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Lot 27
Six assorted cabinet plates comprising three Royal Doulton Series ware examples - The Admiral, The Falconer and Springtime D3119, a Royal Worcester 1974 Dorothy Doughty dessert plate, a Hammersley & Co decorated with hand painted scene of Alpine Grouse by A. Winkle and a 19th Century cabinet plate decorated with a bird together with a Royal Doulton charger (7)
Lot 28
A set of four 19th Century Copeland armorial cabinet plates each amateur decorated with rural landscapes hand titled ?On the Eden, looking towards Rockcliffe, Cumberland?, ?On the Eden, from Scuaf Banks looking towards Blanmont?, ?On the Eden, Sandland Pool and Cowen Bank, Kirkenshaw Carlisle? and ?On the Eden, above St Annes with Beaumont looking towards Carlisle?, signed J.B Norman and dated circa 1880, each with the crest and coat of arms for the Norman family, printed marks, diameter 24.5cmIt is believed that J.B Norman is the Reverend John Burton Norman, rector of Little Stanmore, Middlesex in 1879, but was born in Kirkandrews-on-Eden
Lot 55
A pair of late 19th Century Vienna type cabinet plates both decorated with hand painted portraits after the originals by Georg Hom, the first entitled 'Lisette', the second 'Gute Nacht', both within gilt borders with a pink and royal blue border edge with a gilt pattern overlay, both unsigned, both with printed Dresden marks, both framed, both diameter 24cm (2)
Lot 670
A 19th Century carved walnut Black Forest table cabinet, the top surmounted with carved game birds and chicks above an interior fitted with eight small drawers enclosed by a pair of doors carved with dead stags and hunting rifles over a base drawer centred with a handle in a wolfs head on scroll feet, height 84cm x depth 24cm x width 62cm.
Lot 887
Cabinet Council 1883. Subject Gladstone. 27/11/1883. These prints were issued by the Vanity Fair magazine between 1869 1914 as collectors supplements. Size 15. 5x10. 5 colour. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 856
An early 20th Century mahogany shop display cabinet, the caddy shaped top above a bevelled brass bordered front and with glazed sliding double doors, with mirror back panel and adjustable shelves above an oak parquet base over square tapered legs, bearing an 'E. Pollard & Co Ltd' trade label, height 183cm, width 92cm and depth 31cm.
Lot 100
A George III mahogany clothes press, by Benjamin Crook, circa 1770, the moulded edge above a panel of panelled doors opening to a shelved interior, the stand with a pair of drawers, on square section legs and castors, bearing a trade label to the interior of one drawer for 'All sorts of, Cabinet Work, Mahogany Tables, Looking Glasses Chairs &c, Made & Sold by Benj. Crook, at ye George & White Lyon, on ye South Side of St, Paul's Church Yard, LONDON', 137cm high, 127cm wide, 64cm deep Benjamin Crook, cabinet maker and joiner, traded from 1732 until retiring and holding an auction of his stock in 1748. His son, also named Benjamin Crook, then continued the business at the same premises until 1771. Both are known to have used a circular label. As stated in Marked London Furniture 1700-1840 (Christopher Gilbert, 1996) 'the four Labelled pieces (by Benjamin Crook) so far recorded show that his work was of excellent quality'.
Lot 132
A George III mahogany cabinet on chest, circa 1780, the arched pediment and frieze decorated with dentil detail, above the astragal glazed bookcase sections, opening to adjustable shelves, the chest section with a slide, above four graduated drawers, on shaped bracket feet, 197cm high, 85cm wide, 43cm deep
Lot 140A
A Continental porcelain Etruscan-style vase, circa 1830-50, probably Paris, painted in iron-red, black and shades of buff with vignettes of charioteers and figures flanking a stele between gadrooned, key-pattern and palmette borders, 31.5 cm. high; together with a Continental white biscuit figure of Spinario, after the antique, modelled as a youth seated on a mound above a rectangular base The decoration of this vase is inspired by the designs of ancient vases in the collection of the Duke of Hamilton, published in d'Hancarville, P-F. H, Collection Of Etruscan, Greek And Roman Antiquities From The Cabinet Of The Honble. Wm. Hamilton ... = Antiquités Etrusques, Grecques Et Romains, Tirées Du Cabinet De M. Hamilton ..., Naples, 1766/7, the scene of charioteers is adapted from Vol. I, pl. 130, a design from the Meidias Hydra, the stele is derived from Vol. I, pl. 55, on a volute krater known as the Hamilton vase, with flanking figures after a departure scene of a warrior and women, Vol. II, pl. 71. This stylised red and black figure-painting inspired potters such as Josiah Wedgwood and a raft of Neapolitan, French and continental makers such as Sèvres, Dagoty and Honoré of Paris. The connection with ancient pottery is further re-enforced by the use of the pelike form derived from an antique vessel for liquids.
