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Lot 653

A William IV rosewood collector's cabinet, fitted thirty small drawers in two banks, enclosed by lancet arched panel doors and flanked by classical columns with carved capitals, on a plinth base 134 x 124 x 42cm (52 x 48 x 16in)

Lot 702

A Victorian figured walnut pier cabinet, with brass gallery back, banded in amboyna, with gilt brass mounts to the open column sides and border of the arched mirrored door, on turned feet 110 x 89 x 39cm (43 x 35 x 15in)

Lot 723

A 19th century Japanned cabinet with raised back, three panelled cupboards above and two panelled cupboards below, on a plinth base with moulded feet 173 x 126 x 54cm (67 x 49 x 21in)

Lot 45

Art Deco School Cabinet, circa 1930 glass centre, flanked by panels of opposing grained wood on stepped feet 150cm high, 100cm wide, 52cm deep.

Lot 68

Shapland & Petter Mahogany & inlaid hanging wall cabinet stamped locks 50cm high, 71cm wide.

Lot 87

Heals Oak bedside cabinet having single cupboard raised on square cut legs.

Lot 11

Cotswold School Walnut miniature cabinet, circa 1920 with panelled doors and carved handles 47cm high, 35.5cm wide, 28cm deep. 

Lot 15

Heals Book table/drinks cabinet, circa 1930 octagonal form with both sides hinged to reveal drinks cabinet 60cm high, 54.5cm wide.

Lot 22

Early 20th Century School Oak filing cabinet the four drawers with chrome handles and locks 138cm high, 65cm wide.

Lot 34

Gordon Russell (1892-1980) Arts & Crafts oak three section wardrobe, 1928 each section fitting onto stand, assortment of drawers and cupboards with ebonised handles 'The Russell Workshops' paper label, designer Gordon Russell, cabinet maker C. Turner 183cm high, 175cm wide. Provenance: Purchased from Gordon Russell by Mrs Hart of Erdington as a wedding gift for her daughter and son in law Mr & Mrs Leonard Sadler, thence by descent.

Lot 055

A collection of Sterling silver proof medals 'The Genius of Rembrandt' produced by John Pinches, London, each approx 2ozs, (50) medallions in a mahogany fitted cabinet.

Lot 211

London Mint, The Magnificent Seven Collection of gold coins, limited edition number 0363/2000, with receipt of purchase 2008, comprising UK sovereign, Australia 'Nugget, Mexico 'Libertad', Canada 'Maple Leaf', South Africa Krugerrand, China 'Panda' and US 'Gold Eagle', two in 22ct gold and five in 24ct gold, in fitted cabinet.

Lot 254

An early 20th oak smokers cabinet having two glazed doors with a fitted interior.

Lot 296

A scratch built model of 'Mystery', a cutter rigged Cornish coastal barge built in 1885 in Perspex cabinet, overall height 54cm.

Lot 390

French two door carved hardwood cabinet, width 129cm.

Lot 124

A fine quality 19th Century French walnut Display Cabinet, the plain cornice over a central glazed door flanked by two brass grilled doors, on turned reeded legs, the overall embellished with ormolu mounts, approx. 183cms (6') wide x 198cms (6'6") high. (1)

Lot 125

A 19th Century red boulle ebonised and brass inlaid single door Cabinet, the shaped marble top over inlaid frieze and dome shaped decorated door on a plinth base with decorative ormolu mounts, approx. 90cms x 113cms (35 1/2" x 44 1/2"). (1)

Lot 126

A late Victorian carved walnut mirror back Display Cabinet, the carved and pierced decorated cornice over a central shield shaped mirror above a shelf with frieze drawer and inlaid panel doors, flanked either side by glazed doors on carved cabriole legs, approx. 223cms h x 142cms w (88" x 56"). (1)

Lot 127

A 19th Century French red boulle Side Cabinet, the shaped rectangular top above a brass inlaid frieze and single glazed panel door, on an ormolu mounted outset plinth base, approx. 78cms x 108cms (30 3/4" x 48"). (1)

