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Lot 1130
OSVALDO BORSANI (Attr.le) Produzione Italia 1950 ca. Importante mobile bar composto da due arredi su misura, il primo comprende un banco leggermente curvato, in legno di noce, un vano espositore, sul fronte maioliche colorate raffiguranti segni zodiacali, piano in vetro, gambe a "v†in frassino, pedana rossa, angolo boiserie ad angolo in legno rivestito in tessuto blu capitonnè, un pannello a decoro naturalistico ed un retrobanco con specchi e ante in vetro, due sgabelli in metallo dorato con seduta in skai rossa. Il secondo arredo comprende un grande pensile in legno di noce con un vano a giorno rivestito in tessuto blu capitonnè, una scultura di un torso femminile ed un vano a due ante a decoro naturalistico (segni del tempo).Bibliografia: Osvaldo Borsani,Irace Gramigna, Leonardo Arte. Osvaldo Borsani. Architetto, designer, imprenditore, Giampiero Bosoni, Skira 2018. IMPORTANT BAR CABINET COMPOSED OF TWO CUSTOM-MADE FURNISHINGS, THE FIRST INCLUDES A SLIGHTLY CURVED COUNTER, IN WALNUT WOOD, A DISPLAY COMPARTMENT, ON THE FRONT COLORED MAJOLICAS DEPICTING ZODIAC SIGNS, GLASS TOP, V-SHAPED LEGS IN ASH, RED PLATFORM, CORNER BOISERIE AD WOODEN CORNER COVERED IN BLUE CAPITONNÈ FABRIC, A PANEL WITH NATURALISTIC DECORATION AND A BACK COUNTER WITH MIRRORS AND GLASS DOORS, TWO STOOLS IN GILDED METAL WITH RED SKAI SEAT. DAY COVERED IN BLUE CAPITONNÈ FABRIC, A SCULPTURE OF A FEMALE TORSO AND A COMPARTMENT WITH TWO DOORS WITH NATURALISTIC DECORATION. SIGNS OF TIME. cm 250 x 220 Alt. cm 188 - Alt. cm 86 (sgabelli) - cm 148,5 x 28 Alt. cm 189 (parete attrezzata).
Lot 1147
MANIFATTURA ITALIANA Produzione Italia,1950 ca. Sideboard in legno di noce a tre ante in acero dipinte con figure orientali, due ante a battente ed una a ribalta con vano specchiato, il mobile è racchiuso tra due lastre parallele di vetro di grosso spessore, gambe in acciaio tubolari, montato su grande boiserie di specchi decorati ed incisi cornice in legno (qualche sbeccatura agli specchi).Bibliografia: Irene de Guttry, et. al., Il Mobile Italiano Degli Anni '40 e '50, Bari, 1992. WALNUT SIDEBOARD WITH THREE MAPLE DOORS PAINTED WITH ORIENTAL FIGURES, TWO HINGED DOORS AND ONE FLAP WITH MIRRORED COMPARTMENT, THE CABINET IS ENCLOSED BETWEEN TWO PARALLEL SHEETS OF THICK GLASS, TUBULAR STEEL LEGS, MOUNTED ON LARGE BOISERIE OF MIRRORS DECORATED AND ENGRAVED WOODEN FRAME (SOME CHIPPING ON THE MIRRORS). cm 215,5 x 46 Alt. cm 245.
Lot 1242
EBANISTERIA SICILIANA Produzione Italia 1930 ca. Divano art d̩co in radica di noce, inserito in un mobile basso con mensole, spalliera e seduta in tessuto d'epoca nei toni vinaccia, piede baccellato.Bibliografia: Il mobile d̩co italiano 1920-1940, De Guttry Irene Maino Maria Paola. Laterza, 2006. ART D̉ۡCO SOFA IN BRIAR OF WALNUT, INSERTED IN A LOW CABINET WITH SHELVES, BACKREST AND SEAT IN VINTAGE FABRIC IN BURGUNDY TONES, PODDED FOOT. cm 266 x 65 Alt. cm 89.