Lot 166
A set of ten mahogany library bergere chairs, in the manner of Gillows, nine of Regency period, circa 1815, together with a 20th century example made to match, each curved top rail carved with a central stylised carved foliate terminal, above downswept sides incorporating moulded detail, each caned seat with a loose cushion, on turned tapering and reeded legs This form of chair was named a 'curricle', after the Roman magistrate or consul's seat, by Thomas Sheraton in his Cabinet Dictionary, London, 1803 and the name was adopted by Gillows of London and Lancaster. Five chairs of this model were supplied by Gillows between 1811 and 1812 to Wilbraham Egerton for Tatton Park, Cheshire, intended for bedrooms or dressing-rooms (N. Goodison and J. Hardy, 'Gillows at Tatton park', Furniture History, 1970, pl. 16A and S. Bourne Gillow Chairs and Fashion, Exhibition Catalogue, Blackburn, 1991, p. 32-33).A related pair of bergeres was sold anonymously, Christie's London, 17 April 1997, lot 142, and a further example with hipped sabre legs was sold anonymously, Christie's London, 25 February 1993, lot 37. Another pair of rosewood bergeres was sold by William Mazer, Christie's New York, 21 January 1999, lot 550 ($16,100). Please note, this lot should be described as follows and not as printed in the catalogue:A matched set of ten mahogany library bergère chairs, comprising eight of Regency period, circa 1815, together with a pair of 20th century examples made to match
Lot 178
Ï’ A Ceylonese ebony and specimen wood inlaid circular centre table, second quarter 19th century, the circular top with radiating serpentine bands of tropical timbers to include satinwood, coromandel and palm wood, surrounded by an ivory inlaid and lappet carved border, above a reeded turned tapering stem incorporating scrolling lappet carved terminals, the concave sided plinth base cornered by moulded roundels, on squat turned bun feet and concealed castors, 75cm high, the top 122cm diameter This table is typical of the carved ebony furniture manufactured on the island of Ceylon (Sri Lanka) in the Galle district, throughout the 19th century. While the form of these tables is based on English designs dating to the second quarter of the 19th century (such as Thomas King's The Modern Style of Cabinet Work Exemplified of 1829), the carved ornament, including the lotus motif are derived from local traditions. These tables were supplied to the British colonists in Ceylon and India for export to England. A number of tables similarly inlaid with exotic woods are known, including the earliest dated example, formerly at the Royal Commonwealth Society with a presentation plaque dated 1836 (A. Jaffer, Furniture from British India and Ceylon, London, 2001, p. 373, fig. 142).A virtually identical table was sold, Christie's, Interiors - Style & Spirit, London, 13th May 2008 (£38,900). An almost identical table was sold Christie's, London, 21-22 November 2007, Lot 160. A related example was displayed in the Ceylon Court of the Paris 1855 International Exhibition and discussed in the Catalogue of the Natural and Artificial Products of Ceylon, 1855. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 192
Ï’A matched pair of rosewood and gilt metal mounted side cabinets, circa 1815 and later, each rectangular black marble top above a pair of grille and pleated silk doors, one cabinet opening to eight fitted drawers, the other opening to a shelved interior, flanked by turned supports, on ball feet, each 93cm high, 107cm wide, 44cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 198
Ï’A rosewood, bird's eye maple, marquetry, and pewter inlaid side cabinet, mid 19th century, inlaid throughout with floral scrolls, the rectangular banded top, above two short drawers and a pair of panel cupboard doors, the doors decorated with a bouquet of flowers, opening to a shelved interior, on a plinth base, 104cm high, 111cm wide, 49cm deepPlease not this cabinet incorporates 17th century and later elements. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 224
Ï’A William IV rosewood side cabinet, circa 1835, of inverted breakfront out line, the top above a roundel moulded frieze incorporating three drawers, the central open bookshelf flanked on either side by a panelled door incorporating acanthus moulded pilasters, each opening to a shelved interior, on a plinth base, 91cm high, 183cm wide, 43cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 238
A Gothic Revival oak and pollard oak cabinet bookcase, circa 1880, of inverted breakfront outline, the crenelated cornice above a pair of central lancet moulded and glazed doors, flanked by a moulded panel door to each side, all opening to adjustable shelves, on a plinth base, 226cm high, 255cm wide, 48cm deep For a related bookcase, see Sotheby's, London, Furniture: Antiques for the Modern Home, 27th September 2006, Lot 94 (£38,400).
