it is also present in the National Art Museum of Catalonia and the Museum of Modern and Contemporary Art in Strasbourg. In terms of exhibitions, the one held at the Thyssen-Bornemisza Museum in 2004 under the title "Catalan Painting, from Naturalism to Noucentisme", in which his work "Carnival" was exhibited, is particularly noteworthy. He has also had anthological exhibitions at the Saló del Tinell (1979), the Palau de la Virreina (1980), the Barcelona International Boat Show (1973), the Fundació La Caixa (1988, 2004, 2008) and the Caixa Tarragona (2003).
Lot 5
ERNESTO SANTASUSAGNA SANTACREU (Barcelona, 1900 - Santa Coloma de Gramenet, Barcelona, 1964)."Child Portrait".Oil on panel.Signed in the lower right corner.Size: 36 x 28 cm; 54 x 45 cm (frame).Ernesto Santasusgana began his training at the Baixas Academy in Barcelona and then went on to further his studies at the La Lonja School of Arts and Crafts. He later became a teacher at the latter and, when the institution's teaching was broken up, he became a professor at the San Jorge School of Fine Arts. He was a member of the Real Círculo Artístico, and made his debut at the Sala Parés in 1928. From then on he was to repeat his presence in the Sala La Pinacoteca, as well as taking part in the Salones de Otoño and the Spring Exhibitions in Barcelona, among other competitions and exhibitions. He was awarded an honourable mention at the 1929 Barcelona International Exhibition, a third medal at the 1941 Madrid National Exhibition and an honourable mention at the 1944 Barcelona National Exhibition. He was also awarded twice by the Círculo Artístico. In addition to his native city, Santasusagna showed his work in Madrid, San Sebastián and Bilbao, and took part in group exhibitions in Egypt, Brazil, Argentina and Italy, as well as in the Venice, Berlin and Spanish Contemporary Art Biennials in Buenos Aires. He also worked as a poster designer for Metro Goldwin Mayer. His works can be found in various Spanish museums, as well as in many national and foreign collections.
Lot 6
AURELIO TOLOSA Y ALSINA (Barcelona, 1861 - 1938)."Landscape.Oil on canvas.Signed in the lower right corner.Measurements: 55 x 70 cm; 77 x 92 cm (frame).Aurelio Tolosa began his training with the French painter Justin Simon and was later a disciple of Modest Urgell. He devoted himself mainly to flower and landscape painting, as well as producing various designs for stained glass windows. He took part in several exhibitions held in Barcelona, competitions and group exhibitions such as the Liceu Exhibition of 1883, where he presented "Un país" ("A Country") and "Una marina" ("A Marina"). He was subsequently awarded prizes for his landscapes and vases at the Barcelona exhibitions of 1891 and 1892. He also took part in the National Exhibitions of 1890, 1892 and 1897 (honourable mention), presenting his works "Peonías", "Albores", "Flores de abril" and "Claveles". He also received an honourable mention at the Nationals of 1901 and 1904. In 1918 he exhibited some of his most important works, including "Primavera" (Spring), "Sol de mañana" (Morning Sun) and "Lavanderas de Cadaqués" (Laundresses of Cadaqués). It is also worth mentioning his participation in the group exhibitions held at the Galeries Layetanes in 1922 and 1927. He was also a member of the Artistic and Literary Society of Catalonia, and was awarded the gold medal and diploma of honour at the International Furniture Exhibition. In addition, Antoni Clavé was trained in his decorative and advertising painting workshop. Tolosa also imitated antique painting, tapestry and enamelling. He is currently represented in the Parliament of the Balearic Islands, as well as in various private collections.
