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A 1950s/60s Hille of London teak rectangular display cabinet fitted with two sliding doors, on turned tapering legs, 137cm wide, 76cm high, (top marked and water-stained) and a 19th century mahogany fire screen with side screens, on end supports, 55cm wide, 120cm high, (repairs to framework), (2).
An Edwardian carved mahogany display cabinet:, in the Georgian neo-classical taste with a moulded husk cornice and anthemion and husk swag frieze centred by an urn, fitted with adjustable shelves enclosed by a pair of astragal glazed panel doors with oval panels of urns and trailing husks, fitted with two drawer below, decorated with paterae and scrolling foliage, the fluted and paterae decorated apron base on reeded square tapered legs, terminating in spade feet, 131cm (4ft 3 1/2in) wide, 201cm (6ft 7in) high. *Provenance Rockbeare Manor, Exeter, Devon.
An 18th Century Flemish carved oak display cabinet:, of large size, the domed upper part with a moulded dentil broken pediment and inscription to the tassel hung frieze, enclosed by a pair of glazed panel doors flanked by stiles with flowerheads and continuous scrolls and glazed panel canted sides, the lower part with a dentil edge, enclosed by three panel doors, decorated with entwined tassels, flowerheads and inlaid stellar ornament between similar stiles and canted angles on bun shaped feet, 225cm (7ft 4 1/2in) wide, 244cm (8ft) high.
A 19th Century satinwood and marquetry, gilt metal mounted display cabinet:, bordered with lines and with applied paterae, surmounted by an oval twin handled pedestal urn with flaming torch, flanked by gilt metal turned finials, the blue velvet lined interior with adjustable shelves, enclosed by a pair of moulded glazed panel doors with panels below, decorated with neo classical urns, having a moulded and beaded shaped apron base on turned and fluted tapered legs, 120cm (3ft 11 1/4in) wide, 202cm (6ft 7 1/2in) high.
A Japanese black and gilt lacquer table cabinet:, with graduated shelves and compartments enclosed by sliding and hinged doors decorated with lily, peony and other blossom, urns, birds, a rabbit and a basket of flowering foliage, having turned uprights and fitted with two small drawers to the base, on splayed feet, 56cm (1ft 10in) wide, 63.5cm (2ft 1in) high.
An early 19th Century mahogany hanging corner display cabinet:, with a moulded swan neck broken pediment, with roundel ornament centred by a turned finial, having a moulded dentil cornice and fixed shaped fronted shelves enclosed by a Gothic and ogee pointed arch glazed astragal door, 74cm (2ft 5in) across, 128cm (4ft 2 1/2in) high. *Provenance Rockbeare Manor, Exeter, Devon.
A MODERN CANTEEN OF CHIPPENDALE PATTERN FLATWARE & CUTLERY IN A FITTED FOUR DRAWER CABINET WITH LIFT-UP COVER: Sixteen table forks, six table spoons, twelve soup spoons, twelve dessert spoons, sixteen dessert forks, twelve fruit/dessert knives, twelve fish forks, a pair of fish servers, eight egg spoons, twelve coffee spoons, a butter knife, two sauce ladles, a pair of serving tongs, a sugar sifter ladle, two pairs of plated nut cracks, a pair of grape shears, a pair of knife rests, a set of sixteen table knives & twelve side knives (with stainless steel blades) a carving knife & fork (with stainless steel blade & tines), all crested to match, all by William Hutton & Sons Ltd., Sheffield 1930/31/32 and twelve plated, non-matching tea spoons; 236.5 oz weighable silver; the cabinet 21.3" (54 cms) wide
WILLIAM GRIMALDI R.A. (1751-1830) A miniature portrait of His Grace Arthur Duke of Wellington standing in Field Marshal's uniform wearing orders and decorations and holding baton and sword, three quarter length, signed and dated 1814, on ivory,19 x 14.5 cms, in original gilt gesso frame *The baton that the Duke is holding was presented to him by the Prince Regent in 1813 and the sword is that presented to him at a Guildhall banquet by the Common Council of the City of London in July 1814. It is recorded that Wellington sat four times for this portrait which was painted at Apsley House just before he set out for Brussels and the Low Countries on his way to take up his appointment as Ambassador in Paris which he entered in August 1814. In 1815 the portrait was exhibited at the Royal Academy (no. 555). Grimaldi attracted the notice of Sir Joshua Reynolds, many of whose works he copied in miniature and Reynolds recommended him to royalty and many persons of distinction. In 1804 he was appointed enamel painter to the Prince of Wales. His works were recorded by his descendant A.B. Grimaldi in his "Catalogue Chronological and Descriptive of Paintings, Drawings & Engravings by and after William Grimaldi RA." (privately printed 1873). It includes no. 185, H.G. Arthur L. Duke of Wellington K.G. 1814, three quarter length cabinet size "for Capt. Stacey of Maidstone" (the portrait offered for sale). Provenance of this and the following lot: By descent from the Stacey family, the original purchaser being Capt. Edwin Stacey (b.1794 and gazetted Lieutenant in the XII Light Dragoons in 1812)
An early Victorian mahogany coin collector's cabinet, double-doors with lock (no key) and bolts, carrying handles (one lacks loop), containing 12 soft-wood trays, pierced to hold coins of varying sizes, the base inset with engraved copper plate with maker's details, 14 x 9 ½ x 9 ½ ins [355 x 240 x 240mm]. The plate on the base reads "Robert Kay fecit Anno Domini 1848". It is possible that there might be a connection between the cabinet and a coin collection sold at Christie's on 20 July, 1896 "The Property of Mrs R. L. Kay formerly of Park House, Earls Court".
An early 20th Century light oak haberdashery cabinet, 'Dudley & Co Ltd, showcase manufacturers, Holloway, London' The upper section fitted with eighteen glass paneled short drawers, each with bronze loop handle, the base section fitted with two full length cupboard doors enclosing one large storage space, raised on plinth base, width approx 112cm. (illustrated)
A fine quality Edwardian walnut and part ebonised pop-up drinks cabinet The rectangular shaped top decorated with a pair of shaped recesses between the rope twist borders, the two brass flush handles opening the top to reveal a rising interior beautifully fitted with a suite of three cut glass decanters, twelve glasses, a pair of wooden coasters, a cocktail stick receptacle, and an ashtray, raised on four tapered bold cabriole legs carved with acanthus knees and claw and ball feet, closed width approx 66cm, open width approx 130cm. (illustrated)
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306894 item(s)/page