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An early 19th century mahogany collector's cabinetWith a pair of panelled doors enclosing an arrangement of glazed top specimen drawers, and gilt bronze carrying handles to either side, 77cm wide x 32cm deep x 84cm high, (30in wide x 12 1/2in deep x 33in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
LODDIGES (CONRAD)The Botanical Cabinet, LARGE PAPER EDITION, 20 vol., engraved titles, 2000 hand-coloured engraved plates by George Cooke (plus one uncoloured plate in vol. 7, n. 684), all plates facing a page of text, index at end of each volume and general index at end of vol. 20, some spotting to titles especially, occasional offsetting, otherwise plates generally clean and very bright, full red morocco, gilt ruling in several frames on covers and fleurons at corners, gilt ruling, decoration and lettering to spine, gilt dentelles, g.e., occasional shelf-wear to covers, spines slightly sunned and with light abrasions [Dunthorne 187; Great Flower Books p.160; Nissen BBI 2228], 4to (205 x 107mm.), John & Arthur Arch, Hatchard, Rodwell & Martin and C. Loddiges & Sons, 1818-33Footnotes:Provenance: H.J.K., Poles, 1913; 'Semper Fidelis', bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A George III mahogany stoolIn the manner of Thomas Chippendale (British, 1718-1779), circa 1764With a curved seat on scrolled legs united by a turned roundel to each side, 60cm wide x 40cm deep x 50cm high, (23 1/2in wide x 15 1/2in deep x 19 1/2in high)Footnotes:This stool is similar in design to that of a hall stool designed by Thomas Chippendale for the Elder to Christ Church College, Oxford, in 1764 for use in their Library. It became a popular design with other versions known by Ince & Mayhew in 1762 and by Robert Manwaring in 1765. It is also recorded in Christopher Gilbert's The Life and Works of Thomas Chippendale that a 19th century cabinet maker, J Lane, is recorded as having supplied a stool of similar design. Similar examples can be found at the V&A (accession number W.5-1963), as well as at Petworth House (NT 485384.2) and of course Oxford University.Literature: Christopher Gilbert, The Life and Works of Thomas Chippendale, fig. 386 and pp. 164-5.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A George II carved giltwood and gesso Gainsborough type armchairPossibly attributable to Paul Saunders (British, 1722-1771)With scrolled acanthus leaf carved uprights above a serpentine seat on scrolled cabriole legs, later gilded and repaired, 71cm wide x 57cm deep x 98cm high, (27 1/2in wide x 22in deep x 38 1/2in high)Footnotes:Paul Saunders was a well-known upholsterer, tapestry-maker and cabinet-maker who supplied furnishings for both London and country house clients in the 1750s and 1760s. In 1757 he was appointed 'Tapestry Maker to the King' and in 1761 he attained the additional role of 'Yeoman Tapestry Taylor' in the Great Wardrobe, both of which positions he held until his death. Similar upholstered chairs sold at Bonhams include Lot 66, London, New Bond Street, Fine English Furniture, Sculpture & Works of Art, 12 June 2013.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A fine pair of George III satinwood, burr elm, and purple heart marquetry commodesThe serpentine tops inlaid with scrolled acanthus leaves, trailing bellflowers, floral filled cornucopia and insects, one with a later burr elm border, the other with an inlaid border, above panelled doors with a central shaded flower head, enclosing a shelved interior, the sides inlaid with urns and ribbon tied garlands of bell flowers, on parcel gilt turned and fluted tapering legs, possible adaptations to the doors, 122cm wide x 55.5cm deep x 88cm high, (48in wide x 21 1/2in deep x 34 1/2in high) (2)Footnotes:The offered lot relates to a group of commodes associated with the London cabinet-makers William Ince & John Mayhew (1758/9-1804) . The principal examples have been identified by the furniture historians Hugh Roberts, in 'The Derby House Commode', The Burlington Magazine, vol. CXXVII, no. 986, May 1985 and L.Wood in The Lady Lever Art Gallery: Catalogue of Commodes, London, 1994, pp. 195, 203, 210, 217, 222, 226 and 236. The repertoire of ornament featured on the commodes here, typified by ribbon-tied husk swags, fan spandrels, urns and bold central medallions are likewise present on the examples discussed in Roberts and Wood ops. cit. The commodes forming the subject of the above cited articles include a notable pair with ribbon-tied swag marquetry, at Broadlands, Hampshire, which are firmly linked to large payments to William Ince in the 2nd Viscount Palmerston's personal accounts between 1765 and 1797 (see Roberts, op. cit., fig. 23); a commode, in The Lady Lever Art Gallery, Port Sunlight (L. Wood, op. cit., pp. 210-16, no. 24) and an unprovenanced commode in the Victoria and Albert Museum, W.10-1917, illustrated in M. Tomlin, Catalogue of Adam Period Furniture, London, 1972, p. 171 and Roberts, op. cit., fig. 19. A biography of Ince and Mayhew is included in Geoffrey Beard and Christopher Gilbert, The Dictionary of English Furniture Makers, 1660-1840, 1996 pp. 589-598.The central 'Venus-shell' medallion here also relates to those featured on a pair of card tables at Newby Hall, Yorkshire which were probably supplied by Thomas Chippendale (d.1779). The marquetry scrolling tendril bordering the tops to the Newby card tables have further affinities with the outer top border retained on one of the present commodes (see C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. I, p. 267, vol. II, figs. 408 & 496). Other furniture with related inlay was supplied by Gillow of London and Lancaster in 1788 (see L. Boynton, Gillow Furniture Designs, Royston, 1995, figs. 12 and 24 and pl.12 and Susan Stuart, Gillows of Lancaster and London 1730-1840, 2008, vol II, pp 14 – 15). A pembroke table with a closely related shell medallion to its top sold Christie's London, 2 May 2002, lot 181.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
ENGLISH, MANNER OF KENTON & CO. ARTS & CRAFTS WALL MIRROR, CIRCA 1900 oak, marquetry inlaid with flowering rose tendrils and crowns, bevelled mirror glassDimensions:115cm x 85cmNote: Literature: For related inlay in a cabinet and stand by Kenton & Co. see V&A Collection accession no. CIRC.404:1 to 4-1964
AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS '347' DRESSING TABLE CIRCA 1902 oak, with brass fittings and chequered inlay, mirrored glass plateDimensions:106.5cm wide, 140cm high, 53cm deepNote: Literature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.163 where a similar example is illustrated.
AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS '347' DWARF WARDROBE, CIRCA 1902 oak, with brass fittings and chequered inlay, stamped to the drawer HEAL & SON/ LONDON, with original key also stamped HEAL & SON Dimensions:182.5cm wide, 181cm high, 50.5cm deepNote: Literature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.16p.163 where a similar example is illustrated.Note: Only 12 sets of the '347' were made before the range ceased production in 1908.
AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS 'ST. IVES' WARDROBE, CIRCA 1898 oak, lacquered steel fittings with mirrored glass plate, stamped twice HEAL & SON, TOTTENHAM COURT ROAD LONDONDimensions:128cm wide, 190cm high, 61cm deepNote: Literature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.150-151 where a similar example is illustrated. Note: Three suites of bedroom furniture, manufactured by the Guild of Handicraft to Ambrose Heal's designs ('216' Newlyn in fumed oak, '217' Bushey in mahogany and '222' St Ives in fumed oak - also available in ash stained green), were put on display in Tottenham Court Road in 1897. The St Ives suite, made up of a 3ft 6 in wardrobe, a 3 ft 6 in toilet table, a 3 ft washstand and two chairs (made by Cox), sold for £19 19s and proved an instant success as the first suite was sold in April and by the end of the year, sixteen complete suites had been sold in oak with a further five in green ash.
HEAL & SON, LONDON ‘674’ DRESSER, CIRCA 1920 oak, with original finish Dimensions:153cm wide, 171.5cm high, 53cm deepNote: Literature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.188 where a similar example is illustrated. Note: Dating from circa 1914 the '674' 5 ft unpolished oak dresser was featured at the 1916 Arts & Crafts exhibition, and again at the Wembley Exhibition in 1924, and remained in production until 1935.
AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS ‘MANSFIELD’ PRESS, CIRCA 1899 no. ‘235’, possibly made by the Guild of Handicraft, oak, with copper fittingsDimensions:108cm wide, 234cm high, 55.5cm deepNote: Literature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, cover illustration, also p.157 where a similar example with iron fittings is illustrated. Note: Ambrose Heal turned to C.R. Ashbee and the Guild of Handicraft workshops in Essex Road, Mile End to produce much of his earliest bedroom furniture output. The Guild produced eleven of these ‘Gentleman’s Wardrobes’ before the production moved to their own workshops circa 1899.
GORDON RUSSELL (1892-1980) FOR RUSSELL & SONS, BROADWAY CHEST OF DRAWERS, DATED 1929 Cuban mahogany, inlaid with cherry and ebony, model 598, with maker’s label under drawer DESIGNER: GORDON RUSSELL/ FOREMAN: EDGAR TURNER/ CABINET MAKER: R. FRANCE/ DATE: MAY 22ND 1929 Dimensions:76cm wide, 91cm high, 54.5cm deep
Chinese black lacquered display cabinet with pagoda top and bevelled glass doors, over two cupboard doors overlaid with ladies in a garden setting, h208cm w120cm d32cm Condition Report: Minor chips to lacquer to include to left side of pagoda top and to right side underneath the side glass panel. Minor cracks to lacquer to include to sides of cabinet and around the doors. Minor scratches to glass. Burn mark to back of interior. Scratches to three glass shelves. Please see additional photos. Ladies and two pillars and pagoda roof are three dimensional - in resin. Lacquer appears to be on wood, but cannot discern the type of wood. This is a modern piece.
†Glass wall hanging display cabinet, 91 x 61cm, and a hinged two section glass display case each section 57x 71 cm (2)Provenance: From a large listed country house located in Surrey. Please note that VAT at the current rate (20%) is additionally payable on top of the hammer for this lot as well as on our standard buyers premium which is also payable.
†Oak collectors cabinet with glazed top and ten drawers on square legs and castors, H109 W59 D43 cmProvenance: From a large listed country house located in Surrey. Please note that VAT at the current rate (20%) is additionally payable on top of the hammer for this lot as well as on our standard buyers premium which is also payable.
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306845 item(s)/page