Lot 7
AURELIO TOLOSA Y ALSINA (Barcelona, 1861 - 1938)."Waterfall in the park of the Citadel of Barcelona".Oil on canvas.Signed in the lower right corner.Frame with faults.Slight flaws in the painting, and some small holes.Measurements: 42 x 62 cm; 57 x 76 cm (frame).Aurelio Tolosa began his training with the French painter Justin Simon and, later, he was a disciple of Modest Urgell. He devoted himself mainly to flower and landscape painting, as well as producing various designs for stained glass windows. He took part in several exhibitions held in Barcelona, competitions and group exhibitions such as the Liceu Exhibition of 1883, where he presented "Un país" ("A Country") and "Una marina" ("A Marina"). He was subsequently awarded prizes for his landscapes and vases at the Barcelona exhibitions of 1891 and 1892. He also took part in the National Exhibitions of 1890, 1892 and 1897 (honourable mention), presenting his works "Peonías", "Albores", "Flores de abril" and "Claveles". He was also awarded an honourable mention at the Nationals of 1901 and 1904. In 1918 he exhibited some of his most important works, including "Primavera" (Spring), "Sol de mañana" (Morning Sun) and "Lavanderas de Cadaqués" (Laundresses of Cadaqués). It is also worth mentioning his participation in the group exhibitions held at the Galeries Layetanes in 1922 and 1927. He was also a member of the Artistic and Literary Society of Catalonia, and was awarded the gold medal and diploma of honour at the International Furniture Exhibition. In addition, Antoni Clavé was trained in his decorative and advertising painting workshop. Tolosa also imitated antique painting, tapestry and enamelling. He is currently represented in the Parliament of the Balearic Islands, as well as in various private collections.
Lot 13
MODEST URGELL INGLADA (Barcelona, 1839 - 1919)."Rural Landscape with a Figure.Oil on panel.Signed in the lower left corner.Size: 20 x 38 cm; 49 x 66 cm (frame).The defining attributes that marked Modest Urgell's artistic personality coincide in this painting: a rural setting in a solitary spot, a sublime and romantic palette with which the Barcelona master immortalised the magic of the twilight hour, and the marked horizontality that defined his production.Modest Urgell began his career as a theatrical actor, but his family's prohibition against pursuing that path led him to devote himself to painting. He studied at the Escuela de La Lonja in Barcelona, where he was a disciple of Ramón Martí Alsina, and later spent some time in Paris, where he came into contact with Gustave Courbet and became a follower of realism. During the 1960s his works were rejected at the official exhibitions in Madrid and Barcelona. In 1870 he moved to Olot, where he became acquainted with Joaquín Vayreda, the creator of the local landscape school. From then on Urgell decided to devote himself fully to landscape painting. His work focused on solitary natures and seascapes, often featuring hermitages and cemeteries, marked by a twilight, desolate and mysterious atmosphere. From 1896 he taught landscape painting at the Sant Jordi School of Fine Arts in Barcelona, and was appointed an academician in 1902. He was also the founder of the Artistic and Literary Society of Catalonia and of the Artistic and Archaeological Museum of Girona. He took part in all the editions of the National Exhibition of Fine Arts in Madrid from 1864 until the year before his death, and was awarded the second medal in 1876 and 1892. He also sent his paintings to the Barcelona exhibitions, as well as to the Universal Exhibition in Paris and the international exhibitions in Munich, Brussels, Berlin, Philadelphia and Chicago. In 1892 he was awarded prizes in all the competitions in which he took part, including the Brussels competition, in which he was the only Spaniard to win a prize. He also devoted himself to literature, with a special interest in the theatre. The sum of his two passions, art and literature, are expressed in his album "Catalunya" (1905), made up of more than a hundred drawings accompanied by texts written by himself. His landscapes have an atmosphere, colour and themes that deny the stereotype of the Mediterranean landscape, based on warm and friendly natures, with brilliant chromaticism, like windows open to southern sensuality. His paintings, on the contrary, speak of melancholy and solitude, and time and again recreate a desolate and sad Catalonia to which, years later, the poet Salvador Espriu would also be sensitive. His language rejects any fanciful or picturesque subject matter, taking up ordinary subjects without attempting to ennoble or idealise them, but rather seeking to provoke states of mind in the viewer through twilight that dissolves, for brief moments, in a harmony of reds, or his desolate cemeteries and severe, bare, stripped seascapes. Urgell is represented in the Prado Museum, the National Art Museum of Catalonia, the Maritime Museum of Barcelona, the Kunsthalle in Hamburg, the Víctor Balaguer Museum in Vilanova i la Geltrú, the Caixa Sabadell and Caixa d'Estalvis de Terrassa Art Funds, the Dalí Museum in Figueras and the Provincial Museums of Gerona, Palma de Mallorca and Lugo, among many other centres and institutions.
