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A good quality Victorian Hepplewhite style inlaid glass cabinet, the broken arch form cornice above an inlaid panel, and the central door with applied astragal mouldings. A single panelled door below raised on square tapering supports with spade feet and a shelf stretcher between. 48 x 16 x 72" .
A delightful 19th century bow fronted mahogany cabinet makers specimen chest, the top inlaid with quality veneer cuts and bandings. The two short and three long graduated cock beaded drawers with wooden knobs inlaid with veneers. The shaped frieze plinth with a harlequin boxwood and ebony banding. 23 x 12 x 22" .
A fine quality Victorian mahogany Renaissance revival style display cabinet, the flat moulded cornice above twin convex panelled glaze doors with mahogany oval roundel panels below, the central panel with applied scrolling and carved leaf work mouldings above a single door with oval carved applied moulding. The whole raised on ball and claw cabriole legs with carved acanthus knees. Central carved shell motif between. 57 x 19 x 76"
A late 19th century Art Nouveau inlaid mahogany display cabinet, in two sections, the top half having a shaped inlaid pediment above a glazed cupboard with open galleried shelves to either side and with a series of three bevelled mirrors beneath with pierced supports, the base having a centre bow fronted recess and fitted with a series of short drawers and panelled cupboard doors, each profusely inlaid with Art Nouveau inspired designs and with pierced frieze beneath and standing on short spade feet. Width 55ins.
A George III mahogany hanging corner cabinet, having a swans neck pediment with pierced fretwork beneath and with dentil cornice above an inlaid frieze with bird and branch decoration and in turn above a rectangular thirteen pane glazed door with wooden astragals enclosing shelves, the whole flanked by canted angles with shell inlay and chevron banding and with moulding beneath. Width 26ins.
A late Victorian mahogany and walnut roll top desk, the rectangular top with chamfered edge with plaque beneath inscribed "W. Stahlschmidt & Co., Manufacturers, Preston, Ontario, Canada" and in turn above the tambour front opening to reveal pigeon holes and leatherette covered writing surface in turn above a central frieze kneehole drawer flanked on either side by a further shallow drawer and each pedestal fitted with a hinging swivelling cabinet enclosing drawers and pigeon holes and with plinth beneath and raised on castors, each drawer with brass drop handle with embossed backplate, the whole with panelled sides and panelled back. Width 60ins.
A Victorian walnut pier cabinet, the rectangular top with ebonised moulded edge above a boxwood strung and classically inlaid frieze in turn above a pair of panelled cupboard doors outlined in boxwood stringing and enclosing shelves and flanked on either side by pilasters with ormolu mounts and with plinth base beneath. Width 48ins.
A Victorian ash and walnut bedroom suite, comprising wardrobe, dressing chest and bedside cabinet, the wardrobe with a moulded dentil cornice above a serpentine frieze in turn above a central bevelled mirrored door with triangular pediment above flanked to left and right by a similar foliate carved panelled door enclosing drawers and hanging space, each panel being boxwood and ebony strung and with plinth base beneath. Width 74ins., dressing table width 48ins.
Irving (Henry, 1838-1905). Signed Cabinet albumen photo by Window & Grove, late 19th c., signed on mount beneath, together with another similar of J. Forbes-Robertson by W. & D. Downey, signed on image, both dated 1900, plus a five-line Shakespeare quotation ("Spirits are not finely touched...", written and signed by Moncure D. Conway (1832-1907), St. Kilda, 12th November 1883, 1 page, 8vo (3)
*Autograph Album. Compiled by Rev. Arthur Myers (1846-1916), his wife, and their daughter Mary Ethel Myers (1872-1943), Ruskington Rectory, Sleaford, Lincs., late 19th and early 20th c., incl. autograph letters signed by Bishops of Chichester, York, Oxford, Lincoln, Norwich, Gloucester & Bristol, Hereford, St Davids, Sir Richard Owen (1804-92) thanking a Mrs Fowler for two old spears, Philip H. Calderon (1833-98, painter), Lord St Oswald, Sir Richard Grosvenor, Lord Winchelsea, Richard Corney Grain, General Sir Charles Reid, Francis Seymour Haden (torn and repaired), Lord Bradford, George C. Martin, two signed cabinet photo portraits of Henry Irving and Arthur James Balfour, plus signatures of General Sir Harry Lumsden [uncle of Mary Ethel, introduced Khaki into the British Army], E.A. Derby, James Davey (with adjacent note: 'last known soldier who fought at Waterloo, aged 95, 23rd Regiment of Royal Welsh Fusiliers'), Sir Samuel James Browne (1824-1901), Sir John Fowler (1817-98, civil engineer), Sir Edwin Landseer (1802-73, painter), A.H. Layard (1817-94, explorer), Henry Keppel (1809-1904, admiral), Charles Dickens (son of), George Grossmith, Florence Nightingale (1820-1901, nursing reformer) in pencil, Sir William Henry Flower, Sir Edward C. Hodge, and others, over 100 items in total, most items taped or hinged at corners and many identified in old pencil, blank leaves at rear, most leaves loose in orig. padded morocco, worn with old tape repairs, brass clasp and key present, 4to (1)
Baxter (George). The Pictorial Album; or, Cabinet of Paintings, for the year 1837, eleven plts. printed in oil colours by Baxter including title, some foxing to frontis. and title, and to plt. margins, inner hinges restrengthened, a.e.g., orig. straight-grained plum morocco, blocked in gilt, with green, red and blue onlays, rubbed and a little chipped to joints and extrems., 4to. McLean, Victorian Publishers' Book-Binding p. 17 (illustrated). (1)
An Italian specimen marble table, the centre inlaid shell and coral with radiating fan to a single border on a carved wood base of four dolphin subjects and leaf carved plinth, the base with a brass plaque 'C. Nosotti, Carver, Gilder Upholsterer and Cabinet Maker, Oxford St. ', 54in (137cm) diameter.
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306845 item(s)/page