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An 18th Century oak commode stool, the plank top with applied moulded edge over fielded panelled sides on stile supports, 48 cm wide x 44 cm deep x 46 cm high, together with a 19th Century oak occsasional table in the 17th Century manner, the plank top above a plain frieze, on bobbin turned supports to block feet united by stretchers, 79 cm wide x 54 cm deep x 64 cm high and a pine wall cabinet with three open recesses over three drawers, 60 cm wide x 16 cm deep x 49.5 cm high and a Victorian black lacquered papier-maché and mother of pearl inlaid occasional table, the shaped snap top on a turned pedestal to lobed plinth base 66 cm x 54 cm x 69 cm high
A Victorian mahogany desktop stationery cabinet, the slope front with two doors enclosing a fitted camphor wood interior over a single drawer 43 cm wide x 34 cm deep x 42.5 cm high, an Edwardian mahogany drop leaf Sutherland table, a 1920s oak elongated octagonal wall mirror with bevel edge plate, a reproduction mahogany glass fronted fall front dwarf cabinet, a wrought iron fire basket and two parasols
A 19th Century ebonised and boulle work brass and red tortoiseshell inlaid side cabinet, the plain top above a boulle work frieze and single door with oval set panel enclosing a red velvet lined interior of two shelves raised on a plinth base to turned feet 87 cm wide x 35 cm deep x 112 cm high
Three Team Sieben ebonised wood wall cabinets, comprising a single cabinet with a pair of glass doors enclosing shelves, above a drop down drinks cabinet over four long drawers and a pair of cabinets, with a pair of doors over a recess and further pair of doors, each 216cm high, 80cm wide, 48cm deep.
An Edwardian mahogany music cabinet, the raised back with swan neck pediment above a shelf, with moulded edge and a bevelled mirror plate, the serpentine fronted base with a moulded edge above a blind fret carved frieze and a glazed door, on square tapering legs with castors, retailers label W Whiteley of London, 139cm high, 56cm wide, 39cm deep.
Mary of Teck (Victoria Mary Augusta, 1867-1953). Duchess of York 1893-1901 & Queen Consort to George V, 1910-1936. Autograph Letter Signed as Duchess of York, 'Victoria Mary', York Cottage, Sandringham, 25 May 1897, to Mrs Underdown, thanking her for her 'kind thought in working such a charming little quilt for my small daughter, it is so pretty and will often be used', 2 pages on printed stationery with gilt-embossed monogram, 8vo, in an original double-glazed straight-grain morocco presentation desk frame with 'Victoria' (partly damaged) in relief at head of frame, stand in need of attention, 17.5 x 20.5 cm overall, together with three portraits of Queen Victoria, a cabinet card by Hughes & Mullins, a larger photogravure from a photograph by the same studio and a later reproduction photograph of Queen Victoria with her great-grandson Prince Edward of YorkQty: (4)Footnote:The daughter referred to would have been Mary, Princess Royal and Countess of Harewood (1897-1965) who had been born exactly one month earlier on 25 April at York Cottage on the Sandringham Estate in Norfolk.
North (Frederick, Lord, 1732-1792). Prime Minister 1770-1782. Autograph Letter Signed, ‘North’, as Prime Minister, Downing Street, 18 March 1782, to ‘My Lord’ [his cabinet colleague Lord Thurlow, the Lord Chancellor], North urgently requests a meeting with Thurlow the same evening, either at Downing Street, or ‘if it should be more convenient to your Lordship to see me at your own house, I will call upon you at any time that your Lordship will be pleased to appoint’, minor dust-soiling, 1 page with integral blank leaf, 4to, framed and glazed, 42 x 37 cm overallQty: (1)
Montefiore (Sir Moses Haim, 1784-1885). Financier, Jewish community leader and philanthropist. Photograph Signed, ‘Moses Montefiore FRS’, c. 1880, an unusual, large ’Imperial’ cabinet card by the J.E. Mayall studio, with mounted albumen print half-length portrait, image size 215 x 160 mm, autograph signature in a large and untidy hand to lower mount across printed details, with ‘F.R.S.’ repeated below but slipping off the edge, photographer’s studio details printed in red to mount verso, overall 250 x 170 mmQty: (1)Footnote: Provenance: From the family of the sitter’s nephew Rt Hon. Arthur Cohen (1829-1914), barrister and diplomatic counsel. His daughter Mary Freda Cohen (1871-1964) married Sir Thomas Colyer Colyer-Fergusson (1865-1951) in 1914. Thence by family descent from Mary to the current owner.A very rare and large signed photographic portrait from near the end of Montefiore’s long life. Unusually too, Montefiore was keen to include his FRS title (which he has shakily written twice), having been bestowed a Fellow of the Royal Society in 1836.
Mascagni (Pietro, 1863-1945). Italian composer. Photograph signed, 'P. Mascagni', Florence, September 1890, albumen print cabinet card by Bettini, Livorno, head and shoulders portrait, inscribed, signed and dated to upper blank areas of image for Vincenzo Lombardi, image 140 x 100 mmQty: (1)Footnote: Provenance: Vincenzo Lombardi (1856-1914), Italian conductor, teacher and voice coach. This was probably obtained at an early performance of Mascagni's highly successful opera Cavalleria rusticana, which had its premiere in Rome on 17 May 1890 and was soon performed in cities throughout Italy. A nice portrait of the young composer.
