RAFA15d St Kitts Miniature Sheet Signed Beresford Plus 4 Battle of Britain Pilots Signed N E Beresford OC Queens Flight Wg Cdr J R Kayll DSO OBE DFC 615 Squadron Battle of Britain 1940. Was CO 615 Sqn RAF Kenley Hurricane Sqn. J A A Gibson 501 Sqn New Zealander Ace with 12 Victories in Hurricane Battle of Britain Fighter Pilot Avis Hearn MM ( won her Military Medal at Polling Radar Station Sussex Aug 1940 John Keatings 219 Sqn Battle of Britain Air Gunner. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
We found 183977 price guide item(s) matching your search
There are 183977 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
183977 item(s)/page
Al Pacino signed 10x8 black and white promo photo. Alfredo James Pacino ( born April 25, 1940) is an American actor and filmmaker. Throughout his career spanning over five decades, he has received numerous accolades, including an Academy Award, two Tony Awards, and two Primetime Emmy Awards, making him one of the few performers to have achieved the Triple Crown of Acting. He has also been honoured with the AFI Life Achievement Award, the Cecil B. DeMille Award, and the National Medal of Arts. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Commemorative cover dedicated to Desert Storm Signed by 8 U S A F Gulf Participants. The United States Air Medal was awarded for each 10 combat missions. 2 Jul 1991 Washington DC FDI Postmark on Honouring Those Who Served Desert Shield 29c USA Stamp. Commemorative cover dedicated to Desert Storm Personally Signed by 8 U S A F Gulf Participants. The United States Air Medal was awarded for each 10 combat missions undertaken. Major B Nash DFC, Air Medal aeroplane F111 ( E ). Lt Col Greg Lewis DFC, 3 Air Medals Aeroplane F16, Capt M Spencer 4 Air Medals Aeroplane A10, Major N McAskill DFC, 3 Air Medals Aeroplane Stealth F117, Major Geroge W Lundstedt 111 1st Squadron Bahrain A. A. E. Aeroplane F16, Maj Roger Yauchzy F 16 Fighting Falcon Pilot earned 5 Air medals, Major Lorin C Long F 177A Stealth Fighter Pilot 2 Air medals and a B52 Pilot Major Mott. Details on 7 enclosed. Plus Letter from Colin Smith given details. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
British Medal Heros Commemorative Cover Collection. Including Campbell Walsh Canoeing 26th November 1977, Sally Gunnell Obe Track and Field 29th July 1966, Linford Christie Obe Track and Field 2nd April 1960, Nick Gillingham MBE Swimming 2nd January 1967, Duncan Goodhew MBE Swimming 27th May 1957. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
British Medal Heros Commemorative Cover Collection. Including Campbell Walsh Canoeing 26th November 1977, Sally Gunnell Obe Track and Field 29th July 1966, Linford Christie Obe Track and Field 2nd April 1960, Nick Gillingham MBE Swimming 2nd January 1967, Duncan Goodhew MBE Swimming 27th May 1957. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A 19th Century Victorian silver mourning brooch of oval form being engraved with floral details and having a glazed hair work panel to the verso, together with three silver hallmarked fob medals. Medals hallmarked London 1926, 1909 and 1926. Brooch measures 4.4 cm wide, largest medal measures 4.6cm. Weight 35.4g.
A selection of silver jewellery to include two silver bird brooches by D M Dorman, a 1978 silver ingot pendant on a curb link chain, a silver heart locket, a Kit Heath Arts and Crafts style pendant necklace and a hallmarked 1930s diving medal dated 1934. Weight 62.7g. Bird brooches marked silver (one signed), necklace chains marked 925, locket marked silver. Eagle brooch measures 5.5cm wide. Diving medal measures 4cm. Longest chain measures 20 inches.
Collection of silver and gemstone set jewellery to include labradorite moonstone, aventurine quartz, ruby and marcasite, citrine rings sizes K.5 - P. Earrings including amethyst silver and pink cz, a silver and amethyst drop pendant, a smokey quartz pendant on snake chain measures 40cms, three other silver necklace chains. A hallmarked silver cycling medal on bracelet chain with wishbone charm engraved for N W Barton 12 Hours Time Trial,130 Miles, hallmarked Birmingham 1910. Total weight 190g
A silver hallmarked pocket watch chain having a curb link chain with a swivel clasp, hallmarked fob medal and silver hallmarked vesta case. Vesta case hallmarked Chester 1894. Fob medal hallmarked Birmingham 1950. Chain hallmarked Birmingham 1899, William Walter Cashmore. Chain measures 16 inches. Weight 63.2g.