Lot 573
A MAKI-E LACQUERED 'MOUNT FUJI' CABINET WITH SHELVES, SHODANA Japan, Meiji period With bamboo-shaped mounts, the front part opening by five doors, the apron opening by three drawers, richly adorned in gold lacquer with views of Mount Fuji and Lake Biwa, possibly bearing armorial crests/mons. H: 111 cm - L: 101 cm - depth: 35 cm
Lot 580
+A MIXED WOOD TWO-LEVEL STORAGE CHEST / CABINET, ICH'UNG JANG Korea, Joseon Dynasty, 19th century Set with veneered probably burlwood and elm panels. Set with a garniture of yellow brass pieces and handles. Opening by numerous drawers and panels. H: 145 cm - L: 110 cm - Depth: 45 cm Provenance: A curated selection of Samurai Art & Beyond from the Collection of a French Scholar assembled over years of thorough studies. +Important notice to the buyer: Please note that this lot is not in our premises and is currently located in France and is to be sold on designation. The successful bidder will then haver to arrange the shipping from the French location.
Lot 104
AN IRISH GEORGE II MAHOGANY CARD TABLECIRCA 1740 74cm high, 89cm wide, 43cm deep (when closed)For a closely related example of card table, but without the central shell carving to the frieze, see The Knight of Glin and James Peill, Irish Furniture, Yale University Press, 2007, page 237, figure 133. Condition Report: Marks, scratches and abrasions, old chips and splits commensurate with age and use. some old repairs. Some additional indented marks to the edge of the top.(see images) Some relatively minor evidence of old worm to the underside of the top. Some of the pine blocks to the underside of the top may be later. There is a cabinet makers and retailers label attached to the underside which may not be original and is for a 19thc retailer/ maker. (see additional images) It looks to have been more recently glued to the underside possibly. There are areas of remnants of a dark coloured wax to the surface which does rub away. The table overall appears to have been cleaned but does retain reasonable colour although patina has been lost to a degree it may only be possible to improve with careful and experienced treatment. The edges of the interior surface have been cleaned and show evidence of surface filler. The hinges of the top are later replacements. There are filled holes and marks from previous hinges to the rear edges of the top (see additional images)The baize inset is a later and relatively recent replacement. The rear leg on attached to the hinged element has a crack through the upper part of it that has previously been glued but slightly inaccurately and could be easily done better. There are no other obvious old breaks to legs. The 'ear' brackets to the tops of the legs at the rear frieze and lacking. Some later re-gluing to joins of other 'ear' brackets. The carved shell terminal has previously been detached and re-glued. It has also been secured with a later screw from the reverse of the frieze. There is no clear evidence that the shell is later or associated and the shadow to the frieze supports it being original. The table is more pale in colour than it appears in the catalogue image. See additional images. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 105
AN IRISH GEORGE II MAHOGANY SECRETAIRE CABINET IN THE MANNER OF GILES GRENDEY, CIRCA 1740 The shaped mirror panel doors opening to an arrangement of drawers232cm high, 107cm wide, 55cm deep overallBy repute, The Barony of Inchiquin, County Clare, Ireland. Padraig Lucius Ambrose O'Brien, 17th Baron Inchiquin, The O'Brien, Chief of the Name, Prince of Thornand, (1900-1982) married Miss Allen, heiress to Moor Park, Ludlow, Shropshire. After the family estate was dispersed in 1950, Lady Inchiquin moved to a house in the hamlet of Betchcott, one part of the estate, where she died in 2012. This cabinet reputedly formed part of Lady Inchiquin's estate having been passed down in Lord Inchiquin's family. The O'Brien Chiefs were once the last Kings of Ireland centuries ago. On the Act of Union 1805 whereby the Irish House of Commons and Irish House of Lords gave up governing Ireland in favor of Great Britain, all ancient Irish titles were abolished. The O'Briens retained the title Baron Inchiquin because it was given by the King of England and therefor an English title and not and Irish one. Condition Report: Marks, scratches and abrasions comensurate with age and use.Old chips and splits, some old repairs. Some metalware may have been replaced. There seem to be no alternate holes from alternate drawer handlesThe rear panels appear original but has been applied throughout with a black wash, as has the roof(top) (with a pale/ white wash) This cabinet appears to have been highly cleaned, restored and re-polished throughout. The colour overall is rich but relatively uniform. There is evidence of surface filler. There