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Lot 197
Pain William The Builder`s Companion and Workman` second edition 88 engraved plates only (of 92) a few folding with repairs and reinforcements by Douglas Cockerell &Son (invoice tipped-in at back) some marking to margins title repaired at upper fore-corner modern morocco-backed marbled boards by Cockerell for Robert Sayer 1765 § Hepplewhite (A.) The Cabinet-Maker and Upholsterer`s Guide third edition illustrations original decorated cloth B.T.Batsford 1897 folio(2)
Lot 206
Sheraton (Thomas) The Cabinet-Maker and Upholstere 5 parts in 1 including Appendix and Accompaniment first edition engraved frontispiece with explanatory leaf list of subscribers 112 engraved plates some double-page and/or folding 6 plates supplied in facsimile slightly browned and cropped at edges 1 detached but generally a good copy 20th century morocco gilt rubbed upper joint cracked 4to 1793.
Lot 207
Smith (George) The Cabinet-Maker and Upholsterer`s pictorial title 152 plates (39 hand-coloured) soiled and damp-stained modern marbled boards leather lettering label later inscrption on front endpaper 1826 § The Universal Decorator; A Complete Guide to Ornamental Design subscriber`s copy 238 plates by William Gibbs contemporary half black calf damp-staining to preliminaries and rear n.d. § Sheraton (Thomas) The Cabinet-Maker and Upholsterer`s Drawing-Book third edition illustrations original cloth rubbed hinges cracked 1802 4to(3)
Lot 856
Attributed to Philip Reinagle (1749-1833), Bullfinch, Chaffinch, Goldfinch and Kingfisher upon a Branch of a Tree, Oil on panel, 20.5cm by 29.5cm. Entered the Royal Academy Schools in 1769 before becoming a pupil of Allan Ramsay, assisting with portraits of George III and Queen Charlotte. Exhibited at the Royal Academy 1773-1785. He contributed plates to Robert John Thornton`s Temple of Flora (London, 1798-1807), including those for the Blue Passion Flower and the Night Blowing Cereus, and provided drawings for the illustrations to William Taplin`s Sportsman`s Cabinet (London, 1803). See illustration
Lot 1432
A Late George III Mahogany, Ebony and Boxwood Strung Standing Corner Cabinet, the projecting cornice above an astragal glazed door enclosing a painted interior with two fixed shelves, the lower section with a cupboard door all between canted corners, raised on bracket feet, 100cm by 48cm by 215cm
Lot 1441
A Mahogany Chest of Drawers, stamped Gillow, circa 1850, the rectangular moulded top above three short and three long drawers, the drawer stamped Gillow is inscribed underneath Robert Townley, raised on turned feet, 117cm by 57cm by 107cm See illustration . Robert Townley is listed as an apprentice to John Battersby, cabinet maker and upholsterer, in 1844. See Stuart (Susan) Gillows at Lancaster and London 1730-1840, vol 2, pg291.
Lot 1452
A Louis XV Style Mahogany and Gilt Mounted Display Cabinet, circa 1880, the domed top surmounted with a scrolling leaf and shell cast mount, the two serpentine glass doors enclosing a green silk lined interior and two shelves, the lower section with four painted panels of classical figures in a landscape, raised on cabriole legs with foliate cast mounts and sabots, 113cm by 41cm by 206cm See illustration
Lot 1476
A Mahogany Bowfront Corner Cabinet, circa 1900, the egg and dart moulded frieze above two astragal glazed doors enclosing two fixed shelves, flanked by fluted pilasters, the lower section with two cupboard doors with oval boxwood and ebony stringing flanked by leaf carved fluted tapering columns, 100cm by 60cm by 199cm
Lot 1552
A Mahogany, Satinwood and Marquetry Inlaid Corner Cabinet, circa 1890, the swan neck pediment above an inlaid frieze of foliage and ribbon tied motifs, the astragal glazed door enclosing two fixed shelves flanked by canted glazed sides, the lower section with conforming frieze and cupboard door elaborately decorated with a marquetry panel of trailing leaves around an urn, 80cm by 45cm by 220cm See illustration
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