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Lot 1
A Royal Worcester honeycomb reticulated cabinet cup and saucer, the double walled cup and flared saucer enamelled in turquoise and pink with 'jewelled' gilt ribbon borders, saucer 15.5cm diam, impressed and printed marks and dated 76 for 1876 Localised restoration to the teacup and with loss of some of the turquoise jewel droplets around the lower border
Lot 1
Soros (Susan Weber) - The Secular Furniture of E W Godwin with catalogue raisonné, illus, cloth, dj, 1999; Jeremy Cooper - Victorian and Edwardian Furniture and Interiors from the Gothic Revival to Art Nouveau, 1987; Clive Wainwright and H Blairman & Sons - George Bullock Cabinet-Maker, exhibition catalogue, 1988 (3)
Lot 1
The Edinburgh Cabinet and Chairmakers' Books of Prices 1805-1825, folio, printed for subscribers, cloth, dj, Cupar nd (c2000); Christopher Claxton Stevens and Stuart Whittington -18th Century English Furniture the Norman Adams Collection, 1983; Francis Pollard - Regency Furniture, 1985; Georg Himmelheber Bedemier Furniture, 1974 (4)
Lot 1
A Parkins & Gotto mahogany Electrical Cabinet, with green card box containing six Geisler tubes, a coil on mahogany plinth, in fitted mahogany box with printed trade label Electrical Cabinet Number 2... 54-62 Oxford St W to the underside of the lid and also signed on an ivory tablet, 28 x 19cm, c1890
Lot 1
An Edward VII mahogany cabinet, decorated in penwork and inlaid within satinwood crossbands and stringing, the frieze of swags above three shelves enclosed by a door with oval glazing bars flanked by quarter veneered doors inlaid with urns, three drawers to the apron, on square tapered legs with undertier and spade feet, 177cm h; 140 x 41cm In fine original condition. The two inlaid panels very slightly bowed but not split
Lot 1
A George III mahogany bureau-cabinet, with stepped cornice and blind fret frieze, the cabinet with adjustable shelves enclosed by doors with 'gothick' carved glazing bars, the bureau with a conforming interior and four moulded drawers flanked by fluted pilasters, on ogee feet, 209cm h; 113 x 59cm In generally very good and original condition, the cabinet slightly more faded in colour than the bureau. Minor losses only, one drawer lacking a lock, the handles replaced; minor replacements, the feet replaced or with repairs.
Lot 1
A South German small cabinet inlaid with etched steel plaques, last quarter of the 16th Century of rectangular form, veneered in rosewood, the corners each reinforced by a shaped etched steel bracket, the outer faces each inlaid with pairs of white metal bands framing a raised moulding enclosing a large steel plaque, each etched with scrolling foliage enclosing a central panel of differing scenes, including on the reverse Christ entering Jerusalem on the reverse, a marine monster on one side, a grotesque demi-figure on the other, and with biblical scenes on the top and front, the latter opening to reveal a series of drawers and a central door, the door secured by a contemporary lock, the drawer and panel fronts all inlaid with steel plaques etched with scrolling foliage and strapwork bands, the inside of the lid inlaid with white metal bands and a large steel plaque etched with the Arrest of Christ in the Garden (the carrying handle and keys each missing, the etching with areas of light wear, the veneer with one small chip and cracks on the reverse, one foot associated) 24.1 cm ; 9.5in by 30.4 cm ; 12 in by 21.6 cm ; 8.5in
Lot 1
AN EDWARDIAN ART NOUVEAU INLAID MAHOGANY DISPLAY CABINET, the mirror inset back supported by triple turnings with foliate mother-o-pearl light wood inlay, three mirrors below with pierced brackets, three leaded light foliate design glazed doors below, flowering tree inlaid doors below, raised on shaped legs united by a shaped apron, 54 ins x 78 ins high.
Lot 1
AN EDWARDIAN ART NOUVEAU LIBERTY'S INFLUENCE INLAID MAHOGANY DISPLAY CABINET, the marquetry inlaid frieze above a canted leaded and glazed cupboard, flanked by slender uprights, the projecting inlaid centre panel flanked by coloured and leaded glass panel doors, glazed ends, raised on square legs with block toes and shaped corner brackets, 52 1/2 ins wide.
Lot 1
A 19th century Chinese cabinet, the ocre ground with carved pierced gilt foliage, having a pendant cornice, the interior with a shelf and drawers, the doors and sides incorporating late 18th century lacquer panels depicting court scenes in summer palaces, decorative vases and elephant urn stands with foliage, the exterior of the doors with lacquer decorated cushion panels of birds and court scenes, the corners with reeded pilasters forming legs with pierced gilt foliage bracket friezes. 4ft. 1in. x 7ft. 4in. (150cm. high x 224cm. high).
