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A 19thC mahogany secretaire cabinet, of plain form with a frieze drawer, fitted with hinged compartments, a pen tray, space for inkwells, and an adjustable writing slope with brown leatherette insert, above two panelled doors, each with floral patera enclosing three sliding trays, on bun feet, 96cm high, 130cm wide, 51cm deep.
An early 20th century circa 1930s Chinese Oriental lacquered chinoiserie hand painted cupboard. The cabinet having a flared top over a double door cupboard decorated with folklore subjects in gold & copper metallic tones. Raised on bracket geometric feet. Measures approx. 92cm x 76cm x 33cm.
Abraham Gerardus van Velde (1895-1981), Sans titre , Carouge, 1970, lavis d'encre de Chine sur vélin de Canson, signé, 50x32,4 cmAu verso: étiquette d'exposition du Cabinet des estampes, Carouge, 1995, no. 22Provenance: Jacques Putman, Paris, acquis directement auprès de l'artiste Galerie Jacques Benador, Genève Mme Chauvet, Genève, puis resté dans la famille jusqu'à ce jourrmm / 1.5.2023Bibliographie : La Revue de Belles-Lettres, 1972, nos 2-3 (livraison consacrée àPaul Celan), p. 169, ill. Rainer Michael Mason, Bram Van Velde, Peintures Noires 1895-1981, Cabinet des estampes du Musée d'art et d'histoire, Genève, 1995, p. 30, no. 22, ill.
ART DECO WALNUT DISPLAY CABINET EARLY / MID 20TH CENTURY the drum cabinet with twin glazed doors enclosing a mirror backed interior, on swept support to stepped block base170cm high, 153cm wide, 30cm deep Condition good to fair. Wear commensurate with use and age, most notably towards the base. Interior shelving not present, bough pins are. No key present, the lock bars are protruding so doors don't close flush. Crack to lower left pane. Wear to interior mirrors. Additional images now available.
SHAPLAND & PETTER, ARTS & CRAFTS MAHOGANY AND MARQUETRY BUREAU CIRCA 1900 with shaped pediment over galleried back with fretted copper foliage to amber glass panel, the fall front inlaid with stylised peacock motif, enclosing a fitted interior with green felt skiver and retailers plaque for A. Gardner & Son Cabinet Makers, 36, JAMAICA ST., GLASGOW., over a recess, on pierced and swept supports, the lock stamped S & P F66cm wide, 133cm high, 36cm deepCondition generally good. Subject to general age and use related wear. Loss to top left of skiver. Craquelure to areas of marquetry. Patch of light fade to right upright. Lock doesn't function and there is wear to area around escutcheon (somewhat loose).Additional images now available.
ERCOL, WINDSOR MODEL 469 ELM SIDE CABINET CIRCA 1960/70s the fall front enclosing fitted interior, over two cupboard doors and a long drawer, on castors110cm high, 82cm wide, 43cm deep Condition good to fair. Areas of wear as per use and age, including mi or scuffs and scratches. Most notable to upper interior, which has a number of marks. Also to the reverse and one side. Additional images now available.