An early 20th Century silver pocket watch chain. The chain having curb links with swivel clasps to each end, and four silver hallmarked fob medals. Medals to include two unengraved examples (hallmarked Chester 1933 and 1932), one unengraved bowling medal (hallmarked Birmingham 1926) and one engraved for the British Legion Marling Cup (hallmarked Birmingham). Each link of chain marked with sterling lion. Chain measures 16.5 inches. Weight 77.4g.
Royal Australian Air Force Private Purchase Battle Dress Uniform Set, being a very large size battle dress blouse produced in the darker shade of blue wool as worn by the RAAF, artificial silk interior lining, plain black buttons. Accompanied by matching pair of battle dress style trousers. No size or manufacturers labels. Appears unworn. Accompanied by a tropical officers four pocket KD service dress uniform with WW2 medal ribbons to breast and George VI anodised tunic buttons. Also remains in near mint condition.
WW1 5th (Doncaster) Detachment Kings Own Yorkshire Light Infantry Presentation Clock, fine small oak cased mantle clock with brass plaque to the lower section, “PRESENTED TO SERGT J W RILEY BY THE MEMBERS OF THE SERGEANTS MESS DONCASTER DETACHMENT 5TH K.O.Y.L.I ON THE OCCASION OF HIS MARRIAGE JUNE 1ST 1914”. John William Riley was born on 15th April 1881. He Joined up on 31/3/08, a 32 year old Brass Caster living at 55 Abbot St. Doncaster. Service number 317. Married Frances Elizabeth Louisa Fox on 1st June 1914 in Doncaster Church. Served in France 13/4/15 to 27/3/16, Wounded 10/7/15, Discharged as time expired 7/4/16 aged 39 with SWB number 93621. Re-joined TA 9/4/20 with number 4680314. His medal entitlement - 14/15 trio, TFEM and Silver War Badge.
An Egypt 1882 medal with four clasps - The Nile 1884-85, El-Teb, Suakin 1884 and Tel-el-Kebir, awarded to '3057 Serjt. W. Streatham'; together with his South Africa medal 1899-1902 with four clasps - South Africa 1901, South Africa 1902, Transvaal and Orange Free State, both mounted in presentation frames (2).Condition ReportSouth Africa - Royal Highlanders 42nd Foot the Black Watch andThe Nile - Royal HussarsTHEY HAVE NOT BEEN TAKEN OUT OF THEIR DISPLAY CASES BUT NAMING LOOKS TO BE ORIGINAL
HANS J. WEGNER (Tønder, Denmark, 1914 - 2007).Set of six PP52 chairs.Oak wood frame, with cognac-colored leather upholstered seat.Measurements: 72 x 58 x 50 cm.This is one of the Round Chair models designed by Hans J. Wegner, specifically the PP52 chair. Like the author's emblematic PP501 chair, the PP52 combines craftsmanship and modernity in an exceptional way. Wegner presents a chair that values natural beauty, beautiful grain, and flowing lines, whose geometric expressiveness is tempered by soft curves.Hans J. Wegner was a leading figure in furniture design, whose ideas contributed to the international popularity of Danish design in the mid-20th century. His work belongs to the modern school, characterized by a special emphasis on functionality. He began his training at a very young age, as an apprentice to the cabinetmaker H. F. Stahlberg. He soon discovered a special taste for the use of wood, and his work in the cabinetmaker's workshop allowed him to experiment with different types and designs. At the age of seventeen he completed his apprenticeship, although he remained in the workshop for another three years, until he joined the army. After his military service he entered a technical school, and then the Danmarks Designskole, where he was taught by O. Mølgaard Nielsen, and the Academy of Architecture in Copenhagen. In the Danish capital he came into contact with the Furniture Exhibitions of the Carpenters' Guild, where he began to show his creations in 1927. During these years Wegner collaborated with master cabinetmakers such as J. Hansen, L. Pontoppidan, N. Vodder, J. Kjaer, A. J. Iversen, Moos and R. Rasmussen, as well as with the most prominent Danish architects of the time, among them K. Klint, V. Lauritzen and V. Lauritzen. Klint, V. Lauritzen. O. Wanscher and M. Voltelen. The annual exhibitions would give the young cabinetmaker experience of what could be achieved with the combination of design and craftsmanship, which led him to devote himself fully to design. Already in his early pieces, Wegner showed his interest in the concept of "stripping antique chairs of their outer style and showing them in their pure structure." Throughout his career, the designer was awarded prizes such as the Lunning Prize in 1951, the Grand Prix de Milan at the Milan Triennale of the same year, the Prince Eugene Medal in Sweden and the Danish Exkersberg Medal. In 1959 he was appointed honorary royal designer for industry by the Royal Society of Arts in London. Currently his designs are present in collections such as the MoMA in New York or Die Neue Samlung in Munich.