Lot 170

A fine quality French 19th Century kingwood and ormolu mounted Table Cabinet, the crossbanded domed top above a glazed fall front panel with shelved interior and acanthus capped scroll supports, approx. 71cms h x 76cms w x 33cms d (28" x 30" x 13"). (1)

Lot 171

A fine quality Edwardian inlaid mahogany Hanging Corner Cabinet, the panel door with large inlaid decoration. (1)

Lot 189

An unusual Georgian period mahogany Bookcase or Drinks Cabinet, the moulded and inlaid cornice over an astragal glazed door, on a base with inlaid pull-out drawer, drop front press with decorative brass handles on bracket feet. (1)**WITHDRAWN

Lot 221

A 19th Century rosewood Cabinet, with inverted top with frieze drawer over two panel doors flanked by pillar supports on plinth base, approx. 109cms (43")w x 91cms (36")h. (1)

Lot 230

A 19th Century oak Vestment Cabinet, in the Gothic taste possibly by A.W. Pugin, decorated with arched panels and fret work on brass castors. (1)

Lot 237

A 19th Century pitch pine Gun Cabinet, by C.W. Smith, Windsor, with large glazed door on a base with a frieze drawer, bears stamp on back. (1)

Lot 316

A fine inlaid satinwood demi-lune Side Cabinet, by Hicks of Dublin, the crossbanded top with outer band decorated in the Adams taste, swags, love knots etc., over an inlaid frieze with three glazed bowed doors, on slightly out swept feet, approx. 84cms (33") high x 127cms (50") wide. (1)

Lot 359

19th Century Russian School"Mother of Perpetual Help," icon, oils on panel, approx. 54cms x 44cms (21" x 17"), printed label on reverse with wax seal (Nicolaus Mawen), gilt frame, housed in pine cabinet. (1)

Lot 381

An Irish Georgian mahogany Corner Cabinet, of large proportions, moulded cornice, astragal glazed doors, on a base with two panel doors, on bracket feet, approx. 218cms (86")h x 104cms (41")w. (1)

Lot 510

A rare and unusual red boulle brass inlaid and ebonised lift top Cabinet, by Paul Sormani (1817 - 1877), the top profusely decorated inlaid in brass and tortoiseshell with a central monogrammed brass panel, the front with rectangular brass inlaid border and a central decoration over a frieze drawer, the hinged lift top revealing an interior with two drawers, the lock stamped, P. Sormani, Rue du Temple 114, Paris, the sides with shaped ormolu mounts and brass inlay, on a base with four spindle supports united on a stretcher with outsplayed legs, approx. 79cms h x 61cms w ( 31" x 24 " ) ( 1 )

Lot 551

An early carved oak Table or Collectors' Cabinet, the profusely and intricately carved top and sides with a front of eight drawers and central panel drawer, approx. 66cms (26")w x 45cms (18")h. (1)

Lot 564

An elegant French ormolu mounted inlaid walnut Bedside Cabinet, the marble top over one drawer, and a door with two blank drawers, and marble interior, on turned legs, approx. 86cms (34") high. (1)Provenance: Private Northern Irish Collection.

Lot 123

An early to mid 20th Century oak mantel clock, eight day movement, silvered dial, roman numerals circa. 1930; an oak smokers cabinet; a carved trinket box with hinged cover carved with scrolling foliage (3)

Lot 195

A late Victorian/Edwardian leather fall front table top writing cabinet, c.1900

Lot 224

A reproduction satinwood inlaid revolving bookcase; a reproduction side cabinet, cabriole legs; mid 20th century mahogany standard lamp, decoupage shade (3)

Lot 239

An early 20th century Aesthetic Movement mahogany concave side cabinet, two short drawers over two doors

Lot 3

A Victorian walnut fall front table top writing cabinet, c.1880

Lot 1039

GLENMORANGIE 1987 MARGAUX CASK FINISHActive. Tain, Ross-shire. Matured for 16 years in ex-bourbon casks before being finished for two years in barriques. Bottled 2006, bottle no. 1587 of 3551. 70cl, 46% volume, in display cabinet. CONDITION REPORT: Very good.

