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Lot 240
Various early 19thC porcelain, a Spode cabinet cup, 7cm high, and saucer decorated with acanthus leaves, on blue ground with gilt highlights, a 19thC Spode bat printed floral spray jug, two handled sucrier, and two further cabinet cups and saucers, to include Coalbrookdale type. (a quantity)
Lot 275
Various cabinet plates, saucers, Copeland's, Japanese saucer decorated with flowers, cabinet plates, wall plates, another with lattice floral border and in a floral hand painted ground, silver plated three part tea service, various blue and white pottery, to include 19thC plates, etc. (a quantity)
Lot 39
An Edwardian oak smoker's cabinet, with three part galleried top, a glazed front door revealing fitted interior on plain base, with single drawer containing a quantity of various pipes and related items, Bass bottle cigar cutter, desk seal, cigarette holders, etc., the cabinet, 39cm high, 31cm wide, 18cm deep.
Lot 121
AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS '240' CUPBOARD, CIRCA 1900 oak with iron fittings(105.5cm wide, 166cm high, 45cm deep)Provenance: From The Millinery Works Collection.Footnote: Literature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.153 where a similar example is illustrated. Note: This model is the first time an arched apron was employed by the designer.
Lot 177
ARTHUR W. SIMPSON (1857-1922), KENDAL (ATTRIBUTED MAKER) ARTS & CRAFTS TWO-DOOR CABINET ON STAND, carved oak and elm, the interior with four removable shelves, the base with single drawer, includes key(69.5cm wide, 74cm high, 35cm deep Base 73.5cm wide, 65cm high, 44cm deep)Provenance: From The Millinery Works Collection
Lot 216
SHAPLAND & PETTER, BARNSTAPLE ART NOUVEAU DRAWING ROOM CABINET, CIRCA 1910 marquetry-inlaid mahogany, set with mother-of-pearl, glass and mirrored plate, stamped R1787/109, bears remains of applied paper label verso(139.5cm wide, 177.5cm high, 39cm deep)Footnote: Literature: Bennett, Daryl Shapland & Petter Ltd. of Barnstaple: Arts & Crafts Furniture, 2005, p.33, pl.3.18, where a cabinet of similar design in illustrated.
Lot 228
DANIEL COTTIER (1837-1891) FOR COTTIER & CO. GRECIAN REVIVAL SIDE CABINET, CIRCA 1870-75 ebonised wood with parcel-gilt and polychrome painted decorations, bears black printed depository label verso GREEN & EDWARDS LTD.,/Depositories, Sailsbury Road, N.W./...(188cm wide, 243cm high, 51cm deep)Provenance: The Peter Rose and Albert Gallichan CollectionFootnote: Literature: en-Doesschate Chu P., Max Donnelly M., Montana, A., Veldink S. Daniel Cottier: Designer, Decorator, Dealer, Paul Mellon Centre 2021, p.64, pl.51 near identical example illustrated. Cooper, J. Victorian and Edwardian Furniture & Interiors, London, 1987, p.291, pl.291 Coleman B., The Best of British Arts & Crafts, Atglen, PA, 2004, p.12 Note: The firm of Cottier & Co. was founded by the artist, designer, decorator and art dealer Daniel Cottier (1838-1891). Cottier had trained as a coach painter in Glasgow but by the 1860s was working as a glass designer in London where he heard lectures given by the critic John Ruskin and received drawing lessons from the artist Ford Madox Brown. Returning to Scotland he eventually opened his own business in 1864, which would grow to become a highly successful international organisation with branches in London, New York, Sydney and Melbourne. Cottier was interested in glass, furniture, ceramic manufacture, and interior design. In the United States he is seen as a 'harbinger of aestheticism….and a profound influence on American decoration'. A key exponent of the aesthetic movement, Cottier developed a very original and highly distinctive style, employing to great effect delicately painted surface decoration often on gold or ebonised ground providing bold contrast. His designs frequently drew on the prevailing Japanese aesthetic associated with the aesthetic movement but also, as in the current lot, on other ancient sources.
