We found 306894 price guide item(s) matching your search
There are 306894 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
306894 item(s)/page
A Royal Worcester Porcelain Fruit Painted Cabinet Plate, F Higgins, mid 20th century, of bracket circular outline, centrally painted with a vignette of two apples, brambles and flowers, signed, within a yellow and pink scroll edged panelled border enriched heavily in gilt, black printed crown and wheel mark, and numbered 8346W, 23cm diameter
A German Vienna Porcelain Large Painted Cabinet Plate, Der Gerbruchene Krug, signed Volk, circa 1900, circular, centrally painted with a pretty young girl three-quarter length by a classical altar, holding flowers in her upheld apron, a broken jug on her right arm, signed, within a midnight blue border enriched with panels of confronted swans and foliage, edged with white beading, blue printed pseudo beehive mark, titled in gilt and numbered D202, 36cm diameter
A German "Vienna" Porcelain Plate, Lady Smythe & Children, signed Wagner, circa 1880, circular, three children gathered around their mother wearing feather plumed hat, signed, within Art Nouveau floral broad border enriched in gilt, blue printed pseudo Vienna beehive mark, titled in black script, 24.5cm; and A French Porcelain Cabinet Plate, Tour de Marlborough, circa 1880, bracketed circular, centrally painted with a view of the river with figures in a row boat near a swan, within midnight blue border enriched with floral swags in gilt, bearing blue enamel painted crossed Ls mark and DD, title in black script, 24cm diameter (2)
A German "Vienna" Porcelain Cabinet Plate "The Flower Seller", circa 1900, shaped circular, the fawn glazed border richly gilded in high relief with six small landscape panels depicting water birds and squirrels pulled in chariots by moths, divided by florets in lozenges, the central reserve painted with a half length portrait of a beautiful young brown haired woman, signed H Muller, underglaze blue printed pseudo Vienna beehive mark, titled in gilt Blumenverkauferin and 42, 24.5cm diameter
A German "Vienna" Porcelain Cabinet Plate, Drei Pauzen, circa 1900, circular, the central reserve painted with a young, middle aged and elderly woman (representing the three ages of woman), on steps, within a complex panelled border in light blue and claret with gilt foliate motifs, underglaze blue printed pseudo beehive mark and titled in black, 24.5cm diameter; and A Vienna Porcelain Painted Dish, 19th century, circular, depicting Peleus and Thetis with Cupid by a temple at the edge of a wood, within an octagonal panelled border enclosing small mythological figures in reserves against a light green ground, enriched in gilt, underglaze blue painted beehive mark and 12, vestiges of original inscription in black, 24.2cm diameter (2)
A German "Vienna" Porcelain Cabinet Plate, Ophelia, signed Wagner, circa 1900, shaped circular, painted with a three-quarter length portrait of a pretty young girl with convolvulus in her long flowing brown hair and wearing a short sleeved salmon coloured dress and holding flowers, signed, within a dark blue and iridescent border enriched with fruiting brambles and berries, blue printed pseudo beehive mark, and titled in black script, 24.4cm diameter; and Another, Marie Antoinette, circa 1900, circular, centrally painted with a three-quarter length depiction of the court beauty holding a pink rose, within an apple green broad border with acanthus leaf floret and trellis motifs in gilt, underglaze blue printed beehive mark and GERMANY, title in brown, 24.5cm diameter
A "Vienna" Porcelain Portrait Cabinet Plate, Marie Antoinette (1717-80), after the original in the Louvre, Paris, retailed by Ernest Wahliss, Wien, circa 1900, the portrait, signed Wagner Wien, within a complex midnight blue border with acanthus leaf and diamond motifs in gilt within a solid trellis rim band, title inscription in black on the reverse, retailer`s mark and impressed F&M24, 24.5cm diameter
An Hutschenreuther (Bavaria) Vienna Style Porcelain "Napoleon á Fontainebleau" Cabinet Plate, circa 1900, circular, the border divided into formalised panels glazed in ruby, lavender, soft yellow and green, centrally painted with a full length seated portrait of Napoleon in military attire, impressed crown and shield mark, underglaze printed crown and RK monogram and Dresden, inscribed P.Delaroche; Napoleon á Fontainebleau in grey script and (artist`s?) initials JBH, 24.6cm diameter Hippolyte Delaroche, better known as Paul Delaroche (17 July 1797-4 Nov 1896) was a French painter born in Paris.