is no real evidence of patina or variation in colour. The mirror plates are later replaced. The panels to the reverse of the mirrored doors appears to match in terms of the timber but may be replaced or have been re-fitted using some later screws. The carved and gilded borders around the edge of the mirror plates have had the gilding refreshed. The gilding to the metalware throughout appears quite fresh and bright so atleast some of the metalware has likely had the gilding refreshed. Some of the locks vary from eachother and there is evidence of repair to the timber adjacent to some of the locks. To the chest section there is a fillet of repair above each drawer front where the lock would engage (see images) suggesting they had each previously been forced open or had caused damage there. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 129
AN EARLY GEORGE III MAHOGANY COLLECTORS CABINET ON STANDCIRCA 1760The doors opening to six long drawers each with a divided interior91.5cm high, 51cm wide, 35cm deepCondition Report: Marks, knocks, scratches, and abrasions commensurate with age and use. Some old chips and splits. Key present and operates lock. To the underside there is a label for 'ANTIQUE FURNITURE, from, NORMAN ADAMS LTD., 8-10, HANS ROAD, LONDON, S. W. 3.'Catch to the bottom of left side door is a period replacement. A small section of replacement timber has been used to the back of the door adjacent to the catch. The catch is seized in the open position. The handles are screwed into the drawers at slightly varying angles and are not perfectly aligned. Some later supporting blocks to the underside of the lower tier/stretcher. Please refer to additional images for visual reference to condition. Interior height of the drawers - 2.6cm Condition Report Disclaimer
Lot 172
A GEORGE III MAHOGANY AND LINE INLAID PEMBROKE 'BREAKFAST' TABLECIRCA 1800The drawer fitted with a slide and inkwells, above the pleated silk and wire panelled lower compartment74cm high, 90cm wide, 68cm deep The form of this piece related to Thomas Chippendale's design for a 'Breakfast' table, Thomas Chippendale, The Gentleman and Cabinet Maker's Director, 1754, 3rd Edition, 1763, plate XXXIII. Condition Report: The drawer with a sliding writing surface, later inset and painted, and compartments for two brass inkwells and pens.Marks, scratches and abrasions consistent with age and useOld chips and splits, sections of replacement and losses to veneers including to the base of the interior; ruled joint hinges; door joints and hinge area; section below drawer and door.One later painted grille section.Handles replacedEvidence of old worm Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 22
A SWEDISH MINIATURE BUREAU BOOKCASEEARLY 18TH CENTURYVeneered in Alder root99.5cm high, 46cm wide, 34cm deep In the early 18th century, Swedish cabinet makers in the region around Mälardalen started veneering furniture in Alder root (as seen on this miniature bookcase). Influenced by English tastes of the period, the use of this timber was an attempt to mimic figured walnut popular in London at the time but scarce in Sweden. Condition Report: Marks, knocks, scratches, and abrasions commensurate with age and use. Various old chips and splits. Some sections of veneer re-stuck and some old veneer repairs (see images). Metalware appears original. No key present, all locks are open.Various flaking and losses to the cream painted interior of the cabinet, fall and drawers. This reveals the earlier blue coat of paint. Some larger splits to the back board of the cabinet. Evidence of old worm (see images for details). Section of replacement timber let into one of the rear feet. Some splits to bottoms of drawers. The top drawer with some blue ink stains to the interior. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 233
A GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1780260cm high (including cornice), 266cm wide, 58cm deepFor a related design of bookcase, see Chippendale: Gentleman and Cabinet-Maker's Director, Third Edition [1762], Tiranti's Reprint, plate No XCF, 'Library Bookcase'.A bookcase of similar form was held in the Norman Adams collection, see Christopher Claxton Stevens and Stewart Whittington, 18th Century English Furniture, The Norman Adams Collection, Antique Collectors' Club, 1983, page 190. Condition Report: Marks, scratches, chips, splits, abrasions to the bookcase and shelves commensurate with age and use.Some minor repairs to veneers including a triangular patch to the hinge of one door; cracks and knocks to veneer on the top ledge of the base.The sides with some cracks along the grain of the timber.Some evidence of old worm including to the pine back structure of the cornice.The interior of the central doors relined with later timber; patch repairs to the brass sliding catch areas on the left central door.The keyholes have small marks around them suggesting that there might previously have been escutcheons. That said many of these comments on condition are only apparent on close up inspection.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 270