Lot 239
A Victorian coromandel games box or 'Royal Cabinet of Games' compendium, circa 1860, of rectangular form, the hinged cover and front opening to reveal a fitted interior enclosing various shelves and tiers of board games, including; a turned boxwood Staunton pattern chest set, turned drafts markers, bone dominoes and counters, painted tin horses and riders, and other implements, with brass plaque to base for 'THE ROYAL CABINET OF GAMES', 18cm high, 33cm wide, 22cm deep Similar examples of the time were manufactured by Leuchars, London, and it is possible that the present example was made by this company.
Lot 264
A Dutch mahogany and marquetry inlaid display cabinet, second half 19th century, the arched pediment with beaded decoration above a pair of arched glass panelled doors and further glazed panels, opening to a shelved interior, the lower section with a pair of panelled doors, on turned feet, 219.5cm high, 185cm wide, 46cm deep
Lot 272
A Victorian birds eye maple breakfront cabinet bookcase, circa 1860, in the manner of Holland & Sons, the variegated grey marble top above a plain frieze flanked by cabochon and bead decorated borders, the central pair of doors inset with concentric pleated silk panels, flanked on each side by a glass panelled door opening to a shelved interior, on a plinth base, 95cm high, 168cm wide, 36cm deep
Lot 76
A George III mahogany side chair, circa 1760, the vase-shaped interlaced splat below a scrolled top rail with central foliate clasp, above a padded drop-in seat, on moulded square supports joined by an H-shaped stretcher Provenance: Private Collection, Oxfordshire Purchased Christie's, London, Out of the Ordinary, the discerning individual taste of Christopher Gibbs and Harry Lindsay, 10th May 2006, lot 108 (£1,050). This chair was almost certainly supplied to Archibald Stirling of Keir (d.1783) for Keir House, Dunblane; sold Christie's house sale, 22-24 May 1995, lot 216. The parlour chair pattern with fretted vase splat incorporating addorsed and voluted ribbon-scrolls issuing from the crest-rail relates to patterns in Robert Manwaring's, The Cabinet and Chair-Makers Real Friend and Companion, 1765. KEIR HOUSE Keir House, near Dunblane, Perthshire was the historical seat of the Stirlings of Keir and Cawder until its sale in 1975. Keir passed down through several generations of Stirlings to the colourful James Stirling, proprietor of Keir from 1693 - 1715. A supporter of the Stuarts, he was tried for high treason in 1708 after the failed Jacobite invasion of that year and acquitted. Fortunately the troubled times did not prevent the constant improvement of the house and estate. Archibald Stirling, 12th of Keir (1710-1783), inherited Keir in 1757 and during the 1760s and 1770s dramatically changed the use and look of the lands of Keir and Cawder. He introduced the fine up-to-date stucco work throughout the interior of Keir in the early 1760s, possibly just after his marriage to Ann Hay in 1762.
Lot 88
A George III mahogany clothes press, by Gillows, circa 1790, the arched and moulded pediment above pair of panelled doors applied with solid brass moulding, opening to an arrangement of slides, the lower section with two short and two long graduated drawers, the underside of one drawer bearing pencil signature on shaped bracket feet, 78cm high, 126cm wide, 60cm deep The pencil signature to the underside of one drawer to the current linen press is almost certainly the signature of William Bullock who is recorded as being a cabinet maker for Gillows in the late 18th century. William Bullock was the brother of renowned furniture designer, maker and sculptor George Bullock. William Bullock went on to open a museum of curiosities in Birmingham in 1800. Then in 1801 he moved the museum to Liverpool and his brother George joined him there where his carrier began to flourish.
Lot 92
A gilt metal and glazed hall lantern in George III style, circa 1900, of serpentine outline, double scrolled ceiling supports descending to a rocaille and foliate cast frame inset with bowed panes, a single electrical light fitment within, 82cm high, 40cm diameter This lantern may have been inspired by the design popularised by Thomas Chippendale in The Gentleman and Cabinet-Maker's Director (1762 ed.), pl. 152.
Lot 930
A GROUP OF CERAMICS, EARRINGS etc, to include a Moorcroft vase, purple Orchid on cream ground, with nine Hummel figures (some a/f), Wedgwood jasperware, Aynsley Pembroke dish and jar with cover, Royal Standard tea wares, four Royal Doulton limited edition cabinet plates, a Langley jardiniere etc
Lot 932
THREE BOXES AND LOOSE OF CUT GLASSWARE, BRADFORD EXCHANGE CABINET PLATES, RESIN TEDDIES etc to include Bradford Exchange cabinet plates 'Hundred Acre happiness' with certificates, cherished teddies 'Nursery Rhymes' collectors plates, Leonardo collection and other makes of teddies, boxed suite of six Portmeirion 'Botanic Garden' glass tumblers etc
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306894 item(s)/page