Italian Opera. A collection of 32 signed cabinet-card style photographs of (mostly) Italian male operatic performers, 1880s/1890s, mostly signed and dated and inscribed for Vincenzo Lombardi, including panel card and other larger format cabinet-card style photographs of Francesco Marconi (1853-1916), card size 38 x 22cm; Mattia Battistini (1856-1928), 33 x 19cm; Gaetano Ortisi (1844-1929), Andres Anton, Cleofonte Campanini (1860-1919, conductor), Tommaso Salvini (1829-1915, actor), Edoardo Garbin (1865-1943), Fernando Valero (1856-1914), the last two signed to mount versos, all 24.5 x 17cm; plus cabinet cards of Franceso Paolo Tosti (1846-1916, composer), Mario Pasquale Costa (1858-1933, composer) with musical quotation, Guido Gialdini (1878-194-), Franco Faccio (1840-1891, composer and conductor), Leopoldo Mugnone (1858-1941, conductor), Eduardo Sottolana x 2 including boudoir card (1865-19--), Giuliano Guyarre (1844-1890), Victor Maurel (1848-1923), Francesco Navarini (1855-1928), Fernando de Lucia (1860/61-1925), Antonio Cotogni (1831-1918), the last two signed to versos; plus one carte de visite of Roberto Stagno (1840-1897), signed to verso, and 12 other unidentified signed mounted photographs of Italian male operatic performers, all cabinet cards including some larger format sizesQty: (32)Footnote:Provenance: Vincenzo Lombardi (1856-1914), Italian conductor, teacher, impresario and voice coach.
Italian Opera. A collection of 24 signed cabinet-card style photographs of Italian female operatic performers, 1880s/1890s, mostly signed and dated and inscribed for Vincenzo Lombardi, including panel card and other larger format cabinet-card style photographs of Adalgisa Gabbi (1857-1933), image scratched, card size 37 x 26cm; Eva Tetrazzini Campanini (1862-1938), Emma Carelli (1877-1928), Elisa Petri (1869-1929), all 25 x 17cm; boudoir cabinet cards (21 x 13.5cm) of Elena Theodorini (1857-1926) (Nadar studio boudoir cabinet card), Ines Patalano x 2, both signed to versos, Adelina Stehle (1860-1945), Giuseppina Pasqua Giacomelli (1851-1930), Abigaille Bruschi-Chiatti (c.1855 - after 1888), Alice Barbi (1858-1948) x 2 including cabinet card, Romilda Pantaleoni (1847-1917), Gemma Bellincioni (1864-1950); Virginia Firni Germano (1849-1934), signed to verso, 21 x 10cm; plus signed cabinet cards of Nadina Bulicioff (1858-1921), Maria Giudice (1870-1953), Sofia Scalchi Lolli (1850-1922), Emma Calve (1855-1942), and 5 other unidentified signed mounted photographs of Italian female operatic performers, all cabinet cards and (2) boudoir card sizes, one signed to versoQty: (24)Footnote:Provenance: Vincenzo Lombardi (1856-1914), Italian conductor, teacher, impresario and voice coach.
Bagster Family photograph albums. An album containing approximately 150 albumen prints and some salt prints of Eunice Bagster (1777-1877) and her family and home in Windsor, Berkshire, c. 1852-1854, mostly portrait shots of Eunice and other family members, plus members of the Birch, Lyall, Toms families, etc., a few photographs of the family home exteriors and interiors, images mostly 11 x 14 cm and smaller, pasted one or two to a page on rectos and versos with occasional blanks and a few photographs now loose or apparently missing, neatly captioned and often dated throughout, possibly annotated by Samuel and Eunice's youngest son Cornelius, with a later note by Cornelius's daughter Ada (1849-1941) stating that 'This book contains amateur photographs of Old Windsor, the house and garden to which Samuel Bagster retired when leaving the Bible Publishing House... c. 1840', dated 31 May 1936, contemporary morocco-backed cloth boards, heavily rubbed, 8vo, (230 x 150 mm), together with a second photographic scrap album compiled by Cornelius Birch Bagster (1815-1892), c. 1890, containing mounted albumen print photographs including cartes de visite and cabinet cards of Bagster family members, their Old Windsor home and other family friends and acquaintances, plus other letters and ephemera tipped in including In Memoriam cards, a lock of John Bagster's hair with personal business card, sale particulars for Birch Cottage (1880), genealogical family tree material, chromo.scraps, etc., mostly pasted to rectos and versos of stiff card leaves with some blanks and additional material loosely inserted, leaves now sprung and some slightly chipped at edges, contemporary decorative cloth with crude leather reback and cloth bag with fasteners, 4to, plus a partially completed third photograph album containing family photographs and holiday snapshots from c. 1860s to 1930, a total of 6 albumen or gelatin silver prints, some captioned, quarter morocco gilt, rubbed, 4toQty: (3)
Bagster Family photograph albums. A group of 5 albums of cartes de visite, c. 1860s/1870s, containing approximately 260 window-mounted cartes-de-visite portraits, mostly of Bagster family members, plus 5 cabinet and cartes-de-visite albums containing approximately 150 cartes de visite and 50 cabinet cards of Bagster family portraits, c. 1860s and later, together with 4 more Bagster family photograph albums, early 20th century, and 4 late-19th century albums with albumen print European views, various bindings and sizesQty: (18)
A mahogany secretaire bookcase, second quarter of the 19th century, flared cornice, glazed top with mouldings, fitted with adjustable shelves, lower cabinet with cock beading and fluted quarter column corners, top drawer opening to reveal bird's eye maple veneered drawers, panelled doors, further cock beading and stood on fluted feet, width 106cm, depth 51cm & height 204cm. Condition- some general wear to include surface marks and scratches. There is some beading loose and a small amount missing.
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306894 item(s)/page