A GEORGE III GREEN AND POLYCHROME PAINTED SIDE CABINET CIRCA 1790The circular door panel painted in the manner of Angelica Kauffman99cm high, 120cm wide, 42.5cm deepCondition Report: Marks, scratches and abrasions, wear and some fading comensurate with age and use.Some old splits and chips, some minor losses. Old wear and loss to the gilding and painted surface in areas. Some additional indented marks. Some visible vertical splits to the door and side panels, this is likely mainly where the underlying elements of timber meet each other/ are joined.There is some old and fairly minimal use of filler and paint to disguise some splits and some paint loss. The surface overall appears to be in surprisingly and pleasingly original condition. There are some hairline cracks and craqueleure to the central painted panel of the door. It seems likely that the central painted scene of the door was painted onto a thin material and then applied to the underlying timber panel. There are some minor areas of lifting to the painted panel. The painting throughout the interior also appears original. The lock appears original and the key present, however the lock is seized and will require some attention to operate again, The thin brass fitting for the key escutcheon is present but detached. There is old wear and loss to the timber around the key hole/ escutcheon which has caused the key escutcheon to not be possible to remain in place. Some additional scratching, discoloration and indentation to the top as expected. Some discoloration seems very much on the surface only and may be carefully cleaned. The rear panels and feet all appear original. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 34
A GEORGE II WALNUT CABINET OR BOOKCASE ON CHESTCIRCA 1730181cm high, 106cm wide, 46.5cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and losses. Glazing to doors is a later replacement. handles and escutcheons are replacements. Later tape and paper applied to backboardsLocks to drawers appear original. Lock to door is an 18th century replacement. No keys present, all locks are open. Various old veneer repairs - see images. Feet have age and good colour but are replacements. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 360
A WILLIAM IV OAK SIDE CABINETCIRCA 1835, ATTRIBUTED TO GILLOWS The interior fitted with four graduated, solid oak lined drawers to one side, each drawer with partitions to the interior and with recessed gilt brass handles, the other side with two adjustable shelves96cm high, 122cm wide, 45cm deep Due to its distinctive design and materials, this cabinet is very possibly the example commissioned by Ferguson & Co. from Gillows for John Sheepshank. The original drawings and costings for the cabinet made for Sheepshank survive in the Westminster Archives and record the Gillow cabinet maker as B. Sharples. Bartholemew Sharples is listed as working for Gillows from 1835- 850 (See Susan E. Stuart, Gillows of Lancaster and London, Antique Collectors Club, 2008, Vol II, p279). A printed copy of the photographs of the designs and costings are available with this lot. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Small section of moulding lacking to one side. The fabric panels to the doors are later replaced and are in good condition overall. Some dark marks and ink marks to the shelves and drawers of the interior. Some additional marks and areas of indentation to the top. Key present and operates lock. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 370
Y A REGENCY MAHOGANY CHEST OF DRAWERSATTRIBUTED TO GILLOWS, CIRCA 1815With turned rosewood handles, the underside of one upper drawer signed in pencil 'E.Simpson'93.5cm high, 111cm wide, 57cm deepFor a near identical example of this chest, see Christie's, London, Furniture and Sculpture Including a Private Collection from Trevor Place, Knightsbridge, 26th April 2007, Lot 306 (£5,760). The signature to the underside of the drawer likely relates to either Edmund Simpson or Edward Simpson. Both cabinet makers are recorded as working for Gillows in the first half of the 19th century. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. A few darker spots to the top. Key present and operates all locks. Stuck down paper lining to bottoms of drawers with various discolourations. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 407
