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Lot 173
CABINET Il ouvre en façade par onze tiroirs sur quatre rangs entourant une porte centrale. Le décor, présent sur toutes les façades des tiroirs, des côtés, du dessus et de l`arrière, est constitué de frises d`étoiles à huit branches, elles-mêmes constituées de losanges et de filets. Sont utilisés pour la marqueterie l`ivoire ou l`os teinté en vert, l`étain en filets ou plaques, des bois indigènes et de palissandre constituant les fonds. Toutes les façades et côtés ont des entourages composés de frises de points de Hongrie et de motifs géométriques. Les parties noires du cabinet sont en bois noirci. La porte centrale s`ouvre par deux charnières sur un décor assorti et l`intérieur de la porte est marqueté de cubes. Les côtés sont ornés de poignées ovales en fer. Italie du Nord ou peut-être Espagne, style du XVIIe siècle. (Très belle qualité de marqueterie et bon état. Le panneau arrière présente une fente, et un léger soulèvement de placage sur le côté droit). HAUT. 41,5 cm - LARG. 60 cm - PROF. 35,5 cm
Lot 174
CABINET DIT "VENTÓ" Il est de forme cubique et ouvre sur un petit côté par une porte fermant par une serrure à platine de laiton découpé et ajouré. Ouverte cette porte découvre quatre tiroirs sur trois rangs portant un décor identique que la porte, les dessus et les côtés du cabinet. Ce décor est fait d`une succession de cercles contenant en leur centre une étoile à huit branches, ces motifs sont en ivoire sur un fond de palissandre. Les charnières sont découpées ajourées comme la platine de serrure. Sur la tranche des côtés du dessus et du dessous on peut voir une succession de clous à tête demi-sphérique à facettes en laiton. Il repose sur quatre pieds tournés en bois. Travail indo-portugais du XVIIe siècle. (Panneaux arrière et intérieur de la porte restaurés, quelques décollements de filets, quelques fonçures de tiroirs restaurées) HAUT. 37 cm - LARG. 30,5 cm - PROF. 41,5 cm
Lot 680
A LATE VICTORIAN MAHOGANY DISPLAY CABINET of straight fronted oblong form crossbanded with stringing, moulded cornice with arched central section, two glazed doors below with scroll and leaf carved applied glazing bars flanking a similar arched central panel and enclosing shaped mirror backed shelving, the frieze and apron in marquetry ribbon tied floral swags, raised on collared square tapering legs, 48" x 17 1/4" x 75 1/4"
Lot 698
AN ART NOUVEAU MAHOGANY AND MARQUETRY DISPLAY CABINET in the manner of Shapland & Petter, comprising twin pedestal glazed cabinets with overhanging pedimented tops on pierced brackets flanking central shelves with gallery back, two drawers below with copper drop handle, shaped apron, on splayed square section legs and block feet, 52" x 15 3/4" x 57 1/2"
Lot 700
A CHINESE PAINTED CABINET, c.1900, of oblong form, comprising two multi-panelled doors gilded with figures and flowers, on a black and red ground, and opening to reveal shelved interior with two small drawers, pierced scrolling foliate apron, panelled sides, raised on four moulded square supports, joined by stretchers, 38 1/2" x 18 1/2" x 64 1/4"
Lot 710
AN AMERICAN ARTS AND CRAFTS OAK DESK TABLE by the Cadillac Cabinet Company, the oblong plank top over plain frieze with pull out desk drawer fitted with inkwells and pen rest, and with hinged writing slope, square wooden handles, raised on four square main supports and slatted substructure with shelf, manufacturer`s label, 39 1/2" x 23 3/4" x 29 1/4" (Illustrated)
Lot 718
A DUTCH MAHOGANY AND FOLIATE MARQUETRY DISPLAY CABINET, c.1900, of shallow canted oblong form, arched stepped and moulded cornice centred by a carved shell, two multi pane astragal glazed doors flanked by glazed panels, enclosing a velvet lined interior with shaped shelving, four small drawers below with chequer banding flanked on either side by a cupboard door, raised on six scrolled supports joined by an undershelf, 59 1/2" x 16" x 88 1/2" (Illustrated)
Lot 740
AN ART DECO WALNUT PART BEDROOM SUITE with coromandel banding and chrome plated tubular handles, comprising triple wardrobe, the stepped fascia with three doors enclosing hanging spaces and slides, on fluted ebonised plinth, 60 1/2" x 73 1/4", matching dressing table, stool and bedside cabinet (4)
Lot 105
A Canteen of silver and plated Cutlery in mahogany cabinet with hinged lid above four drawers on square tapering legs and casters, mainly by Mappin & Webb, includes 12 silver Tea Knives and Forks, 12 silver Fish Knives and Forks and pair of Servers, Sheffield 1926/7. The remaining items all plated
