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Norah McGuinness HRHA (1901-1980)Figure walking a PathOil on canvas, 36 x 51cm (14¼ x 20)Signed. Studio stamp versoDerry born artist Norah McGuinness won a three year scholarship to study at the Metropolitan School of Art in Dublin at the age of 18, where she was taught by Harry Clarke, Patrick Tuohy and Oswald Reeves before moving to London to study at the Chelsea School of Art. In 1923 she won an RDS medal and the following year exhibited for the first time at the RHA. During these years McGuinness supported herself by designing set and costumes for the Abbey and Peacock theatres and illustrated books. Under the advice of Mainie Jellett she travelled to Paris to study for a period under Andre Lhote.In 1957 she was elected an Honorary member of the RHA but resigned in 1969. A founding member of the Irish Exhibition of Living Art, she served as president from 1944 to 1971. McGuinness exhibited regularly at the Victor Waddington, Dawson and Taylor Galleries in Dublin as well as in Leicster and Mercury Galleries in London, Paris and New York. She also represented Ireland at the 1950 Venice Biennale with Nano Reid. A retrospective of her work was held at Trinity College Dublin in 1968 where she was awarded an honorary doctorate in 1973. Her work can be found in the National Gallery of Ireland, Irish Museum of Modern Art, Hugh Lane Gallery, Ulster Museum and the Crawford Gallery.
WW2 and later consisting of swing mounted WW2 medals awarded to Colour Sergeant Hubbert Kean, 39/45 Star, Defence Medal, War Medal and Army LS&GC Medal, correctly named to 3379044 C.SJT. H. KEAN. E. LANC. R in frame accompanied by small photograph of H Kean, East Lancashire Regiment Sports Medallion inscribed Sgt Kean, 1931 and St John Ambulance Brigade Service Medal, swing mounted with 2 bars correctly named to 19277 AMB Sis E. KEAN. 'A' NSG DVN 1939 in original box of issue accompanied by original award letter and related badges
Two WW2 groups to brothers William and Leonard Redfearn, Leonard was a merchant seaman torpedoed in 1943 before being picked up in an open boat after being reported 'lost at sea' after 10 days, William was a Royal Marine, helped evacuate troops from Dunkirk, served on the Atlantic & Russian convoys and on the HMS Duke of York when it took Churchill to meet the American President, consists of swing mounted trio: 39/45 star, Atlantic Medal and War Medal with certificate of issue; WW2 medals with certificate of issue - 39/45 Star, Italy Star, War Medal and Defence Medal, plus an unnamed National Service Medal, accompanied by Leonard Redfern's Merchant Navy certificate of discharge, Merchant Navy badges and buttons, HMS Devonshire cap tally, Royal Marine Helmet Plate and hat badges plus various other badges and a quantity of ephemera relating to both individuals plus Nazi German War Merit Cross
A RARE FOUR SIXTY FIVE PUMA BACKPACKER FOLDING POCKET KNIFE. German. With green checkered grip, and blade locking mechanism. In original red leather pouch. Inscribed, Solingen Puma Germany. An Elizabeth II Near East Medal. To P. Baker A.B.R.N. On cream and striped red ribbon. TOGETHER with a Kalibri of London, stainless steel cigarette lighter. AND another cigarette lighter. AND another Sheffield stainless steel pocket knife, cased. (4)
Colm Brady (b.1967) SPRING, 1997 oil on canvas signed and dated lower left 14 by 14in. (35.6 by 35.6cm) Born in Dublin, Brady studied at NCAD completing a BA in Fine Art from in 1997 and a MA in Fine Art in 2000. He has been honoured with many prestigious awards including the 1997 CAP Foundation Art Award and 1999 Gold Medal for Academic Excellence, Dublin Institute of Technology, Mountjoy Square, Dublin. Brady's semi-abstract paintings draw inspiration from the human body and immediate contemporary landscape. They explore ideas relating to identity, minority and fractured, split territories. He is represented in public and private collections in Ireland, London and New York.
Colm Brady (b.1967) THE RELEASE oil on canvas signed lower right 14 by 14in. (35.6 by 35.6cm) Born in Dublin, Brady studied at NCAD completing a BA in Fine Art from in 1997 and a MA in Fine Art in 2000. He has been honoured with many prestigious awards including the 1997 CAP Foundation Art Award and 1999 Gold Medal for Academic Excellence, Dublin Institute of Technology, Mountjoy Square, Dublin. Brady's semi-abstract paintings draw inspiration from the human body and immediate contemporary landscape. They explore ideas relating to identity, minority and fractured, split territories. He is represented in public and private collections in Ireland, London and New York.
Colm Brady (b.1967) STUDY FROM FIGURE, 1998 charcoal, ink and wash signed, titled and dated lower right 28 by 20.50in. (71.1 by 52.1cm) Born in Dublin, Brady studied at NCAD completing a BA in Fine Art from in 1997 and a MA in Fine Art in 2000. He has been honoured with many prestigious awards including the 1997 CAP Foundation Art Award and 1999 Gold Medal for Academic Excellence, Dublin Institute of Technology, Mountjoy Square, Dublin. Brady's semi-abstract paintings draw inspiration from the human body and immediate contemporary landscape. They explore ideas relating to identity, minority and fractured, split territories. He is represented in public and private collections in Ireland, London and New York.
Tony O'Malley HRHA (1913-2003) MORNING LIGHT, BAHAMAS, 1982 oil, gouache and sand on paper signed with initials lower left; titled lower centre; dated lower right 14 by 21.50in. (35.6 by 54.6cm) The present work was painted in 1982 - a significant year for the artist - when he was awarded the Douglas Hyde Gold Medal by the Arts Council of Ireland and was the subject of an RTÉ documentary titled Places Apart. The Bahamas formed an important part of his output at this time and was the subject of a number of major examples by O'Malley in his solo show at the Taylor Galleries in July that year.
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