A collection of English and Continental cabinet ceramics, including two Minton 827 pattern cups and matching saucer, a Cauldron gilt and floral cup, a Crown Staffordshire floral and Imari coffee can and saucer, a Royal Worcester saucer, a Minton Marlow jardiniere, a boxed set of six small Furstenberg dishes decorated with hunting scenes, a floral-decorated two-handled circular tureen and cover heightened in gilt and a Thuringian reticulated basket decorated with flowers
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An early 20th century golden oak dining suite in the exhibition Arts & Crafts design by John Shearer, Kendal, comprising full height triple mirror back sideboard with carved extensive swag and oak decoration with ornate oval cast panel pictorial relief detail over breakfront base with extensive carved foliate and sea serpent decoration, a set of seven (6+1) slat back chairs having heart and clover decoration on tapered legs, a pair of similar carver chairs and a wind out table having marquetry clover inlay and individual carved legs, stamped with associate history for Shearer, cabinet maker and possible Arthur Simpson connections, bought in 1943 from property in KendalCONDITION REPORTStructurally sound, age related wear, overall in good orderTable height 30 inches, Width 50 inches, Length 74 inches Two extra leaves 18 inches eachSideboard Height 72 inches, Width 84 inches Depth 27 inches
Original vintage banner poster published by the Royal Authority to announce the State Procession for the Coronation of Her Majesty Queen Victoria, taking place on the 28th of June 1838, between the Queen's Palace to the western door of Westminster Abbey with the poster featuring the list of all the attendees. The coronation of Queen Victoria took place on Thursday, 28 June 1838, just over a year after she succeeded to the throne of the United Kingdom at the age of 18. The ceremony was held in Westminster Abbey after a public procession through the streets from Buckingham Palace, to which the Queen returned later as part of a second procession. Planning for the coronation, led by prime minister Lord Melbourne, began at Cabinet level in March 1838. In the face of various objections from numerous parties, the Cabinet announced on Saturday, 7 April, that the coronation would be at the end of the parliamentary session in June. It was budgeted at £70,000 which was more than double the cost of the "cut-price" 1831 coronation but considerably less than the £240,000 spent when George IV was crowned in July 1821. A key element of the plan was presentation of the event to a wider public. By 1838, the newly built railways were able to deliver huge numbers of people into London and it has been estimated that some 400,000 visitors arrived to swell the crowds who thronged the streets while the two processions took place and filled the parks where catering and entertainment were provided. Hyde Park was the scene of a huge fair, including a balloon ascent. The fair was scheduled for two days but extended by popular demand to four. Green Park featured a firework display the night after the ceremony. The event took place in fine weather and was generally considered a great success by the press and wider public, though those inside the Abbey witnessed a good deal of mishap and confusion, largely due to lack of rehearsal. In the country at large, there was considerable Radical opposition to the coronation, especially in the North of England. Fair condition, folds, tears and paper losses. Country: UK , year of printing: 1838, designer: Unknown, size (cm): 131x28
Original vintage advertising poster for Cabinet Pictures Exhibition by Josef Israel's at Coupil Gallery, Regent street, Pall Mall. Jozef Israëls (27 January 1824 – 12 August 1911) was a Dutch painter. He was a leading member of the group of landscape painters referred to as the Hague School and, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century". Israëls has often been compared to Jean-François Millet. As artists, even more than as painters in the strict sense of the word, they both, in fact, saw in the life of the poor and humble a motive for expressing with peculiar intensity their wide human sympathy; but Millet was the poet of placid rural life, while in almost all Israëls' pictures there is some piercing note of woe. Edmond Duranty said of them that they were painted with gloom and suffering. He began with historical and dramatic subjects in the romantic style of the day. By chance, after an illness, he went to recuperate his strength at the fishing-town of Zandvoort near Haarlem, and there