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Lot 874
A George III mahogany Bureau Cabinet with dentil and pendant cornice, surface fret carved frieze above pair of solid panelled cross-banded doors enclosing adjustable shelves, the bureau with well fitted interior with mirror front door, pigeon holes, small drawers, etc, four long graduated drawers beneath on ogee bracket feet, 4ft wide x 7ft 5in high
Lot 3115
PHOTOGRAPHS, PORTRAITS. An album containing 34 carte-de-visite and cabinet-size photographs, circa 1890. Folio (285 x 216mm.) The album with thick card leaves, 8 with chromolithographic surrounds. (Some spotting.) Contemporary morocco, metal clasps, g.e. – And one other album of similar interest (2).
Lot 3131
KENYA. – Campbell B. HAUSBERG (1874-1941). An archive of material relating to Hausberg and his family, circa 1833-1960. Collected by his wife Anne Harriet née Goldfinch, including photographs, negatives, postcards, newspaper cuttings and letters, relating to Kenya, the family homes and her husband`s work. Note: Campbell B. Hausberg was in Sir Halford Mackinder`s party on the first successful climb of Mount Kenya by Europeans in 1899, a contemporary newspaper cutting within the lot states `Hausberg, of Holme Park, near Tunbridge Wells… is, says the “Chronicle”, a very skilful photographer, and the products of his camera are expected to be very interesting. Mr Hausberg has contributed a substantial sum towards the cost of the expedition, and will be Mr Mackinder`s Lieutenant`. In 1904 he settled in Kenya growing sisal and was a Member of Council in the Sisal Grower`s Association. The family homes include Penshurst, Rotherhurst and Shermanbury Grange. The archive contains photographs of life in England and Kenya by Hausberg, including views of the sisal farm, Mount Kenya and the first train over the source of the Nile; other photographs include carte-de-visite and cabinet-size portraits of members of the family, and photographs by MacGregor Ross of Kenya.
Lot 3132
PHOTOGRAPHS. An album of 83 carte-de-visite and cabinet-size photographs, circa 1890. Folio (285 x 219mm.) The album with thick card leaves and chromolithographed title, 8 leaves with chromolithographed decorative surrounds. (Light soiling.) Contemporary morocco, metal clasps, g.e. (slightly scuffed). – And two other photograph albums and a `scrap` album (4).
Lot 1943
A late Victorian mahogany dressing chest of drawers, the toilet mirror flanked by fluted block and baluster columns above two short drawers upon two short and two long drawers with two later cabinet doors below, 162 x 112 x 55 cm, together with an Edwardian mahogany wardrobe and a 20th century mahogany chest of drawers (3)
Lot 1947
An Arts and Crafts style mahogany sheet music cabinet, early 20th century, the rectangular top above a leaf carved mirrored and panelled door upon a plinth base, 100 x 54 x 36 cm, together with a mid 20th century oak and elm nest of tables, a elm pedestal desk, a oak bureau and a set of three mahogany and caned side chairs (7)
Lot 1
Charles Locke Eastlake (attributed), a Reformed Gothic stained oak cabinet, the architectural roof with arched and turned supports, 249cm high, 122cm wide, 63.5cm deep. See Spencer, Charles "The Aesthetic Movement", p. 35, illus 17 for a similar example. An architectural roof style detail to furniture is an earlier detail and quite rare and was being used by only a few designers of the Gothic Revival/Reformed period particularly Phillip Webb in the Red House, on the settle Rossetti and Burne Jones never quite finished painting and another roof style on the Red House dining room dresser. It was also used by Richard Norman Shaw on his famous secretaire bookcase exhibited at the 1862 International Exhibition and more especially by Burgess on furniture and fireplaces throughout the interiors he created in his life including his own, expressed by Eastlake in his own work "Hints on Household Taste" Visit www.dnfa.com for condition reports
Lot 49
Bruce Talbert (attributed), probably for Gillows, an impressive Aesthetic Movement ebonised cabinet for semi-fixing, with a gentle play of upper open shelves with turned uprights and turned legs and decorative brass beadings, gilt highlights, amboyna inlay to the central drawer and doors with painted panels of maidens amidst classical swags, 190cm high, 76cm wide, 33cm deep. The handles and hinges are identical to those used by Talbert on many other pieces he designed for Gillows Visit www.dnfa.com for condition reports
Lot 64
Bruce Talbert (1838-1881), a fine oak and glazed standing corner cabinet, probably by Gillow & Co., 181cm high, 73cm wide, 55cm deep. The castellated cornice detail above the bevel glazed door is identical to the moulding on his famous "Pet" sideboard exhibited at the 1872 London International Exhibition and also the "Pericles" sideboard exhibited at the 1867 Paris Exhibition where it was a Grand Prix winner Visit www.dnfa.com for condition reports
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