Lot 17
NÚRIA LLIMONA RAIMAT (Barcelona, 1917 - 2011)."Fairground Attraction".Oil on canvas.Signed in the lower left corner.Size: 55 x 65 cm; 57 x 67 cm (frame).Núria Llimona trained at the School of Fine Arts in Barcelona, and after the war she began her career, combining painting with teaching at the same school. She made her individual debut at the Syra gallery in Barcelona, and later held others at the Nonell and Parés galleries in the same city, as well as taking part in various group exhibitions. She also took part in official exhibitions, winning several prizes, and was president of the 9th and 10th editions of the Salón Femenino de Arte Actual. In 2000, Núria Llimona received the Sant Jordi Cross, and in 2006 she was awarded the Barcelona Medal of Honour. She is currently represented in the Museums of Contemporary Art in Madrid and Barcelona.
Lot 3
ERNESTO SANTASUSAGNA SANTACREU (Barcelona, 1900 - Santa Coloma de Gramenet, Barcelona, 1964)."Woman Lying Down", 1940.Oil on canvas.Signed in the lower right corner.There are some flaws in the painting.Size: 35 x 54 cm; 60 x 69 cm (frame).Ernesto Santasusgana began his training at the Baixas Academy in Barcelona, to later extend his studies at the School of Arts and Crafts of La Lonja. He later became a teacher at the latter and, when the institution's teaching was broken up, he became a professor at the San Jorge School of Fine Arts. He was a member of the Real Círculo Artístico, and made his debut at the Sala Parés in 1928. From then on he was to repeat his presence in the Sala La Pinacoteca, as well as taking part in the Salones de Otoño and the Spring Exhibitions in Barcelona, among other competitions and exhibitions. He was awarded an honourable mention at the 1929 Barcelona International Exhibition, a third medal at the 1941 Madrid National Exhibition and an honourable mention at the 1944 Barcelona National Exhibition. He was also awarded twice by the Círculo Artístico. In addition to his native city, Santasusagna showed his work in Madrid, San Sebastián and Bilbao, and took part in group exhibitions in Egypt, Brazil, Argentina and Italy, as well as in the Venice, Berlin and Spanish Contemporary Art Biennials in Buenos Aires. He also worked as a poster designer for Metro Goldwin Mayer. His works can be found in various Spanish museums, as well as in many national and foreign collections.
Lot 30
AURELIO TOLOSA Y ALSINA (Barcelona, 1861 - 1938)."Flowers".Oil on canvas.Signed in the lower right corner.Frame with wear.Measurements: 61 x 49 cm; 78 x 65 cm (frame).Aurelio Tolosa began his training with the French painter Justin Simon and, later, he was a disciple of Modest Urgell. He devoted himself mainly to flower and landscape painting, as well as producing various designs for stained glass windows. He took part in several exhibitions held in Barcelona, competitions and group exhibitions such as the Liceu Exhibition of 1883, where he presented "Un país" ("A Country") and "Una marina" ("A Marina"). He was subsequently awarded prizes for his landscapes and vases at the Barcelona exhibitions of 1891 and 1892. He also took part in the National Exhibitions of 1890, 1892 and 1897 (honourable mention), presenting his works "Peonías", "Albores", "Flores de abril" and "Claveles". He was also awarded an honourable mention at the Nationals of 1901 and 1904. In 1918 he exhibited some of his most important works, including "Primavera" (Spring), "Sol de mañana" (Morning Sun) and "Lavanderas de Cadaqués" (Washerwomen of Cadaqués). It is also worth mentioning his participation in the group exhibitions held at the Galeries Layetanes in 1922 and 1927. He was also a member of the Artistic and Literary Society of Catalonia, and was awarded the gold medal and diploma of honour at the International Furniture Exhibition. In addition, Antoni Clavé was trained in his decorative and advertising painting workshop. Tolosa also imitated antique painting, tapestry and enamelling. He is currently represented in the Parliament of the Balearic Islands, as well as in various private collections.
