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Lot 8
Ernest Race'BD1' cabinet, circa 1946Mahogany-laminated aluminium, mahogany-laminated Holoplast, aluminium, beech. 84.7 x 121.5 x 40 cmManufactured by Ernest Race Ltd., London, United Kingdom.Footnotes:LiteraturePeter Ray, ed., Designers in Britain, Society of Industrial Artists, London, 1947, p. 230Hazel Conway, Ernest Race, London, 1982, p. 28Alan Peat et al., Austerity to Affluence: British Art & Design 1945-1962, exh. cat., Fine Art Society, London, 1997, p. 17Charlotte and Peter Fiell, eds., Decorative Art - 1930s & 1940s, Cologne, 2000, p. 394Lesley Jackson, Modern British Furniture: Design Since 1945, London, 2013, p. 103This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 84
Raymond LoewyCabinet, from the 'DF 2000' series, circa 1967Acrylic, acrylic laminated-wood, painted aluminium.125.5 x 104.6 x 55 cm Manufactured by Doubinski Frères, France. Interior of one drawer with manufacturer's label printed DF 2000/Made in France. Comprising two parts.Footnotes:Literature'Mobili a Parigi', Domus, no. 449, April 1967, p. 23 for other examples from the seriesThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 108
Cabinet attributed to ADAM ECK (1604-1664).Walnut and ebonised wood.19th century locks.Measurements: 65 x 52 x 33 cm.Not much is known about Adam Eck's childhood and education, but it can be assumed that he trained with his father for some time. Between 1640 and 1645 he worked in the city of Eger in Bohemia, a centre of expertise in the production of cabinets such as the one presented here, masterfully carved in bas-relief and made of different coloured woods. They were decorated with the mythological and historical themes that circulated at the time in prints and engravings. They remained in families for several generations and some of the most popular workshops were those of Johann Georg Fischer (1587-1669) and Adam Eck. The present cabinet is most probably an interesting piece from the production of this city and the work of the workshop of Adam Eck (1604-1664). It consists of a prismatic structure supported by a rectangular base with a moulded structure. The decoration is concentrated on the front, and on the sides it is reduced to vegetal decoration that is repeated rhythmically on the bottom of all the drawers. The exterior doors are richly decorated with noble motifs. The interior is divided into four levels and three lanes. The central door, with a horseshoe-shaped lock, is surrounded by drawers with handles. The lower level has a continuous drawer. Both the drawers and the door are decorated with bas-reliefs made using the intarsia technique, a decorative process in which a design is made with the wood itself, divided into pieces and shades. In the Renaissance period intarsia became a craft technique, and in countries such as Italy and Germany it was a technique much sought after by royal families in the now historic furniture of the time. The piece culminates in a cubic structure decorated on the front with the figure of an infant.
Lot 3
Baroque writing desk. Sweden, ca.1720-1730Elm, birch and birch root wood. Bone and bronze handles.Restored. In very good condition. Retains all the keys.It stands out for its reduced size.This piece of furniture was acquired from a prestigious Spanish antique dealer for 36000€ in 1998.Measurements: 208 x 119 x 55 cm (closed); 208 x 222,5 x 90 cm (open).This Swedish piece of furniture, of lower height than other examples of the same type and period, is made up of two bodies, the lower one as a desk and the upper one as a bookcase. It has a monolithic, closed, typically Baroque structure, decorated with lighter-coloured marquetry filleting. The lower body consists of four drawers, narrower as they increase in height, above which is a 45-degree hinged lid that hides the desk display, the latter with drawers with bone handles. The drawers are decorated with a simple rectangular cut-out that is complemented by the handles and lock escutcheons. Under the lower drawer is a straight flap. The sides of the cabinet are similarly decorated. The upper body has two large doors that conceal various shelves inside. On the outside, the cabinet has a typically Baroque cut-out pediment, based on a set of mitred forms.
Lot 83
MAITLAND-SMITH desk, 1940s-50s.Wood covered in embossed leather and bronze handles.Signature plaque on the first drawer.The leather is damaged.Measurements: 78 x 69 x 35 cm (open); 78 x 48 x 38 cm (closed).The American luxury furniture firm Maitland-Smith produces unique and exquisite pieces characterised by a modern design which, nevertheless, has its roots in the decorative arts of the 17th and 18th centuries. This time we are presented with a desk with a wooden core covered in leather, raised on four curved legs and with a baroque-inspired mixtilinear pediment. The main body, with four drawers (narrower as they get higher), supports a folding desk with multiple drawers. The entire structure of the cabinet is outlined by gilt embossing and has bronze handles.Over the years, the firm has elegantly combined the tradition of English furniture from those centuries with styles, materials and methods from many different parts of the world. In its production, techniques such as eggshell, the use of leather, etc., as well as traditional hand-carved wood, are particularly noteworthy.
