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A Rare Aesthetic Movement Highly Carved Cabinet Cupboard In Oak. The top has three leaded top doors with carved geometric panels below, crisply carved. The top has three panels carved with a Japanese style decoration. The cupboards are supported by 'L' shaped iron hinged of simple form. The base has three large drawers with unusual steel ring pull handles. The sides are finely carved to match the front of the cupboard. Terminating on a square reeded type leg. Carved & signed to the sides, Makers name 'J.C.Sowerby' Dated 1886. Similar to pieces sold by Libertys Of London in the late 19th Century. 70'' in height, 18'' in depth & 79.5'' in width.
Walnut Cocktail Cabinet on Stand, the cupboard top with brass engraved hinges and lock plate with finely figured walnut, the internal fitted out in Satin Birch, with a mirrored back and glass shelves and sliding mirrored tray, Below two drawers on a George I Style carved base on cabriole legs. 33 inches wide, 16 inches deep and 62 inches high,
Exceptional Fine Quality Yossi Swed, Israel Limited Edition Sterling Silver and Vermeil Judaica Aron Kodesh, Two Door Cabinet with Interior Tambour Door Opening to Reveal an Torah on Parchment with antique elements. Signed Yossi Swed (logo), Israel and Numbered 3/12. Tambour Door Sticks, Minor Surface Wear from Normal Use Otherwise Good Condition or Better. Measures 24-1/2 Inches Tall and 13-3/4 Inches Wide. Approx. Gross Weight (with Torah): 37.5 Pounds. Proceeds of the sale of this item to benefit the Leidesdorf Foundation, West Palm Beach, Florida. Shipping $135.00
Contemporary Ming Style Cabinet. Double Door on both Top and Bottom. Brass Hardware. Unsigned. Good Condition, with Minor Wear, Scratches, Rubbing. Measures 67-1/4 Inches Tall, 38-3/4 Inches With, 18 Inches Depth. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.
An early Victorian papier maché jewellery cabinet, the lid, doors and sides painted and mother of pearl inlaid with flowers within gilding on the black ground, the fitted compartment below the lid above four drawers behind the doors, 36cm (14.25 in) high Three of the drawer handles are missing. There are old repairs to three feet and some rubbing to the gilding
A kingwood and parquetry inlaid cabinet, 19th century cushion frieze drawer, internally fitted with pigeon holes, small drawers enclosed by panel doors and slide to the base 62 x 84 x 38cm (24 x 33 x 15in) Condition is generally good, no splits or cracks, but we beleive the slide has been added
A Queen Anne style laburnum oyster veneer cabinet, 19th century fitted small drawers and central cupboard, brass drop handles, on a later stretchered stand 158 x 114 x 48cm (62 x 44 x 19in) The stand is a modern cabinet made and veneered replacement. some fading to the oyster veneere, otherwise we believe the condition to be good
A 19th century South German ebony and ivory inlaid table cabinet, 17th century style possibly Augsburg, inlaid with architectural features, an opening top, two doors enclosing a fitted interior with a central cupboard and small drawers, above a long drawer to the base on bracket feet 73 x 69 x 35cm (28 x 27 x 14in) Loose mouldings to the archictectural front door panels, but all present
A George III mahogany serpentine commode, attributed to Henry Hill, Marlborough, circa 1770 in the French taste with serpentine corners and three long drawers, the top drawer fitted with a baize lined brushing slide and provision for a mirror (missing), open compartments and four lidded small compartments, the base with scallop waved apron, the top with crossbanded and line inlaid border decoration to flame figured veneers, repeated to the drawer fronts, with cast ormolu handles and the corners mounted with ormolu foliate shutes tailing to scroll cast sabots 85 x 128 x 65cm (33 x 50 x 25in) Provenance: A gift to Murray Edwards College from Dame Rosemary Murray, one of the founders and first President of New Hall, Cambridge, known today as Murray Edwards College. Noted in the College's list of donations as "Chippendale serpentine chest of drawers (Mrs C Dodgson)". Frances Catherine Spooner Dodgson (1883 - 1954) was Dame Rosemary's aunt and daughter of William Archibald Spooner, Warden of New College Oxford, best known for the 'Spoonerism'. She was an artist and married Campbell Dodgson, a distant cousin of Charles Lutwidge Dodgson, better known as Lewis Carroll author of Alice in Wonderland. Campbell Dodgson was Keeper of Prints at the British Museum from 1912 -1932 and at his death in 1949 bequeathed over 5,000 prints to the museum. Literature: Henry Hill was active in Marlborough Wiltshire from c1740 until his death in 1778 where he ran a diverse business encompassing furniture making, coach making, house agency and auctioneering. He was described in his obituary in 1778 as 'one of the most eminent cabinet makers and upholsterers in the Kingdom' which was considered a great tribute to a cabinet maker working outside London. His clients were predominately Wiltshire landowners including the 9th Duke of Somerset at Maiden Bradley, Paul Methuen at Corsham Court, Henry Hoare at Stourhead, and the Earl Bathurst at Cirencester Park. Hill was clearly aware of the prevailing London fashions and would have had access to publications including Chippendale's designs for French Commode Tables (The Gentleman and Cabinet-Maker's Director 1st Edition1754; Plate LXVI 3rd Edition 1763). He was also known to have employed immigrant labour (most likely German). All this is reflected in the designs of his furniture. His French Commodes were made with a number of variations dependent on his clients' needs and budgets but invariably of serpentine form with flame figured veneers or marquetry, ormolu mounted corners and a lobed front apron. The most documented commissions were for Lord Delaval (see bombe marquetry commode sold Bonhams London 19 October, 2011). It seems likely that Hill had contact with Pierre Langlois with some of the mounts on his commodes being attributed to Langlois. The French Commodes were sometimes fitted with dressing slides (see Duke of Somerset commode reference below) whilst the present commode has the top drawer designed with a series of boxes and compartments for brushes, powder boxes etc. The closest example to this present commode with serpentine front and straight sides sold at Christies November 28, 2002, Lot 120 (provenance the Duke of Somerset). In contrast to this commode with its dressing slide see George III gilt brass mounted mahogany and goncalo alves Commode with top drawer originally fitted for dressing with divisions (Sothebys, April 21 2009, Lot 84). See The Lady Lever Art Gallery, Catalogue of Commodes, 1994, Lucy Wood for further discussion on characteristics of Henry Hill commodes. Original country house condition, evidence of an old repair to a small section of banding running along the back of the top, small veneer losses to the carcase at the drawer division joints and between the drawers, a broken key remains in the lock of the second drawer, dulled mounts, but present and lacking the mirror to the fitted drawer. The back is panelled.
A Regency painted and grained faux rosewood bookcase, with open shelves above and cabinet below enclosed by a single door with circular inset panel and decorated in gilt with chinoiseries, on scroll moulded swept feet 132 x 66 x 33cm (51 x 26 x 13in) The condition is good, with strong decoration detail remaining
A small 19th century continental kingwood cabinet, crossbanded in rosewood, the upper half fitted small drawers and central open shelf, enclosed by double doors, the lower half with a brushing slide and further doors on bracket feet 97 x 50 x 35cm (38 x 20 x 14in) Bead moulding losses to the lower closing door and other marks to the top of the lower section
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306845 item(s)/page