Lot 35
JOSEP MESTRES CABANES (Manresa, Barcelona, 1898 - Barcelona, 1990)."Mediterranean coast", 1941.Watercolour on paper.Signed, dated and dedicated in the lower right corner.Frame with xylophages.Size: 28 x 56 cm; 35 x 64 cm (frame).Painter and set designer, Josep Mestres Cabanes came from a family with a long artistic tradition. He began his studies at the School of Arts and Crafts in Manresa, and then furthered his training at the Sant Jordi School of Fine Arts in Barcelona, where he was taught by J. Calvo. He also studied in the studio of Salvador Alarma, with whom he became a collaborator and partner years later, with the firm Alarma y Mestres (1939). When Alarma died in 1942, he was commissioned to decorate several Wagnerian works for the Teatro del Liceo, and then moved to his scenographic workshop until 1956. His decorations stood out for their realism and good knowledge of perspective, and as an easel painter he held several exhibitions in Barcelona and Madrid. Between 1947 and 1969 he taught perspective at the Institut del Teatre in Barcelona, and was later appointed professor of the subject at the Escola de Sant Jordi. During his career he was awarded the silver medal of the Diputació de Barcelona, the gold medals of the city of Manresa and of the Gran Teatre del Liceu Society, and the Gold Poster of the Consortium of the Liceu. Although most of his work is in private collections, he is also represented in the Museo Comarcal de Manresa and in the Museo de Artes Escénicas del Instituto del Teatro in Barcelona, where an exhibition has recently been dedicated to him.
Lot 38
MANUEL ROCAMORA VIDAL (Barcelona, 1892 - 1976)."Landscape".Oil on canvas.Signed in the lower right corner.Size: 46 x 56 cm; 60 x 70 cm (frame).Collector, painter and historian, Manuel Rocamora trained at the School of Fine Arts of La Lonja in Barcelona, where he was a disciple of Félix Mestres. In 1929 he made his individual debut at the Barcelona gallery La Pinacoteca, and that same year he won the gold medal in the Masriera competition. As a member of the Barcelona Salon, from the 1930s onwards he organised various individual exhibitions, where he showed his works of a realism rendered with sensitivity and lyricism. On his death, he bequeathed his collection to the Foundation that bears his name, as well as a large quantity of historical clothing to the Textile and Clothing Museum of Barcelona.
Lot 248
A 19th century Royal Navy Officers telescope by Dollond, London belonging to ‘J.P. Pipon R.N’, the single drawer telescope with leather central cover, the end engraved “Dollond London 6804” and “Captain J.P. Pipin R.N.”, Captain John Pakenham Pipon was interned into the Royal Navy as a Naval Cadet in 1862 becoming Captain in 1887, he was awarded the Perak Medal and clasp in charge of gun and rocket boats on the Perak river during the Malaya campaign of 1875-1876, then Commander of Penelope during the bombardment of Alexandria in 1882 and Egyptian War, then Commander of the Ranger during Brunei war 1885-1886, mentioned in despatches by the Viceroy of India, made CB and CMG and Captain of the Royal Naval College, telescope 80cm not extended
Lot 254
A mixed lot of militaria, including a portrait miniature oil on porcelain of a Naval Officer by Albert P Steer, a pair of Naval binocular believed to have been from H.M.S. Bulldog, a W.L Byers brass miniature anchor, C.P.R Empress of Ireland collision pictures and book by James Croall, a Butterfield & Swire bronze medallion 1867-1967, a silver pated rose bowl by Walker & Hall engraved ‘Presented to Capt J Durrant ….. retirement 1969” from Tug Crew, items relating to Leading Seaman P.J Hale of H.M.S. Verdun, including medal ribbons, crucifix, cloth insignia, sailmakers palm, coloured prints, etc,(qty) Note: No in house shipping available for this lot
Lot 280
ASSORTED COLLECTABLES comprising a riding whip; a whistle, 'The Metropolitan', by Hudson & Co., Birmingham; a purple-stained mother of pearl cigarette holder; nine assorted pen knives, including one silver (latter with broken blades); an unmarked silver George V Silver Jubilee medal, boxed; and a small quantity of other items.