Lot 30
FINE GEORGE II CARVED MAHOGANY LIBRARY ARMCHAIR CIRCA 1755 the arched back and serpentine seat flanked by outscrolling arms with foliate and shell carved terminals, over a lattice carved apron centred by a ruffled shell and foliate scrolls, raised on shell and foliate carved cabriole legs ending in scrolled toes, in later green and yellow floral silk upholstery 68cm wide, 92cm high, 51cm deep Note: The inspiration for this elegant armchair is undoubtedly taken from French fashion of the period as interpreted by a mid 18th-century cabinet maker. Thomas Chippendale illustrated several examples of `French` chairs in his `Gentleman and Cabinet Makers Director published in 1754, and other important cabinet makers of the St. Martin`s Lane Academy worked in this style. The pattern of this chair, with its incised trellis ground, enjoyed considerable popularity in the mid 18th century, making identifying the specific maker a bit of a mystery. The chair is very similar to the well-known suite of seat furniture previously in the collection of Sir John Ward, K.C.V.O of Dudley House. Helena Hayward, the furniture historian, in her 1964 Conoisseur article described the Dudley House suite saying "it would be no exaggeration to claim that no finer example of its period is now known to exist". Several top London cabinet makers have been put forward as the likely makers of these chairs, including William Bradshaw of Greek Street, Soho, or his partner Paul Saunders who supplied related suites to Hagely Hall Worcestershire and Petworth, Sussex. Other potential candidates include James Whittle, Snr and Samuel Norman of St. Andrew`s Street Soho, as well as William Vile and John Cobb of St Martin`s Lane who supplied related cabriole legged chairs, John Chute at the Vyne, Hampshire and the Hon. John Damer of Came House, Dorset. A pair of similar chairs sold Christie`s New York, 11 June 2010, lot 428.
Lot 43
GOOD PAIR OF GEORGE III MAHOGANY AND BEECH `CHINESE CHIPPENDALE` ARMCHAIRS CIRCA 1760 each with an arched and foliate scroll carved top rail over a lattice work straight back and slightly scrolling open lattice work arms, over a plank seat and blind fret carved seat rail, raised on straight square blind fret carved legs joined by an H-form stretcher (2) 60cm wide, 102cm high, 47cm deep Provenance: Property from a Scottish country house Note: The design for these chairs is taken almost exactly from Thomas Chippendale`s Gentleman and Cabinet-Maker`s Director, plate XXVII. It incorporates a number of Chinese influences including the blind fret carving and open trellis found throughout Chippendale`s design book.
Lot 116
VICTORIAN MAHOGANY BREAKFRONT BOOKCASE 19TH CENTURY the moulded cornice above a pair of glazed doors flanked by further glazed doors opening to shelves; the lower part with moulded panel doors on a plinth base, one drawer bearing a trade label for `Thomas Coquhoun, Cabinet maker and Upholsterer, 103 St. Vincent Street Glasgow` 250cm wide, 245cm high, 52cm deep Note: Thomas Colquhoun is registered as beginning trading in 1847
Lot 145
VICTORIAN WALNUT, EBONISED AND MARQUETRY GILT METAL MOUNTED SIDE CABINET CIRCA 1870 the serpentine top over a conforming frieze and pair of serpentine cupboard doors with oval floral marquetry panels flanked by glazed doors opening to shelves, raised on a plinth base, outlined in gilt metal with figural mounts 187cm wide, 107cm high, 46cm deep
Lot 146
VICTORIAN BURR WALNUT, YEW WOOD, MAHOGANY AND INLAY GILT METAL MOUNTED DISPLAY CABINET CIRCA 1870 the rectangular top with outset rounded corners above a glazed door flanked by fluted three quarter columns, opening to a green plush lined shelved interior, on a conforming plinth base and bun feet 92cm wide, 120cm high, 43cm deep
Lot 150
VICTORIAN ROSEWOOD, MARQUETRY, AND IVORY INLAY DISPLAY CABINET BY MARSH, JONES & CRIBB CIRCA 1880 the superstructure with a moulded broken arch scroll pediment above three bevelled mirror plates and display shelves; the lower part with a bow front galleried recess flanked by cupboard doors and glazed side doors opening to green baize lined shelves, over an open undertier raised on fluted square columns on a plinth base, the whole with scrolling foliate, garland and flowering urn marquetry, bearing a paper label to the reverse `Marsh, Jones & Cribb (late Kendall & Co) 152cm wide, 249cm high, 50cm deep
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306845 item(s)/page