PAIR OF AYNSLEY CHINA CABINET PLATES HAND PAINTED WITH VIEWS OF KILLARNEY SIGNED R.J.K, each of typical form with dark blue and gilt borders and gilt lined shaped rims, the centre painted with a mountainous lake scene with row boat in the fore ground, 'Colleenn Bawn Rock, Killarney' and 'Lower Lake, Killarney', 8 ¾" (22.2cm) diameter, printed factory mark and painted title, (2)
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Canteen of cutlery, Maple & Co., Sheffield 1930, the silver components comprising, soup ladle, eight table spoons, eight table forks, six soup spoons, eight dessert spoons, eight dessert forks, pair of sauce ladles, grape scissors, sugar tongs, six coffee spoons, six teaspoons, six egg spoons, and a pair of knife rests, approximately 120oz, weighable, in a fitted walnut two-drawer table cabinet, labelled Maple & Co., London W1, on carved cabriole legs, width 81cm.
Victorian oak extending dining table, wind-out mechanism Joseph Fitter patentee, with five leaves, rounded ends, ringed and fluted legs, approximately 410 x 137cm, the five leaves contained within an oak cabinet incorporating five open shelves and a mirror panel, width 62cm, height 155cm, (2).
A Victorian lacquered wood table cabinet, mid 19th CenturyThe lift up lid and twin doors decorated with birds, the lift up lid opening to reveal six compartments for jewellery, twin doors opening to reveal three drawers with mother of pearl handles, raised on splayed base with gilt Greek key decoration, height 25cm, width 21cm, depth 19.5cm (af) CONDITION REPORT: Lid detached and corner of lid broken Lock removed from doorGeneral surface wear and loss of decorationSee photos
A 19th Century stained pine specimen cabinetThe single glazed door enclosing ten drawers containing a large collection of assorted butterflies and moths to include Camberwell Beauty, Nymphalidae, Colias, Brassice, height of cabinet 68cm, width 48cm, depth 32cm. CONDITION REPORT: Some specimens have data labels, but some do not. Width 48cm, depth 32cm.See photos
Two Royal Worcester cabinet coffee cans and saucersDecorated with still life of fruit and gilt highlights, one cup and saucer bearing A. Shuck, the other bearing signature Moseley to the saucer and W. Heade to the coffee can, all pieces with puce printed marks to base, saucers diameter 11½cm.
1st-2nd century AD. A bronze tintinnabulum pendant modelled in the round with winged phallus riding on its back; large phallus to the underside, the hind-part of a lion with erect tail in the shape of a phallus; two bells suspended from the hind legs; suspension loop and chain above. Cf. Colonel Fanin, The Royal Museum at Naples, Being Some Account of The Erotic Paintings, Bronzes, and Statues Contained in That Famous 'Cabinet of Secret', London, 1871, pl.XXVI. 90 grams, 32cm (12 1/2"). From the collection of a European gentleman living in South London; acquired 1970-1980. Fine condition.
1st-2nd century AD. A finely detailed winged or possibly horned bronze phallic mount, projecting towards the viewer, with engraved detail of hair around the scrotum and pubis; the flat reverse with two pierced lugs for mounting; accompanied by a copy of the Suffolk County Council Archaeological Service Finds Report dated November 1998 which states: 'Phallic bronze mount on a crescentic base. Rom 2 pierced lugs for attachment at rear (on D [ ] crescent arms"). Solid cast, flat slightly irregular back. Well modelled erect phallus & testicles. Background circular area in the centre of the crescent is slightly raised & stippled with punched dots; incised lines + hatching form a border. The 'arms' of the crescent are triangular in section & plain - these are probably meant to be the horns of a bull. Phallic ornaments are a fairly common good luck / virility symbol, the association with bulls is common - adding extra male strength to the symbolism - and they are often but not exclusively associated with the Roman army'. See Colonel Fanin, The Royal Museum at Naples, Being Some Account of The Erotic Paintings, Bronzes, and Statues Contained in That Famous 'Cabinet of Secret', London, 1871; also, Hammond, Brett, Benet's Artefacts of England: Roman Edition, Essex, 2016, pp.254-255 and Johns, Catherine, Sex or Symbol, BM, London, 1989 for discussion and other examples. Proceedings of the Suffolk Institute of Archaeology and History, vol.XXXIX, pt.3, p.357, fig.94(I) and p.362 (this piece), accompanied by a copy of the relevant pages including drawings and text. 70 grams, 43mm across backplate. (1 3/4"). Found near Sudbury, Suffolk, UK, in 1998; accompanied by a copy of the Suffolk County Council Archaeological Service Finds Report dated November 1998. Very fine condition. Extremely rare.
An early 20th Century oak wall mounted cabinet, with shaped and pierced gallery top, two side shelves and a single door inset with a painting by August Roeseler (1866-1934) of a baby and some dachshunds, 69.2 cm high, together with August Roeseler, a pair of oil on panels, 'A Baby Crying over Spilt Milk, whilst Dachshunds Play' and 'A Baby Trying to reach its Rattle, whilst Dachshunds Play', the former signed 'A. ROESELER', each 14.4 X 24 cm, framed and glazed (3)
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