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A VICTORIAN MAHOGANY DOMESTIC MEDICINE CABINET, C1860 with sliding compartment at the back and recessed brass carrying handle, with various contemporary glass bottles and stoppers and a Wedgwood white stoneware mortar, 26cm h ++In good original condition with a few minor knocks and scratches only
A part service of Victorian electroplate Old English bead pattern flatware, by Richard Martin and Ebenezer Hall, circa 1860-1896, comprising:- twelve tablespoons, 22.25cm; eighteen dessert spoons, 18.25cm; twenty-four table forks, 21.25cm; sixteen dessert forks, 18cm; ten teaspoons, 14.75cm; five egg spoons, 12.75cm; four sauce ladles, 18.25cm; two butter knives, 20cm; a pair of fish servers, 32 & 24.5cm; two serving spoons, 31.75cm; one soup ladle, 33.5cm; two large mustard spoons, 12.5cm; two salt spoons, 10cm; a caddy spoon with shell bowl, 8cm and a pair of sugar tongs, 14.75cm (103pce) in addition two small similar but unrelated salt spoons, six pairs of bone handled dessert knives and forks, ten bone handled fish knives, twelve bone handled table knives and eighteen bone handled cheese knives (54pce) all contained in a fitted polished oak four drawer cabinet (157pce total) Some pieces missing from the service, the four drawer cabinet intact but a little shabby. The bone handled items do not match the Old English bead pattern service, mostly crested
A mid 17th century Italian ebony collector’s cabinet on later stand, with architectural moulded central drawer and cupboard, the cupboard and drawer fronts inset with pietra dura panels depicting a lion and a bear, north Italian village scapes and marble veneers, similarly decorated lower drawers, on an 18th century ebonised stand, together with one additional framed pietra dura panel 157 x 113 x 48cm (61 x 44 x 19in)
An Italian painted side cabinet/bookcase , second half 19th century An Italian painted side cabinet/bookcase , second half 19th century, the top painted to simulate walnut above an open central bookcase section of three shelves flanked by cupboards, shaped apron, and on cabriole legs 105cm high, 140cm wide, 40cm deep Formally the property of Sir Edwin Lutyens, thence by descent and purchased directly from the family
A pair of recess display cabinets , late 20th century A pair of recess display cabinets , late 20th century, the tops with shell domes above glass shelves, and a pair of cupboard doors 194cm high; together with two pairs of glazed doors for a recess display cabinet , late 20th century, the top pairs arched and with five panes, the lower pairs with single pane, the arched pair 130cm high, 84cm wide, the lower pair 67cm high, 84cm wide Provenance: By Repute Purchased from Oscar Wilde's Chelsea Property
An early 19th century oak crossbanded mahogany breakfront housekeeper's cupboard, the central two panel door with conche shell inlay flanked by two panelled cabinet doors to each side, over a central cabinet door and flanked by four short drawers fitted with turned wooden handles to the base, raised on four short turned front feet, 193cm wide, 215.5cm high, 46cm deep
A mid 18th century oak high dresser, North Wales probably Denbighshire, the ogee moulded cornice over a long shelf with central short shelf flanked by a a single boarded cabinet door to each side fitted with a turned wooden handle over an open recess on a three plank rectangular boarded top over three short fielded drawer fronts fitted with turned wooden knob handles over two cabinet doors with single fielded panels below raised on short stile end supports, 135cm wide, 182cm high, 53cm deep
An early 19th century pine cabinet base cottage settle, of small proportions, the four panel back over a boarded seat between swan neck open arms, the left hand end curving slightly, the base with three single panel cabinet doors, on stile end supports, 121cm wide, 87.5cm high, 39cm deep overall
A George III oak crossbanded mahogany high dresser, Shropshire, the open rack with three central shelves flanked by an open cabinet and inlaid cabinet door to each side, on a three drawer base with two shallow drawers below flanking the cut out apron fitted with brass swan neck handles raised on square tapering splay front legs with proud knees, 186cm wide, 198cm high, 49cm deep
MAUCHLINE WARE HANGING PHOTOGRAPH FRAME featuring pictorial scenes related to Robert Burns' home in Alloway, Ayrshire, including 'Burns' Cottage', 'Interior of Burns' Cottage', 'Burns Monument' and 'Auld Brig O'Doon', also inscribed 'made of wood which grew on the banks of the Doon, bought in the cottage', 21.5cm long; together with a cabinet album featuring pictorial scenes of Edinburgh, including 'Holyrood Palace', 'Edinburgh Castle', 'Market Cross, Edinburgh', 'Sir Walter Scott's Monument, Edinburgh' and 'Edinburgh from the castle', and with a mounted page holder with a pictorial image of 'Inveraray Castle' (3)
LARGE MID-20TH CENTURY DANISH MODERNIST ROSEWOOD SHELVING UNITthree sectioned piece, top with two double and a single doored cabinets, central section with drinks cabinet, four drawers and television cupboard, bottom section with two large and a smaller pullout drawers, matched in shaping to the top section cabinets, rosewood veneer, plywood and teak carcass, tube light fitting set into top section, 188cm high, 229cm long, 60cm deep
LATE 19TH CENTURY JAPANESE STAGE CABINET with multi level shelves and with pierced panels to the back, as well as pierced frieze sections to the borders and corners of the shelving, the borders with wire inlay and the doors with gilt lacquered detailing and ivory figures, the base with chrysanthemum motifs and on cabriole legs, 120cm wide, 177cm high
A pair of Minton cabinet plates c.1895, painted by Antonin Boullemier, one with a girl in Eastern dress standing beside a wall with a blue and white bowl of fruit at her feet, the other with a servant girl reaching up to drink from a water fountain, signed, the rims with a geometric reticulated design highlighted in gilt, printed and impressed marks, 24.2cm. (2)
Two Minton cabinet plates c.1895-98, one painted by Antonin Boullemier with a Classical maiden seated by a ruined column and holding her face in her hand, doves in flight beside her, the other painted by John Currie with a girl wearing a long fur-lined coat and yellow gloves, knocking on a door, signed, within reticulated rims, printed and impressed marks, 24.2cm. (2)
A pair of Paris porcelain cabinet plates 19th century, painted in the Sèvres manner in the Feuillet workshop, each with a central floral posy to the well within a continuous flower garland, the rim with three flower panels reserved on a dark blue ground within gilt cartouches, signed to the reverse, 25.2cm. (2)
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306845 item(s)/page