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Lot 731
Late Victorian Sheraton Revival mahogany and inlaid collector's table cabinet, circa 1890, of rectangular form, the glazed hinged top inlaid with trailing foliage in boxwood with ink details, opening to a velvet lined interior with glazed panel sides, raised on tapered square section legs with bellflower trails, brass cup castors, width 61cm, depth 45.5cm, height 76.5cm
Lot 732
Late Victorian Sheraton Revival mahogany and inlaid collector's table cabinet, oval form inlaid with foliate scrolls in boxwood and ink details, with glazed hinged top, glazed panel sides, raised on slender square section cabriole legs united by a cross stretcher, width 60.5cm, depth 42cm, height 77cm
Lot 737
Late Victorian mahogany and inlaid collector's cabinet in the Sheraton Revival style, having a swan neck pediment with foliate inlays above an inlaid frieze and two glazed doors opening to velvet covered shelves, over a base fitted with two long drawers inlaid with bellflower garlands and with lions mask ring handles, all raised on tapered square section legs with trailing bellflower inlay, width 73cm, height 172cm, depth 49.5cm
Lot 772
Andrew Varah (Designer and cabinet maker, 1945-2012), A unique maple and myrtle burr wood lady's writing desk. circa 1998, the rectangular top supporting two drawers and a compartment, each formed as a book, one being removable to access a secret compartment (a trademark of Andrew Varah's work), raised on tapered legs, width 99.5cm, depth 62.5cm, height 72.5cm; also a matching chair, height 90cm (2)Privately commissioned in 1998, and costing a shade over £4,000, Andrew's design was awarded the guild medal at the Cheltenham Contemporary Furniture Exhibition in August 1998.
Lot 773
Andrew Varah (Designer and cabinet maker, 1945-2012), A unique Indian laurel coffee table, circa 1999, rectangular top with parquetry veneers inset with a logarithmic curve in boxwood inlay, and supported on cherrywood double arches united by a rosewood high stretcher, width 88cm, depth 57cm, height 40cm
Lot 815
Late Victorian fiddle back mahogany breakfront display cabinet, circa 1890-1900, having a central astragal glazed door with feathered mahogany panel beneath, flanked on either side with glazed bowed doors with recessed panels, three interior fabric covered shelves, raised on tapered square section legs with spade toes, width 108cm, height 176cm
Lot 849
French walnut and inlaid display cabinet, 20th Century, having a serpentine bow fronted glazed door with an inlaid basket of flowers in a variety of woods, opening to velvet lined shelves and within bowed glazed side panels, with further foliate inlays around the base, cast brass appliques throughout, raised on short cabriole legs, with brass capped feet, width 87cm, height 166cm, depth 45cm
Lot 336
Cabinet-Maker's Notebook. An album of pen and pencil sketches, circa 1830, 35 pp. with some blanks, paper watermarked 1811, including drawings or armchairs, chimney pieces, grates, day beds, occasional tables, torcheres, sofas, chifonnieres, pedestal tables, wine coolers, etc., with several designs for greenhouses and carriages, many of the drawings measured and showing constructional details, some offsetting to first three leaves from adhesive used for old cuttings pasted to first leaf recto, contemporary green stained vellum, rubbed and a little wear to spine, 4to (235 x 188) A few designs are annotated Eastnor Castle (Herefordshire, designed by Sir Robert Smirke, 1812-20) and Watermouth Castle (near Ilfracombe, Devon, the interior altered by George Wightwick, circa 1845). (1)
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