Lot 209

An early 19th century mahogany bookcase cabinet having twin glazed panelled doors over two short drawers and a pair of panelled doors, raised on turned bolbous feet, 89" h, 42 1/2" w

Lot 313

An early 20thC William and Mary style oak cabinet on stand, with one long panel drawer above a further drawer with inverted 'X' carving, with two drawers beneath on squat baluster columns, terminating in square feet, with a cylindrical front stretcher, 94cm high, 77cm wide, 50cm deep.

Lot 341

A rustic hard wood open specimen cabinet with 3 x 3 open pigeon holes, surmounted by overhanging carved corners, with spice drawer beneath, 42cm high, 32cm wide, 15cm deep.

Lot 362

An early 20thC ebonised display cabinet, with fern leaf astragal glazed door, hinging to reveal glass shelves on compressed ball and claw feet, the whole surmounted by a shell patera, 134cm high, 59cm wide, 35cm deep.

Lot 399

A mid 20thC Concerto free standing gramophone, the compressed caddy lid hinged to reveal a baize lined turn table with articulated chrome arm in a rectangular cabinet on squat barley twist supports, terminating in block feet, joined by plain stretchers, (when closed), 92cm high, 85cm wide, 54cm deep.

Lot 400

An Edwardian mahogany display cabinet, the serpentine finial centred by scrollwork above a pair of glazed doors, hinging to reveal fitted shelves, the whole raised on squat ball and claw feet, 140cm high, 89cm wide, 34cm deep.

Lot 405

A late 19thC mahogany stained display cabinet, the overhanging moulded top raised above two frieze drawers with blind fret and heavy gilt metal handles, above two panelled doors with intricate scroll and floral mouldings, hinging to reveal a fitted interior, on carved cabriole supports terminating in ball feet joined by an undertier, 107cm high, 125cm wide, 41cm deep. (AF)

Lot 406

A heavily carved early 20thC oak table top jewellery cabinet, with three drawers flanked by an open cupboard and further drawer beneath, on a serpentine base surmounted by an overhanging top, 40cm high, 34cm wide, 18cm deep.

Lot 478

An early 20thC Henri Wintermans advertising glass display case, another tabletop specimen cabinet, 6cm high, 37cm wide, 33cm deep, King Edward advertising cigar tabletop cabinet dispenser, and a further tabletop cigar dispensing case. (4)

Lot 480

Various early 20thC printing blocks, to include an Easy Sign Marker set, 49cm wide, containing wooden block letters, tabletop cabinet for letter blocks, various oil paints, etc. (a quantity)

Lot 498

An Edwardian mahogany and boxwood strung display cabinet, with an oval mirror top raised above a bow front glass door with lead glass panels revealing fixed shelves on square supports, 160cm high, 57cm wide, 29cm deep.

Lot 510

A modern glass top display cabinet, with wooden frame, and a baize lined interior, 8cm high, 53cm wide, 45cm deep.

Lot 550

A late Victorian ebonised corner cabinet, with shaped top above double mirrors and single glazed door hinging to reveal a shelf on cabriole supports joined by a serpentine fronted undertier, 170cm high, 65cm wide, 49cm deep.

Lot 602

A modern Webber Furniture dark wood display cabinet, the rectangular overhanging top raised above four astral glazed doors with panelled cupboards beneath on a block base, 88cm high, 141cm wide, 30cm deep.

Lot 603

A modern Webber Furniture oak finish freestanding corner display cabinet, with fixed carved cornice raised above astragal door hinging to reveal fitted shelves, with a carved panelled cupboard beneath set with Tudor rose, hinging to reveal a shelved interior on a plain moulded base, 179cm high, 65cm wide, 48cm deep.

Lot 267

A HABERDASHERY COUNTER TOP OAK DISPLAY CABINET, 'CLARKS ANCHOR STRANDED COTTON FOR EMBROIDERY', OAK 3 TIER CANTILEVER ACTION WITH GLAZED TOP, APPROX. 40 cm WIDE

Lot 315

PR. WORCESTER STYLE CABINET PLATES, PAINTED STILL LIFE FRUIT, N.CREED, APPROX. 23 cm DIA.

