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Lot 206
Two Meissen cabinet plates, second half 19th centuryEach with a blue ground reserved with a gilt floral and foliate scrollwork cartouche enclosing a Watteauesque scene, the edge of the well with a gilt scrollwork border, the pierced rims heightened in gilding and applied with blue and gilt flowerheads, 25cm diam., crossed swords marks in underglaze-blue, impressed numerals (2)For further information on this lot please visit Bonhams.com
Lot 28
An extremely rare Meissen octagonal sugar box and cover, circa 1718-20Painted, probably in the workshop of George Funcke in Dresden, in green, purple, iron-red and yellow with flower sprigs, the inside of each painted in black 'IX' (or 'XI'), 11cm across, faint lustre mark inside cover (2)Footnotes:Provenance:Margravine Karoline Luise of Baden-Durlach (1723-83); to her sonHereditary Prince Karl Ludwig of Baden (1755-1801); thence by descent toGrand Duke Friedrich I of Baden (1826-1907); thence by descentThe Collections of the Margraves and Grand Dukes of Baden, sold by Sotheby's Baden-Baden, 18 October 1995, lot 1275, when acquired by the present ownerLiterature:Karl Koelitz, Beschreibendes Inventar der Allerhöchsten Privatsammlung kuntgewerblicher Gegenstände (Zähringer Museum), unpublished manuscript, Karlsruhe (1883), nos. 2164;Richter, Inventar des Zähringer Museums, unpublished manuscript, Baden-Baden (1919), no. 2386;Claus Boltz, Die wöchentlichen Berichte über die Tätigkeit der Meissner Dreher und Former vom 6. Juni 1722 bis 31. Dezember 1728, in Keramos 178 (2002), ill. 128Exhibited:Karlsruhe, Zähringer Museum (Private Collection of Grand Duke Friedrich I of Baden, exhibited in the rooms of the former Grand Ducal Naturalia Cabinet in the Residenzschloss), 1879-1919;Baden-Baden, Zähringer Museum, Neues Schloss, c. 1960-1990This sugar box and cover was part of the celebrated porcelain cabinet of the Margravine Karoline Luise of Baden-Durlach (1723-83) in the second half of the 18th century. She displayed most of the historic porcelain - that she inherited from various members of her and her husband's families - as part of a scientific display in the Naturalia Cabinet in the Karlsruhe Residence. The collection is listed in her posthumous inventory, which is repeated in that of her son, Karl Ludwig von Baden-Durlach (1755-1801). The porcelain was exhibited from 1879 in the same rooms in the Grand Ducal Residence in Karlsruhe that had contained the Naturalia Cabinet and is listed in an inventory of 1883 by Karl Koelitz. When the last Grand Duke of Baden abdicated in 1918, this collection was considered the family's private property and, in 1919, it was moved to the Neues Schloss, Baden-Baden, where - from around 1960 - it was on public display as part of the Zähringer Museum. See S. Kuhn, 'Porcelaine a la Mode': The Eighteenth-Century Collections of the Baden Princesses, in K. Tsoumis/V. Sigalas (eds.) A Passion for Porcelain. Essays in Honour of Meredith Chilton (2020), pp. 56-71; and H.Jacob-Friesen et al., Die Meister Sammlerin Karoline Luise von Baden (2015), for discussions of the Margravine's extensive art collections. Only one similar example of this rare and very early floral decoration is recorded in the literature: on a teapot and cover from the pre-War collection of Lisa and Heinrich Arnhold in Dresden (published by M. Cassidy-Geiger, The Arnhold Collection of Meissen Porcelain 1710-50 (2008), p. 753, fig. 26.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 202
Robyn Graham Knotty, 2023 Watercolour, acrylic and gesso on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About In paintings ranging from loose representations of nature to entirely abstract, Robyn Graham takes reference from everyday tapestries and the casual adornments of our immediate surroundings. Repetitive compositions bear comparison and act as an invitation to the viewer to reminisce on memories evoked by the physical furnishings or decorative textiles that were once present in their lives. Often overlooked and eventually disregarded the materials that created curtains, tablecloths and bedsheets were ever-present during conversations and relationships, are at the forefront of her work. Both her paintings and drawings a nostalgia for the security and comfort, that these embroidered surroundings once offered. Education BA (Hons) Fine Art, Chelsea College of Art and Design, University of the Arts London, London (2012-2015) Select Exhibitions/Awards In Flower Beds, Hweg, curated by Joe Lyward, 34 Causewayhead, Penzance TR18 2SP, UK (2023) Patterns, Le Cabinet de Curiosités, curated by Paul Trigoust and Frederic Galliano, 33 Rue Auguste Comte, 69002, Lyon, FRANCE (2023) Some kind of delicacy, ok, goodbye gallery, North Acton, London, UK (2022) Les Danses Nocturnes, eastcontemporary, Curated by Agnieszka Fąferek and Julia Korzycka, Entrevaux, FRANCE, 14/07 - 31/10 (2021) Misc. New Painting, London: A Brief Survey, Queensrollahouse Gallery, North Acton, London, UK (2020) Contemporary Paintings and Prints, East Dulwich, 115A Gallery, London, UK (2020) From My Friends (with a little help), vol.2, Houseguest Gallery, Curated by Benjamin Cook, Kentucky, USA (2019) Let Me Know Before You Arrive, Warbling, Bethnal Green, London, UK (2018) Marching Through the Fields, Warbling, East Dulwich, London, UK (2018) LewisPr Annual Exhibition, 1 Place d'Estienne d'Orves, Paris, FRANCE (2016-17) Don't Touch, Brodsgaard, Curated by Julie Brødsgaard Guldbrandsen, Chelsea, London, UK (2016) Clyde&Co Award Exhibition, Clyde&Co, St. Botolph Building, London, UK (2015-16) Undergraduate Summer Show, Chelsea College of Art, London, UK (2015) Between This Wish and That Wish, Konstfack, Stockholm, SWEDEN (2014) Miscellaneous, Pop-up Exhibition, Elephant & Castle, London, UK (2013) Prizes and Nominations The Clyde & Co Art Award Nomination (2015) Kupambana Art Prize Winner (2015) You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 1572
Haberdashery Interest - Wooden Display Cabinet Containing Sewing Accessories, including tape measures, hooks and eyes, buttons, poppers, button bases for covering, etc. Cabinet measures 14" wide x 18" high x 6.5" deep. Together with three boxes of decorative accessories. Great lot for sorting.
Lot 744
A Bavarian, late 19th century, dark oak glazed cupboard profusely carved in the baroque revival taste with the upper glazed door flanked by two carved cherubs with grotesque masks above and below, the lower glazed door flanked by carved musicians, with carved egg and dart and dog tooth cornice, three shelves to the upper cabinet and a half shelf to the lower cabinet and standing on four heavily carved legs, 30¾ x 21¾in. (78.1 x 55.2cm.), 84in. (213.3cm.) high.
Lot 1411
Anker Building Blocks + Booklets. Quantity Of Building Blocks Of Varying Shapes & Sizes Contained In A Purpose Built Wooden Cabinet With Draws, Also A Large Quantity Of Instruction Booklets, Incomplete Booklets & Loose Pages (See Photo). Conditions: Poor To Good (Large Quantity) COLLECTION IN PERSON
Lot 208
A scarce complete set of the six Hornby OO Gauge The National Railway Museum 'The Great Goodbye Collection' A4 Class locomotives c.2014, DCC Ready, all mint and boxed, still wrapped in original clear plastic packing, limited edition no. 53 of 510 issued, all with original outer box sleeves and certificates, together with the 'The Great Goodbye' nameplate for use in the specially designed display cabinet (the cabinet is not included). (7) *All six locomotives appear to be mint and boxed - the have not been unpacked from the original clear plastic wrapping inside the inner boxes. Certificates and nameplate excellent. Contained in the original Hornby brown card shipping box, shipment date 31/03/2014.
Lot 205
A Japanese lacquered table cabinet, circa 1900. With metal mounts, the hinged cover above two drawers and two doors opening to reveal six drawers, all above a single long drawer, height 43 cm, width 35.5cm, depth 16cm.Signs of rubbing of paint resulting in paint-loss to some edges. Slight chip/deeper rub to the wood above the lock at the top of the piece.
Lot 505
AN AVALON TEAK CABINET fitted with drop-down cupboard and two drawers above sliding glass doors enclosing adjustable shelf, on tapering supports, 114cm wide 30cm deep 92cm high Condition Report : light wear and tear, generally good Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 1080
THE LADIES CABINET of Fashion, Music and Romance. Edited by Margaret and Beatrice de Courcy. Vols 1-16, 1832-39. 12mo. Bound in 6 monthly vols. Lacking vol 6, July-Dec 1834. Numerous hand coloured fashion plates and other engravings. Contemporary half black calf gilt. First 2 vols bindings worn (15) (box)
Lot 1574
An early 20th century oak school cabinet, with painted numbers and text, on an arrangement of thirty-two drawers on plinth base, width 76cm, depth 49cm, height 141cm.Condition Report: Scuffs, deep marks and impressions to surface and sides, chipping/losses to the timber, one lock has been detached although present, drawers are sticking slightly, no key present.
Lot 1654
A pair of Victorian mahogany hall chairs together with an Edwardian corner chair and a table top cabinet (4).Condition Report: Surface wear and scratches to cabinet, handles are loose from base drawer, complete with key and locking mechanism is functioning. Hall chairs with water damage, and splitting to seats and timber, one back joint is very loose, joints on Edwardian chair loose.
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306845 item(s)/page