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AN EDWARDIAN HIGHLY INLAID MAHOGANY DISPLAY CABINET having a broken swan neck pediment inlaid with foliate scrolls, the serpentine glazed door enclosing the material lined shelved interior, flanked by concaved glazed panels. The lower stage having two serpentine doors highly inlaid with foliate scrolls, swags and urn motifs flanked by further inlaid concaved panels, raised on flared tapering square section legs linked by a shaped undershelf. 40cm x 95cm x 213cm
A VICTORIAN MAHOGANY MIRROR-BACK SALON CABINET having a scrolling and pierced surmount and moulded cornice above the central shaped and bevelled mirror plate, flanked by smaller mirrors and shelves supported on scrolling uprights, the lower stages central bowed section having a single frieze drawer and open section flanked by glazed cupboard doors with scrolling pierced decoration, raised on acanthus carved cabriole legs centred by a shaped apron. 45cm x 137cm x 236cm
AN EDWARDIAN ROSEWOOD AND MAHOGANY MARQUETRY INLAID STATIONARY CABINET / WRITING SLOPE with twin brass drop handles, the hinged lid opening to a polished mahogany fitted interior with paper and letter storage racked compartments, a pen tray, nib tray and an ink bottle well, complete with calendar cards dated 1904, a white board, a leather bound blotter, a bone letter opener and two dip pens. The front falling to reveal a hinged writing slope with red leather, gilt stamped skiver having typical concealed paper storage compartment beneath. Key included for brass lock. Cabinet dimensions closed 17cm x 35cm x 25cm high.
DE COURCY, Margaret and Beatrice (Editors) THE LADIES' CABINET of Fashion, Music and Romance, Seven volumes to include Vol. V 1834 January-June; Vol VI 1834 July - December; Vol. VII 1835 Jan - Jun; Vol. VIII 1835 July - Dec; Vol. IX 1836 Jan - June; Vol. X 1836 July - Dec; Vol. XII 1837 ? (lacking title page). Coloured fashion plates and monochrome engravings throughout. Publishers G. Henderson, London. Marbled boards, leather spine and corners. 8vo. (7)
AN ART NOUVEAU MAHOGANY BREAK-FRONT DISPLAY OR SALON CABINET having a central bevelled mirror plate beneath a shaped canopy with shaped supports and spindle gallery, the three cupboard doors each with conforming leaded glass panels, inlaid all over with boxwood and pewter swags and floral motifs, raised on square section legs terminating in pad feet. 42cm x 121cm x 183cm
A pair of Meissen covered Cabinet Cups of tapering circular form, each applied with gilded snake handles and both well painted in colours with panels of coastal and quayside scenes, within gilded cartouches, and with further gilded detail throughout, each raised on three paw feet, one decorated in red, the other in blue (red example with missing finial to cover), one only marked with cross swords, 5 ½” high
GWR Clothes Brush manufactured by Alex Reid & Sons. Together with a GWR Key plus qty 3 BR Keys all displayed in a glazed frame, a BR(W) Acme Thunderer Whistle plus a BR Bakelite example, a Workman Disconnected lever marker, qty 4 brass Cabinet Labels marked GWR, qty 4 Signal Lamp Filler Caps and a couple of buttons. An extremely interesting assortment.
FINE NEO-CLASSICAL REVIVAL PAINTED MAHOGANY AND SATINWOOD VITRINE CABINET, c.1900, of architectural form, the moulded dentilled cornice above a boldly fluted frieze centred by a rectangular tablet painted with Classical maidens and putti, above a pair of astragal glazed doors enclosing glass shelves and flanked by scrolling panels painted with stylised acanthus, above a plain frieze inlaid with stylised flowerheads, ribbon-tied bell-flower swags and raised on string-inlaid tapering square-section legs, terminating in spade feet. 1.92m by 1.40m by 0.40m
AMBROSE HEAL FOR HEAL & SON: RARE "FINE FEATHERS" OAK BEDROOM SUITE, c. 1898, comprising a boldly figured combination wardrobe, with a pewter-inlaid frieze with the inscription, "Fine Feathers Make Fine Birds" amidst pewter feathers, above a pair of panelled cupboard doors further decorated with ebonised hearts inlaid with pewter, flanking a pair of cupboard doors above two short over five long graduated drawers, fitted throughout with pewter handles and backplates, with tin label, "Heal & Son, 196 Tottenham Court Road, London"; a dressing table with mirror swivelling between tapering posts each inlaid in pewter with a stylised peacock against an ebonised ground, fitted with a pair of candlesticks with pewter drip pans and nozzles, the table top above three frieze drawers, raised on chamfered square section tapering legs, top of one drawer stamped "Heal & Son, London" and also stamped to the base of a drawer, "Heal & Son, Tottenham Court Rd., London W"; and a blanket chest of rectangular tapering form, with faceted domed hinged cover, opening to reveal a lift-out tray above a well, over two long drawers, decorated with a pewter-inlaid stylised peacock against an ebonised ground, flanked by pewter-inlaid ebonised hearts, the drawers with pewter drop handles and backplates, stamped "Heal & Son, London". Wardrobe 1.68m by 1.91m by 0.56m; dressing table 1.41m by 1.07m by 0.57m; blanket chest 0.92m by 1.22m by 0.55m (3). Note: After training as a cabinet maker, Ambrose Heal joined the family bedding business in Tottenham Court Road in 1893. He became involved with the Art Worker's Guild and the Arts and Crafts Exhibition Society and was inspired to create furniture designs which were initially made for him by Ashbee's Guild of Handicrafts. In 1898 his factory was moved to its definitive position at the end of Alfred Mews where he produced his own furniture and, in particular, four new bedroom suites including the "Fine Feathers" suite of which the subject lot is an example.
A Pair of Oak Carver Chairs, carved flowers and foliage, having panelled backs, solid seats, and baluster legs, with J. Elliott Carpenters, Cabinet Makers, Upholsterers & Antique Dealers Sherborne stencils. Note: Used in the Sherborne Pageant 1905, purchased by the family in the early 20th century (2) See illustration
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306845 item(s)/page