A collection of 19th and 20th century cabinet cups and saucers, including Royal Crown Derby, Royal Worcester, Aynsley, Buckingham Palace, Royal Albert, Worcester, George Jones, Hammersley, etc. (19 including three trios). CONDITION REPORT: None of these items are boxed and none have certificates. The Royal Albert Heirloom pattern trio is probably a second. The Victorian Worcester saucer has an old hairline crack to the base. The Royal Crown Derby Pinxton Rose plate is second quality as is the Royal Crown Derby green Derby panel saucer. All other pieces would appear to be first quality. No items have any damage, repair or restoration other than the hairline crack already mentioned in respect of the Victorian Worcester saucer.
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A walnut veneered crossbanded side cabinet, with drawer and cupboard, with concave front and raised on turned legs. Width 51 cm. CONDITION REPORT: The top is a little scratched at the corners but other than this the piece is in generally good condition. The drawer door and sides are in good order. The feet are sound.
A walnut side cabinet, well figured, with crossbanded edge, serpentine fronted panelled door flanked by canted angles and raised on shell carved cabriole legs terminating in carved feet. Width 75 cm. CONDITION REPORT: Generally good order. There are no problems with the top or moulded edge. The door has a small veneer repair to the top right hand corner approximately 3 inches in from the right hand side. There are old very minor stress fractures to the veneers on the door front. The sides of the piece are in good condition as is the back. All legs are in good order with no losses or damage. The interior of the cabinet has been painted and is showing paint losses and is a little dirty.
A Meissen coffee pot, Zweite Wahl, with black bat, bird and figure decoration heightened with gilding, crossed swords mark. Height 20 cm. CONDITION REPORT: There are several small nibbles to the gilt rims of the flower head on the finial. These are minimal but visible with the aid of a glass. Other than this the piece is in first class condition with no further damage, no repairs and no restoration. The piece has been used as a cabinet piece.
An Edwardian satinwood bedside cabinet, Gillows of Lancaster, with inlaid panelled door and raised on tapered legs of square section. Width 39 cm (see illustration). CONDITION REPORT: The rear pediment and top are in generally good condition with only minor surface scratches and two small ring marks. The door is flat and not warped and in good condition with no issues. The door handle is a little loose and whilst it operates the lock requires re-fixing. The sides of the cabinet are in good condition. The back board is original. The legs are all original and not damaged.
An Edwardian style satinwood display cabinet, with moulded cornice above a pair of glazed doors with wooden astragals and ebony stringing enclosing glass shelves, the base fitted with drawers and cupboards and raised on tapered legs of square section. Width 92 cm across cornice, height 174 cm, depth 38.5 cm.(see illustration). CONDITION REPORT: The cabinet is in generally extremely good condition. The item is undamaged. There are no repairs and no restoration. The piece could be used or resold in its current condition without the need for any repairs or restoration. Unfortunately we do not have any keys. The doors are however all open. Locks of this type tend to be simple and it should be relatively easy to obtain one.
A Victorian mahogany bedside cabinet, with rear upstand, single door and plinth base. Width 41 cm. CONDITION REPORT: Structurally this is in good condition. The top however does have ring marks and old watermarks. The same can be said of the front of the cabinet. The plinth is in good condition and the back of the piece is original. It really requires freshening up.
An Edwardian inlaid mahogany breakfront low bookcase, with three glazed doors with wooden astragals enclosing adjustable shelves and raised on bracket feet. Width 157 cm. CONDITION REPORT: The cabinet is in generally very good condition. The polish is original and the piece is of a good colour. There are some very minor scratches to the top surface but these are minimal. The doors are not warped. They all shut as they should, we have the keys. The shelves are all present. The sides and back of the piece are in good condition with no cracks. The feet are all in good order and the piece is structurally very sound. The piece could be used in its current state without the need for any repair or restoration.
An early 19th century mahogany bedside cabinet, with three quarter gallery above a well figured door with wooden knob handle and raised on turned legs. Width 43 cm. CONDITION REPORT: The gallery and top are in very good condition. The door is not warped, it is well figured and in good order. The sides of the piece are not cracked. The legs are original, sound & secure and have no issues.
