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Lot 172
Three boxes containing a collection of various treenware including Art Deco carved wooden Corpus Christi (one arm missing) 50cm high, a Swiss carved pot as a boot maker stamped "Mürren", various boxes, a parquetry work cutlery tray, a candlestick, a circular tray, a Herringbone marquetry mirror frame, a Chinese hardwood miniature urn stand, a large carved wooden bowl, a pen work decorated wooden sundial dated 1936 and inscribed "There's fog and mist from dusk till 9 from 10 till 5 I tell the time" signed F.A.N. Fecit, a 19th Century rosewood pin cushion with drawer, a carved Blackamore cane handle with ivory eyes, a Secessionist style carved framed hand mirror initialled A.M., a display cabinet for bananas inscribed "Plantain, fig banana and banana", a collection of sample woods, treenware ladles, etc.
Lot 664
A 19th Century oak chest of two short over three long graduated drawers 87.7cm wide x 40cm deep x 79cm high together with a 19th Century mahogany chest of two short over two long drawers 74cm wide x 45cm deep x 72cm high, and oak circular occasional table on turned tapering ash supports united by stretchers 44cm diameter x 53cm high, a nest of two occasional tables, a 20th Century oak chest of three long drawers, oak pot cupboard and oak side cabinet with open shelving
Lot 784
An Edwardian mahogany and satinwood banded display cabinet of demi lune form, the shallow raised back over a single glazed door and two curved side panels enclosing two shelves raised on square tapered legs united by a shaped under tier to spade feet 91.5 cm wide x 43 cm deep x 157.5 cm high
Lot 4
An Edwardian mahogany and satinwood display cabinet, inset with green Wedgwood style plaques, each decorated with putti playing games, etc., the top with a moulded cornice above a frieze inlaid with marquetry swags, with an arched recess, backed by bevelled mirror plate and flanked by two astragal glazed doors, each velvet lined, the base with an arrangement of three panel doors on square tapering legs with brackets, 183cm high, 124cm wide.
Lot 981
An Edwardian mahogany and satinwood crossbanded standing corner cabinet, the top with a glazed door enclosing a fitted interior, above two part mirrored supports each with pierced brackets, the base with two glazed doors enclosing a fitted interior on square tapering legs. 193cm high, 78cm wide.
Lot 727
A Regency walnut pier cabinet/bookcase with key, the cabinet belonged to Mrs Maria McNeil who was five times the Mayoress of Crewe, news cuttings of her death and photo copy gifting the cabinet to her granddaughter enclosed. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133
Lot 448
A Jaycee oak glazed bookcase, linenfold panel doors, 134.5cm high, 98cm wide, 33.5cm deep; a similar side cabinet, 81cm high, 106.5cm wide, 35.5cm deep; an Old Charm oak blanket chest, of small proportions, 51cm high, 69cm wide, 38cm deep; a nest of three occasional tables, the largest 48.5cm high, 55cm wide, 35cm deep; a circular occasional table; a standard lamp (6)
Lot 1
A GROUP OF FOUR CARVED PANELS MOST LIKELY EARLY 19TH CENTURY, POSSIBLY EARLIER carved oak, depicting fruiting vines, flowering thistles, daisies and a coat of arms, 29.8cm x 26.7cm; daisies 30cm x 25.5cm; thistles 30.2cm x 26.7cm; vines 30.2cm x 26.7cmFootnote: Note: During the early nineteenth century in Scotland the Romantics of the period, fuelled by the literary works of Sir Walter Scott, expressed a desire to revive aspects of early medieval life and philosophy in an attempt to escape from urban growth and industrialisation. Striking in design and boldly carved, it is likely that these panels are a product of this Revival period, and they undoubtedly share a resemblance to surviving examples of sixteenth century Scottish carvings. Early Scottish oak panelling was often used to front large doors, decorate interior schemes or certain pieces of furniture such as chests, seating or cupboards. Eighteenth century cabinet makers would have certainly looked to a number of historically important examples for inspiration, reproduced in various books, print and exhibitions. A closer look at the present lot reveals three distinct motifs feature prominently: stylised grape clusters sprouting from young vine plants; a series of Scottish thistles in bloom; and an array of more delicate flowering roses or daisies. The use of the rose, thistle and other flowering vine plants is evident in other important examples of early Scottish woodwork, such as The Montrose Panels, currently on display in the National Museums of Scotland, and the St Andrews Cupboard, from the University’s own collection. The St Andrews Cupboard is particularly interesting as it is thought that the featured motifs in these panels are part of an iconographic scheme used to symbolise the marriage of King James IV and Margaret Tudor. The carved thistles in that context are therefore of Royal as well as National significance, representing King James IV and the Scottish Crown. Meanwhile, the delicate scattering of roses and daisies are recognised as emblems of the House of Tudor, thus a reference to Margaret Tudor. In the present lot, the armorial does not appear to have been officially registered and therefore it is difficult to determine whether they link to a particular Scottish family. Nevertheless, the stylistic affinity shared with early medieval oak panelling is clear and they offer a fitting tribute to past traditions in Scottish art and furniture design.
Lot 299A
A UNIQUELY PRESENTED JACOBITE BANKNOTE PRINT AFTER SIR ROBERT STRANGE, PRINTED BY EDINBURGH PRINT MAKERS 2021 ON BEHALF OF WEST HIGHLAND MUSEUM, FRAME BY PETER DAVIS CABINET MAKER FORT WILLIAMThe print taken from the original 1746 copper plate engraved by Robert Strange, showing four banknotes one penny, two pence, three pence and six pence denominations, with four others left blank, the central motif of intertwined initials CP within a rococo cartouche with thistle emanating and surmounted by crowned Prince of Wales Feathers, with trophy of arms behind, raised on an architectural plinth. Contained in a handmade beach wood frame, numbered 1 of 22 and signedTaken from an original relic of the 45‘, this contemporary print continues the Jacobite tradition of fundraising for their Cause, yet this time all proceeds raised will help fund the cause of the West Highland Museum in Fort William. This print is the first of twenty-two in total, produced by the Edinburgh Print Makers in 2021 to mark the 100th Anniversary of the Museum itself, in an effort to raise funds for an exciting re-development and conservation plan; Lyon & Turnbull are delighted to help with the sale of this remarkable piece.
Lot 339
Rex Whistler (1905-1944) for Wedgwood'Clovelly' vase, with printed marks to the base,15cm high, and two other Wedgwood cabinet plates, one with Barlaston, 1939 scene, the other with Trent & Mersey Canal 1777 scene, 15.5cm across (3) Condition report: With crazing to the glaze, some scratches and display wear as expected.
Lot 391
Kate Glanville (Contemporary)vase, made for Liberty & Co, circa 1998, signed to the base, 23cm high and a similar cabinet plate signed to the base, 18cm across, with a Moorcroft pottery table lamp, impressed mark and label to the base, 31cm high including the fitting (3)Condition report: Overall ok, with minimal display wear and minor scratches.
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