Lot 316

ROYAL WORCESTER PORCELAIN CABINET PLATE DEPICTING APPLES AND BLACKBERRIES, SIGNED H.AYRTON, SHAPED GADROONED BORDERS, APPROX. 22.5 cm DIAMETER, IN GOOD CONDITION

Lot 540

Sheraton (Thomas). The Cabinet-maker and Upholsterer's Drawing-Book, in three parts, parts 1 & 2 (of 3) bound in one, printed by T. Bensley, 1793, 26 black and white plates, plus 12 additional loose plates in rear pocket, pencil annotations from a previous owner 'Thomas Bryde, Cabinet Maker, London 1793', some toning and spotting, modern gilt decorated calf spine retaining contemporary full calf boards, some minor loss to head and foot, 4to, together with Stanley (Thomas), The History of Philosophy..., 3rd edition, 1701, black and white engraved plates including portrait frontispiece, some offsetting and spotting, bookplate to front pastedown, split gutters, contemporary gilt decorated embossed full calf, boards and spine slightly rubbed to head and foot, hinges cracked, folio, and Huddesford (William), The Lives of Those Eminent Antiquaries John Leland, Thomas Hearne and Anthony Wood..., 2 volumes, Oxford, 1772, 10 black and white plates including frontispiece, some light spotting and offsetting, uniform contemporary gilt decorated full calf, spines repaired to head and foot, 8vo, plus other 18th and 19th century works, biographies and history reference, mostly leather bindings, some modern rebindings, condition is generally good/very good, 8vo/folio, (approximately 70 volumes) (3 shelves)

Lot 60

Church (John). A Cabinet of Quadrupeds, consisting of highly-finished engravings by James Tookey from drawings by Julius Ibbetson, 2 volumes (bound in one), published Darton and Harvey, 1805, title pages and additional decorative titles for each volume, eighty-four (complete) uncoloured engraved plates, slight spotting throughout, marbled endpapers, top edge gilt, later half morocco gilt, slight wear to extremities, folio (1)

Lot 595

A JAPANESE SILVER, LACQUER AND SHIBAYAMA MINIATURE CABINET, MEIJI PERIOD the back engraved with a landscape with wisteria, iris and two cranes perched on a tree above two carp in rippling waters, 23cm h, engraved signature Ryokosai ++Silver generally tarnished with polish residue on the top, losses to inlay, unrestored

