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Lot 152
QUEEN ANNE STYLE WALNUT DOUBLE DOME CABINET, of small proportions, moulded cornice, shaped glazed doors, candle slides, frieze drawers, cabriole legs, gilt metal escutcheons, cabriole legs, 180 (h) x 104 (w) x 37cms (d)Provenance: private collection CardiffComments: moulding shrinkage, some degrading of varnish on doors, small moulding loss door lower margin
Lot 165
GEORGE III OAK BUREAU & A CABINET, bureau with narrow frieze drawer above graduated drawers, bracket feet, c. 1800, 104(h) x 100(w) x 55cms (d), the ANGLO-DUTCH STYLE DISPLAY CABINET with angled sides, two frieze drawers, oak barley twist stretchers, c. 1910, 168(h) x 102(h) x 35cms (d) (2)Provenance: private collection NeathComments: bureau - drawers lined with newspaper dated 1819, later pressed-metal handles, minor losses, multiple stains, drop-flap key missing
Lot 1365
A 19th Century Dutch Mahogany and Marquetry-Inlaid Wall-Mounted Display Cabinet, inlaid with trailing flowers and leaves, with a moulded architectural pediment above a central glazed door enclosing three oak shelves, all between canted sides with moulded glass panels108cm by 24cm by 108.5cmThe pediment has been reattached, free from any notable damage, with some veneer bubbling, the main cabinet in good overall condition, with functioning lock, door opens and closes squarely, some minor veneer chips and minor splits, general wear.Dimensions, 108cm by 24cm by 108.5cm Depth and height of shelves - 18cm deep, bottom shelf 19.5cm, 15cm, 15cm, 21cm
Lot 6
A 19th century English porcelain two-handled cabinet cup, cover and stand, painted with continuous scenes of figures in a landscape, with gilt and beaded bordersRubbing wear to the gold gilding around the cup and saucer rim. The lid finnial also has rubbing to the gilding.. There is a chip on the rim of the cup close to the handle. There is also brown staining to the inner cup. There is a rough texture to the bases where they have been in contact with a flat surface. Please refer to the photos to help with the CR
Lot 83
A pair of mid 19th century Sevres Chateau de Dreux porcelain cabinet plates with a bleu celeste ground and gilded decoration, four reserves painted in polychrome with floral sprays enclosed in frames of tooled and burnished gold each with a central pastoral scene, Sevres 1847 mark with royal cypher of King Louis Philippe, Ch, de Dreux, and central Louis Philippe monogram 1846, 9in. (22.9cm.) diamter. * Slightly yellowed to central decoration, good ring.
Lot 143
Various works on Cornwall. E. W. Rashleigh. 'A Brief Guide to Edible Cornish Fishes,' 57 pages, printed card wraps, staple bind with rust, vg, printed by J. Wellington, Chemist, Fowey, Cornwall, 1894; 'Bude Official Guide,' printed card wraps, photographic plates, advertisements, vg to fine, The Stratton and Bude Urban District Council Advertising Committee, [late 19th century]; 'Rock's Royal Cabinet. Album of Cornwall,' original cloth backed boards rubbed, twelve illustrations on concertinaed card, good to vg, Rock Brothers Limited, London, n.d; with eight booklets including a slightly battered signed I. T. Tregellas, Netherton's Cornish Almanack for 1838 (vg) and 'Dear Old Cornwall' by the Homeland Association; A very good collection. (11)John Stengelhofen (1939-2020). Please see lot 1 for provenance.
Lot 201
RASHLEIGH, Philip. 'Specimens of British Minerals, Selected from The Cabinet of......With General Descriptions of Each Article,' First edition, volume I (of II), later cloth backed card boards, ex libris label to pastedown, tape repair to the hinge of title page verso and introduction, tape to hinge of p.13 and p.25, p.54-55-56 uncut, p.49-50-51-52 uncut, thirty three plates as called for, pp.56, table titled Specific Gravities of Several Minerals to rear, sparse and slight incidences of spotting, a vg text block with fine aquatint plates illustrated by Henry Bone (1755-1834) of Truro, W. Bulmer & Co for G. Nicol, London, 1797.Philip Rashleigh (1729-1811) of Menabilly was a renowned collector of mineral specimens, particularly of tin, much of which is on display at the Royal Cornwall Museum with portions at the Natural History Museum. By 1794 he had acquired over 4,000 mineral specimens and started to look for "a good clever man to draw and colour some of my minerals,". He settled on the well known Cornish enamel painter, Henry Bone (1755-1834) whose paintings were used to produce the plates for this scarce, early illustrated work on mineralogy. A very good copy of the first volume.
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