![MILITARIA - ASSORTED MEDALS comprising a National Emergency [General Strike] Medal, 1926, unnamed as issued, in case of issu](https://cdn.globalauctionplatform.com/e3d9512c-ed92-42f9-bed3-aea000a78a91/cecd05d2-8807-4c61-918e-aefb00ca7bd4/468x382.jpg)
Lot 319
MILITARIA - ASSORTED MEDALS comprising a National Emergency [General Strike] Medal, 1926, unnamed as issued, in case of issue; a British War Medal 1914-20 to Able Seaman W.A.J. Eves, R.N.V.R. (A.A.2160 W.A.J. EVES. A.B. R.N.V.R.), officially impressed, unmounted; a Defence Medal and War Medal 1939-45, unnamed as issued, bar-mounted for wearing; an Imperial Service Medal, Geo. VI (CHARLES GEORGE REVINGTON), officially impressed, brooch mounted for wearing, in box of issue; a group of four Second World War miniature medals; and a leather wallet.
Lot 321
COINS - GREAT BRITAIN, ASSORTED comprising a Victoria (1837-1901) crown, 1900 (LXIV); Victoria penny, 1858; George III (1760-1820) halfpenny, 1775; and others; together with a British War Medal 1914-20 (3-6800 PTE. T. QUINLAN. E. SURR. R.), with soldered brooch mount to obverse face; two silver medals; and a small quantity of other items.
Lot 136
JOSÉ PINEDA GUERRA (Alicante, 1837 - Barcelona, 1907)."Corbeta Magdalena".Watercolour on paper.Signed in the lower left corner.Frame with dirt. Moisture stains.Some faults in the painting.Size: 34 x 50 cm; 44 x 59 cm (frame).José Pineda was a shipwright and watercolourist, specialised in the painting of ships, son of a sailor from Alicante. He sailed from an early age, and in fact his wife also came from a family connected with shipping, as she was the daughter of a family of shipowners. Around 1871 he settled in Barcelona, where he specialised in painting, as portraits, the most famous vessels of the time, both sailing ships and steamships. Most of his paintings, which are of great documentary importance, are of Catalan sailing ships, although he also painted some foreign-flagged vessels. They were generally intended for the decoration of the offices of Barcelona shipping companies. Little is known of his exhibitions, although there is documentation of an exhibition of his work in the San Sebastián building in Barcelona in 1877. He painted almost always in watercolour, developing a language of precise drawing and descriptive brushstrokes, with boats minutely portrayed in all their details, especially the rigging, set on a deep blue sea (the quality of his blues is outstanding), with long waves, adorned with seagulls flying at water level. His style was continued by the Marseille painter Pellegrin. Pineda also practised naval modelling, a discipline in which he was awarded a diploma and bronze medal at the Universal Exhibition in Barcelona in 1888 for his frigate "Hijas de Pineda", which had taken him eighteen years to build. Pineda is currently represented in the Maritime Museum and Nautical School of Barcelona, the Planas Collection in the Balearic Islands and in various private collections.
Lot 611
Albert (Prince, 1819-1861) A printed Great Exhibition, 1851. Juror's medal presentation letter signed Albertto Monsieur M. C. Karmarsch.folio, Windsor castle October 31st 1851, facsimile text, reads I have the honor, as President of the Royal Commission for the Exhibition of 1851 to transmit to you a medal that has been struck by order of the Commissioners, in commemoration of the valuable services which you have rendered to the Exhibition, in common with so many eminent men of all countries, in your capacity of Juror. etc.,' Condition: Clear condtion. Marginal yellowing / light staining to right edge. fold lines M C. Karmarsch listed as the Zollverein Juror for Class XXI Cutlery and Edge Tools
Lot 651
A South Africa 1878-79 'Zulu' Campaign and Long Service and Good conduct two medal group awarded to 1724/2100 Pte John Lipscombe 13th (1st Somersetshire) Regiment Light Infantrycampaign medal 1878-9 clasp on ribbon, , accompanied my copies of service history papersCondition: Surface marks and tarnish. tanrished.
