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THE MACALLAN ROBERT BURNS SEMIQUINCENTENARY EDITION bottled in 2009 to commemorate the 250th anniversary of the birth of Robert Burns, with wooden presentation case and booklet 70cl/ 46% Note: Created to mark the 250th anniversary of one of Scotland's most famous sons, the poet Robert Burns. Only 250 bottles were produced making this one of the rarest releases of limited edition bottles from Macallan in recent years. The level of detail that has been observed in creating this item is noteworthy. The Macallan's Master Blender Bob Dalgarno chose two sherry casks, one from 1997 and one from 1998, both of which bore the number 1759, the year of Burns' birth. The bottle itself is an original design modelled on the head and shoulders of The Macallan bottle. The presentation box was designed by Harvey McLean, a master cabinet maker, whose workshop is a short walk from Burns' birthplace. The box itself is handmade from Scots pine (Pinus sylvestris) and includes a Burns poem unique to each bottle. 'Freedom an' whisky gang thegither'. Robert Burns
Hugh Birkett (British 1919-2002), a Cotswold School brown oak hanging cabinet, the hexagonal front with glass panel to each side and central glazed door with vertical divisions, the interior with four hexagonal fronted glass shelves, 105.5cm high/Provenance: purchased directly from the maker
GOOD QUALITY MID TWENTIETH CENTURY CARVED AND FIGURED WALNUT DISPLAY CABINET IN THE QUEEN ANN TASTE, the moulded breakfront top above a panelled cupboard door, flanked by a pair of astragal glazed narrow cupboard doors, each enclosing three adjustable shelves to the polished interior, raised n leaf capped cabriole supports tied by a foliate scroll pierced apron, 54 ½” (138.4cm) high, 44” x 16” (111.8cm x 40.6cm)
GOOD QUALITY MID TWENTIETH CENTURY CARVED AND FIGURED WALNUT ‘D’ SHAPED SIDE CABINET IN THE QUEEN ANN TASTE, the shaped top with leaf carved moulding, set above a pair of central, panelled cupboard doors, flanked a conforming pair of end cupboard doors, and raised on short cabriole supports tied by a foliate scroll pierced apron, 40 ½” (102.8cm) high, 44 ½” x 20” (113cm x 50.8cm)
A Victorian oak and brass mounted hall stand, circa 1890, in Aesthetic taste, following a design by James Shoolbred & Co., and bearing a plaque to the reverse for the maker GEORGE DAVIS, CABINET MAKERS AND UPHOLSTERERS PLYMOUTH, 100cm high, 55cm wide, 27cm deep See Dreweatts Fine Furniture sale, 15 June 2016, lot 180 for a related example bearing a Shoolbred label.
A painted oak side cabinet, in late 17th century style, circa 1920, with painted decoration in the manner of the Bloomsbury Group, 123cm high, 184cm wide, 61cm deep See Anscombe, Isabelle. Omega and after: Bloomsbury and the Decorative Arts. London 1999 reprint, pl. 34 for a Victorian bookcase painted by Duncan Grant for Clive Bell at 50 Gordon Square, London, in 1927. It shows a similar use of the waved lines and circles for the door borders
A carved hardwood Cabinet (GUI) Qing Dynasty, of rectangular outline with a pair of hinged doors separated by a central stile, the panels boldly carved with elegant shaped panels, depicting various scenes with flowers, figures, animals etc., above a wide carved panelled apron, the interior with shelves and two drawers above a concealed well with removable covers, the backs of each hinged door with carved design, the back and side panels finely bevelled and removable, all supported on four square section legs, approx. 196cms h x 127cms w x 56cms d (77" x 50" x 22").Purchased: Hobbs and Bishops Fine Art Ltd., Hong Kong
A 19th Century Chinese lacquered Cabinet on Stand, with ornate brass mounts and hinges, decorated in the typical taste on side panels and doors, opening to reveal a fitted interior with multiple sized drawers with circular decorative brass handles on a later base with plain frieze terminating in cabriole legs, approx. 92cms w x 155cms h (36" x 61"). (1)
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306894 item(s)/page