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A Napoleon III ormolu mounted ebony side cabinet, third quarter 19th century, the white serpentine marble top upon an egg and dart moulded rim, the panelled mahogany lined frieze drawer with scrolled strapwork mounts and foliate C scroll cartouche escutcheon issuing a husk pendant, the shaped angles mounted with scrolled lion heads centred below by scallop shells and flower head pendants, above a pair of panelled gadrooned doors with acanthus clasped scroll angles centred by satyr masks, the apron with a scrolled foliate swag upon gadrooned bun sabots. Note: The `Grohe a Paris` stamp, situated on the top of the left shaped angle of this side cabinet, refers to Guillaume (1808-1885) and Jean Michel Grohe. The two brothers established their cabinet making workshop in Paris under the trade name `Grohe Freres` in 1829. Their firm rapidly gained a reputation for creating some of the most original and finely executed French furniture of the 19th century. Among the most impressive pieces that the Grohe brothers produced, such as this side cabinet, were their Louis XIV revival ormolu mounted side cabinets and Louis XVI style marquetry tables. From the middle of the 19th century until the Grohe firm`s closure in 1878, their workshop supplied similar revival furniture to emperor Napoleon III of France, one of their most illustrious clients. On top of this, the renowned Grohe business provided furniture for most of the major royal houses in Europe, including Queen Victoria from 1862 onwards. Grohe pieces were provided continually for all of the most important exhibitions which took place between 1834 and 1878 in France ("19th Century European Furniture" , C. Payne) The regal lion heads pay homage to the imperial court of Napoleon III, who ruled France between 1851 and 1870. During this period French cabinet makers, such as the Grohe brothers, sought to re-interpret the royal baroque and neoclassical styles, predominant in France in the 18th century, in order to glorify their contemporary ruler. The ormolu satyr masks, egg and dart mouldings, floral pendants and acanthus clasps, all classical elements of the Louis XIV style, are incorporated in magnificent fashion in order to parallel the reign of the `Sun King` to that of Napoleon III. The satyr masks make reference to the half goat men of classical mythology who were often involved in wine imbibing bacchanalia.
A Queen Anne walnut and crossbanded cabinet on chest, early 18th century and later adapted, the cushion drawer over a pair of satinwood crossbanded and boxwood strung doors, enclosing an arrangement of ten drawers and nine pigeon holes flanking a central cupboard, the base comprising three long and three short drawers, upon bracket feet, 174 x 104 x 47 cm.
A Dutch mahogany and marquetry display cabinet, early 19th century, inlaid overall with stained sycamore and fruitwood birds, foliage and urns, the shaped cornice with canted angles, over a pair of glazed fielded panel doors enclosing two shelves, above a pair of fielded panel doors enclosing one shelf, upon a plinth base and later castors, 201 x 136 x 32 cm.
A William & Mary walnut cabinet on stand, first quarter 18th century and later, the cushion frieze above a pair of crossbanded doors enclosing twelve drawers, two cupboards and one pigeon hole, the stand comprising two short drawers upon spiral twist turned legs with waved X stretcher, terminating in bun feet, 168 x 92 x 44 cm.
A pair of French porcelain cabinet plates, late 19th century, of lobed form, the first plate depicting a rat standing upon a blue and white chinese bottle vase with foliate sprays surrounded by a gilt border, the second plate depicting two rats dressed admiring a chinese scroll flanked by a house and sprays of flowers, red printed marks to reverse `CH PH LIVUYT & CO, Paris, EXP 1867, MEDAILLE D`OR`, diameter 23 cm, (2).
A Naples porcelain & gilt metal mounted box and cover, the top decorated with Neptune riding the high seas behind two stallions, marks to base, width 18 cm, a pair of Dresden floral decorated pierced rimmed dinner plates, marks to base, diameter 21 cm, three smaller similar, a pair of Austrian gilt decorated cabinet plates, depicting classical scenes, marks to base, diameter 24 cm, together with a quantity of Continental ceramics, (a lot).
A Dresden cabinet plate, late 19th early 20th century, of lobed form with cobalt blue border with gilt jewelled acanthus leaf and urn decoration surrounding a central painted image depicting three classical maidens, blue marks to reverse & painted `Die Poarzen` & (P. Thumom), diameter 26 cm.
Two Continental Meissen style floral encrusted teacups and saucers, together with a floral encrusted pierced circular dish, a floral encrusted circular jar and cover, a Naples painted cabinet cup, a Continental twin section salt, painted with birds and insects, a porcelain figural painted brooch, a porcelain oval figural painted bowl and a enamel painted scent bottle and finial, (a/f), (9).