Piano-pianola Duo Art STEINWAY & SONS. New York, 1917.Lacquered wood.Frame number 2634U. Serial number 186695.Accompanied by stool and two boxes with more than 50 rolls of sheet music.Measurements: 138 x 164 x 73 cm.Piano-pianola of the prestigious company Steinway & Sons, with the serial number 186695, which indicates that the piano-pianola was manufactured in 1917. It features the Duo Art system, one of the leading piano technologies of the early 20th century, introduced in 1914 by the Aeolian Company and marketed by brands such as Steinway, Weber, Steck and Stroud, among others. Made of lacquered wood, our piano piano stands on eight stipe legs with casters, and is decorated with moldings and recesses in lighter-colored inlaid wood.Steinway & Sons was founded in 1853 in New York by German immigrant Heinrich E. Steinweg, who by then had already made nearly five hundred pianos, Steinway & Sons was one of the major firms responsible for the development of the modern piano, especially during the forty years following its founding, when the company developed nearly half of the one hundred and twenty-five patents it holds. Steinway's revolutionary designs, as well as the exceptional quality of its workmanship, earned the firm important international recognition from the very beginning. From 1855 it won gold medals at many exhibitions held in the United States and Europe, most notably the Grand Gold Medal of Honor at the Paris Exposition of 1867. Steinway & Sons was the first American company to receive such a medal, and soon became the favorite of many members of the European aristocracy and the world's best pianists. To avoid import expenses, Steinway opened its first European factory in 1880, in the German city of Hamburg. Ten years later, the company obtained its first royal warrant, from Queen Victoria of England. In the following years, Stewinway's client list would include the Prince of Wales and other members of European royalty and nobility. Soon it would also become a supplier to many other European royal houses, including Italy, Norway, Russia, Spain and Sweden, and even in the East, to the Persian Royal House.
VICENTE NAVARRO ROMERO (Valencia, 1888 - Barcelona, 1978)."Pietà".Sculpture in carved and polychrome wood.Signed on the front of the pedestal.Presents faults in the polychrome.Measures: 70 x 39 x 25 cm.Vicente Navarro offers us a religious sculptural group that represents the theme of the Pietà: the Virgin seated with the dead Christ in her lap, a theme of deep dramatism not only because of the subject itself, but also because its composition evokes the images of the Virgin with the Child Jesus in her lap.Sculptor and painter, Vicente Navarro was trained at the School of Fine Arts of San Carlos de Valencia, where he was a disciple of López Mezquita. He was a regular participant in the National Exhibitions of Fine Arts, being awarded the first medal in 1915. After traveling to Rome on a scholarship, in 1918 he obtained a teaching post at the Escuela de La Lonja in Barcelona. He was an academician of San Carlos, San Jorge and San Fernando, obtained the National Prize of Painting and Sculpture in 1947 and a medal of honor in the Regional Exhibition of Valencia in 1935. He is represented in several museums, such as the Museum of Modern Art in Madrid and the Army Museum.