Lot 702A
ARTS & CRAFTS MAHOGANY TWO DOOR DISPLAY CABINET,in the manner of Shapland & Petter, with mirrored gallery back flanked by pierced hearts, the central panel with marquetry and abalone floral design, the velvet lined interior with two shelves, the apron with two further pierced hearts above undertier, 188cm high by 121cm wide and 32.5cm deepSome scratches and nicks particularly to corners and edges, ring marks to the velvet lined interior, light general wear but good to fair overall
Lot 871
GRAYSON PERRY '100% ART' PORCELAIN CABINET PLATE,for the Holborne Museum, printed monogram to base, 21.7cm diameterCondition report: Rings true, no hairline cracks; there is a very small glazed over chip to rim possibly from manufacture; very light general wear including light marks and spotting to the gilt rim
Lot 120
A MID-VICTORIAN SATIN-BIRCH DRESSING-TABLE by G. Trollope & Sons, late 19th century, the kidney-shaped leather-lined top above a frieze drawer carved with foliage and a shell, on tapering cabriole legs joined by a shaped undertier, on hoof feet, the drawer with label printed 'G. TROLLOPE & SONS' inscribed 'CAB.SK. / 877', the underside with oval brass plaque impressed 'MANUFACTURED BY GEO TROLLOPE & SONS HALKIN STREET WEST BELGRAVE SQUARE LONDON'; 74 cm high, 117 cm wide, 59 cm deep. Cabinet makers, paper-hangers, upholsterers and house agents.Trollope & Sons were established 1787-1890
Lot 92
A REGENCY MAHOGANY SERVING-TABLE early 19th century, the rectangular top with rear gallery with anthemions, the gadrooned edge to the top above four fluted tapering columns, on a solid base with deep incurved central recess, 128cm high x 268cm wide x 80cm deepProvenance: The Earls of Lichfield, London art market, 1997. Perhaps from the Earls of Lichfield's Staffordshire seat of Shugborough where the dining-room furnishings were replaced in the early 19th century, for example a set of at least twenty-one dining-chairs in an austere Grecian design with pierced palmette in the back (NT 1270731). Interestingly, the pair of large serving-tables now at Shugborough are slightly earlier in date (c. 1790) and were transferred from Attingham Park for display at Shugborough around 1966 (NT 1270758.1-2).This serving-table or sideboard is characteristic of the types of splendid furnishings developed in the early 19th century for the adornment of classical dining-rooms. Its design conforms to a much later design published by Henry Whitaker in his Practical Cabinet-Maker and Upholsterers Treasury of Designs, 1847, where it was described as a 'Sideboard and Wine-Cooler. Elizabethan Style' while that design holds for the present piece, its detailing is very different and reflects elements of early 19th century designs published in George Smith's Collection of Designs for Household Furniture and Interior Decoration, 1808.
Lot 1170A
A LATE 1950'S BUSH TV62 MOTTLED BROWN BAKELITE TELEVISION CASE OR CABINET, UNDAMAGED AND OF RIBBED AND STEPPED FORM, IDEAL FOR A TELEVISION RESTORER OR A CREATIVE AND INVENTIVE DISPLAY SOLUTION. ORIGINALLY COSTING 59 GUINEAS HIS WAS THE LAST OF THE FAMOUS 1950'S BUSH BAKELUTE TV MODELS, AND THE ONLY MULTI CHANNEL MODEL.
Lot 1842
A late 19th Century Asprey & Son military campaign style brass bound oak stationary cabinet, having an ogee moulded top and sloping doors opening to reveal a fitted interior, an interior brass plaque reading "The Bond Street Stationary Cabinet, Registered No 5324, Asprey & Son, 166 Bond Street London", the locks marked "Asprey", 32 x 40 x 36 cm
Lot 256
Princess Alexandra of Denmark, court photograph signed to the margin below, dated 1885 (?), 26 x 17.5cm; another of the same sitter, signed and dated 1885, somewhat faded, 22 x 13cm; together with a collection of loose late 19th and early 20th century cartes de visite and cabinet photographs of European Royalty (quantity)
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