We found 306845 price guide item(s) matching your search
There are 306845 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
306845 item(s)/page
Lot 1405
A large Victorian 19th century mahogany double section Chemist Apothecary shop / museum display cabinet of thin proportions being raised on plinth base having twin glass door cupboard base with further twin glass cabinet atop. Dismantles into 2 pieces for ease of movement Measures 229cms high by 125cms by 31cms
Lot 56
A collection of English cabinet plates dating from the early 19th century to include a Cnton China plate , Hammersley , Royal Doulton , Crescent , Doulton Burselm , etc. Please see images. Along with two ceramic handles with hand painted floral sprays , and six Clarice Cliff plates. Widest measures 32 cm.
Lot 57
A good collection of English china cabinet cups and saucers dating from the 18th century to include a Royal Porcelain Works Flight Barr and Barr Worcester Coventry Street London peach and gilt cup and saucer. Also a deep cobalt blue cup and saucer with gilt details , a pair of Royal Worcester relief ceramic cups and saucers and another hand painted cream cup and saucer with floral sprays. Please see images.
Lot 594
A collection of assorted vintage antique Edwardian postcards in album to include actresses and seaside views many from around the South West of England and Bristol itself. Some postcards being real photographic cards some nice examples being Newfoundland Fish Stores , a cabinet card of a steam car 98 Victoria Street Bristol signed Ernest H Shanks and a house front from Bishopston 37 Beachamp rd together with a collection of later loose postcards.
Lot 93
A collection of English bone china cabinet ceramics to include Aynsley Orchard Gold Fruit cup and saucer signed by artist Jones , another hand painted Aynsley cup , two large cabinet plates and a hand painted Baroness vegetable tureen. Please see images. Measures 29 cm diameter and 36 cm wide.
Lot 521
Two 17th century oak panels, 'Prudentia' and 'Justises', the figures carved in relief and standing below round topped arches with flower head spandrels, their titles below, 46 x 32cm (18 x 12.5 in) (2) These have been adapted and tidied up into wall hanging panels. They may have been part of a cabinet originally
Lot 815
A Louis XVI marquetry inlaid bonheur du jour in the manner of J H Riesener, inlaid on all panels in a repeated latticework pattern with ormolu and gilt brass border mounts, a raised galleried back, tambour shuttered letter compartments, a concealed drawer with further drawers and inkwells, an undertier, on tapering square legs and ormolu feet 98 x 112 x 52cm (38 x 44 x 20in) Literature: Pradere (A) French Furniture Makers, The Art of the Ebeniste from Louis XIV to the Revolution, p.381, fig.462 Other Notes: Born in Germany in 1734, Jean Henri Riesener moved to Paris as an apprentice cabinet maker. He remained in Paris and married the widow of the furniture designer, Oeben, and took over his workshop - thus giving him access to the guilds. At the age of 40, he became the "ébéniste du roi" to King Louis XVI, and the favoured cabinet maker of Marie Antoinette. His furniture for Versailles Palace with mahogany veneers, floral marquetry and sculptural gilt-bronze mounts exemplified the neoclassical designs of the Louis XVI era. Some of his pieces include hidden compartments unlocked by ingenious mechanisms. One if his commodes from 1774 for Versailles was bought by George IV and is now part of the Royal Collection at Windsor. During the revolution, Riesener was retained by the Republic and in 1794, was required to remove the 'insignia of feudality" from his pieces - altering designs such as the Fleur de Lys with simple panels. Riesener was certain the monarchy would be re-established and spent much of his fortune buying his own works, only to find he was unable to sell them as they went out of fashion. He died in relative poverty in 1806. Much of his furniture was bought by the English during the sales of the Revolution. England became one of the great repositories of Riesener's work outside Paris and his work can be found in the Royal Collection, Waddesdon Manor and Woburn Abbey. Some very small veneer losses and slightly sprung gilt mounts to the base
Lot 874
A late 19th century breakfront display cabinet in the French style, banded in amboyna wood, with gilt brass beading and mounted columns, to a glazed central section, flanked by mirror backed shelves and further cupboards, each set with a jasperware plaque, on turned legs 109 x 176 x 47cm (43 x 69 x 18in) Some minor springing in the applied brass mouildings
Loading...-
306845 item(s)/page