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Ardern HOLT, Fancy Dresses Described, London, Debenham & Freebody circa 1882, 8vo cloth, 32 plates including 16 coloured; Ladies Cabinet 1839, vol I with 24 full page hand coloured fashion plates; Ladies Pocket Magazine, lacking front board and all before pp5 with 12 hand coloured fashion plates (3)
An Arts & Crafts Oak and Pine Corner Glazed Gun Cabinet, with castellated top over a three-section carved panel frieze, the glazed door with two ornate hinges enclosed by carved vertical panels, fitted interior, above a single carved drawer with heart handle, on carved feet, 125cm by 50cm by 209cm, with key Provenance: Ex Hamilton Palace 1919 Sale Expected wear. Knocks to edges. Green baize interior is worn. Some lifting and cracks in the oak. 120313
A French Art Nouveau Carved Walnut Glazed Cabinet, in the style of Louis Majorelle/Eugene Gaillard, with domed top over two doors each with carved floral whiplash decoration, the whole with clear bevelled glass panels, enclosing glass shelves over a mirror base, unmarked, 73cm wide, 44cm deep, 158cm high Lock not working. The full length strip on door is repaired. Splits in the front flowerheads. Splash marks to the walnut. Chip to the glass shelf. Knocks to the feet. General wear. Some nicks to the edges of glass panes. 110313
An Art Deco Walnut and Satin Birch Bowfront Cocktail Cabinet, by G & F, the two upper doors enclosing a mirrored interior and two glass shelves, the doors with fitted shelves, above two doors with a shelf and fittings for bottles, labelled GOLD FEATHER PRODUCTS G & F, 122cm wide, 46cm deep, 164cm high Damage to the veneers on top. Damage and knocks to the edges. Expected wear, faded on one side. Pitting to th chrome fittings. No key. 110313
A Queen Anne Style Walnut and Oyster Veneered Chest on Stand, the rockwork gesso cornice above two cupboard doors, the interior fitted with églomisé mirror plates and an arrangement of drawers and pigeon holes, raised on a later stand with three frieze drawers and wavy shaped frieze, the cabriole legs with stout block feet, 107cm by 48cm by 160cm Cosmetically reasonable. Cupboard doors with natural? splits running the full height of the oyster veneer, other natural? splits throughout. Losses to gesso on stand carved knees. With key, later lock - working. Interior with splits to drawer fronts. Cabinet is 18th century in part. 260113
A Regency Mahogany and Gilt Metal Mounted Side Cabinet, 2nd quarter 19th century, the pierced three-quarter gallery above Egyptian revival figural mounts, above two cupboard doors, raised on a plinth base, 90cm by 33cm by 100cm Top with various scratches, some deep. Timber with variations in colour and some fading. Colour loss, small veneer losses and scuffs around the platform base. One fixed shelf later and with section added. With key. 140113
A Chinese Chippendale Revival Satinwood and Japanned Display Cabinet on Stand, early 20th century, painted with Oriental figures in a landscape, the three-quarter pierced gallery above a pagoda frieze and two glazed doors enclosing a modern velvet lined interior, the stand with square chamfered legs, block feet and shaped understretcher, 115cm by 37cm by 210cm Good cosmetic condition throughout. General repair work and restoration consistent with age. Finials later? Repair work to front support. Pediment with natural? crazing effect to paintwork. Overall good condition. 140113
A Pair of Louis XVI Style Tulipwood, Purple Heart and Ormolu Mounted Meubles d`Appui, late 19th century, with later pink lez breccia marble tops above an acanthus decorated frieze, the cupboard door with blue gilt oval Sèvres style porcelain mounts between caryatid mounts, raised on a platform base all between canted corners, 93cm by 43cm by 108cm Cabinet 1 - marble top with minor nibbles throughout, particularly along the back edge. Good colour and good quality mounts. Some veneer losses, particularly around the base, consistent with age. Cabinet 2 - marble with minor nibbles. Similar condition to previous, with bruising and small repairs around the base/lower section. 2601113
