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18TH CENTURY STYLE LACQUERED BUREAU CABINET, having broken arched pediment with turned finial's above two arched blind panelled doors revealing a fully fitted red lacquered interior, the base with fall front revealing red lacquered stepped fitted interior above two short and two long drawers on bracket feet. 20th century. 59" Wide x 24" Deep x 86" High.
A 19th century mahogany apothecary`s cabinet by Thomson of London, with sunken brass handles the top one inscribed `John Cameron Esqr A. M. MADRAS CIVIL SERVICE`, with handwritten medicinal notes to the underside of the lid, with eleven associated bottles, above a fitted base drawer with a compartment for a scales, with a glass measuring jug and other bottles, stamped `THOMSON LONDON 13`, 9in (23.1cm) high, 7¾in (19.3cm) wide, 6¼in (15.6cm) deep.
A part suite Elizabeth II of cutlery, by Edward Viners, Sheffield circa 1962, to include: twelve dessert spoons; twelve soup spoons; twelve table knives; twelve tea knives; and twelve dessert forks; seven grapefruit spoons; eleven teaspoons; six coffee spoons; bread knife and fork; two cheese knives; two salt spoons and a mustard spoon; together with a set of twelve 19th Century table forks; and various plated flatware; all in Kings pattern with shell backs and diamond heels; within mahogany cabinet canteen, with serpentine front, caved gallery and rim with foliate design, raised on floral and acanthus capped cabriole legs, 34in. (87cms) high, approximately 129oz. gross weighable silver.
The 100 Greatest Masterpieces: a collection of 100 silver medallion, by John Pinches, London circa 1980, depicting works of art to one side and description to the other, within a mahogany cabinet with five drawers, each fitting twenty medallions, and a single storage drawer below, the top with plaque reading 'The 100 Greatest Masterpieces, First Edition proof set struck by John Pinches Medalists Ltd. expressly for Mrs Margaret Heron'.
A 19th Century French style walnut pier cabinet of curved shaped form, floral inlaid frieze and panel door opening to reveal a velvet-lined interior fitted one shelf, raised on a curve-shaped floral inlaid apron, the whole profusely mounted with gilt bronze mounts, 32 1/2 x 16 1/2 x 44in. high.
A French boulle work pier cabinet of serpentine form, the white carrera marble top supported by gilt metal mounts with central panel door opening to reveal a mahogany lined interior with two shelves, the front extensively inlaid with boulle work on a red tortoiseshell ground, fitted with gilt metal caryatids, raised on a shaped apron with scrolling feet mounted with gilt metal sabots, 44 x 17 x 43in. high.
An early Georgian walnut cabinet-on-stand (with alterations), the upper section with moulded frieze, fitted two short and three long graduated drawers, the base with central drawer flanked by two deep drawers, shaped apron, raised on four carved cabriole legs with ball and claw feet, 42 x 22 1/2 x 62in. high.
A late 19th Century French walnut vitrine cabinet, of bombé form, the moulded rouge marble top above a glazed panelled door opening to reveal three fitted velvet covered shelves, quarter veneered in walnut and with gilt metal mounts, the cabinet raised on scroll feet terminating in sabots, 33 1/2 x 18 1/2 x 56 3/4in. high.
A pair of late 19th/early 20th century hand painted and gilt decorated circular cabinet plates, depicting a boy and girl playing and a boy playing a musical instrument to a girl, each signed after Watteau, blue and black printed factory marks and printed Chateau des Tuileries to verso, diameter 24cm.
A good quality George V hallmarked silver, silver-plated and mother of pearl handled canteen cabinet, having three drawers inset with twelve setting hallmarked silver and silver-plated flatware service, to include twelve fish knives and forks, twelve grapefruit spoons, four hallmarked silver knife rests, two fruit spoons, fish carvers with mother of pearl handles, pickle fork, six table spoons, twelve soup spoons, twelve dessert spoons, twelve tea spoons, two butter knives, two jam spoons, two sauce ladles, soup ladle, twelve egg spoons, sugar tongs, two mustard spoons, two salt spoons, twelve dessert forks, twelve table forks, with mother of pearl handles, the silver-plate to include twelve dessert knives, twelve table knives, carving knives and forks, twelve dessert forks and knives, bread knife, fitted in burr walnut veneered three drawer cabinet, the three drawers above two panelled cupboard doors, enclosing fixed shelves, raised on cabriole supports, made by Edward Viners, Sheffield 1931/33, total weighable silver weight 183oz, (illustrated).
A mid 18th century oak bureau cabinet, inlaid with quartered bats wing motifs in mahogany banding, the upper section featuring twin panelled doors flanked by corner pilasters, above the hinged writing slope enclosing a fitted interior, with four graduated drawers beneath flanked by corresponding pilasters, raised on shaped bracket feet, width approx 112cm (illustrated).
An elegant and pretty Edwardian Sheraton revival hand painted satinwood/satin walnut bonheur du jour of small proportions, the three quarter gallery back above two cabinet doors and single frieze drawer, raised on square tapered supports, width approx 46cm, height approx 127cm (illustrated).
A late 19th century brass bound oak Tantalus, drinks cabinet, the back enclosing three hobnail cut stoppered decanters, with twin lidded front enclosing an arrangement of five various compartments for cigars, matches etc, the front with secret revolving compartment containing four miniature glasses and four matching hobnail cut whisky glasses, with mirrored back (mirror (af)), the sides with stylised shaped drop handles, with Brahmer lock, complete with key, height approx 36cm, depth include open secret compartment approx 45cm, width 36cm, complete with original key (illustrated).
A Victorian flame mahogany and oak crossbanded rectangular sewing box, the hinged lid enclosing removable nine division tray above three further fitted base section, the small quantity of sewing sundries to include pin cushion etc, with letter which reads as follows: `This sewing box was made in 1865 in the spring of 1864 George Ward, the younger son of the Ward family who were hat manufacturers in Bredbury, Stockport, returned from two years in Italy where he had been gaining experience in the hatting industry, on his return he hopes to marry Ellen Axon the daughter of Phillip Axon and sister of George Axon, a long established and well respected Stockport family who lived in Bredbury. At this time the Hanover Chapel was being built in Tiviotdale, Stockport and the cabinet makers employed there were making items to raise building funds. George Ward had this workbox made as a present for Ellen Axon whom he married in 1866 at Hatherlow Chapel near Romiley, Stockport,` height 16.5cm, width 39.4cm, depth 38cm.
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306845 item(s)/page