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Lot 33
NO RESERVE Photographs.- Downey (W. & D., photographers) Mr. Oscar Wilde, carbon print, from 'Cabinet Portrait Galllery', c.140 x 95mm., on card mount with printed caption below, mount soiled, [1891] § Maull & Polyblank, photographers. George Cruikshank, albumen print, from 'Photographic Portraits of Living Celebrities', c.200 c 145mm (arched top), on card mount with gilt border & printed credits below, mount soiled, [c.1857] § Window & Grove, photographers. Miss Ellen Terry as "Margaret", albumen print, c.145 x 105mm., on card with printed caption below, [c.1885]; and a small group of others, mostly photographic portraits including George Bernard Shaw with Maj.-Gen. Edward N.Broadbent (the latter in Chinese dress), Thomas Hardy, T.J.Wise in his study, Flinders Petrie at Stonehenge, W.H.Hudson, Henry Williamson in N.Devon, and "the only photograph of a lost portrait of Aubrey Beardsley by Conder, given by Conder to More Adey and by him to Elizabeth Ferrier. June 1909" (as inscribed in pencil on verso), v.s., v.d. (c.25)
Lot 32
Photographs.- Delong (W.W., photographer) View of Sioux City, Iowa, albumen print cabinet card, c.105 x 80mm., Sioux City, J.W.Pinckney, [c.1890] § Barnard (S.B., photographer of Cape Town) Cetewayo, taken from Life [with Capt.Poole and cannon], albumen print cabinet card, c.105 x 50mm., Cape Town, S.B.Barnard, [c.1880] § Man riding a tricycle, albumen print, c.75 x 100mm., mounted on card, image very pale, a little soiled, [mid-19th century]; and c.20 other early photographs, some stereoscopic views, including seaside/coastal views, anglers by a river, sailors, lady and gentleman seated in a bower, kitchen at Haddon Hall, woodland stream at Chudleigh, family groups, Red Lion Hotel at Newquay, Cornwall, , v.s., loosely inserted in glacine sleeves stitched into original wrappers, 8vo, [mostly 19th century].
Lot 207
Whistler (Rex) Engravings...for Jonathan Swift's Gulliver's Travels Printed from the Original Plates, Introduction by Anthony Rota, out-of series copy (not for sale) from an edition limited to 100 copies on hand-made paper, this one of 26 unnumbered copies with one of the original copper plates, engraved title-vignette and 25 engraved sheets comprising 12 plates, 5 maps, 4 head- & 4 tail-pieces by Rex Whistler, the 12 plates hand-coloured, loose as issued, with copper plate in recessed panel inside rear board and printer's original paper wrapping featuring the engraving mounted inside front board (soiled), a little oxidisation to plate and loose from panel, together in original half viridian morocco drop-back box, slightly rubbed at edges, large 4to, Harrison's for H.M.Fletcher, 1970. ⁂ Whistler's illustrated version of Swift's Gulliver's Travels was his magnum opus. It was first published by the Cresset Press in 1930 with 195 copies on hand-made paper and 10 on vellum, and is one of the most magnificent English illustrated books of the 20th century. Whistler's elaborate rococo frames incorporating Baroque architecture were apparently inspired by Richard Bentley's Designs for Six Poems by Mr T.Gray of 1753. The original copper plates were bought by bookseller H.M.Fletcher who issued this suite of the illustrations in 1970.The copper plate is for 'The King commands him to bring one of his chairs out of the Box and sit down upon the top of the cabinet' from the Voyage to Brobdingnag.
Lot 679
A late 19th century 4 piece walnut bedroom suite with Aesthetic Movement carved sunflower roundels, comprising triple wardrobe with central mirrored fitted section flanked by 2 panelled side robes, dressing table of 9 drawers and recessed cupboard, washstand of 3 cupboards and 3 drawers, with marble top and tile back and matching bedside cabinet
Lot 3075
An Exceedingly Rare And Very Finely Restored 26-Inch Orphenion Model 194 Coin-In-Slot Upright Disc Musical Box on Disc-Bin, one of under eight examples of this model known to exist today internationally, with top-wind massive single-spring motor with double cast brass Great Wheel, sprung double fly governor, single 1d. coin chute to right-hand side, silvered reeded movement plates with plain turn polished steel pillar, replacement spring marked EMO 1976, in six-bar cage drum, behind double pane glazed motor cover, with twin two-part combs, one inverse the other adverse mounted, full length star-wheel bar on reeded titled silvered cast bedplate, disc pressure bar with seven brass pulleys, on tensioned slatted pine backboard, in monumental cabinet with the arched glazed door completely surrounded with sound fret and red velvet backing, incised keystone moulding, flanked by a pair of tapering Corinthian capped columns, fluted centres and cup and cover bases, the top with central obelisk finial upon rectangular domed sound-hood and twin saucer urn finals, whole raised on captive gallery, multi-stepped cornice and standing on the matching disc bin with drop-front and gilt brass handle with scrolled tapering columned stepped plinth base, front panel with quarter-butterfly walnut inset field, walnut veneers throughout, with winding key, small handful of 1d. coin and main door key, with a library of 15 period Orphenion discs and 4 recut Orphenion discs - 36in. wide, 25in. deep, the height 113in. Condition: X I/II 1
Lot 3107
An HMV Model 180 Cabinet Gramophone, with record storage racks behind twin doors, below re-entrant horn doors above, lacking soundbox and turntable, with speed indicator retained, Nipper transfer inside, in dark mahogany cabinet with scroll corners; with an Apollo cabinet gramophone of tall proportions, Apollo soundbox and tonearm loose but present, lacking motor but retaining winding handle, speed regulator and brake, Apollo transfer inside lid of light oak cabinet with twin doors to front with raised oval panels repeated to sides. (2)
Lot 3134
A Cabinet Grand Roller Organ, with 20 reeds, nickel plated reed stops, spring-loaded cob rack behind sloped front glazed hinged cover in polished mahogany case with typical gilt stencilled transfer decoration and shaped brass hinges, the main title banner re-painted, with front crank handle and ebonised moulded base, together with the period painted cob box containing 11 cobs, all titled in ink.
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