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Lot 3050
An Edwardian marquetry display cabinet in the style of Edwards & Roberts with a swan neck pediment over a frieze with veneer in various woods, heightened with pen work, the glazed doors each with thirteen panes, the base with a single drawer fitted a leather writing slide. (See Illustration)
Lot 148A
LIMED OAK BOOKCASE CABINET LATE 1980S the moulded cornice above three open shelves, the base with twin panelled doors flanked by columns on a plinth THIS LOT WILL BE OFFERED TO THE PURCHASER OF LOT 148 ON OPTION AND WILL BE SOLD IN SITU AT SQUIRE & CO IN LONDON 137cm wide, 260cm high, 56.5cm deep
Lot 148B
LIMED OAK BOOKCASE CABINET LATE 1980S the moulded cornice above three open shelves, the base with twin panelled doors flanked by columns on a plinth THIS LOT WILL BE OFFERED TO THE PURCHASER OF LOT 148 ON OPTION AND WILL BE SOLD IN SITU AT SQUIRE & CO IN LONDON 137cm wide, 260cm high, 56.5cm deep
Lot 148C
LIMED OAK BOOKCASE CABINET LATE 1980S the moulded cornice above three open shelves, the base with twin panelled doors flanked by columns on a plinth THIS LOT WILL BE OFFERED TO THE PURCHASER OF LOT 148 ON OPTION AND WILL BE SOLD IN SITU AT SQUIRE & CO IN LONDON 137cm wide, 260cm high, 56.5cm deep
Lot 249
CHINESE CARVED HARDWOOD DISPLAY CABINET LATE 19TH CENTURY ornately pierced and carved throughout with scrolling foliage, dragons, exotic birds and mythical beasts, the arched top above and arrangement of open shelves and one apron door, raised on claw and ball feet 112cm wide, 209cm high, 41cm deep
Lot 271
INDO-PORTUGUESE TORTOISE SHELL, IVORY AND ROSEWOOD TABLE CABINET EARLY 18TH CENTURY the arched panelled lid decorated with a geometric band, opening to reveal a compartmented interior with inset mirror panel, above two conforming cupboard doors enclosing an arrangement of six drawers 41cm wide, 33cm high, 30cm deep
Lot 409
GERMAN OAK AND MARQUETRY CABINET 18TH CENTURY inlaid throughout with scrolling foliage, the dentil cornice above a panelled frieze inlaid with script and a pair of arched panel doors inlaid with traditional figures, flanked and divided by architectural pilasters, above an multi-arched panel open shelf with five small drawers, the lower section with two further arched panel cupboard doors and three apron drawers, raised squat bun feet 206cm wide, 254cm high, 61cm deep
Lot 412
GEORGE III MAHOGANY SERPENTINE COMMODE ATTRIBUTED TO WRIGHT AND ELWICK, CIRCA 1765 after a design by Thomas Chippendale, the shaped moulded top above four long graduated drawers, flanked by panelled cupboard doors, raised on bracket feet united by a shaped apron 130cm wide, 83cm high, 66cm deep Wright and Elwick, who traded at the `Glass & Cabinet Ware House` were employed by the Marquess of Rockingham from the late 1740s, and their trade card, while advertising `Cabinet work of ye Newest Fashion`, also announced that Mr Wright had been `in ye direction of ye Greatest Tapestry Manufactory in England for Upwards of Twenty Years` (C. Gilbert, `Wright and Elwick of Wakefield`, `Furniture History`, 1976, pp. 34-43). This probably refers to the Soho tapestry workshops, which by the 1750s were under the supervision of Paul Saunders (d. 1771). Saunders, trading in partnership with George Smith Bradshaw as Upholders and Cabinet-Makers in Greek Street, was employed at this period at Holkham Hall, Norfolk, where the same French-fashioned ormolu handles, together with reed enrichments, feature on a pier-commode-table (A. Coleridge, `Chippendale Furniture`, London, 1968, fig. 370). Their introduction to the Marquess of Rockingham at Wentworth Woodhouse may have been effected through the offices of John Carr, Lord Rockingham`s architect who had steered another of his patrons, John Spencer of Cannon Hall, to Wright & Elwick of Wakefield. Much of the furniture attributed to Wright & Elwick at Wentworth Woodhouse shares similar traits: a close adherence to designs from Chippendale`s Director of 1754 and 1762
Lot 488
FINE GEORGE III CARVED MAHOGANY TABLE CABINET CIRCA 1780 of inverted breakfront form, the dentil cornice above foliate carved frieze and two cupboard doors, each carved in high relief with oval acanthus wreaths, opening to reveal a fitted interior with four compartmented drawers, raised on a moulded plinth base 63cm wide, 58cm high, 32cm deep
Lot 539