An album of sixty paintings depicting Sikh rulers, monuments in Lahore and elsewhere, and tradespeople, soldiers and entertainers Punjab, circa 1855-60watercolours on watermarked paper, many with Lumsden & Co watermark often with 1851 date, inner margins ruled in colours, most with English inscriptions in lower margins, contemporary and local brown leather binding tooled with floral motifs, doublures of coloured paper decorated with flowers 193 x 235 mm.Footnotes:For similar albums - almost all with a standard sixty paintings - apparently often acquired by British servicemen and visitors to the Punjab, see the sales in these rooms, Bonhams, Islamic and Indian Art, 30th April 2019, lot 212; 26th October 2020, lot 268; 30th March 2021, lot 124; 25th October 2021, lot 334; 29th March 2022, lot 214A; and various other instances of single paintings or groups of paintings from dispersed albums.This one has particularly idiosyncratic comments written in by its British owner, seemingly based on personal observation, whether relating to the accuracy of the portrayal of buildings, or amused, facetious (or perhaps mystified) remarks on the tradespeople and entertainers, whom they must have seen face to face in the Punjab.The subjects of the paintings are as follows:1. Maharajah Ranjit Singh.2. Maharajah Duleep Singh, 'King of Lahore'.3. Rani Jindan.4. Maharajah Sher Singh.5. Chattar Singh Atariwala.6. Maharajah Gulab Singh, 'King of Cashmere'.7. Dost Mohamed Khan of Kabul.8. Diwan Mul Raj.9. Sher Singh Atariwala.10. Ali Akbar Khan of Kabul.11. The Jumma Masjid, Delhi (inscribed 'Exact').12. The Taj Mahal, Agra (but inscribed 'Shaz Beebee Rah Rawzah in Agra').13. Wazir Khan's Mosque, Lahore (inscribed 'Correct').14. The Badshahi Mosque, Lahore (inscribed 'the wall between the two towers in the foreground [...] down merely the features of steps remaining').15. The Golden Temple at Amritsar ('exact').16. The Qutb Minar, Delhi ('Not correct. The height is all right (400 ft). The tower might be leaning slightly. The top is not [...] is covered with characters. Cut in the material, there, destroyed').17. The Tomb of Maharajah Ranjit Singh, Lahore ('Correct. Just outside the fort').18. The Golden Mosque, Lahore ('In city of Lahore. Correct').19. The Shalimar Gardens 'in Punjab' ('6 miles from the Fort, Lahore. Correct').20. The Tomb of Jahangir, Lahore ('A King of Lahore's tomb (3 miles from Lahore Fort; on the Ravee). Correct - the trees in the foreground should be to within 5 yards of the steps - trees ought to be [...] back side of the walk also').21. Two men, one an archer, one a porter.22. A female toy seller, with two excited children.23. A bhishti, or water-carrier ('Common mode of drinking - Native well').24. Two potters.25. A man wrestling a bear.26. A man weaving, with a woman carrying a large load on her head.27. Two men preparing food.28. Male and female clothmakers, with a loom and spinning wheel.29. Two fakirs, perhaps carrying implements with which to cut themselves.30. Two linen drapers ('kuppa-wollas').31. A woman with a spinning wheel and a companion.32. Peasants operating an irrigation system powered by oxen ('the way of watering a garden').33. Three men smoking opium from hookahs.34. A man and a woman with a mule ('the way of carrying bricks, removing rubbish &c').35. Two fakirs with their dogs ('the Dog Fanciers - this is not Mother Eve [?] but a boy - a Pariah [dog]').36. A man stirring a large churn, aided by a blinkered ox.37. Two women: 'A female sweeper - And this [?]: Pretty figure!'.38. Two fakirs cutting themselves with daggers ('And they cut themselves with knives').39. Two fakirs with prayer wheels [?].40. A Sikh akali and his wife ('Bluebeard to the life').41. Two snake charmers.42. A man and woman carding wool.43. Two men dyeing cloth ('the process of dyeing').44. An entertainer with two monkeys and a goat ('the most natural of the lot').45. A barber shaving a man's head.46. 'The Slipper Maker' (and his wife).47. A nautch girl ('Lovely little creature') and three musicians.48. Two sepoys in red tunics and carrying rifles.49. A punkah-wallah and a man with a brazier ('Punkah pulling: punkah inside, female coolie in the verandah; the elevation of the Punkah is incorrect'; beneath each figure: 'Bad economy keeping a female'; 'Coolie, you can't beat her').50. A sepoy drummer ('the 'loyal' sepoy'); and a 'Native Corporal' with rifle and sword.51. 'A seller of vegetables in the bazaar - how could you refuse such a one anything!').52. Two fakirs, one with a hookah, the other with crutch and begging bowl ('An artist's privileges!').53. Two carpenters ('the Cabinet Maker').54. Two sellers of firewood.55. A man and boy winding silk ('Also a boy - He is not in the stocks').56. Two men winding cloth.57. A female acrobat and a male drummer ('A humbling attempt at the 'Poses Plastiques' - the nautch girl in one of the most 'Killing' attitudes').58. A Sikh officer and a young woman ('Romeo and Juliet').59. 'A bauble maker' and his wife.60. A blinkered ox turning a mill for grinding corn.For further information on this lot please visit Bonhams.com