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Countess Grosvenor, the young black haired beauty wearing puff-sleeved yellow dress, indistinctly signed (possibly Wagner), within typical scroll and vase panelled border, richly gilded in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 94, 24.3cm diameter
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Ruth, signed Wagner, within midnight blue border enriched with gilt scrollwork in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 24, 24cm diameter
A 1960`s Gordon Russell Teak and Indian Laurel Sideboard, with shaped top above two cupboard doors enclosing four drawers one fitted for cutlery, chrome handles, on four tapering octagonal legs, labelled "Design No. R.810 Date Dec 1960 Materials Teak & Indian Laurel Cabinet Maker H.T.Allaway Designer W H Russell F.S.I.A Made by Gordon Russell Limited Furniture Manufacturers Broadway Worcs", 183.5cm (6`) wide, 49.5cm deep, 87cm high
A George III Style Satinwood Display Cabinet, stamped Maple & Co, late 19th century, the broken swan neck pediment inlaid with ribbon tied leaves and branches, the two glazed doors enclosing two fixed shelves and a green velvet lined interior, the base with two short drawers above a serpentine shaped shelf and three-quarter brass gallery, raised on square tapering legs, 89cm by 41cm by 219cm
A Chippendale Style Display Cabinet, early 20th century, the upper section with two conforming domed top wings and a central glazed section enclosing three adjustable shelves, the base of breakfront form with three moulded cupboard doors, raised on square legs with block feet, 153cm by 41cm by 208cm
An Edwardian Mahogany and Satinwood Banded Display Cabinet on Stand, early 20th century, the broken swan neck pediment above a banded frieze, the two glazed doors enclosing two fixed shelves and a mirror back, the lower section as a curio cabinet with glazed sections and a hinged lid opening to reveal a velvet interior, raised on square tapering legs with spade feet united by a shaped undertier, 75cm by 47cm by 184cm
A Louis XV Style Rosewood, Parquetry and Gilt Metal Display Cabinet, circa 1900, the serpentine shaped top over a glazed door enclosing a mirror back and two removable glass shelves, the lower section with three Vernis Martin style panels with canted sides, raised on cabriole legs with foliate mounts and sabots, 68cm by 35cm by 158cm
A Teak and Brass Bound Table Cabinet, probably late 18th century, of rectangular form, the two hinged doors enclosing an arrangement of ten drawers with brass drop handles, raised on bracket feet with shaped apron, 60cm by 43cm by 51cm Cabinets of this design are thought to have been made for Dutch Vereenigde Oostindische Compagnie officials in either Batavia (now Jakarta) or Sri Lanka. The metal fittings and the unusual drawer construction are both typical of the form. The design was presumably derived from contemporary Japanese and Chinese lacquer cabinets. There is a similar example made of teak in the Rijksmuseum, Amsterdam, and another in the Gemeenten Museum, Den Haag. See:Jan Veenendal, Furniture from Indonesia, Sri Lanka and India during the Dutch period, Delft (1985), pl. 72. Titus Eliens (ed.), Domestic Interiors at the Cape and in Batavia 1602-1795, Den Haag (2002), No. 22.
A Regency Rosewood and Parcel Gilt Cabinet, early 19th century, the upper section with glazed door enclosing three velvet lined fixed shelves flanked by leaf carved reeded columns, the lower section with rectangular top above a frieze decorated with foliate gilt metal mounts and circular husks, raised on lappet carved tapering supports, faux marble painted platform base below a mirror plate, 92cm by 41cm by 163cm
An Early 18th Century Dutch Olive Wood, Rosewood, Ebony and Oyster Veneered Cabinet on Stand, the moulded cornice above two cupboard doors inlaid with chequer bands, floral marquetry and central medallions with arabesque rosettes, the interior with two fixed shelves, one fitted with a deep drawer, the other fitted with four small drawers, the base with three drawers above tapered supports joined by a wavy understretcher, 180cm by 60cm by 215cm
An Extensive Silver Plated Twelve-Place Setting Canteen of Cutlery, retailed by Mappin & Webb, housed within a mahogany cabinet with hinged top, enclosing a fitted interior, above two fitted drawers and a further drawer and with pull-out slide, raised upon square tapering legs with stretchers
A 19th Century Amboyna Walnut Ebonised and Gilt Metal Mounted Side Cabinet, the central section with a gallery above an open mirrored back shelf and a pair of doors mounted with opposing circular porcelain busts, with flanking cupboards enclosing shelves, the doors mounted with porcelain plaques depicting classical maidens flanked by corinthian capitals upon a plinth and turned feet, 181cms wide x 46.5 deep x 119cms high
-
306894 item(s)/page