CONTINENTAL ART NOUVEAU CARVED `FANTASY` OAK SIDE CABINET LATE 19TH CENTURY the rectangular veined black marble top above two recessed relief carved frieze drawers, each with naturalistic log handles, over a pair of cupboard doors modelled as a curtained window, opening to reveal a shelved interior, raised on naturalistic stile feet, signed on banner between the drawers 174cm wide, 144ch high, 62cm deep
Lot 141
A detailed display model of the Cunard Liner RMS Aquitania built by D. Whitty, finished in Cunard livery and mounted on four turned brass columns, within a dark stained, four glass, wooden display cabinet, 58.5cm wide, 202.5cm long Note: Built by D. Whitty, with masts, rigging, anchors, capstans, deck rails, derricks and rigging, deck winches, companion ways, superstructure with bridge over passenger accommodation, deck lights, stayed funnels, the foremost with three-chime hooter, promenade and other decks, cranes, twenty-six lifeboats and thirty-four folding boats in chocks and davits and other details. The hull, with four four-blade propellers, rudder, bilge keels and boarding companionway, is finished in Cunard livery and mounted on four turned brass columns - 23 x 80 inches (58.5cm x 202.5cm). Display base with brass plate engraved `RMS Aquitania, Quadruple Screw Turbine Driven Cunard Liner, length 901ft, breadth 97ft, 5300 tons. Built by John Brown & Co., Clydebank. Model by David Whitty`. The Aquitania was the longest lived of that glamorous breed of ocean greyhounds. Cunard ordered her from John Brown`s Clydebank yards in December 1910 where she was launched on 21st April 1913. Registered upon completion at 45,647 tons gross, she measured 901 feet in length with a 97 foot beam and designed to cruise at 23 knots. Clearing Liverpool on 30th May for her maiden voyage to New York, she was only to complete three round trips before being requisitioned by the government in August 1914 upon the outbreak of the Great War. She began work transporting troops in the spring of 1915 until July 1920 where she returned to regular commercial sailings. Her splendid décor attracted passengers immediately and she became one of the most popular liners on the North Atlantic over the next two decades. In 1939 she was converted into troop transport for the second time in her life for the Second World War and spent the next eight years carrying 300,000 servicemen all over the world. 1948 found her ferrying war brides to Canada prior to being returned to Cunard for yet another post-war `austerity service`. After being refitted and repainted, but never restored to her former magnificence, she maintained a one-class Southampton to Halifax service for a further year and a half before being finally withdrawn in December 1949. The RMS Aquitania was scrapped in the spring of 1950. This saw the end of an era of the majestic `four-stackers`.
Lot 170
A late Victorian carved oak desk, the scrolling leaf and monogrammed pediment over an open central recess to the back, flanked by a single panel cabinet door to each side, the panels carved with leaves over an egg and dart edged rectangular top, above two short frieze drawers carved with scrolling leaves, the aesthetic type handles on an armorial panel, on slender baluster and block front supports united by a double baluster H-stretcher, 96cm wide, 103cm high, 63cm deep
Lot 180
An early Victorian oak and mahogany straight fronted wall hanging Masonic corner cabinet, on associated Welsh oak single door corner cabinet to the base, the top cabinet with split finial cornice over mahogany veneered landscape panels to the frieze, the single panel cabinet door inlaid with central set-square and dividers, the corners depicting a crescent moon, the sun and other motifs, opening to reveal three fixed shelves over a central short spice drawer flanked by two false short drawer fronts, the associated cabinet to the base with single arched cabinet door opening to reveal two fixed serpentine shelves, 90cm wide, 219cm high
Lot 181
A George III oak bureau bookcase, the bookcase top with dentil moulded cornice over two twin fielded panel cabinet doors, above a fall front opening to reveal a simple fitted interior of six pigeonholes, four short drawers and central fielded cabinet door, over two short and two long drawers to the base, fitted with replacement brass swan-neck handles, raised on shaped bracket feet, 114cm wide, 186cm high, 56cm deep
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305988 item(s)/page