Y Y A WILLIAM IV FIGURED WALNUT, EBONY AND SPECIMEN MARQUETRY CENTRE TABLEIN THE MANNER OF EDWARD HOLMES BALDOCK, CIRCA 1835The circular top with radiating figured veneers, centred by marquetry flowers, the macassar ebony banding decorated throughout with scrolling branches interspersed by flowers73cm high, the top 99cm diameter Provenance: Moigne Combe Estate, DorchesterA very similar table attributed to Baldock exists in the collection of Ickworth House, Suffolk. (NT 850055).The form of the base of this table relates to tables supplied by Edward Holmes Baldock, one of which was produced for The Duke of Buccleuch in 1840, and was sold by The Duke of Buccleuch and Queensberry, removed from Dalkeith Palace, Christie's, London, 1 April 1971, lot 43. It is now at Temple Newsam House, Leeds (C. Gilbert, Furniture at Temple Newsam House and Lotherton Hall, vol. II, London, 1978, no. 395).The marquetry decoration featured on this table is executed in the Dutch fashion first adopted in the 1820's by the Tottenham Court Road 'Cabinet inlayer and Buhl manufacturer' Robert Blake. The firm, which had been trading in the early 1840's as Blake, Geo. & Brothers, inlayers, etc' in Tottenham Court Road and Mount Street, Mayfair were renamed George Blake & Co. in the late 1840's (C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, p.18; and M.P. Levy, Furniture History Society Newsletter, no. 158, May 2005). A marquetry desk at Goodwood House displaying similar floral marquetry, labelled 'Messrs Blake's' [sic] features similar floral marquetry (see M. Levy, 'E.H.Baldock and the Blake Family: Further Evidence', Furniture History, Newsletter No. 158, May 2005, p.1).A related marquetry centre table was sold anonymously, Christie's, London, 23 November 2006, lot 123 (£28,000). A further related example was sold Christie's London, Important English Furniture, 7th June 2007, Lot 157 (£27,600). Condition Report: Marks, scratches and abrasions, old chips and splits commensurate with age and use. some minor chips of loss. One old closed split visible to the side edge of the top runs in a line into the adjacent border. There is a corresponding split to the underside of the top. It does not appear that this split will open any further unless adversely affected and has remained closed where it appears to the top for a considerable period. Natural sun fading to colour overall. Some additional darks marks and scratches to the top. The colour overall may be darkened/ enriched by being tended to by an experienced restorer polisher. One small fragmentary piece of veneer detached but present and attached to the table What appear to be natural splits in the surface of timber of the top have been filled with very thin fillets of timber (see images) Please refer to all additional images for visual reference to condition. Condition Report Disclaimer
Lot 411
Y A VICTORIAN SPECIMEN TIMBER MARQUETRY, PARQUETRY AND GILT METAL MOUNTED SIDE CABINETBY GILLOW & CO., CIRCA 1860The top of one door stamped GILLOWS & CO. 1487. The timbers including; amboyna, gonçalo alves, pearwood, burr yew and harewood113cm high, 212cm wide, 54cm deepFor a related example of cabinet attributable to Gillows, see Sotheby's, London, Important English Furniture, 6th June 2006, Lot 377 (£16,800).Condition Report: Marks, scratches and abrasions, old chips and splits commensurate with age and use. Some small losses including to the slender moulded collar of one of the uprights/ columns. Some fading overall, this is also noticeable to the ebony of the two door panels but should be improved by careful restoration/ polishing. Some evidence of white paint to the rear edge of the top (from not being covered when adjacent wall was painted) and also a darker varnish/ stain type material (see additional images) . Some other areas of small indented marks to the top. Wear and loss to the gilding of the mounts. All mounts are present and require careful cleaning. All doors unlocked but lacking key(s). The locks are original. The lining to the interior of the cabinet sections with dirt and dust and indentation from previous placement of objects there.Please refer to all additional images for visual reference to condition Condition Report Disclaimer
Lot 450
A SATINWOOD, MAHOGANY CROSSBANDED, AND LINE INLAID BREAKFRONT LIBRARY BOOKCASEIN GEORGE III STYLE, SECOND HALF 20TH CENTURY 234cm high, 242cm wide, 44cm deep Condition Report: Marks, scratches, chips, splits, abrasions commensurate with use.Some losses to veneers in particular to the corners and lower edges of the base of the upper part of the cabinet where they have been knocked.Loose adjustable shelves.Some restoration including overpainting simulating marquetry borders.One key.Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 463