Lot 347
SIR ROBERT LORIMER (1864-1929) (ATTRIBUTED DESIGNER) FOR WHYTOCK & REID, EDINBURGH CABINET ON STAND, mahogany, burr walnut, glass, painted and gilded wood(123cm wide, 137cm high, 54cm deep)Provenance: Paul Reeves, London Kirkton House, AngusFootnote: Literature: Savage, Peter, 'Lorimer and the Edinburgh Craft Designers', Steve Savage 1980, p. 89, plate 175 Note: Although Lorimer had used the Edinburgh cabinet makers Whytock & Reid in the 19th century, from around 1900 they increasingly became his favoured cabinetmakers because of their skill in interpreting his design sketches and their high-quality workmanship. Lorimer did not hold copyright over his work, and many examples of what may have started as his designs became Whytock & Reid pieces which, as modified for other customers, became examples of the firms' look. This fine display cabinet, probably a one-off commission, is designed in the Chinese taste, an aesthetic Lorimer favoured in the latter part of his career and employed in commissions such as Glencruitten House, near Oban, in 1927. The cabinet demonstrates all the characteristic features of his output including high quality inlaid cabinetmaking using fine timbers, with low relief carved and moulded detail.
Lot 359
ERNEST GIMSON (1864-1919) ARTS & CRAFTS CHINA CABINET, CIRCA 1916 mahogany, with pattern inlay in Macassar ebony and holly and ebony chequer beading(101cm wide, 223.5cm high, 58cm deep approx.)Provenance: The cabinet was made for Gimson's distant cousin Kingsley Gimson in 1916. The design is 1941.222.39, dated 25 July 1916, to be made in mahogany inlaid with holly & ebony.Footnote: Literature: Carruthers A., Greensted M., Roscoe B. Ernest Gimson: Arts & Crafts Designer and Architect, Yale 2019, p.251, pl. 234 where this cabinet is illustrated Note: Copies of letters held at The Wilson, Cheltenham relate to this piece. The workshop Job Book states the cabinet took over 1000 hours to make (around 20 weeks) in 1916-17. It was made by Ernest Smith with some assistance from Harry Davoll, under the supervision of Peter Waals. The price charged was £85.10s, less than the cost of £88.10s given in the Job Book (1941.225.121, p.31). The piece is typical of Gimson's later work, based on his early designs but made much more elaborate by the addition of the shaped cornice. In one of his letters, Gimson revealed that he had received an order for a similar piece as a result of this example, but that it would not be a repeat as he had 'used up the last veneers of a famous tree'.
Lot 370
GORDON RUSSELL (1892-1980) FOR RUSSELL & SONS, BROADWAY ARTS & CRAFTS CABINET, DATED 1929 cherrywood and cedar, bears label verso THIS PIECE OF FURNITURE DESIGN NO X154 WAS MADE THROUGHOUT IN THE RUSSELL WORKSHOPS BROADWAY, WORCESTERSHIRE/ DESIGNER: GORDON RUSSELL/ FOREMAN: EDGAR TURNER/ CABINETMAKER: R.FRANCE, TIMBER USED CHERRYWOOD LINED CEDAR, DATE AUGUST 15TH 1929(53cm wide, 94.5cm high, 42.5cm deep)
Lot 372
Y R.D. RUSSELL (1903 - 1981) AND EDEN MINNS (1906-1998) FOR GORDON RUSSELL LTD TABLE, DATED 1930 rosewood and English walnut, bears original label FOREMAN: FRED SHILTON/ CABINET MAKER: W. MARKS/ MADE 30 JUNE 1930(253cm long, 76.3cm high, 121cm deep)Footnote: Note: To face the challenges of the changing market in design in the early 1930s Gordon Russell suggested that his youngest brother R.D. (Dick) Russell should train as an architect. Once he had qualified Dick returned to Broadway, at which point Gordon Russell relinquished his role as designer, passing the mantle to his brother and a team of designers including David Booth and Eden Minns who had trained with Dick as an architect. Minns went on to design radio cabinets for Murphy, with whom he later took up the position of Head of Cabinet Design. Note: Please be aware that this lot contains material that may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 456
SERGE CHERMAYEFF (1900-1996) (ATTRIBUTED DESIGNER) FOR WARING & GILLOWS (ATTRIBUTED MAKER) ART DECO ripple sycamore veneer on mahogany construction with silver, ebonised and green lacquered detailing(121cm wide, 169cm high; 53cm deep)Footnote: Literature: Battersby M. The Decorative Twenties, The Herbert Press 1988, p.188, where a cabinet of similar design is illustrated.
Lot 153
A Royal Crown Derby Hand Painted Hunting Scenes shaped circular plate, signed, S. Scott, No.5; a Royal Worcester cabinet plate, painted with view, dated 1899; an Adams jasperware vase; a Mintons Imari patter trio; other teaware including Aynsley, Royal Albert, Coalport, etc; a set of six Royal Crown Derby Posies butter knives, cased; etc
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306845 item(s)/page