he was struck by the daily tragedy of life. Thenceforth he was possessed by a new vein of artistic expression, sincerely realistic, full of emotion and pity. Among his more important subsequent works are The Zandvoort Fisherman (in the Amsterdam Gallery), The Silent House (which gained a gold medal at the Brussels Salon, 1858) and Village Poor (a prize at Manchester). In 1862, he achieved great success in London with his Shipwrecked, purchased by Mr Young, and The Cradle, two pictures that the Athenaeum magazine described as the most touching pictures of the exhibition. A portrait of Jozef Israëls was painted by the Scottish painter George Paul Chalmers. His later works include The Widower (in the Mesdag collection), When we grow Old, Peasant Family at the Table[6] and Alone in the World (Van Gogh Museum / Amsterdam Gallery), An Interior (Dordrecht Gallery), A Frugal Meal (Glasgow museum), Toilers of the Sea, Speechless Dialogue, Between the Fields and the Seashore, The Bric-a-brac Seller (which gained medals of honor at the great Paris Exhibition of 1900). Poor condition, creasing, tears, several paper losses, tears repaired with tape. Country: UK, year of printing: 1890s, designer: Josef Israel's, size (cm): 76x51
Original vintage caricature print by Honore Daumier titled 'Amiral Menschikoff on a tour of inspection' (L'Amiral Menschikoff en tournee d'inspection) with the illustration showing the Amiral kicking an other army officer. Part of a series of prints by Honore Daumier issued during Crimean War titled The Cossacks for laughing (Les Cosaques pour rire). Prince Alexander Sergeyevich Menshikov (Russian: ?????????? ?????????? ?????????; 26 August 1787 – 2 May 1869) was a Finno-Russian nobleman, military commander and statesman. He was made adjutant general in 1817 and admiral in 1833. A great-grandson of Alexander Danilovich Menshikov, Duke of Ingria, and a cognatic descendant of the Princely House of Golitsyn (another of his great-grandfathers was Prince Mikhail Golitsyn, the military governor of Åbo during the Russian occupation in the Great Northern War). Menshikov entered the Russian service as attaché to the embassy at Vienna in 1809. He became close with Tsar Alexander I and accompanied him throughout his campaigns against Napoleon. In 1817 Menshikov was appointed acting Quartermaster general of the General Staff. In 1823, he was transferred to the ministry of foreign affairs. Menshikov retired from army service in 1824. During the initiation of the Russo-Persian War of 1826–28 and the success of Abbas Mirza's initiative in Tehran, Menshikov was placed under house arrest. He was appointed head of the Naval Headquarters and cabinet minister by Tsar Nicholas I. He distinguished himself at the Siege of Varna in 1828 when an exploding Turkish cannon shell emasculated him. In 1830 he became a member of the State Council. In 1831 Menshikov held the post of Governor-General of Finland. He mainly devoted himself to naval matters. His bad influence on the development of the Russian Navy stalled its technical progress and combat training. In 1853, Menshikov was sent on a special mission to Constantinople, and when the Crimean War broke out he was appointed commander-in-chief on land and sea. He commanded the Russian army at Alma and Inkerman and showed incompetence and lack of military talent. On 15 February 1855 Menshikov was removed from command and replaced by Prince Mikhail Dmitrievich Gorchakov. Between December 1855 and April 1856, he held the post of Governor General of Kronstadt and then retired. He died in St. Petersburg. He was created Prince (Fürst) in the Finnish nobility, being the only person of the rank of prince to be registered in the Finnish House of Nobility. The first Finnish steamship Furst Menschikoff was named after him. Very good condition, backed on linen. Country: France, year of printing: 1854, designer: Honore Daumier, size (cm): 24x27 (Horizontal)
Silver and silver mounted wares, comprising; a small hot water jug of cylindrical form, Birmingham 1910, three Victorian salts of circular form, London 1866, another similar salt, London 1895, with a case to hold four salts, a silver mounted glass spirit flask, with a pull-off beaker base, a silver lidded glass faceted oval toilet jar, a cachou box, probably Dutch, modelled as a cabinet, a brooch badge designed as plumes, detailed Ich Dien and plated wares, comprising; a bottle coaster, with a turned wooden base and a curved rectangular spirit flask, combined gross weight of silver 517 gms, (11).
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305988 item(s)/page