An Indo-Portuguese mother-of-pearl dish Gujarat, 16th/ 17th Centuryof shallow rounded form on a short foot, constructed from pinned sections of mother-of-pearl forming a flowerhead within a central roundel with an outer band of radiating panels, brass bands to foot 20.5 cm. diam.Footnotes:ProvenanceBy repute (according to documents accompanying the dish) given by Anne Boleyn (c. 1501 – 19 May 1536), Queen of England (1533-1536), second wife of King Henry VIII to Sir John Brereton Kt; given by Miss Brereton of Brereton Hall, Cheshire to Henrietta E. Sharpe (who has collateral descent from Sir John Brereton).Acquired by a private collector from the Brereton family and thence acquired by Cameo Corner, Museum Street, Bloomsbury, London from the private collector, January – February 1940-1941.Acquired by William H. Goodenough at Cameo Corner, Museum Street, London on the 13th of June, 1941 (£18).Private UK collection.Given the western shape of these dishes, they were initially thought to be European by art historians in the 19th Century. Gujarati dishes of this design are known to have been imported to Europe from as early as the second quarter of the 16th Century, based on a documented example in the Green Vaults in Dresden. The commissioning of Gujarati mother-of-pearl wares is particularly associated with the Portuguese in India. In some cases, these dishes are known to have accompanied larger mother-of-pearl ewers, as illustrated by two examples presently in the Victoria and Albert Museum in London (inv.no. 4282-1857 and 4283-1857). For a discussion on these garnitures of Gujarati mother-of-pearl articles, see A. Jaffer, Luxury Goods From India: the art of the Indian Cabinet-Maker, London : V&A, 2002, pp.38-39.For further information on this lot please visit Bonhams.com
A Vizagapatam engraved-ivory mounted sandalwood Bureau Cabinet South India, circa 1800in two parts, the lower element on four bracket feet with hinged fall front opening to reveal a fitted interior with seven drawers, three pigeon holes and two concealed upright compartments disguised as columns, a large drawer to the front fitted with lidded divisions and four glass bottles, the upper element of rectangular form with stepped cornice and four drawers to the front flanked by hinged doors, a larger drawer above, the doors opening to reveal three further drawers and four pigeon holes to each side, decorated in ivory veneer etched with borders of trailing flowers and foliage, each leg with a makara 87 x 62 x 37 cm. Footnotes:This is a miniature version of a full-sized English bureau-cabinet made with sandalwood and veneered with ivory, with etchings in lac. This miniature bureau-cabinet showcases the flourishing international port of 18th and 19th Century Vizagapatam and its deep involvement with the English and European markets. The small size of these furniture pieces made them easily transportable and therefore more marketable to the many travellers and traders passing through the busy port (Amin Jaffer, Luxury Goods from India: The Art of the Indian Cabinet-Maker, London 2002, p. 80). The components of the cabinet reference the English furniture industry, while the floral engravings reproduce the patterns on the textiles made in Vizagapatam for export to the European market (ibid.). The furniture piece itself is assembled by Vizagapatam's expert craftsmen out of high-quality luxury materials, thanks to the city's access to natural resources like ivory and different timbers.For a similar ivory-veneered miniature bureau-cabinet, see Jaffer, pp. 80-81, no. 33. The version published by Jaffer includes additional lac engravings of trees and architecture based on European print sources.This lot has been registered as exempt from the prohibition in the United Kingdom on dealing in ivory in accordance with the Ivory Act Section 2(2). Certificate reference no. HH57UDQB.