Y A VICTORIAN EBONY AND IVORY INLAID MUSIC CABINETATTRIBUTED TO OWEN JONES, CIRCA 1865The central section with five long vertical divisions for music folios, above a fall-front opening to shelves for sheet music, the shelves with tooled leather edges for Operas, Miscellaneous, Sacred112cm high, 108cm wide, 44.5cm deep Jackson and Graham were one of the leading Victorian cabinet makers of the second half of the nineteenth century and were probably the most important. Their work was of the highest quality, showcasing the most innovative designers of the day and winning many prizes at international exhibitions. Owen Jones and B.J. Talbert designed for the Paris Exhibitions of 1867 and 1878, Jones for the Vienna Exhibition of 1873. Designers at the firm included Alfred Lorimer and Eugene Prinot, Jackson and Graham also made designs by R.W. Edis, C.L. Eastlake and Talbert. Special commissions were undertaken for Queen Victoria, Napoleon III, the Grand Khedive at Cairo and the Royal Palace in Siam. Owen Jones was highly influential in his promotion of formal, stylised pattern, in direct opposition to the popular taste for the flamboyantly naturalistic. Jones also designed entire interiors for important clients, including the connoisseur Alfred Morrison, both at Fonthill and Carlton House Terrace. Amongst Jones's designs for Fonthill was a well documented semi-circular display cabinet in ebony inlaid with ivory for the display of Morrison's collection of Chinese porcelain. The lower door panels of the cabinet all incorporate Morrison's initials in a central ivory inlaid monogram. Jones was also responsible for the decoration and furnishings at The Priory, 21 North Bank, Regent's Park in 1863 for the novelist George Eliot and partner G.H. Lewes. The ivory inlaid monogram incorporating two 'G's to the panel of the present music cabinet bears distinct similarities to the monogram inlaid panels of the display cabinet at Fonthill. It is tempting to speculate that Owen Jones may have designed the present cabinet for George Eliot and G.H.Lewes as part of the new decorative scheme for The Priory, incorporating their first initials in the monogram. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Some small sections of moulding re-stuck and minor old repairs to inlay. Some ivory stringing to the escutcheon lacking. Key present and operates lock. The fabric inlay to the shelves is possibly later. they bear the expected fraying and wear (see images). Mirror plates with some minor depletion and small grey spots. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 64
A GEORGE II BURR WALNUT AND FEATHER BANDED CHEST ON CHESTIN THE MANNER OF GILES GRENDEY, CIRCA 1735176cm high, 105cm wide, 56cm deep The selective choice of veneers, original fire gilded rococo handles and fine execution of the feather banding and dove-tail joints firmly suggest that attribution is possible to one of the most notable makers of the period, such as Giles Grendey. Giles Grendey (d.1780) cabinet-maker and chair-maker, established a successful and long-lived business at St John's Square, Clerkenwell around 1720. His output ranged from sober walnut and mahogany pieces, to the flamboyant, such as the carved mahogany armchairs supplied circa 1740-45 for Gunton Park, Norfolk and the spectacular scarlet japanned furniture, totalling some eighty pieces, supplied around 1740 to the Duke of Infantado for Lazcano, near San Sebastian (C.Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, pp. 31-32 and pp. 238-249, figs. 429-452).Condition Report: Marks, scratches and abrasions consistent with age and use.Some old repairs and replacements to veneers, including to the corner of the base, around the drawers.Evidence of old worm. Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 309
Mixed small furniture to include two Victorian nursing chairs and a matching side chair, an ebonized aesthetic period two-tier plant table, an Edwardian mahogany five drawer music cabinet, the copperized handles with Arts and Crafts decoration, and a Victorian mahogany piano stool with later upholstered seatLocation: CF
Lot 10
An Art Deco period burr walnut serpentine canteen table, enclosing a George VI service of silver flatware, for twelve, comprising soup spoons, fish knives and forks, hors d'oeuvres knives and forks, table knives and forks, dessert knives and forks, twenty four teaspoons, six table spoons, a pair of fruit spoons, bread knife, carving implements, fish servers and condiment servers, the cabinet 80cm high, 78cm wide, 47cm deep, E Viner, Sheffield 1936-40, 153oz weighable silver, the hafted pieces an additional 73.5oz
Lot 1004
A brass mounted camphor cabinet on stand, of Queen Anne inspired design, flush rectangular top above a pair of panel doors enclosing an arrangement of eleven drawers, carry handles to sides, the base with a further long drawer, swing handles, pierced brass hinges and escutcheons, shaped apron, spirally turned supports and X-stretcher, bun feet, 155cm high, 90.5cm wide, 49.5cm deep
Lot 1194