An Edwardian inlaid mahogany bowfronted display cabinet, with rear mirrored upstand, leaded glass door enclosing shelves and raised on splayed legs. Width 61 cm. CONDITION REPORT: The rear up stand is in generally good order with slight scuffing to the top edge and left corner. The top is flat and in good condition. There are some scuffs to the front edge moulding. The frieze is in good condition, the door not warped and the lead and glass in good order. We have the key. There are minor scuffs and scratches to the front rail below the door. The apron and legs are original and in good condition without any damage or repairs. The back panel is original.
A Royal Worcester handpainted cabinet cup and saucer, signed "F. Roberts". Saucer diameter 98 mm (see illustration). CONDITION REPORT: There is no damage, no repairs and no restoration to either the cup or saucer. The saucer has some minor scratches and losses to the recessed gilt centre and slight rubbing to the lip. The cup has very slight rubbing to the gilding on the top lip.
A walnut display cabinet, with broken arch pediment above a series of four glazed doors with wooden astragals enclosing shelves and with mirrored back, the breakfront base fitted with four panelled cupboard doors and all raised on bracket feet. Width 178 cm (see illustration). CONDITION REPORT: This cabinet has no great age and probably dates from the 1970's.
An Edwardian inlaid mahogany hanging cabinet, rectangular, being satinwood banded, boxwood and ebony strung and with glazed door enclosing shelves. Width 51 cm (see illustration). CONDITION REPORT: The cabinet is in first class condition with no damage, no repairs and no restoration. It could be used in its current condition without the need for any work at all.
A Wedgwood Creamware cabinet cup and cover, of truncated from, with ownership initials and brown line borders. Height 8 cm. CONDITION REPORT: The lid finial is either later or has been detached and reglued. There is a small hairline crack from the base of the finial across the concentric line of the pattern. The underside edge of the lid rim has glaze imperfections to approximately 2 cm which is rough to the touch. The base of the piece is in generally good condition with two small glaze imperfections to the top rim. We can see no evidence of any restoration to the piece other than the lid finial already mentioned.
A mahogany bowfronted cocktail cabinet, with slide, drawers and pair of panelled cupboard doors to the base. Width 71 cm. CONDITION REPORT: The ¾ gallery to the top is intact. The surface below this gallery is a little scuffed and scratched but has no significant issues. There is a small section of crossbanding missing to the centre left of the top above the tambour cupboard. There are various scuffs and scratches to the cupboard doors and to the top of the lower section. The left hand return moulding has been detached and reglued and there is evidence of filler along this join. The sides of the piece are a little marked and scuffed and the right hand return moulding is partially missing at the base. The slide operates as it should as does the tambour door however there is no knob handle to the door itself. The interior is all present. The legs are all in good order and the backboards are original.
A pair of European porcelain cabinet plates, hand painted with birds in a landscape, with gilt embellishment and scalloped borders, 24cm diameter, together with pair of European porcelain cabinet plates, hand painted with flowers with blue and gilt surround and scalloped edges, 21.5cm diameter, (one a/f - restored)
An early Victorian collectors cabinet of remarkable quality, veneered with figured walnut onto mahogany, rosewood crossbanded and with inlaid lines, the cabinet has a pair of doors with applied carvings and shaped panels with their dust exclusion beadings, they open onto two banks of open velvet lined trays, the front of each is shaped, and each is held on a sliding support, there are nineteen trays in all. Horn patent hinges. Bramah lock. Width 142cm, depth 52cm, height 113cm. Condition Report: There is damage to the front.