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Attributed to Ernest Gimson or Peter WaalsGlazed cabinet on chest, circa 1915 Stained oak, glazed cabinet with oak shelves fixed in line with fenestration, the deep chest with two short and five long drawers, on stepped and shaped feet, exposed dovetail joins, having brass loop pulls with octagonal backs.200.5 x 94 x 68.3 cmFootnotes:ProvenancePowell FamilyThence by descent to the present ownerThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Shapland & Petter of Barnstaple'Lily' design inlaid mahogany display cabinet, circa 1900Central cupboard with glazed door mounted with open scrolling metalwork, housing three glazed shelves, flanked by mirrored and pierced heart-shaped galleried shelves, above cupboards with fine panels of stylised lilies and butterflies inlaid with mother of pearl and fruit woods, on tapering supports.193.5 x 136.8 x 48cmStamped S&P.B to lock.Footnotes:LiteratureDaryl Bennett, 'Shapland & Petter of Barnstaple', Museum of Barnstaple, 2005, p.53, pl.4.28 (colour illustration of a similar cabinet without the metal over the door, and a small inset illustration of one with the metalwork retailed by Pratt & Sons)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A BLACK LACQUER AND GILT CHINOISERIE DECORATED CABINET ON STAND18TH CENTURY AND LATER167.5cm high, 108cm wide, 50cm deep overall Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe interior largely removed but for vestigial shelving, there is a hole to the rear too - perhaps this has been used as a TV cabinet recentlyThe stand is associated and later in make than the cabinet, these have been well marriedThe top boards look like later additionsThe doors have hinges which are loose in part and with some missing pinsVarious old splits and cracks, chips and losses, the paintwork with distressing and worn overall Please see additional images for visual reference to condition Condition Report Disclaimer
A MAROON LACQUER AND PARCEL GILT CABINET ON STANDIN 18TH CENTURY STYLE, 20TH CENTURY159cm high, 136cm wide, 56.5cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe cabinet top with various knocks, chips, scratches, splits, the lacquer dull in appearance overall, the gilt rubbed and worn, some chips and lossesThe fabric to the base appears to have been later appliedOverall solid and stablePlease see additional images for visual reference to condition Condition Report Disclaimer
A CHINESE EXPORT BLACK LACQUER AND GILT CABINET ON STANDLATE 19TH CENTURYWith arrangement of drawers and cupboard doors, the doors enclosing a fitted interior114cm high, 95cm wide, 54cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses, rubbing and wear, dirt and discolouration to the metal mounts, the surface with losses revealing underlying timber in some placesThe top and base are separate elements which sit on top of each otherThere is a key present to operate the locks, the lock to the cabinet door is a little loose but does operate at time of report Please see additional images for visual reference to condition Condition Report Disclaimer
Φ Alexander Goudie (Scottish 1933-2004)Dining Room CabinetSigned Goudie (upper left), and with Alexander Goudie Trust stamp (to stretcher)Oil on canvas, 1980-198550.5 x 50.5cmProvenance:Property of the artist, hung in the family dining room, Glasgow;The Alexander Goudie Trust (their stamp to stretcher);From whom purchased by the present private collectors, 2016According to the artist's son, Lachlan Goudie, the cabinet depicted in the present work 'sat in our Glasgow dining room and contained silverware and crystal glasses. My father had designed the decor of the dining room, with painted black walls, to accentuate the drama of our dining room table: a centrepiece lit from above and covered in white tablecloth and sparkling cutlery. He painted many still life paintings of this room and its contents'.
A 1930s burr walnut veneered triple wardrobe compactum of shallow bow fronted outline, on shaped bracket feet, with simulated amber handles, 148 cm wide x 67 cm deep x 198 cm high (including later castors), together with a matching smaller tallboy cabinet, 84 cm wide x 53 cm deep x 151 cm high
A 1930s oak cased long case clock, the musical movement with square silvered dial and Roman numerals, 56.5 cm wide x 27.5 cm deep x 190.3 cm high, together with an early 20th Century oak veneered record cabinet "The Lifeguard Cabinet", 57 cm wide x 54 cm deep x 77 cm high, together with a collection of various 78s, a Voco Pro Mk 18 Pro microphone (x 2), an AKG microphone, a Goodmans Magic Mic with special effects, Newmark WM200 microphone, Kwik Tune guitar tuner, Roberts plectrum press, music stand, two microphone stands, etc
An Edwardian mahogany and inlaid serpentine fronted display cabinet, the moulded cornice over two glazed cabinet doors enclosing three shelves, raised on square tapered legs to spade feet, 109.5 cm wide x 42 cm deep x 174 cm high, together with a 19th Century mahogany oval drop leaf dining table on turned tapering legs to pad feet 173 cm x 71 cm high
A 20th century mahogany art nouveau style display cabinet with shaped top over central glazed fall front compartment over single drawer, cabinet door flanked by glazed doors containing velvet upholstered interior on cabriole supports, 152cm high x 132cm wide x 42cm deep Condition Report:Available upon request
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306894 item(s)/page