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A late Victorian mirror back sideboard, oak, the arched pediment over a spindle gallery above multi bevelled mirror plates, flanked by a low open shelf to each side, above a central frieze drawer, centre open cabinet with spindle gallery front above a single drawer to the base, flanked by a single cabinet door to each side, carved with panels of swags and floral displays, on four short turned front feet, 211cms wide, 240cms high, 65cms deep
A Victorian Gothic reFORM bureau, oak, in the manner of Bruce Talbert, the bureau of piano form opening to reveal seven pigeon holes over four short drawers and stationery compartments, the hinged writing slope with three tooled leather scithers over two cabinet doors to the base revealing one fixed shelf, the skirting plinth with proud front corners, 122cms wide, 110cms high, 48cms deep
a Set of Engraved and Gilt Brass Cabinet Furniture, circa 1700, comprising lockplate decorated with a view of a town within scrolls and stylised bird heads (31.5cm wide), two sets of six hinged angle brackets engraved with foliage, a pair of smaller angle brackets, a door catch and four scroll-fretted triangular mounts, key, and a floret boss See illustration
a Late Victorian Mahogany Table Display Cabinet, of square section, with ogee moulded jutting cornice over a three-sided glazed display, the two side panels and hinged door with Arabic arch carved with foliage at the angles, internally with single glass shelf, on an ogee moulded plinth, 35cm by 28.2cm by 28.2cm
a Victorian Rosewood-Framed Long Stool, the rectangular top upholstered in diapered green and gold cloth, on shaped rails and moulded cabriole legs with scrolled toes, 119cm long See illustration bears trade label of I & J Ashford, Cabinet, Chair and Upholstery Manufacturers, Saxmundham, Suffolk.
a Dutch Colonial Ebony and Satinwood Cabinet, with a canted top and moulded cornice with pulvinated frieze drawer, over two panelled doors enclosing a variety of small drawers, with a long drawer under, the stand with a long drawer on turned legs joined by a cross stretcher, Sri Lanka, early 18th century, 125cm by 100cm by 50cm See illustration
an 18th Century Dutch Walnut and Marquetry China Cabinet, the shaped arched cornice centred by a scrolling acanthus, over two shaped glazed doors enclosing velvet-lined shelves, between glazed canted sides, the bombé base with three long drawers over a shaped apron, between canted trusses, on claw feet, 230cm by 180cm by 49cm See illustration
a Royal Worcester Porcelain Cabinet Plate, Harry H Price, 1936, of fluted circular form, painted with a rim-to-rim still life of two yellow plums, blackberries and raspberries on a mossy bank within a gilt dot and line border, signed, printed mark in puce, date cypher, 23.5cm diameter; and A Similar Later Smaller Plate, R Price, painted with a still life of two peaches and blackberries on a mossy bank within a gilt gadroon moulded border, signed, printed mark in black, 20cm diameter (2)
a Pair of Royal Worcester Porcelain Cabinet Plates, Richard Sebright and George Cole, circa 1912-17, painted with still life vignettes of two yellow plums and other fruits and flowers, and two peaches and blackberries with blossom within a richly gilt decorated cobalt blue and pink scrollwork border, signed, printed marks in puce, 23cm diameter
a German Portrait Painted Cabinet Plate, signed Dittrich, late 19th century, the central reserve painted with a bust length portrait of Mrs Bridgewater after George Romney (titled in red script on the reverse), signed, within triple banded border worked with repeat stylised leaf motifs and with white enamel repeat dot rim, beehive mark in underglaze blue, also impressed "MR" (within a circle), 24.2cm diameter
a Vienna Porcelain Cabinet Plate, circa 1870, centrally painted in polychrome enamels with "Amor's Beranche" by Schuler with a scantily draped cupid seated in a chariot pulled by three young ladies scattering flowers before them within a gilt highlighted claret and turquoise panelled border, signed, printed mark in underglaze blue and inscribed in black, 24.5cm diameter; and A Similar Smaller Plate, painted with "Winter" depicting the allegorical figure holding a scantily draped seated female figure in an ice landscape, indistinctly signed, printed mark in underglaze blue and inscribed in gilt, 24cm diameter See illustration
ART NOUVEAU MAHOGANY DISPLAY CABINET the elaborate pierced gallery above an inlaid frieze above arched canopy, pierced and inlaid with Art Nouveau whiplash foliage and enclosing an astragal glazed door flanked by corresponding panels and raised on square tapering legs linked by a lower stretcher 153cm wide, 207cm high, 44cm deep
SHAPLAND AND PETTER, BARNSTAPLE INLAID MAHOGANY ART NOUVEAU DISPLAY CABINET the arched ledge back with mirror plates on turreted supports above two bowfront astragal glazed doors with convex glass panels enclosing shelves, flanked by panelled cupboard doors, on a gadrooned apron and moulded square section legs with block feet united by an upswept stretcher, the whole decorated with stylised flowerheads on scrolling tendril stems, highlighted in abalone shell 140cm wide, 200cm high, 40cm deep
ART DECO BIRCH DINING ROOM SUITE comprising a sideboard, the semi-bowed top with two drawers and four cupboards below, 152cm wide; a side cabinet of bowed form with concave central section flanked by drawers with single cupboard below, 137cm wide; an extending dining table, the black laminated top above twin pillars with black plinths, 158cm long, 76cm high, 106cm wide; and six matching chairs, each with cowled backs and white rexine upholstery (9)
EDWARD WORMLEY FOR DUNBAR FURNITURE SAP WALNUT FREE-STANDING CABINET, 1950S on 'X' stretcher base with folding hinged doors enclosing a fitted interior, polished brass sabots to the feet 131cm wide, 103cm high, 37.5cm deep Note: this rare design can be placed circa late 1940s and shows the influences of European Modernism on Wormley's designs, notably Jean-Michel Frank. Not in production after 1955.
Pair of Royal Worcester cabinet plates painted with birds amidst gilded reeds upon a pale jade ground, circa 1882/3, 9" high; Royal Worcester cabinet plate painted with a grouse within a sepia floral transfer printed border, 9.25" diameter; together with another Royal Worcester cabinet plate (4)
Royal Worcester porcelain cabinet coffee can and saucer painted with sailing boats, pattern 8562; pair of Royal Worcester porcelain cabinet cups and four matching saucers painted with rose garlands in pastel shades; Royal Worcester blush ivory cabinet cup and two saucers painted with flowers (cup a.f) (11)
A stained wood hanging cupboard, the moulded frieze above panelled door, 59 x 51 x 32 cm, together with a Victorian mahogany luggage stand, 46 x 62 x 41 cm, a glazed and brass wall cabinet, 127 x 64 x 14 cm, a jardiniere stand, 106 x 32 x 32 cm and a Regency style bowfront bachelors chest of drawers, 77 x 61 x 45 cm, (5).
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306845 item(s)/page