THEATRE, D'Oyly Carte, cabinet photos, couples, in costume, inc. Sybil Grey & Julia Gwynne, Rutland Barrington & Courtice Pounds (2) etc., by Mr Barraud of Oxford St London (4), by Alfred Ellis of Upper Baker St London (1), Elliott & Fry of Baker St London (1), pinholes (1), a.m.r. (1), some ink dots (1), otherwise G, 6 (Illustration page 6)
THEATRE, D'Oyly Carte, cabinet photos, Mr C Kenningham as Nanki Poo in The Mikado, Mr W Passmore, Mr Richard Temple (both in The Yeoman of the Guard), Mr Grossmith, and one unidentified, all in costume, by Mr Barraud of Oxford St London (2), by Alfred Ellis of Upper Baker St London (3), tape marks to reverse (2), a.m.r. to bottom edge (not affecting photo, 2), annotation in ink (1), otherwise G, 5 (Illustration page 6)
THEATRE, D'Oyly Carte, cabinet photos, The Mikado, inc. Three Little Maids, scenes from Act II (2), the other showing two Geisha girls, by Edward Smith of Cheapside London (2), Alfred Ellis of Upper Baker St London (1), by Conly's of Washington St Boston (1), a.m.r. (1), G, 4 (Illustration page 6)
A 19th century mahogany microscope slide cabinet, the glazed door over twenty one drawers with labelling flanking the central numbered knobs, of the over two hundred and twenty slides within two drawers with paper mounted slides prepared by EW, Smith, Beck and Beck, Bourgogne, Enock and others, the cabinet 30cm (11.75 in) high The lock and key escutcheon is missing from the glazed door
A collection of microscope slides and a slide cabinet. The pine slide cabinet with 12 trays each of 12 slides (144 slides). Makers include Darleston, Norman, Topping, Watson and Wheeler. 18 x 21 x 20 cm approx. Complete with lock and key; together with a collection of approximately 250 microscope slides housed in 5 slide boxes. A mahagony slide box with 24 slides by Dancer, Suter, Topping and Wheeler. A pine box with 24 slides by Cole, Norman, Suter, Topping and Watson. A pine slide box with 36 slides by Darleston, Norman, Topping and Wheeler. Two further pine slide boxes containing a variety of slides including chick embryology. Provenance: Dr A Whyte, Cambridge
A carved mahogany bombe linen press to a design by Thomas Chippendale, circa 1900, with stepped top with canted sides and applied stiff leaf and floral carved mouldings, slides to the interior, the base of bombé form, set to the top with two short and one long drawer cast brass swan neck handles, the base centred below with stylized foliate motif, to the canted front corners richly carved with rocaille and acanthus leaf carving, leading to similarly shaped bracket feet to each side.172½ x 145 x 66cm (67 x 57 x 26in). Literature: Footnotes:The Gentleman and Cabinet-Maker’s Director, Plate CXXXI. Ralph Edwards, The Dictionary of English Furniture, Volume II (1990 edition), p. 74. H.H. Mulliner The Decorative Arts in England (1923), Fig. 14. Geoffrey Beard and Christopher Gilbert (eds.), Dictionary of English Furniture Makers 1660-1840 (1986), p. 164 This unusual cabinet conforms almost exactly to an ambitious rococo design in Thomas Chippendale's celebrated publication, The Gentleman and Cabinet-Maker's Director of 1754 (figure 1). The Director is composed of a large collection of, as Chippendale said, "the most elegant and useful designs of household furniture in the Gothic, Chinese and Modern taste." The modern taste refers to the anglicised version of the forms and styles of France which strongly influenced Chippendale's work at this date and has been called "for the most part an Anglicisation of the rocaille". This taste is revealed in the design of Lot 708, with the swelling bombe form of the base and the exceptional fine quality of the intricately designed carving to the feet, an interpretation in wood of the fine chased gilt bronze work of French metal-workers. The Director represented an unparalleled undertaking in the publication of furniture designs, with the first and second editions constituting 160 plates of superb engravings. The work exerted a powerful influence on contemporary style that was felt as far afield as the Prussian Court and Lisbon and which established Chippendale as an inspired and innovative designer. A third edition, somewhat expanded, was to follow in a series of weekly publications in 1762. In the year of publication of the first edition, in which the design related to the present cabinet appears, Chippendale moved to spacious premises in St. Martin's Lane and began to provide furniture to a range of fashionable clients and nobility, including the Dukes of Beaufort, Portland, Norfolk and Hamilton, and the Earls of Northumberland and Chesterfield. Evidence of repairs around the hinges, otherwise in very untouched condition
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