PEDRO BUENO VILLAREJO (Villa del Río, Córdoba, 1910 - Madrid, 1993)."Still life".Oil on canvas.Signed in the lower right corner.Measurements: 48 x 42 cm; 50 x 44 cm (frame).Pedro Bueno was formed in the School of Arts and Trades of Cordoba and in the School of Fine Arts of Madrid. In 1943 he exhibited in the Salón de los Once of the Biosca Gallery in Madrid, and that same year he obtained his first official recognition, the third medal in the National Fine Arts. The following year he made his individual debut at the Biosca Gallery. In 1950 he participated in the International Exhibition of Contemporary Art in Cairo, and four years later he was definitively consecrated as an artist, winning the first medal at the National Exhibition of Fine Arts. He was a member of the Royal Academy of Cordoba, and today his work is represented in the Reina Sofia Museum, the Museum of Fine Arts of Cordoba, the Municipal Museum of Madrid, the Camilo José Cela Foundation Collection, the Caja Provincial de Ahorros de Cordoba, the Leandro Navarro, the Varela Junquera and the Biosca and Balboa galleries, among many other outstanding private collections.
JOSÉ GARNELO Y ALDA (Enguera, 1866 - Montilla, 1944)."Andalusian Scene".Oil on panel.Signed in the lower right area.Measurements: 32 x 31 cm; 48.5 x 47.5 cm (frame).This work is framed within the Andalusian costumbrismo of the 19th century, showing an intimate scene, whose protagonist is a young woman dressed as a flamenco girl holding a Spanish guitar in her hands. The scene is completed with the presence of a man, who approaches the young woman from behind, without her paying attention to his presence.The new 19th century costumbrismo painting was born as a way of interpreting a growing sense of national consciousness, now present in the middle class as it moved towards social hegemony. To a certain extent, the painters' concern was to deepen the vision of their country through a language, that of painting, that everyone could understand, thus helping the common people to understand the nature and meaning of their nationality, especially as it had manifested itself in the recent past, still alive in the memory of the elders. Of the two fundamental costumbrista schools of 19th century Spain, the one from Seville and the one from Madrid, the latter differs from the gentle picturesqueness of the former in its more pungent and harsh vision, sometimes going so far as to show not only the vulgar, but even recreating itself in torn visions of a clichéd world of the slums, in which the spirit of criticism is evident.José Santiago Garnelo began his training in Montilla and Cabra, to finally enter the Academia de Bellas Artes de San Fernando, in Madrid, where he was an outstanding disciple of Castro Plasencia. During his time as a student he received several awards, such as the Colorido Medal in the 1885-85 academic year, and in 1888 he obtained a scholarship to Rome. In the Italian capital he will have as companions Sorolla and Villegas Cordero, among others. Once back in Spain, in 1893 he was appointed professor at the School of Fine Arts in Zaragoza, beginning a brilliant teaching career that would later take him to the Schools of Fine Arts in Cadiz and Barcelona, the latter city where he counted Pablo Picasso among his students. He was appointed academician of San Fernando in 1912, and three years later he was appointed deputy director of the Prado Museum. Also, from 1936 he directed the Spanish Academy in Rome. Garnelo sent his works to the National Exhibitions of Fine Arts, being awarded the second medal in 1877 and 1890 and the first in 1892. He also won the competition of the Royal Academy of San Fernando in 1894, and won an honorable mention at the Paris Salon in 1896 and a gold medal at the National Exhibition in Valencia in 1910. At the same time, he held exhibitions in the main Spanish capitals, as well as in Paris, London, Berlin and Chicago. He is currently represented in the Fine Arts Museums of Valencia and Seville, the one that bears his name in Montilla, the Aranjuez Palace in Madrid and the Naval Museum of the same city, among other public and private collections.
