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Lot 68

10 Draw metal filing cabinet

Lot 1161

A French gilt metal mounted kingwood cylinder bureau cabinet, width 69cm, depth 50cm, height 157cm

Lot 1029

A George III style mahogany tray top bedside cabinet, width 39cm, depth 32cm, height 79cm together with a Victorian rosewood occasional table, adapted

Lot 1512

A mid 19th Anglo-Ceylonese ebony and bone inlaid writing box modelled as a parlour cabinet, 29.5cm wide x 40cm high

Lot 1291

° ° Morris, Rev. Francis Orpen - A History of British Birds (Cabinet Edition), 8 vols. 358 hand coloured plates (with guards); publisher's blind pictorial cloth, cr. 8vo. Groombridge and Sons, (ca.1870)

Lot 1126

A Queen Anne revival brass mounted burr walnut cocktail cabinet, width 89cm, depth 43cm, height 160cm

Lot 1121

A Chinese caved hardwood media cabinet, width 112cm, depth 47cm, height 62cm

Lot 1159

A Victorian giltwood and composition marble topped breakfront console table, with associated wall cabinet, cabinet width 82cm, depth 24cm, combined height 178cm

Lot 1124

A 19th century French brass inlaid marble topped ebonised pier cabinet, width 87cm, depth 42cm, height 105cm

Lot 1054

A 19th century French gilt metal mounted brass inlaid marble topped ebonised pier cabinet, width 83cm, depth 38cm, height 101cm

Lot 1014

A mid century French oak triple tambour filing cabinet, width 118cm, depth 71cm, height 172cm

Lot 1129

A 19th century French rosewood secretaire cabinet, width 86cm, depth 53cm, height 107cm

Lot 676

A FORTY TWO PIECE ROYAL CROWN DERBY 'DERBY POSIES' PART DINNER SERVICE, AND OTHER CERAMICS, the part dinner service comprising a meat plate, two pepper pots, one salt pot, two cream jugs (one chipped, one cracked), four sugar bowls (one cracked), a preserve pot, a small oval serving/trinket dish, three dinner plates (one with hairline), three salad plates, one tea plate, five side plates, five dessert bowls, two soup bowls, five butter pat dishes, three teacup saucers (no cups), and three coffee saucers (no cups, one chipped), red and green printed backstamps, together with a Royal Crown Derby Red Aves pattern cream jug, an undecorated Derby trinket dish (chipped), a Johnson Bros Pareek cabinet plate, etc (47) (Condition Report: most pieces appear in good condition, specific obvious damage as stated, mostly second quality pieces, signs of light use, would benefit from a clean)

Lot 1360

AN EDWARDIAN MAHOGANY AND INLAID TWO DOOR DISPLAY CABINET, width 91cm x depth 30cm x height 168cm (condition report: -good) (key)

Lot 1076

A VINTAGE MINNES-DOBBIE PATENT STEAM ENGINE INDICATOR in mahogany cabinet with nine attachments Stamped D-966 to body

Lot 1395

AN EDWARDIAN MAPLE AND CO MAHOGANY AND INLAID GLAZED TWO DOOR DISPLAY CABINET, width 92cm x depth 40cm x height 157cm (condition report: -few surface marks) (key)

Lot 1377

A SELECTION OF OCCASIONAL FURNITURE, to include an oak barley twist table, width 73cm x depth 53cm x height 77cm, along with a mahogany nest of three tables, a cutlery cabinet, and two other oak occasional tables (condition - historical splits to barley twist table, others with surface marks) (5)

Lot 1348

A VINTAGE GREEN PAINTED KITCHEN CABINET, with an enamel slide, width 79cm x depth 60cm x height 193cm (condition report: -aged wear and tear, rusting to enamel, ideal for restoration)

Lot 1319

A MARKS AND SPENCER LIGHT OAK GLAZED TWO DOOR ILLUMINATED DISPLAY CABINET, with two drawers, width 95cm x depth 44cm x height 188cm (condition report: -good)

Lot 1398

A SELECTION OF OCCASIONAL FURNITURE, to include silvered metal framed bevelled edge wall mirror, 71cm x 47cm, an oak framed oval mirror, a frameless mirror, a bentwood circular footstool, a Regency mahogany swing mirror, two chairs, ottoman and a cd cabinet (condition report: -regency mirror with a foot loose, some repairs to inlaid chair) (9)

Lot 376

TWO CAULDON CHINA HANDPAINTED CABINET PLATES, painted with scenes of ducks and fish, with pale apricot and gilt rims, each plate signed 'P Simpson', titled verso 'Canvas Back Duck' and 'Brook Trout', diameter 23cm (2)(Condition Report: good condition with a few small scratches)

Lot 1295

AN EDWARDIAN MAHOGANY AND STRUNG TWO DOOR DISPLAY CABINET, with two drawers, on square tapered legs, width 106cm x depth 37cm x height 153cm (condition report: -cut down) (key)

Lot 1379

AN GEORGIAN OAK SINGLE DOOR HANGING CORNER CUPBOARD, width 80cm x depth 49cm x height 120cm, along with an oak single door cabinet, and another oak cabinet (condition report: -surface marks and stains) (3)

Lot 1217

A MID 20TH CENTURY OAK DESK, with two drawers, width 138cm x depth 77cm x height 77cm, along with an oak office chest of four drawers, and a mid-century teak sliding door cabinet (condition report: -desk in need of restoration, rest with surface scratches and stains) (3)

Lot 1337

AN ITALIAN SIDE CABINET, width 128cm x depth 41cm x height 87cm (condition report: -good) (key)

Lot 1339

A TALL MAHOGANY CHEST OF FIVE DRAWERS, width 85cm x depth 46cm x height 111cm, a slim chest of five drawers, along with a two door display cabinet (condition report: -good) (3)