A Meissen twin handled fruit dish, 20th century, with bold relief scroll leaf decoration and parcel gilt, further floral sprig decoration to the well; A Meissen bowl, early 20th century, with gilt highlight & floral painted decoration, also two Dresden cabinet plates, late 19th early 20th century, each of shaped outline with blue and gilt decoration. (4)
A late 19th Century papier-mâché Decanter Cabinet, of tall rectangular form, the hinged cover decorated with a colour print of a fox with a mallard, within a Greek key border, and further inlaid mother-of-pearl detail, to hinged front doors, and interior fitted with non-matching glasses and two (of three) decanters, on a stepped and shaped plinth base, height 20”
A fine quality reproduction Mahogany Sheraton Revival Side Cabinet, with central raised scrolled pediment, applied with carved heads, over a convex mirror, flanked on either side by glass panelled bow fronted cupboards, with a shaped frieze below with long central drawer flanked by two curved fronted short drawers, with a recessed central cupboard under, flanked on either side by further reeded doors, enclosing a cupboard, raised on six foliate moulded and reeded tapering supports joined by a full width open shelf and profusely inlaid throughout in the Sheraton manner with neo-classical urns, scrolls and foliage etc, 64” wide, 86” high
A George III mahogany collectors cabinet and stand, the two panelled doors enclosing seven drawers with original gilt brass handles, the stand with square legs and an undertier, 63cm wide, 43cm deep, 123cm high. An interesting feature of this cabinet is its unusual locking mechanism securing both doors.
A William & Mary walnut cabinet, having a cushion shaped frieze drawer over two quarter veneered and feather banded doors, enclosing ten drawers around a central cupboard, the base with two short and three long drawers, within D-shaped moulding on bun feet, 101.5cm wide, 52cm deep, 172cm high
An Italian walnut inverted breakfront cabinet, 16th century, the dentil cornice with egg and dart and channelled decoration, over a pair of doors with carved wavy borders flanked by composite stop fluted pilasters. The base with four short drawers, knob handles and carved decoration, 187cm wide, 70.5cm deep, 203cm high
A fine George III mahogany bureau cabinet, of architectural form, the boldly worked swan neck cornice over a single mirrored door with a gilt leaf carved slip, flanked by tapering square pilasters over candle slides. The interior with pigeon holes, an adjustable shelf and small cockbeaded drawers around a central locking cupboard. The fall front opening to reveal pigeon holes, drawers and a cupboard over two short and three long graduated drawers, with original brass handles, pierced back plates and heavy carrying handles on ogee bracket feet, 88.5cm wide, 54cm deep, 222cm high
A satinwood cabinet, probably Sri Lanka, c.1700, the two doors crossbanded top and bottom, with decorative pierced brass hinges, an ornate lock plate and brass carrying handles to the sides, the interior with an arrangement of ten ebony moulded drawers. On an English mahogany stand with a gadrooned and Greek key frieze, lappet carved cabriole legs and pad feet, 92cm wide, 51cm deep, 155cm high overal. Cabinets of this type are thought to have been made for V.O.C. officials in either Batavia (now Jakarta) or Sri Lanka. In the present case the extravagant use of satinwood both inside and out and the method of assembling the drawers with small satinwood pegs strongly suggests the latter. The design is clearly inspired by contemporary Japanese lacquer cabinets, particularly the layout of the interior drawers with the side-locking drawers at bottom left and right. The stand is English, c.1740. There is a very similar example made of teak in the Rijksmuseum, Amsterdam, and another in the Gemeenten Museum, Den Haag. Literature: Jan Veenendal, Furniture from Indonesia, Sri Lanka and India during the Dutch period, Delft (1985), pl. 72. Titus Eliens (ed.), Domestic Interiors at the Cape and in Batavia 1602-1795, Den Haag (2002), No. 22.
An unusual George II burr yew and walnut crossbanded bureau cabinet, c. 1745, the cavetto cornice over two doors with burr wood quarter veneers within strung and crossbanded borders, the oak lined interior with adjustable shelves. The bureau fall with quarter veneers, the interior with an inlaid central door flanked by pilaster `secret` drawers, further drawers and pigeon holes, over four long graduated drawers with brass handles and bracket feet, 99cm wide, 54cm deep, 216cm high
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306894 item(s)/page