TOMÁS MUÑOZ LUCENA (Córdoba, 1860- Madrid, 1943)."Lady by the window".Oil on canvas.Signed in the lower right corner.Measurements: 55 x 39,7 cm.Tomás Muñoz Lucena begins his formation in the Cordovan school of painting of Rafael Romero Barros. Then, he enters the recently inaugurated School of Fine Arts of Cordoba, where he coincides with Julio Romero de Torres and Mateo Inurria. Thanks to his talent, he obtained a scholarship from the Provincial Council to study at the San Fernando School in Madrid in 1879. There he will be a disciple of Federico de Madrazo. Again with a scholarship from the Diputación, Muñoz Lucena made a trip to Rome, where he acquired the new impressionist tendency, being in fact considered the first Cordovan painter in this style. In 1881, he took part for the first time in the National Exhibition in Madrid, and three years later he sent from Rome his work "Ofelia", which caused admiration, but was not awarded a prize. Frustrated by this unjust marginalization, undoubtedly due to the fact that his works were not the themes sought by the jury of the National Exhibitions, which valued history themes above all, Muñoz Lucena seriously reconsidered the theme of the works he would send to these competitions. Thus, entering the game of history painting, he sent to the National Exhibition of Fine Arts of 1887 his contribution to the genre, giving it also the "necrophiliac" air that was so much to the taste of the jurors. The painting, magnificent, was entitled "The corpse of Alvarez de Castro", exalting the general who resisted for months the siege of Girona by the French, and was finally awarded a second medal. With this official recognition, Muñoz Lucena's prestige increased considerably, and his successes followed. Again he obtained a second medal in 1890 and, finally, a first medal in 1901 for his painting "Plegaria en la ermita de Córdoba". He also took part in foreign competitions, and in 1900 he was awarded a bronze medal at the Universal Exposition in Paris. He was a teacher from 1894, the year in which he was appointed director of drawing at the Institute of Cordoba, and later he also taught in Granada and Seville. In the last years of the 19th century he also began to collaborate with magazines such as "Blanco y Negro" and "La Ilustración Española y Americana", forming part of the group of illustrators who marked a new path in the graphic arts at the beginning of the 20th century. He retired in 1930, and decided to move to Madrid, where he lived until his death in 1943. In addition to painting, he also devoted himself to illustration, collaborating with magazines such as "Blanco y Negro", to whose first generation he belonged. Works by Muñoz Lucena are kept in the Prado Museum, the Museum of Fine Arts of La Coruña, the Diputación de Córdoba, the University of Granada and the Romantic Museum of Madrid.
JOSÉ GARNELO Y ALDA (Enguera,1866 - Montilla, 1944)"Death of Polonius", 1885-1886.Oil on paper glued to cardboard.Signed and dated on the back.Measurements: 42 x 27 cm; 58 x 44 cm (frame).In a vaporous and sketched scene, almost dreamy, the final scene of the III act of Hamlet is represented. In which it is narrated how Hamlet goes to his mother's room to reproach her for marrying Claudius, when he hears noise behind the curtains, Hamlet thrusts his sword thinking that it is Claudius who is hiding, although in reality it is Polonius. In the play we can appreciate the moment in which Hamlet has already killed Polonius, when he finds the sword lying on the floor, and sees the ghost of his father, who is not seen by the queen.José Santiago Garnelo began his training in Montilla and Cabra, to finally enter the Academia de Bellas Artes de San Fernando, in Madrid, where he was an outstanding disciple of Castro Plasencia. During his time as a student he received several awards, such as the Colorido Medal in the 1885-85 academic year, and in 1888 he obtained a scholarship to Rome. In the Italian capital he will have as companions Sorolla and Villegas Cordero, among others. Once back in Spain, in 1893 he was appointed professor at the School of Fine Arts in Zaragoza, beginning a brilliant teaching career that would later take him to the Schools of Fine Arts in Cadiz and Barcelona, the latter city where he counted Pablo Picasso among his students. He was appointed academician of San Fernando in 1912, and three years later he was appointed deputy director of the Prado Museum. Also, from 1936 he directed the Spanish Academy in Rome. Garnelo sent his works to the National Exhibitions of Fine Arts, being awarded the second medal in 1877 and 1890 and the first in 1892. He also won the competition of the Royal Academy of San Fernando in 1894, and won an honorable mention at the Paris Salon in 1896 and a gold medal at the National Exhibition in Valencia in 1910. At the same time, he held exhibitions in the main Spanish capitals, as well as in Paris, London, Berlin and Chicago. He is currently represented in the Fine Arts Museums of Valencia and Seville, the one that bears his name in Montilla, the Aranjuez Palace in Madrid and the Naval Museum of the same city, among other public and private collections.
-
183977 item(s)/page