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Lot 168
A Regency mahogany and crossbanded sofa table, circa 1820, in the manner of Gillows, with gilt brass cornucopia ring handles and lyre-shaped spindle-filled end supports, 72cm high, 150cm wide, 70cm deep. Gillows illustrate similar 'spindle end' tables in their estimate sketch book of 1818; see Geoffrey Wills, Craftsmen and Cabinet-Makers of Classic English Furnture, p.117, figs. 108-9. Visit www.dnfa.com for condition reports.
Lot 1605
A Sheraton style mahogany and satinwood banded serpentine cabinet, late 20th century, the hinged top and cupboard doors opening to reveal shelved interior over frieze drawer upon splayed bracket supports, 82 x 67 x 48 cm, together with a reproduction mahogany drop leaf pedestal dining table and a mahogany side table, (3).
Lot 1623
A Liberty's style oak two door wall cabinet, late 19th century, together with an oak book stand, an oak writing desk of small proportions, a pair of provincial oak stools, an oak gateleg corner table, a side chair upholstered in peacock feather fabric and a provincial oak dining chair, (8). Provenance: From the estate of Marit Allen, Journalist, Editor, Costume Designer. First working as fashion assistant on Queen magazine in 1961 and then moving to Vogue in 1964 and later on becoming fashion editor of vogue, Marit Allen is widely dedicated with championing young fashion designers and was always well admired in the industry. In 1973 when the director Nicolas Roeg asked her to design the costumes for Julie Christie in the film 'Don't Look Now' Allen soon established herself as a prolific costumier and she continued to work right up to her death. She worked on about 40 films and was nominated for a Bafta and two Emmy awards.
Lot 526
Rare and early Vic golfing group photograph c1878 - small sepia and hand coloured photograph showing a group of 11 golfers with 3 caddies standing in the courtyard of The Union Golf Club Westward Ho! incl. Sir Hope Grant, Capt. Molesworth, Paul Wilmot, Rev L Harding and George Glennie mounted on the original cabinet card taken by T. Tedrake Bideford Devon - and with written notes on the reverse to verify the above information - overall 2.5 x 4". Illus.
Lot 307
1961 Chateau Haut-Gaussens Bordeau Superior, 1959 La Tour Gillet Montagne Saint Emilion, 1960 La Croix Ville Maurine Saint Emilion, 1957 Saint Emilion Chateau Trimoulet, 1970, Chateau Pomerol Le Pin, 1970 Negri Fracia Valtellina Superior, 1972 Negri Grumello Valtellina Superior, 1973 Negri Valtellina Superior Sassella, 1971 Sichel Saint Emilion, 1986 Colli del Crasimeno Rosso Lamborghini, 1971 Sancerre Chabille Pouilly-Sur Loire, 1980 Barbera Oltrepo Pavese Travaglino, 1981 Chianti Classico Reserva Coli, 1977 Pinot Nero del Alto Adige Blauburgunder Vaja, 1981 Chianti Tatora Fattoria di Poggio Capponi, 1983 Chablis-Moreau, Undated Cabinet Sauvignon Remy Pannier, 1978 Bottle Carpineto Chianti Classico No. 4111451, 1970 Barbaresco Cav G Ceste, 1979 Cesari Amarone del Valpolicella, 1979 Chablis Premier Crux Vaillon Domaine Moreau a Fils, Undated Claret Bordeau Carve Saint Arnould
Lot 205
A mahogany and satinwood crossbanded cutlery cabinet Probably by Whytock & Reid of Edinburgh in the French transitional taste, the match veneered top with full width drawer above a cupboard door enclosing six baize lined sides, between canted stiles, on short cabriole legs, with rococo cast gilt metal handles and sabots 53cm wide, 107cm high, 40cm deep
Lot 158
The Handmaid to the Arts ..., new edition, London 1796, 2 volumes, 12mo, contemporary calf, gilt spines, rubbed, together with A Cabinet of Portraits, London [1823], 8vo, portraits, contemporary green half calf, gilt spine, Boutell, C., The Monumental Brasses of England, London 1849, 8vo, plates, contemporary blind stamped calf, Mueller, C. O., Ancient Art and its Remains, London 1852, 8vo, contemporary calf, gilt spine (5)
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