A Gillows of Lancaster Mahogany Double Pedestal Drawers, 2nd quarter 19th century, the craftsman William Barrow, the rounded rectangular top above an arrangement of twelve graduated drawers between lockable stiles, the locks stamped BRAMAH with original key, raised on a plinth base, 126cm by 59cm by 92cm William Barrow Jnr listed as a cabinet maker. See Stuart (Susan) Gillows of Lancaster and London 1730-1840, vol II, pg.215 Uniform colour throughout. Bruising and deep scratches. Thumb nail size section of timber missing on back edge. Small veneer losses and minor bruising consistent with age. Handle has been split and repaired. 140113
A George III Mahogany Cellaret on Stand, by Gillows, circa 1790, the hinged domed lid crossbanded in tulipwood within boxwood strung lines, enclosing a compartmentalised interior, with original brass carrying handles, stamped Gillows Lancaster, the lock by J Bramah, the stand of fluted form with flowerheads at each corner, on plain brass cappings and castors, 59.5cm by 46cm by 78cm The stand formerly reduced in height, but now raised to its original dimensions using the 1788 Gillows sketch and 18th century mahogany; the interior compartments re-arranged but retaining the original timbers. From 1789/90 until the mid 1790`s Gillows used two blocks, such as used on the present cellaret, to make the stamp GILLOWS LANCASTER, which narrows its date of manufacture to c. 1790 - 1795. This drawing of the cellaret is retained in the Gillow Archives housed by the City of Westminster Archives Centre, volume 344, number 94, pages 238-239, published in 1787-1788. It is described as a Guardevine with trunk to hold 9 bottles, with a loose frame, rail flutes and taper legs with lid. The estimated costs are given as follows: Feb 14th 1788 - a Guardevine with trunk lid; 8 ft of ¾ inch mahogany and birch vin[ee]r - 10s 9d; 2½ ft of 1 inch mahogany - 4s 4½d; 2 ft of ¼ inch mahogany the same - 2 s 2d; 1 ft of 1 inch ditto the legs - 10½d; 2? ft of ½ inch ditto the bottom - 1s 1¾d; 1 pair of stop hinges - 1s 0d; 1 lock and escutcheon - 1s 5d; 1 pair of lifting handles - 2s 2d; 1 sett of sockett castors ? inch - 2s 6d; 1 small cock - 5½d; 3 dozen of ¾ inch and ½ inch screws - 4d; 17 pound of lead at 3d per pound - 4s 3d; Lining ditto Mr Stewart - 5s 9d; Making ditto Henry Walling, Compute - 19s 6d; Rails fluted & carved rows per Mr Gibson - 4 s 9d; Total cost: £3 1s 3½d. Henry Walling was apprenticed for 7 years from 5.3.1770 to Henry Baines and William Bruce, cabinet makers of Lancaster. He became a freeman in 1779-1780. In 1785, with 32 other workmen, he signed the Gillow wage agreement. His work is recorded at Gillows from c. 1785-1796. Henry Gibson (1736-1797) was apprenticed to Christopher Walker, joiner and cabinetmaker of Lancaster, from 10.6.1753. He probably began working for Robert Gillow & Son on completing his apprenticeship. He was described by Richard Gillow in December 1789 as their best carver. Note on Joseph Bramah: Originally a cabinet maker, Joseph Bramah (1748-1814) patented a lock in 1784 which, due to its complex design, remaining unpicked for more than 50 years. As such it was a popular choice for pieces of furniture which held valuables, such as fine wine. Note on Gillows: Gillows and the furniture they made are renowned for several reasons. First, the quality of construction is considerably higher than that of the majority of contemporary cabinet-making firms. Second, with the firm`s proximity to the port of Liverpool and the trading links to the West Indies, the firm was actively (and very profitably) engaged in the importation of not only top quality mahogany, satinwood and other timbers, but also in the sale of British goods to Jamaica and the importation of other West Indian produce for sale in Britain. Third, the innovation of their designs and the preservation of the designs` uniqueness were highly important to the success of the business. If a pattern book was published, its designs were anyone`s (a problem often encountered when attempting to attribute furniture without a secure provenance to Thomas Chippendale). Because Gillows never published their designs, they were always striving for novelty and protecting their patterns from industrial espionage. Gillows` sober and restrained designs, the exceptionally high quality of timber and workmanship, and the exclusivity of their patterns have contrived to create in Gillows the quintessential English cabinet-making firm of the late 18th and 19th century. Good colour and condition throughout. Top with very minor bruising, all consistent with age. Very fine natural split on brackets and stand. Rejoined (as full catalogued). Small bruising around legs, fluted frieze and moulding consistent with age. 080313
