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Yorkshire oak craftsman made Mouseman style side cabinet with two lead glazed doors and two glass shelves above two panelled cupboard doors , panelled sides and allover adzed details and wrought metal fittings, (107cm x 33cm x 106cm)(carved by Brian Haw, Mouseman carver 1960 - 1970, made for his own home)
A mid 20th century dark stained oak drinks cabinet, in Old Charm style, applied linenfold decoration to the fall front, opening to reveal a glass shelf and glass holders to the sides, a/f lock has been sawn through and requires replacing, below a two door cupboard encloses a single shelf, 80 by 48 by 123cm high.
A G-Plan teak wall display shelving system, circa 1970, comprising two high level cupboard units, a fall front drinks cabinet, four adjustable shelves, two shallow drawers, all upon a full width base unit with two cupboards below, a/f were sliding doors but later amended to hinged doors, together with an additional cupboard unit with two sliding doors, and a hinged wall mounting and sliding TV shelf unit, 46 by 229 by 198cm high. (3)
Victorian mahogany collectors cabinet, the arched glazed door opening to reveal six drawers with turned wooden handles and glazed tops, the frieze with drawer, 51cm wide, 47.5cm high, 47.5cm deepTop with surface marks, cabinet has no back, losses to mouldings around glazed door, drawer handles with some losses, frieze drawer has no handles, lower plinth beneath frieze drawer is missing
A LATE 19TH / EARLY 20TH CENTURY TWO-PART HABERDASHER'S DISPLAY CABINET, the glazed oak upper section having four fall-down panels, with an applied Smallwood Ltd brass rule, upon an associated mahogany base, having triple panelled frontage, the rear being open and shelved, the whole supported on a plain plinth base, 97cm high, 304cm wide
* Picart (Bernard, 1673-1733). Jesus with the Samaritan Woman at Jacob's Well, brown and grey wash and pencil with black ink, on pale cream laid paper, inscribed in pencil to verso in a later hand 'Jesus & la Samaritaine', sheet size 323 x 215 mm (12.75 x 8.5 ins), tipped-on to old laid paper backing sheet, with ruled wash border, watermarked D&C BLAUW IV [circa 1750 or later], inscribed in another later18th century or early 19th century hand to lower right corner 'B. Picart'Qty: (1)NOTESProvenance: Possibly Collection of Alfred Beurdeley (1847-1919), French cabinet maker, whose collections were sold in over twenty auction sales between 1920 and 1921 (later pencil inscription to lower left corner of backing sheet); Friedrich Winkler (1888-1965), German art historian, director of the Kunstbibliothek Berlin, later curator of the Kupferstichkabinett Berlin, and author of Die Zeichnungen Albrecht Durers (1936-39); Eva Winkler Dencker (1923-2017), Los Gatos, San Jose, California (information on the Winkler ownership supplied in the catalogue entry for this work by Swann Galleries, Old Master Drawings, November 5, 2019, lot 98). This accomplished wash drawing depicts the crucial moment in this famous bible story (St. John's Gospel, Chapter 4, Verses 1-40), when Jesus reveals himself to the Samaritan woman as the messiah, with her dawning realisation of his message as the disciples return with food from the nearby village of Sychar. The present drawing is likely to have been intended for engraving and subsequent publication, possibly in one of Picart's many folio historical publications, such as the Ceremonies et Coutumes Religieuses , published in Amsterdam between 1723 and 1743.
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