Lot 652
A WWI three medal group awarded to M2 - T.J. Bailey A.S.C.formed of War and Victory medal with oak leaves and 1914-15 campaign star, on ribbons, accompanied by dress miniatures, a mentioned in Despatches certificate to Royal Army Service Corps M2/115503 Pte T.J. Bailey, dated 9th March 1919 and signed Winston S Churchill, (3)Condition: Some rubbing and impact marks . ribbons original. certifcate with water spots, slight chip to right side. Miniature do not appear in main image
Lot 653
A WWI four medal group awarded to 925758 DVR E.G. Henleyformed of War and Victory medals, Territorial War Medal For Voluntary Service Overseas 1914-19, on ribbons with bar and Territorial Efficiency Medal, together with a WWII Defence Medal, a cased silver gilt and blue enamel RAOB Buffalo founders jewel cast in relief with the head of a bull with pink stone set eyes, engraved verso 'Alexandra Lodge No 2307 presented to Primo Edward G Henley March 16th 1928, various badges, a General bus drivers cap badge in blue enamel, a WWII Warrant officers 2nd Class 2 leather wristband. etc., (qty)variousCondition: Overall fair condtion Medals have light surface marks and wear Lining of leather wristband distressed, chip to enamel on H.G lapel badge
Lot 654
A WWI Mons star four medal group awarded to M 32580 Pte William George Brownformed of 1914 star, War and Victory medals and cased Elizabeth II Imperial Service medal, together with another associated cased Imperial Service medal awarded to Robert Ernest James, (5)Condition: Victory medal and campaign star rubbed. War and campaign star without medal
Lot 655
WWII Austalian six medal group awarded to NX 56053 Earnest Wynne Wallis and and a related wartime photograph albumformed of War, Defence and Australia Service medals, The 1939-1945 Star, The Pacific Star and the The Africa Star, the on ribbons, named, with two silk bars, the album with annotated b&w photographs of Egypt, Syria, Palestine, New Guinea, Borneo to include 'Shell Bursts at Tel Eisa, Egypt', 'A German soldier after one of our shells had hit the ammunition in 88mm gun pit', 'Italian prisoners at Sidi Abd El Rahman', 'machine gun firing during an attack New Guinea', Indian guard (ex-P.O.W.) making Jap prisoners salute him', 'Japanese prisoners', 'Dayah Head Hunter', (2)Condition: Some rubbing to backs of campaign stars, Surface marks and scratches to all medals, Defence medal medal. Pages of album lose, guard papers distressed.By descent. Earnest Wynne Wallis (1907-1967) Professional photographer, joined the Australian Army during the war, and served with a machine-gun battalion in various theatres of operation and was among the official photographers at the Japanese surrender ceremonies.
Lot 656
A WWII four medal naval medal group and ephemera and WWI two medal groupfirst awarded to SS. 11244 (CH. B. 19701) A.. Jarvis. A.B.R.F.R formed of War and Victory medals 1939-46 star and a George VI Royal Fleet Reserve Long Service and Good Conduct Medal, on ribbons, accompanied by H.M.S. Emerald cap ribbon and an Xmas card with a black & White photograph of the ship, together with a WWI two medal group awarded to 200723 Pte A. Jarvis Labour Corps, formed of war medal on ribbon and Victory medal, (qty)variousCondition: First in fair condition. 2nd Victory medal rubbed.
Lot 660
France: Louis XVI bronze medal commemorating the La Perouse expedition of the La Boussole and L'Astrolabe frigatesafter Duvivier B., Louis XVI facing left within legend Louis XVI Roi de France et De Navarre, re 'Led Fregates Du Roi De France la Boussole et L'Astrolabe Commandees Par M.M. De LA Perouse Et De LA Perouse Et De Langle Parties Du Port de Brest En Juin 1785 within a laurel wreathdiameter 60 mm.Condition: Light impact marks and scuffs but overall fair with good patination
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