Lot 640

A CHINESE EXPORT IVORY MODEL OF A PLEASURE BOAT, GUANGDONG (CANTON), QING DYNASTY, LATE 18TH C the hull straked, the upper deck structures with finely carved and pierced sides, several pairs of opening grilles to the windows, divisions and canopies, the principal of the several cabins divided by a screen flanking two entrances up steps to a presence chamber with a seated mandarin and his consort, both it and the adjoining larger 'Saloon' with others of his retinue, the furnishings including an altar table, stands set with cups, a table screen, chandelier and ornamental plants in tubs, a similar smaller pavilion on the roof above, the exterior with the figures of six quanters and other servants, the figures and smaller items also of ivory and painted in polychrome, pairs of pierced lanterns fore and aft and poles with flags of the same faded red silk that in part hangs at the two open entrances, with pierced rudder, 34cm h, 74cm l overall, mounted on an early wooden base beneath glazed brass case, 40cm h; 34 x 80cmProvenance: Acquired c1770-c1800 by a member of the Thornton family of Clapham and by descent to Charles Conway Thornton (1851-1902); his widow Mary Diana Conway Thornton, nee Thornton-Wodehouse (1854-1948); acquired by the family of the present vendor in the early 20th c. This magnificent model pleasure boat exemplifies the supreme class of Chinese Export ivory carving from Guangdong (Canton) during the second half of the 18th c and first few years of the 19th c. Surprisingly large and extraordinarily detailed, they represent the type of elaborate pleasure boat of intricate openwork on which Chinese dignitaries such as the 'Tartar General' as well as European merchants diverted themselves along the estuaries and waterways between Canton and Whampoa. For the Europeans, who were confined to the waterfront such excursions, musical parties afloat and other entertainments proved especially welcome. It may be the case that Lord Macartney's Embassy to China travelled on one in his voyage to secure a treaty of friendship from Qianlong in 1792. Comparable ivory models of the period, variously described in contemporary inventories as Pleasure Boats, Junks and 'Sampands' are in major collections; see for example that delivered by Dr J J Garnett to the Prince Regent in 1804, "One ivory flower boat with a war junk cost £105" (illustrated J Ayers, Chinese and Japanese Works of Art in the Collection of H M The Queen, No 2058); the pair of "Royal Junks" at Osterley Park (National Trust) described in the 1782 inventory of Child Family Heirlooms as "L[ong] Galleries: Two Indian [sic] Sampands of ivory... in plate glass cases in brass frames"; and the examples in the Victoria & Albert Museum obtained by Richard Hall (1764-1834) of the HEIC, Chief Supercargo at Canton until his return to England in 1802. The present example has a particularly interesting and eventful provenance. In 1909 it was the subject of a court case, the unusual nature of which caused it to be extensively reported not only in the Westminster Gazette and London Standard Newspapers but also by the Australian and Canadian press. The then owner, Mrs Thornton claimed the model had been damaged whilst supposedly in a warehouse at Southampton. Her late husband, a diplomat had displayed it at the British Embassy in Lisbon until, on his being posted to Budapest, it was packed and sent to England. For reasons unknown it was not called for by the storage firm to which it was destined and was subsequently sold by the railway company in a lost property auction for six shillings, being bought by one Oddy a dealer. When discovered the storage firm swiftly persuaded Oddy to part with it, paying him £105. The court heard that "someone injured the junk by pushing his fingers through the filigree work" at the auction, which it seems was little better organised than a jumble sale. Mrs Thornton, who was reported to be 'tall and stately dressed in black' gave evidence, as did Lady McDonald the widow of the British Ambassador, who recalled the pleasure boat had stood in the Gallery at the top of the Staircase at the embassy in Lisbon, where "it was an object of much interest to the Portuguese". Several 'experts' were called who stated the value of the model in its undamaged condition would have been £300-400 but that it was now of negligible worth. A professional valuer, W H Fenton of Oxford Street assessed it at £60 undamaged and now £50. The court uphold Mrs Thornton's claim and awarded her 50 guineas in compensation. As to its earlier provenance, in her deposition Mrs Thornton stated the model had been an heirloom of the Thornton family "for about 150 years" and had been presented to a member of that family by "an ex cabinet minister". It is here suggested that it was owned by her husband's paternal great grandfather Samuel Thornton (1754-1838), who either acquired it himself or from one or other of his brothers, or their father. Samuel Thornton and his brothers, Henry and Robert were wealthy evangelical Christians, philanthropists, abolitionists and members of parliament who resided in close proximity to one another at Clapham where, with William Wilberforce, they formed the nucleus of the so-called Clapham Sect. Samuel Thronton was a director and later Governor of the Bank of England for a period of over 50 years. Henry was also a banker and economist and Robert, perhaps significantly, was a director of the HEIC. The brothers' father, John Thornton (1720-1790) also a devout Anglican who deployed his wealth to evangelical purposes, is best known as the sponsor of the ex- slave trader-turned clergyman, the Rev. John Newton (author of 'Amazing Grace'). The Thorntons were therefore unusually well placed to have acquired so costly an object in London, whether by purchase or as Mrs Thornton asserted, by gift.++Old localised damage (see catalogue footnote); silk flags and hangings worn and faded; old accretion of dust/dirt over time, no restoration during the present family ownership (ie since the early 20th c

Lot 1122

A GEORGE III SATINWOOD SIDE CABINET, C1800 the drawer with fitted interior beneath a leather inlet slide, the lower part having two ash drawers and an adjustable shelf enclosed by a pair of doors with pleated green silk panels, 96cm h; 37 x 122cm++Top slightly warped, recent green leather surface to flap. Minor cosmetic restorations, locks present, handles possibly original

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