Lot 1355

AN EARLY 20TH CENTURY OAK ECCLESIASTICAL WALL CABINET, with two carved panelled cupboard doors, width 58cm x depth 16cm x height 64cm (condition report: -good)

Lot 1247

AN GOLDEN SOLID OAK DRESSER/CABINET, with four cupboard doors and a central open shelf, width 144cm x depth 43cm x height 189cm (condition report: -good) (four keys)

Lot 1269

A PAIR OF ORIENTAL CHINESE TWO DOOR CUPBOARDS, width 58cm x depth 39cm x height 86cm (condition report: -finish peeling to one cabinet, some cracking, surface scratches) (2)

Lot 1264

AN OAK CHINA CABINET, on ball and claw feet, width 55cm x depth 30cm x height 119cm (condition report: -good)

Lot 1316

A SELECTION OF MODERN BEECH OFFICE CABINETS, to include two tall cabinets including doors, filing drawers and roller doors, width 84cm x depth 42cm x height 180cm, a low roller front cabinet, and a pair of open corner units (condition report: -good) (one key to one cabinet only) (5)

Lot 1369

A VICTORIAN WALNUT AND MARQUETRY INLAID SINGLE PIER CABINET, with brass mounts, on turned feet, width 74cm x depth 30cm x height 102cm (condition report: -historical stains and marks) (key)

Lot 382

FOUR ROYAL DOULTON CABINET PLATES, printed and tinted with classical figures within a gilt scrolling foliate rim, each bearing signature 'A. Dix', printed purple backstamp and Lovington Bros retailers mark verso, diameter 26.5cm (4) (Condition Report: one plate has a hairline across the rim, the other three appear in good condition with a few scratches)

Lot 1307

A MID CENTURY TEAK WALL DISPLAY CABINET, with an arrangement of shelving, cupboards and drawers, width 201cm x depth 46cm x height 166cm x height of base 55cm (condition report: -surface scratches, missing two glass shelves)

Lot 1330

AN EDWARDIAN ROSEWOOD AND INLAID MUSIC CABINET, width 54cm x depth 36cm x height 130cm, and a two door music cabinet (condition report: -both surface scratches and marks) (2)

Lot 1238

AN EDWARDIAN MAHOGANY AND INLAID SINGLE DOOR DISPLAY CABINET, enclosing two fixed shelves, on an undershelf, width 64cm x depth 33cm x height 153cm, along with a mahogany bureau bookcase, on cabriole legs, width 74cm x depth 47cm x height 200cm (condition report: -both with surface scratches) (one key) (2)

Lot 632

A wall hanging Dutch style display cabinet

Lot 581

An Ercol Golden Dawn cabinet with drop down front above two cupboard doors and drawer

Lot 199

Six Dresden floral cups and saucers (one saucer a/f) and other cabinet cups and saucers and plates (slightly a/f)

Lot 170

TALL CABINET, 106cm W x 185cm H x 72cm D, Louis XVI style satinwood with applied brass mounts and inlaid toile de jouy fabric panels with a fall front above two doors.

Lot 202

CHINESE MARRIAGE CABINET, 62cm D x 188cm H x 108cm W, polychrome lacquered with an unusual pagoda style pitched roof and painted dragon detail of two doors and single shelf above two drawers.

Lot 173

CHINESE CABINET, 19th century scarlet lacquered and silvered metal mounted with two drawers and two doors, 77cm W x 51cm D x 73cm H.

Lot 225

CHINOISERIE CABINET, Chinese scarlet lacquered and gilt decorated with two doors, 59cm x 28cm x 77cm H.

Lot 235

MARRIAGE CABINET, 19th century Chinese, scarlet lacquered and silvered metal mounted, enclosing full height hanging space, 104cm x 172cm x 56cm.

Lot 315

COMPUTER DESK, 120cm W x 80cm D x 70cm H, American black walnut, plus a matching filing cabinet. (2)

Lot 265

GLOBE COCKTAIL CABINET, in the form of an antique terrestrial globe on stand, 92cm H.

Lot 421

DOLLS HOUSE CABINET, 132cm x 57cm x 226cm, Neoclassical style with two large doors and opening entrance door, enclosing shelved compartments above two drawers below painted finish.

Lot 270

Victorian ebonised and walnut two door cabinet with inlays, ormolu and porcelain plaque, 105cm wide x 33cm deep x 108cm tall

Lot 614

20th century Dark Oak Priory Style display cabinet together with Reproduction Yew Corner Display Cabinet

Lot 166

Decorative Kent Bone China Cabinet Cups & Saucers (3)

Lot 78

A collection of Hand Painted & similar Royal Doulton Ruffle Edged Cabinet plates, signed items noted C Hart & H Stevenson, diameter of largest 21cm(6)

Lot 135

A collection of cabinet plates, mainly Royal Albert and Davenport examples

Lot 38

A Chinese Blue and White Dragons Globular Vase Qing Dynasty. H: 15 1/4 in. W: 9 3/4 in. (39 cm x 25 cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

Lot 32

A Chinese Blue and White Fish Dragon Zun Vase Qing Dynasty. H: 14 1/4 in. W: 11 3/8 in. (36.5 cm x 29 cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

Lot 8

A Chinese Jun-ware Beaker Vase Zun Song Dynasty. H: 12 7/8 in. W: 10 5/8 in. (33 cm x 27 cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

Lot 22

A Chinese Blue and White Landscape Vase Qing Dynasty. H: 16 7/8 in. W: 7 3/4 in. (43 cm x 20 cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

Lot 3

A Chinese Underglaze Blue and Pink Enamel Vase Meiping Qing Dynasty. H: 9 3/4 in. W: 4 5/8 in. (25 cm x 12 cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.

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