A 19th century Dutch mahogany and marquetry floor standing corner cabinet, shallow moulded cornice above a pair of panel doors enclosing three shaped shelves and three small drawers, the base with a further pair of panel doors enclosing a single shaped shelf, flanked by fluted angles, inlaid throughout with ribbon-tied swags, urns, flowers and foliage, ribbon-tied escutcheons cast with profile portraits, tapered forefeet, 204cm high, 128cm wide, 60cm deep, c.1840
Lot 1346
A matched suite of George II Revival mahogany cabinet furniture, comprising a cabinet on stand and a serpentine commode à vantaux, the former with egg-and-dart cornice above a pair of rectangular doors applied with wreath cartouches and enclosing shelves, drawer to base, shaped apron, cabriole legs, ball and claw feet, 180cm high, 110.5cm wide, 38.5cm deep, the latter with long drawer above a pair of serpentine doors, 91cm high, 119cm wide, 53cm deep, retailed by Waring & Gillow, c.1930 (2)
Lot 1396
An unusual 19th century rosewood and marquetry concertina tobacco cabinet, moulded rectangular top with campana vesta compartments, above three hinged humidor compartments, inlaid in brass, mother of pearl and specimen stones with leafy scrolls and cartouches, flanked by spirally turned pillars, rectangular base, 33cm high, 19.5cm wide, c.1870
Lot 1420
A Gothic Revival oak side cabinet or chiffonier, the superstructure with a pierced three-quarter gallery moulded with swags, above two open bookcase shelves, foliate capped cylindrical columnar supports, the projecting base with quarter-veneered top and foliate edge above a pair of frieze drawers applied with tracery mouldings and a pair of architectural panel doors with scroll and leaf capitalled pillars enclosing an adjustable shelf, plinth base, 158cm high, 122cm wide, 56cm deep, c.1880
Lot 1474
A Victorian gilt metal mounted ebonised and marquetry pier display cabinet, rectangular top with moulded edge above a walnut-trimmed frieze inlaid with stylised bell husks and foliage, above a pair of glazed doors enclosing two shelves, plinth base, 109cm high, 107cm wide, 33cm deep, c.1880
Lot 1484
A late Victorian mahogany display cabinet, by Gillows of Lancaster, moulded cornice with acanthus carved frieze, above a rectangular bevelled glazed door enclosing a velvet lined interior with a pair of shelves, flanked by arched glazed panels and Corinthian capped spreading cylindrical columns, the base with a raised panel door flanked by panels carved in the Norwegian taste with acanthus dragons, bracket feet, the locks stamped Gillows Lancaster, 158cm high, 117cm wide, 48cm deep, c.1890
Lot 1488
A late Victorian oak side cabinet, the superstructure with moulded top carved with a geometrically stylised egg-and-dart edge above a panel door enclosing a shelf, the 'credence' top above a deep frieze, bobbin-turned supports, open undertier, carved throughout in the 17th century taste with leafy lunettes, flowerhead bosses and scolling leaves, bun feet, 121cm high, 108cm wide, 52cm deep, c.1890
Lot 1490
A late Victorian Renaissance Revival oak cabinet on stand, architectural upper stage with an arrangement of doors and drawers, carved throughout with masks, flowerhead bosses, historicist devices and 17th century inspired motifs, the projecting base with an arrangement of five further drawers, brass drop handles, ring-turned H-stretcher, ball feet, 216cm high, 140cm wide, 87.5cm wide, c.1890
Lot 1497
A Louis XV Revival gilt metal mounted Vernis Martin corner vitrine display cabinet, shaped top with scrolling acanthus cresting above a three-quarter serpentine glazed door enclosing two glass and one plum fabric lined shelf, the lower panel painted with young siblings on a swing, 195cm high, 74cm wide, 65cm deep, c.1900
Lot 1506
An 18th century Continental oak display cabinet, outswept cornice above an astragal glazed door enclosing three shelves, glazed sides, the projecting base with a rectangular panel door applied with geometric mouldings and carved and applied with scrolling leaves, skirted base, hairy paw forefeet, 214cm high, 103cm wide, 48cm deep
Lot 1539
A Post-Regency gonçalo alves library cabinet, by Gillow of Lancaster, stamped, of small and neat proportions, the bookcase upper stage with moulded cornice above a pair of glazed doors enclosing adjustable shelves, the projecting base with a pair of panel doors enclosing five drawers and further adjustable shelves, plinth base, 160cm high, 96cm wide, 47.5cm deep, Bramah locks, c.1830
Lot 1579
A Sheraton Revival satinwood and painted side cabinet, slightly oversailing canted rectangular top with moulded edge above a pair of glazed vitrine doors enclosing a mirror-backed interior and a shelf, flanked by conforming glazed panels, painted throughout with flowers and foliage, tapered square legs, spade feet, 98cm high, 122cm wide, 39cm deep, c.1900
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