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A 19thC papier mache table sewing cabinet, profusely decorated with gilt highlighted mother of pearl flowers to all sides, the shaped domed lid revealing a fully fitted interior, set with various mother of pearl darning implements, boxes, jewellery cases, velvet topped compartments and other sewing aides, the front opening to reveal further drawers, on a serpentine base, with further gilt highlights, Charles Nephew & Co Calcutta retailer's label, 31cm H, 35cm W, 28cm D.
A late Victorian aesthetic movement light ash wardrobe compactum and dressing table by Shapland & Petter, the wardrobe having centre moulded cornice and gallery sides, the central fitted mirror door having press drawers over three solid and flanked by rosette and moulded panel doors with period brass handles, the dressing tables having a dentil moulded mirror with bevel plate, side drawers with wrythen taper supports, line scored decoration and a combination of drawers and platform base, stamped S&P of Barnstaple to the locks, the wardrobe 220cm H, 186cm W, 53cm D, the dressing table 137cm W.Henry Shapland had been apprenticed to a cabinet maker in Barnstaple, before travelling to America in 1851 to learn about a wave moulding machine. When back in England he was joined by Henry Petter. By 1888 the Raleigh Cabinet Works were employing hundreds of workers from Raleigh and the surrounding areas when on 5 March 1888 a fire destroyed the factory. The new factory was restarted at a new site on the River Taw, a former shipbuilding yard known as Bridge Wharf. Working together as Shapland and Petter they were to become one of the town's largest employers. They employed craftsmen but also used the most up-to-date machinery available for their products. Henry Shapland was a time-served cabinet maker and Henry Petter was an amazing salesman who found the market for their products.
A Victorian rosewood music cabinet, with brass gallery to the floral marquetry and string inlaid top, over a strung single door with bevel plate, with brass escutcheon, bracket feet and brass and ceramic casters, revealing a fitted interior, of shelves and compartments, with gilt leather fronts for Songs, Dance and Sacred, labelled to the back T. Wallis and Co, Holborn Circus, London.
An early Victorian mahogany secretaire cabinet bookcase, with moulded cornice, scroll and floral carved support doors, with arched glazed panels and adjustable shelves, the secretaire drawer having writing slope, pigeon holes and oak drawers, with mahogany fronts, over two flamed arch panelled doors to base, with matched carving and plinth base, 235cm H, 122cm W, 56cm D.
A small group of British and European ceramics to include two small Chamberlains Worcester floral-decorated side plates, a large Chamberlains Worcester cabinet plate with armorial crest in the form of a coat of arms for the Coggan family, a small Paragon George V Silver Jubilee cup and saucer, a Vienna porcelain small white plate, a Wedgwood Dragon Lustre bowl (af) etc.
A reproduction mahogany cabinet (modified for wires to back), a reproduction mahogany inlaid four-drawer chest on shaped bracket support, a reproduction mahogany demi-lune hall table on four reeded supports and a small mahogany inlaid rectangular table on block supports and cross-stretcher (4).
An early 18th century Queen Anne style Chinoiserie cabinet on chest, the double-dome cornice surmounts twin Japanned doors decorated with scenes of domesticity open to reveal a fitted interior of ten drawers, each with drop-loop handles to engraved backplates, surmounting a secretaire chest of four graduated drawers, supported on turned ebonised feet, height 213.5cm.
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306845 item(s)/page