Lot 1
A GROUP OF SIX EARLY 20TH-CENTURY MEISSEN PORCELAIN CABINET CUPS AND SAUCERS, of shaped oval moresque form, each decorated in a different traditional floral design, comprising one puce camieux, with matching spoon, one "onion" flower, one similar with iron red, one with chinoiserie garden landscape, one with polychrome floral sprays, blue scroll border and one with polychrome floral garlands and mazarine blue borders, all gilt-enriched, underglaze blue crossed swords marks (13)
Lot 1
A GROUP OF SIX EARLY 20TH-CENTURY MEISSEN PORCELAIN CABINET CUPS AND SAUCERS (EACH WITH SPOON) of shaped oval moresque form, each painted in polychrome enamels in a traditional manner: one yellow ground with kakiemon style birds and floral decoration, one mauve ground with similar birds and flowers, one with floral sprays, one with floral sprays and gilt scroll borders, one blue ground with birds and flowers and one apple green similar, all gilt-enriched and having spoons, some with matching coloured grounds, underglaze blue cross swords marks, (18)
Lot 1
Chamberlain, King & Jones Ltd, Birmingham, A SET OF SIX ARTS & CRAFTS OAK DINING CHAIRS each having a humped toprail between square balustroid finials, on twin plain splats and humped midrail, the stiles of broadening square section, the hide-covered drop-in seats on tapering square section legs, the front pair with spreading feet, linked by plain side stretchers and humped front stretcher supporting twin "splats" matching those to the backs, maker's plaque "CHAMBERLAIN, KING & JONES LTD/ CABINET MAKERS & UPHOLSTERERS/UNION ST., BIRMINGHAM" to inner face of each rear seatrail (6)
Lot 1
A LATE VICTORIAN OAK CABINET having shaped galleried sides to the rectangular top, the twin doors with bevelled glazing above panelling, enclosing seven drawers of various sizes, plus five shelves including a serpentine-fronted example, on a shaped apron with integral bracket feet, 56cm x 19cm x 61.5cm high, (22in x 7.5in x 24.2in)
Lot 1
AN EARLY 20TH-CENTURY INLAID SATINWOOD SERPENTINE-FRONTED FLOOR-STANDING CORNER DISPLAY CABINET having a mahogany-stained top, the long door with serpentine glazed pane above a finely inlaid a panel of basket of flowers above foliate scrollwork, within a border of six-petalled flowers and leaves, enclosing two serpentine-fronted plyboard shelves, the canted angles similarly inlaid, on canted cabriole-type front legs and a chamfered rear leg, 71cm x 49.5cm x 140.5cm high, (28in x 19.5in x 55.3in)
Lot 1
Large Black Forest carved table jewellery/collectors' cabinet, the top with figures of two mountain goats over two cupboard doors with carved floral sprigs opening to reveal ten small silk lined drawers above one long drawer with carved floral detail and raised on carved scroll supports, 32 1/2in (82.5cm) high
Lot 1
Harris (John, pub.). The Cabinet of Liliput, Stored with Instruction and Delight, 1802, ten miniature books (of twelve only) only, each approx. 6.5cm square, all with b&w eng. frontises, all in restored boards and all (except two) with oval paper labels to upper cover, some general wear, all contained in restored wooden case with four compartments, sliding front panel with printed colour design (some wear), front panel measuring approx. 16cm x 8.5cm Moon 107. Osborne, p.236, Gumuchian 998. The two missing volumes are 'Julia and the Dog ...' and 'Jacob the Fisherman ...'. (1)
Lot 1
Harris (John, pub.). The Cabinet of Lilliput, Stored with Instruction and Delight, 1802, ten miniature books (of twelve) only, each approx. 6.5 x 6.5 cm, all except two vols. with b&w eng. frontis., all except two in orig. boards with oval paper label to upper cover (the other two without labels and possibly rebound), some general wear and a few repairs, all contained in orig. wooden case with four compartments, sliding front panel with printed colour design, front panel measuring approx. 16cm x 8.5 cm, panel chipped at head Moon 107. Osborne, p.236. Gumuchian 998, a 'very rare collection'. The two missing volumes are 'Juliet and Emmeline' and 'Shadrach the Jew, Maurice and The Advantages of Industry'. They have been replaced in the cabinet by two other miniature volumes. (1)
Lot 1
Harris (J., pub.). 'Harris's Cabinet' [as titled to upper cover], pub. August 10th 1811 (or 1814?), 16 pp., each with a hand coloured engraving above four lines of verse, a few leaves frayed at the corners, orig. paper wrappers with label to upper cover, wrappers relaid onto stiff paper with a little loss to spine and corners, 16mo Contains engravings of young people displaying various characteristics such as 'Goodnatured George', 'Mischievous William', 'Studious Maria', 'Brutal Charles', etc. The date of publication occurs at the foot of the first plate and has been partly cropped. (1)
Lot 1
Rossetti (William Michael, 1829?1919). Five photos of William Michael Rossetti, 1890s?1900s, including one at Lucy''s grave, San Remo, 1907: gelatin silver print, upper margin and lower left corner near detached, verso initialled M.E.M.R., 270 x 200mm (see fig. 114 in Angela Thirlwell, 'William and Lucy, The Other Rossettis', 2003); Platinotype by J. Russell & Sons,142 x 103mm, mounted with photographer's printed details below, inscribed in pencil on verso, 'Platinotype Free. I like this the best of the 3 ? Suppose (but am not quite sure) that it has been taken for the Literary Series', in ink beneath [William's hand]: 'Taken 15/6/5' and beneath that the ink initials of his daughter M.E.M.R; Albumen print cabinet card by Elliott & Fry, 167 x 109mm, with ink inscription to verso, 'To my daughter Mary, W.M. Rossetti, Novr. '94'; Albumen print with arched top, mounted on remains of album leaf with ink inscription beneath, 'Papa, San Remo, 1895'; William Rossetti and a young girl [?Imogen, his granddaugter] wearing a straw hat and polka dot dress, c. early 1900s: positive black and white contact print on stiff plastic, 82 x 70mm; together with glass black and white negative of a drawing of Gabriele Rossetti by his son Dante Gabriel Rossetti; postcard with two portraits of Gabriele Rossetti after Marsegli and DGR; two pencil drawings of Gabriel Arthur Madox Rossetti, 6.1.1923 and another of Gabriel[?], by H[elen] R[ossetti] A[ngeli], dated 20? September 1932; pen and ink and pencil drawing of two cats and on the verso a neat pen, ink and pencil drawing of a monk at prayer in a chapel, no date or signature; three daguerrotypes of unidentified people (13)
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306894 item(s)/page