A Meissen Porcelain Topographical Cabinet Cup, 19th century, of slightly flared cylindrical form with scroll and patera moulded handle, on three paw feet, painted with a view of Dresden within a jewelled gilt border, crossed swords mark in underglaze blue, script title in black, 13.5cm high Handle restored. Very minor wear to gilding, particularly around feet. 190213
A German Porcelain Cabinet Cup, mid 19th century, of campana form with two scroll handles, painted with a continuous Arctic scene with a nautical expedition on a gilt ground, the base inscribed in black EISINSELN ENTDECKT DEN 9 JANUAR 1773, 12cm high Good condition with very minor wear to gilding. 190213
A Vienna Style Porcelain Cabinet Plate, late 19th century, painted with DIE SATYRISCHE MUSE within a typical panelled border, inscribed in black and mark in underglaze blue, 24.5cm diameter; and Another Vienna Plate, painted with DER GERUCH, inscribed in black and mark in blue, 24.5cm diameter (2) Both in good condition with only minor wear to gilding. 190213
An Indian Ivory Inlaid Hardwood Table Cabinet, probably Gujarat or Sindh, late 17th/early 18th century, the fall opening to reveal an arrangement of six drawers with stained ivory handles, the whole profusely inlaid with stylised flowers within floral meander borders, 40.5cm wide Some inlay with minor splitting. Some lifting from carcass and with minor losses. Some damage to the wood veneers throughout, with some losses, particularly at angles on borders. Section to rear left hand corner loose. Some age related scratching, wear and carcass movement throughout with associated losses and splitting. Lock possibly not original. Wear and surface oxidisation to metalwork. 210213
A Victorian Brass Bound Burr Walnut Travelling Writing Cabinet, with strap hinges and loop handles, the hinged top over a folding fall writing slope, an arrangement of drawers, stationery racks and pen trays, 42cm wide Surface as been repolished throughout and with new skiver. 2cm long deep scratch to top. Other minor small scratches. 210213
A Canton Lacquer Stationery Cabinet, circa 1840, the two-hinged sloping doors gilt with an armorial and crest within a motto cartouche within foliate meander borders, opening to reveal an arrangement of compartments over a frieze drawer and plinth base, 44cm wide Possibly some redecoration and restoration. Splits to both folding doors, the longest 4cm long. Some typical wear and minor splits throughout. 210213
A Berlin porcelain twin-handled vase decorated to the sides with two opposing panels of equestrian figures in a landscape with beaded rims flanked by swan neck handles on a gilt decorated ground and raised on a plinth base, together with an early 20th Century yellow ground Dresden cabinet cup and saucer and lid, bearing pseudo Augustus Rex marks CONDITION REPORTS Vase with scuffs, wear, chips and losses to handles. Top rim very rough and may have been ground down. Cup - finial broken off and glued, wear and frits.
A modern Titchmarsh and Goodwin oak cabinet in the late 17th Century manner, the top with rising lid above two fielded panelled doors enclosing various shelving and two drawers on bracket feet CONDITION REPORTS This appears to have been designed as a hi-fi cabinet, with an aperture to the back for cables / wires, compartments and drawers to the interior and also two adjustable shelves. General wear and scuffs, and a gap to the panel to the top possibly due to shrinkage. Approx size 89cm wide, 48 cm deep, 76 cm high.
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